In August, the Frank Lloyd Wright School of Architecture found its accreditation in jeopardy, following a rules change by their regional accrediting board, the Higher Learning Commission (HLC). Now the institution needs to raise $2 million before the end of 2015, or it will lose its standing once the new rules take effect in 2017. The challenge lies in establishing the school as an entity fully independent of its parent company, the Frank Lloyd Wright Foundation. HLC, apparently targeting for-profit universities, said it would no longer offer credit to schools that are part of institutions whose “missions extend beyond academics.” As part of a foundation that also advocates for preservation and engages in non-academic pursuits, the Frank Lloyd Wright school found itself in violation of these new rules. Now the plan is to spin off the school, which earned accreditation in 1992, into a financially independent entity. To do that, the school's administrators say they need to scrounge at least $1 million in cash and pledges by March 27, and then another $1 million by the end of 2015. If they meet that goal, the Frank Lloyd Wright Foundation has agreed to make a one-time gift of $7 million. "This campaign is the only opportunity to save the Frank Lloyd Wright School of Architecture as we know it," said Maura Grogan, chair of the school’s board of governors, in a press release. If they don't reach their fundraising goal, President Sean Malone told AN the school "would remain deeply dedicated to shaping architectural education," but would lose its ability to offer accredited degrees after 2017. They could still team up with accredited institutions to offer such credentials, but their standalone certifications would carry considerably less weight in the professional world. Malone said the rules change had the unintended effect of risking the school's standing due to its unique status as a financially dependent subsidiary of a larger foundation. "It was an imperfect storm," Malone said. “Right now we're very hopeful and focused on bringing in people who believe in this cause." The Frank Lloyd Wright School of Architecture offers a professional M.Arch degree program with a focus on hands-on studio experience at its two campuses: Taliesin West in Scottsdale, Arizona, and Taliesin in Spring Green, Wisconsin.
Posts tagged with "FLW":
Frank Lloyd Wright fans have had plenty to celebrate lately. In December the Prairie School architect's first independent commission, the William Winslow House, went up for sale. Now there’s more good news, reports Blair Kamin for the Chicago Tribune: the balcony over Wright’s studio in Oak Park, Ill. will be open to the public during tours for the first time in 40 years. The Frank Lloyd Wright Trust will give two guided home and studio tours each day starting March 21, at 10 a.m. and 4 p.m. An installation on the balcony at 951 Chicago Ave. in Oak Park will celebrate Wright’s work and that of his colleagues Marion Mahony Griffin, Walter Burley Griffin, and William Drummond. Wright, 22 at the time, designed the home studio for his family in 1889.
On Wednesday night, the Guggenheim brought together the women behind the man, and apparently the myth of Frank Lloyd Wright, in a program titled “The Architecture of Wright: Wright, Women & Narrative." Co-organized with the Beverly Willis Architecture Foundation, the lecture was accompanied by the premiere of A Girl Is A Fellow Here: 100 Women Architects in the Studio of Frank Lloyd Wright, a 15-minute documentary film produced by the Foundation. Throughout his career, Wright employed over 100 women architects and designers, and the film focuses on the lives of six of these women, including Marion Mahony, Isabel Roberts, Lois Gottlieb, Jane Duncombe, Eleanore Petterson, and Read Weber, who worked alongside Wright during his prolific career from his Oak Park offices to Taliesin West.Through their work and words, the film reveals what each woman learned from their time with Wright, what they took with them, and how they went on to become established architects in their own right. From splitting wood, to laying shingles, drafting, and designing, women were treated as equals under Wright. Given the opportunity of training and practice, the film shows, these women went from apprentices to partners and owners of their own firms, creating thousands of projects across the country. While the film focused more specifically on the women and their role in the history of modern architecture (which unfortunately, for the most part, was overlooked until this documentary), the accompanying discussion, led by Suzannah Lessard with Carol Gilligan and Gwendolyn Wright, was structured around Wright. Using the documentary as a catalyst, the lecture delved into deeper issues of architectural narrative and how Wright’s autonomy often overshadowed his collaborative relationships, in this case, with the women he employed. The film is scheduled to be released in mid-July, and will soon be available on the Beverly Willis Architecture Foundation’s website.