In an effort to reduce the cost of housing even further, this prefabricated home proposal ditches the cost of a traditional lot entirely. The houseby UK-based Carl Turner Architects doesn't need one—it floats. Essentially a rubber-coated timber box nestled on a 65-foot-by-22-foot flood-proofing concrete tray, the home is outfitted with amenities for total self-sustenance just like a houseboat on open waters. Affixed to the interior is a pair of semi-translucent solar panels measuring 904 square feet, while a rooftop rainwater-harvesting tank—next to the crow’s nest on the rooftop balcony-cum-garden, of course—satisfies all non-drinkable water needs. Inside, meanwhile, the timber walls are bolstered with thick rubber insulation, while the triple-glazed windows keep inhabitants toasty. Space-wise, there is nothing makeshift about this home. The living quarters, contained within a 45-foot-by-16-foot cross-laminated timber frame, consist of two bedrooms, a study, a bathroom, living room, and kitchen. While the tray beneath the house is buoyant (though non-movable), the house is designed to be amphibian: when constructed on land, the base disappears; when assembled on a floodplain, it can be buttressed by stilts or a non-floating, flood-resistant thick concrete base. Like the prefab, the component parts of Floating House can be conveyed to the site by lorry or barge and simply lifted into position. Designed to confront a recent uptick in flood incidents in London, Carl Turner Architects debuted Floating House via the open-source architecture project, PaperHouse. The firm has promised to upload the blueprints to the site, enabling anyone to download them and build their own buoyant home.
Posts tagged with "Floating House":
Considering how much trash Baltimore's solar-powered Trash Interceptor scoops out of the city's harbor—50,000 pounds a day!—these floating islands made from found plastic waste might just stand a chance. With the support of the Creative Industries Firm NL, WHIM Architecture is developing a prototype of their project, the recycled island, built primarily from recycled plastic waste gathered from the North Pacific gyre and the North Sea. The prototype seeks to first try out the concept at a small scale by building a floating house surrounded by plants. This “floating villa” will test the durability and practicality of plastic as a building material and be the test that determines whether the recycled island idea is plausible. There are four chief aspects of the prototype island: the platform, the balustrade, the roof, and the external wall. According to information provided by WHIM, the platform will be composed of hollow plastic blocks covered with vegetation while the balustrade will be made of hollow plastic blocks filled with soil to support the aforementioned vegetation. Both the roof and the walls will be made of blocks filled with non-recyclable waste. While the designers are currently working on a prototype island of a smaller size, the actual recycled island would be approximately the size of Hawaii’s main island. This rather sizeable floating island will sit on the Maas River in Rotterdam and act as a station to collect waste before it empties out into the North Sea. The repurposing of plastic waste would then give the litter new economic value and may encourage people to hold onto their trash rather than improperly throw it away. Therefore the recycled island may help combat pollution and waste problems on two fronts: one by collecting waste and building with it and another by discouraging people from littering.
In June a full-block surface parking lot in downtown Flint, Mich. will house a ghostly, floating home — a monument to the ravages of the foreclosure crisis and a nod to the revitalization public art projects like this one hope to further in the one-time home of General Motors. London-based Two Islands took first place in the inaugural Flat Lot Competition, which comes with a $25,000 prize, for their design, Mark’s House. The story of an imagined Flint resident named Mark Hamilton, whose family loses their home to foreclosure, Mark’s House takes the form of a Tudor-style house clad in reflective panels and set atop a mirrored pedestal. The structure can hold 1,500 gallons of water to be used for cooling mists for visitors to the structure’s canopy and event stage on hot summer days. The design-build competition, launched last fall by Flint Public Art Project and AIA-Flint, called for a temporary structure that would take up no more than eight parking spaces, and would support public programs in a city whose population peaked in 1960. Flint’s Mayor Dayne Walling hopes the design community will help transform public space in the ailing former industrial town, and international buzz for the competition appears to have been a good start. Organizers said they fielded 221 entries from dozens of countries. Three other projects received honorable mention: Stage a Lot by KSE Studio (Sofia Krimizi and Kyriakos Kyriakou) of Brooklyn, NY; Building Bodies for Work by Wes Janz, Tim Gray, and Andrea Swartz of Ball State University; and AC.H2O by Mike Ting of British Columbia, Canada. These projects and 17 others will populate an exhibit alongside Mark’s House to open April 12 during the Flint Art Walk. The built Mark’s House pavilion will open June 14.