Just about every city on planet earth wants to build its own version of New York City's hugely popular High Line. The ever-growing list includes Miami that plans to turn a 10-mile stretch of underutilized land beneath its elevated Metrorail into a park and bike path. The project is called "The Underline" because, well, you get it. While there is no firm construction timeline for the project, James Corner Field Operations, the lead landscape architect behind the actual High Line, has been picked by a local jury to create a master plan for the park. The firm was selected out of 19 submissions and five finalists that included dlandstudio, Balmori Associates, Perkins + Will, and Stoss. The Miami Herald reported that the $500,00 design contract is being funded by local cities and private foundations. The design is due in September and no construction money has been secured just yet.
Posts tagged with "Florida":
This mall looks like it should be built in Dubai, but it’s actually planned in Miami as the nation’s largest
The slew of stories on the death of the American shopping mall has not deterred one real estate company from submitting plans to build the largest shopping and entertainment center in the country. The Miami Herald reported that the ambitious plan comes from the Triple 5 Group, a company that knows a thing or two about big malls—it owns and runs the Mall of America in Minnesota. Apparently not satisfied with letting that mall remain the nation's largest, the developer has unveiled designs for something even larger in Miami-Dade County. If you ignore the mall's very 1950s, Americana-sounding name, "American Dream Miami," it looks like something you might find in Dubai or a Chinese city, but, no, the 200-acre complex is planned for the good ol' U.S. of A. So, what does the American Dream include? Well, restaurants and shops, and hotels and condominiums, and mini golf, and a theme park, and a skating rink, and a Legoland, a Ferris wheel, and indoor gardens, and—get ready for these two—a sea-lion show and a "submarine lake." Oh, and in a very Dubai-move, it also has a 12-story indoor ski slope. Sorry, one more thing—there is also some sort of telescope situation poking out of what appears to be the "ski dome." For the American Dream to become a reality, the developer first needs a change in zoning to move things along. From there, things get a little tricky. Triple 5 could acquire most of its required land from a private company, but 80 acres of the site is owned by the state. And, as the Herald pointed out, the Miami-Dade school system has a lease on a big chunk of that acreage. Apparently, Triple 5 would give the school system $7 million to waive its lease and another $11 million to the state for the rest of the land. Triple 5 could also be asked to fund mass transit improvements in the area. The plan will reportedly be considered by county commissioners and the school board later this month.
AN has an exclusive look at a new home in Golden Beach, Florida designed by Chad Oppenheim of Oppenheim Architecture + Design. If we’re being honest here, the 23,000-square-foot home is really more of a resort masquerading as a private residence. Or maybe it's a private residence masquerading as a resort. Either way, the home is massive and packed with amenities. First, 699 Ocean Boulevard has a 5,000-square-foot spa that is twice the size of the average new home built in America. Inside the mansion-sized home spa is a steam room, sauna, arctic room (what?), treatment baths, and a sunken hammam room. There’s also a “spa pool with jets” and a “lap pool with a waterfall.” The very, very large home is comprised of stacked concrete volumes that are visually softened by overgrown vegetation and moveable vertical wood slats that act as a shading system. Massive window panes and openings connect the interior and exterior spaces giving the entire place a very open and airy feel. To complete the natural feel, Oppenheim plants a tall “living wall” of local and exotic flora in the main entryway. If at any point, this home—with its en-suite eight bedrooms—starts to feel a little cramped, there is always the 700-square-foot guest house next door. For the record, that guest is house is 200 square feet smaller than the home's main kitchen. “We worked really hard to make sure this home will enhance every aspect of your life–from pulling into this incredible garage to sitting on a second story terrace or a roof garden and opening the windows that retract automatically into the walls, really helping one connect viscerally to the place,” said Oppenheim in a promotional video for the home. The home is listed at $36 million so booking a few nights at a resort probably makes more sense. Looks like you're going to have to share the hammam room.
Fly's Eye Dome reproduction applies contemporary tools and materials to 1970s concept.Thirty years after R. Buckminster Fuller's death, the visionary inventor and architect's Fly's Eye Dome has been reborn in Miami. Unveiled during Art Basel Miami Beach 2014, the replica dome, designed and fabricated by Goetz Composites in cooperation with the Buckminster Fuller Institute (BFI), pays tribute to Fuller both aesthetically and technologically. Constructed using contemporary materials and digital design tools, the new 24-foot Fly's Eye Dome (which serves as the pedestrian entrance to a parking garage in the Miami Design District) is yet further evidence that the creator of the geodesic dome was ahead of his time. BFI commissioned Goetz based on the firm's prior work restoring the original Fly's Eye Dome. At the end of that process, they created a 3D scan of the prototype for BFI's records. The digital files were the jumping-off point for the reproduction, for which ConForm Lab's Seth Wiseman provided critical design assistance, as did Daniel Reiser of DR Design. Wiseman produced a parametric model of the dome's truncations in Grasshopper, then compared his model to the 3D scan of the original to make sure the geometries matched. A 2012 reproduction of the Fly's Eye Dome, the MGM Butterfly Pavilion in Macau, China, constituted a practice round of sorts. "For Macau, we had a tight timeline: from the algorithm to shipment [we had] six weeks," said Wiseman. "We were able to review and tweak the geometry for the Miami dome—to refine it and make it more consistent with the original prototype." Goetz, Reiser, and Wiseman introduced a few crucial changes into the Miami reproduction. "Bucky's original intent and concept was well-placed, but it suffered in execution," observed Wiseman. Fuller's prototype used a shingle system of overlapping truncations to shed water. As a result, the geometry was complicated. "The problem for us, from the manufacturing standpoint, is that it required four different molds," said Wiseman. "Though technology allows us to produce something of this complexity fairly easily, it's cost-prohibitive unless we're doing something on a production scale." The design team eliminated the shingle system, instead using a standard two-legged flange and coupler attachment to connect adjacent truncations on the dome's interior. The attachments are both mechanically fastened—for fidelity to Fuller's vision—and epoxy fitted—to meet engineering requirements. "If we were to do a third iteration, our hope is to develop joinery to eliminate the fasteners, for both assembly and aesthetic reasons," said Wiseman. In keeping with Fuller's commitment to all things cutting-edge, Goetz fabricated the reproduction using 21st-century materials and methods. They selected a PRO-SET epoxy originally developed for use on Coast Guard vessels to stand up to the South Florida weather, and replaced the glass domes with polycarbonate lenses sourced by Wasco and detailed with help from 3M. The composite forms were milled on a 5-axis CNC machine using EPS foam molds. (MouldCAM did some of the CNC cutting.) "The nice part with the Miami dome is that it's the next iteration," said Wiseman. "We've created a fire-retardant, code-compliant structure in the same vein [as the original]. I hate to say it, but I'm kind of excited to see a major storm hit Florida and see how it performs." For Goetz's Chase Hogoboom, the Fly's Eye Dome represents not just the history, but also the future of architecture. "Our background historically has been building state-of-the-art racing sailboats," he said. "We're seeing more and more demand for use of composites in architectural applications, mainly as a result of designers using programs that allow them to design very complicated shapes that need to be structural. And if you look at a Bucky dome, it's a complicated shape that needs to be structural."
About 10 years ago, the city of St. Petersburg, Florida started talking about tearing down one of its most well-known piece of architecture: a 1970s-era, inverted pyramid at the end of a city pier. The city would then replace that pier head with a more modern, but still architecturally significant, statement. So, a few years back, a design competition was launched, and it resulted in some of the most ambitious designs we’ve ever seen from a competition like this. The Bjarke Ingels Group (BIG) created a massive, spiraling loop, West 8 designed a sea urchin–shaped pavilion, and Michael Maltzan Architecture envisioned The Lens, a massive circuit of bridges and pathways that connect into an angled canopy—or lens—that faces back toward the city. Out of that short-list, Maltzan came out on top, but nothing ever materialized and the inverted pyramid is still standing. Long story short: voters overwhelmingly rejected the $50 million plan at the polls, a new mayor was elected, and then, this fall, a second, more public-facing, competition was launched. Now, eight designs from that competition have been unveiled. While the teams competing aren't as well-known as those in round one, their designs are no subtle gestures. Each team received a $30,000 stipend for its work, meaning the second competition has already racked up nearly a quarter million dollar bill. That's on top of the millions of dollars poured into the first competition that didn't really go anywhere. All of the new plans come with extraordinarily splashy renderings (literally, there are dolphins splashing around in one), and long, detailed plans. One proposal is even paired with a video set to Frank Sinatra’s "Somewhere Beyond The Sea." Following public input, the City Council will approve one of these plans next spring. A St. Petersburg official told AN that funding for the pier has already been allocated and would not have to go back before the voters. For this round, each team was asked to work within a construction budget of $33 million. And now onto the proposals for round two: Prospect Pier FR-EE with Civitas + Mesh From the architects: Prospect Pier celebrates our unique geography, culture and history as a subtropical, waterfront city. In a reinvented Pyramid that looks to the future, it builds upon the Pier’s assets – a strong form floating over the water. Our vision is a journey that begins downtown, passes through a vibrant park and becomes a magical stroll over water before ascending through active, public spaces culminating in breathtaking views of city, sea and sky, high over Tampa Bay. Destination St. Pete Pier St. Pete Design Group From the architects: The St. Pete Design Group's concept provides the perfect marriage of historic icon and modernized, functional pier; a pure, crystalline pyramid is surrounded by fun, contemporary elements and activities within multi-leveled layers of shade. Varied attractions that will keep residents and tourists coming back include a larger Spa Beach, multiple dining options, a children's zone and a spectacular waterfall. Come fish, play, relax and remember. Discover the New St. Pete Pier. The Pier Park Rogers Partners Architects+Urban Designers, ASD, Ken Smith From the architects: The ASD/Rogers Partners/KSLA design honors St. Petersburg Pier’s robust, eclectic history while transforming it into a 21st century public place. It is a hub for activity; not only at the pier head, but all along its length. Flexible programs engage tourists and community alike – from children to seniors, nature lovers to boaters, fishermen to fine diners. The Pier does not take you to a place – the Pier is the place. It is THE PIER PARK. ALMA Alfonso Architects From the architects: The Soul of the City. Cultural Icon. Just as the Eiffel Tower image alone can conjure up an entire cultural experience by merely representing a fragment of the City, the Pier transmutations over the years have served as the symbol and spirit of the place that is St. Petersburg. Our project will recapture the past, embrace the present, and look to the future ALMA: The Soul of St. Petersburg. Blue Pier W Architecture and Landscape Architecture From the architects: The vision for the St. Petersburg Blue Pier lagoon park is a grand civic gesture bringing the pier, bay and natural landscape closer to the city. Blue Pier acts as a unifying element uniting the Bay with the City along a new axis of recreational and economic activity. Starting new allows us to set a new sequence of events in motion to make the pier even more successful and relevant for the coming century. rePier Ross Barney Architects From the architects: repier is a vision of St. Petersburg as a catalyst for more environmentally-friendly, physically-engaging, and socially exciting urban living. repier adds opportunities to engage with the water, creates marine habitat, provides places to snack and sit in the shade, and builds a social space that also generates electricity. repier projects progress and hope and provides St. Petersburg with a place that is useful and loved. The Crescent ahha! - New Quarter From the architects: The crescent as a metaphor for the growth of our community. A gathering place for the people of St Pete; a place for learning and play. A place that is self sustaining. How does one have a pier experience without actually being on a pier? Why not go out on a limb? Isn't that where the fruit is?" - Frank Scully Discover Bay Life VOA From the architects: “Discover Bay Life” respects the past and looks to the future by transforming the upland park and pier into a new destination for St. Petersburg. Just as life on the Bay continually transforms, so does life at “The Pier”. Three destinations - Bay Life Park, the Pier, and the Marine Discovery Center - become one unique destination for locals and visitors to discover and enjoy year around.
The Vancouver-based New Buildings Institute (NBI) tracks energy efficient built work, and their 2014 update, “Getting to Zero”, provides a snapshot of the emerging U.S. market for net-zero buildings—those are structures that use no more energy than they can gather on site. In the United States, California leads in the number of low and zero energy projects with 58, followed by Oregon (18), Colorado (17), Washington (16), Virginia (12), Massachusetts (11), Florida (10), Pennsylvania (10), Illinois (8), North Carolina (8), and New York (8). NBI also compiled a database of all their buildings. They say architects and developers interested in pursuing net-zero design could find inspiration there, searching according to their local climate and/or building characteristics. The database includes energy-efficient and high-performance buildings that are not net-zero, as well. Though the trend has succeeded in garnering attention and excitement among many designers, true net-zero buildings remain elusive in the built environment. So far NBI has only certified 37 buildings as net-zero. That ranking is based on performance—each building underwent a review of at least 12 months of measured energy use data. If piece-meal projects aren't yet adding up to a groundswell of net-zero design, NBI is also pushing systemic change—rigorous energy efficiency standards recently adopted in Illinois took cues from the group's Core Performance Guide.
The style of architecture known as "mid-century modern" is a cousin to the "International style." A popular combination of European stylistic tendencies and domestic American influences, including furniture design, it has become an influential catch all term for distinguished post-World War II structures and commercial tract homes (like the Eichler Homes). While the style has become widely popular in lifestyle magazines like Dwell and even replicated in new suburban developments, the original homes are being regularly torn down and being replaced with bloated McMansions that have shoe closets the size of the former mid-century living rooms. But the style has a huge following and a number of organizations to highlight and preserve is monuments. Docomomo has been in the lead highlighting these structures and Palm Springs was one of the first city to host a "modernism week." The latest city to create a week of activities devoted to the style is Sarasota, Florida, which along with Palm Springs and New Canaan, Connecticut, were experimental centers of the style. The Florida city also had a gifted number of architects working in the style: Paul Rudolph and his early mentor Ralph Twitchell, Gene Leedy, Victor Lundy, Tim Seibert, and Carl Abbott. The four day event of lectures, city and house tours that took place this fall was a model of how a community can highlight its unique but disappearing history. The week was created the Sarasota Architectural Foundation (founded by Martie Lieberman, a realtor who specializes in the style of homes) which is trying to promote the city's modern architecture. It hopes to raise awareness of the style so its buildings can be preserved, updated, and even become a model of a future architecture that is more responsive to needs and demands than the typical McMansion. Sarasota prides itself on its modern history and was a unique crossroads of culture, commerce, and environment after World War II that helped birth this style. The week also highlighted the fascinating figure of Philip Hiss III who moved to the beach community in 1948 and became a major figure in the community. He was chair of its education department (which commissioned Paul Rudolph to design two high schools) and a developer of the modernist community Lido Shores. The Foundation is hoping to make their week an annual affair and the area has the modern assets to make it work.
This week an already roiling real estate market in Chicago's West Loop got hotter still. The latest entrant is a $400 million mixed-use tower designed by Goettsch Partners—a 350-room, four-star hotel beneath about 600,000 square feet of offices that will surely stoke the continued evolution of the area from post-industrial grittiness into a sleek, high-rent hub for technology companies and haute cuisine. Crain's Chicago Business reported Florida-based developer Joseph Mizrachi will further thicken an already competitive field of downtown office space, building on his 2012 acquisition of a 1.1 million-square-foot office tower at 540 West Madison Street. His group, Third Millennium Partners, hopes to start work by mid-2015 on a 1.2 million-square-foot building just to the west, at 590 West Madison Street. Goettsch Partners' design is restrained, concealing its luxury hotel rooms and undoubtedly high-tech offices in tranquil planes of glass, scored with white mullions that stripe the building's bifurcated mass vertically.
As for the crowded market, Crain's says Mizrachi enjoys an advantage over the competition:
Because the foundation already was poured for the new building years ago when a second office tower was planned, the new tower can be built in as little as 20 months, giving Mizrachi's plan an advantage over some competitors, [J.F. McKinney & Associates Executive Vice President Mark] Gunderson said. Work could begin with as little as 200,000 square feet of office space leased in advance, he said.It also might compete by offering office rents slightly lower than its neighbors, which include 52 and 53 story towers from developers Hines Interests and John O'Donnell.
With Art Basel underway, not-quite-yet-starchitect Fernando Romero has unveiled new plans for what could become Miami's next architectural icon: the Latin American Art Museum (LAAM). That's right, this 90,000 square foot, cantilevering structure could overshadow the nearby works of his higher-profile peers like Frank Gehry, Zaha Hadid, and Lord Norman Foster. And Jeanne Gang and Herzog & de Meuron. And also Bjarke Ingels and Enrique Norten, because Romero's—sorry, and Richard Meier and Rem Koolhaas. Okay, that has to be everyone. All starchitects have been accounted for. Where were we? Right, the Latin American Art Museum. Romero's firm, Fernando Romero EnterprisE (FR-EE) has created an arresting structure defined by generous, crisscrossing terraces that provide circulation and open-air gallery space called "sculptural gardens." Together, the rotated squares evoke a deck of cards being shuffled or an uneven stack of plates. “The different levels of the building define LAAM’S program,” FR-EE said in a statement. “The first floor will be reserved to young and emergent artists; the second one will be for temporal exhibitions; the third floor will house a selection of 600 pieces belonging to the permanent collection; finally, a restaurant will crown the top of the building.” In October, the Miami Herald reported that the museum is being funded by local art collector Gary Nader, and that it will heavily draw from his own collection. Right, kind of like George Lucas and his contested museum of narrative art in Chicago. Nader will reportedly build a residential tower on the same piece of property in Downtown Miami to help pay for the museum, which is expected to open in 2016.
Design Miami/, the annual global design forum, has announced that Minneapolis-based designer Jonathan Muecke has been selected to design its pavilion for next month's show. For the coveted commission, Muecke created a cylindrical space accessible through two entrance points. The structure is finished in primary colors: red and green on the inside and blue and yellow on the outside. Within the circle is “seamlessly shaped seating” designed to “allow visitors a moment of quiet reflection.” While the design may seem fairly simple, Design Miami/ thinks the space will really come alive when the Florida sun comes through its translucent tarp, creating a "shifting topography of reflected color.” According to Design Miami/, Muecke’s practice “resists standard divisions between design, art and architecture, instead focusing on refined forms that investigate notions of positive and negative space, positional relationships to structures and the innate desire to read notions of functionality into objects that relate to human scale.” The young designer studied architecture at Iowa State, design at Cranbrook Academy of Art, and interned for Herzog & de Meuron in Basel, Switzerland. Design Miami/, which occurs alongside Art Basel, celebrates its 10th anniversary from December 3–7th. [h/t DawnTown]
In 1948, Paul Rudolph was residing at the American Academy in Rome. He had traveled there to study classical architecture, but was instead spending his days designing modern houses for Sarasota, Florida. In fact, Sarasota, according to Timothy Rohan who has recently published a monograph on Rudolph, made a huge impression on the architect and defined his work for the rest of his career. He had moved there to apprentice and work for the local architect Ralph Twitchell, who in the 1940s helped create a style of modern house that eventually became known as the Sarasota school. The sleepy seaside village had become like Palm Springs, California and New Canaan, Connecticut—a laboratory of modernism—because, as Rohan explains, its "cultured winter time residents were open to architectural experimentation in their second homes." From October 9–12, 2014, the Sarasota Architectural Foundation, will be staging “SarasotaMOD Week[end],” a four-day celebration of the region’s iconic mid-20th-century architecture, particularly its oceanside houses and famous public schools. Leading architects, designers, historians, and authors like Carl Abbott, John Howey, Joe King (co-author of Paul Rudolph: The Florida Houses), Lawrence Scarpa, Tim Seibert, landscape architect Raymond Jungles, and author, critic, and filmmaker Alastair Gordon will explore the ongoing impact of this movement through presentations, panel discussions and tours. For more information and to register for the weekend, click here.
And you can now add Rem Koolhaas to the ever-growing list of starchitects designing luxury condos in Miami. Curbed Miami recently attended the unveiling of the Dutchman’s luxury project at Coconut Grove, which is rising conspicuously close to a project by his former student, Bjarke Ingels. Conspicuously close. But since this is Miami, Koolhaas was not the only starchitect vying for the project, known as Park Grove. He had to beat proposals from Christian de Portzamparc, Jean Nouvel, and Diller Scofidio + Renfro. On the roughly 6-acre site, Koolhaas creates three 20-story cylindroid towers of glass and what appears to be concrete. The structures’ floor-to-ceiling windows—no surprise there, this is oceanfront Miami after all—are separated by vertical columns that subtly undulate as they rise. A similar design element is incorporated into Herzog & de Meuron’s luxury condos on the other side of town. Park Grove also resembles the Swedes’ latest condo project in New York City, which similarly has a rolling, curving facade. In total, the project includes 298 units and three acres of green space. The most dramatic part of this project are the towers’ multi-story, green roof–topped bases, which house commercial tenants. In at least one of the structures, the grassy topper appears to rise into the tower itself. The project, overall, though is surprisingly restrained—appearing more like a collection of stock Miami apartment towers than the latest work of one of the world’s most acclaimed architects. Either way, the luxury condos at Park Grove are not going to run cheap. The project includes interiors by William Sofield and landscapes by Enzo Enea. And real estate brokerage firm Douglas Elliman said the project has a "sense of tropical urbanism." Construction on the project is slated to break ground next year.