In a small Indiana town, a rich architectural legacy is celebrated with an annual exploration of architecture, art, design, and community. In its second exhibition run (it’s first in 2017) Exhibit Columbus features 18 site-responsive installations that use Columbus, Indiana’s heritage as inspiration and context while highlighting the role that community plays in growing a vibrant city. This year’s exhibition explores “good design” and “community,” a reference to the 1986 exhibition Good Design and the Community: Columbus, Indiana at the National Building Museum in Washington, D.C. The early exhibit championed town business leader and philanthropist J. Irwin Miller’s hometown pride by emphasizing the community’s process and involvement in building renowned architecture. As his community-based, activist approach resurges to mold this year’s theme, Exhibit Columbus becomes an architectural showcase aimed at doing good for the people. Bryony Roberts Studio’s Soft Civic is a complimentary showstopper to arguably the most civic site of the exhibition, Columbus’ City Hall, designed by Edward Charles Bassett of SOM (1981). The two cantilevered steel beams masked in brick veneer, generous lawn, and lengthy walkway toward a broad staircase frames the collection of colorful woven and steel structures. The installation articulates the many different vantage points afforded in civic life—play, performance, or protest; on the lawn, the steps, or at the front door. The solid brick planar facade that meets a clear glazed half-circle atrium fundamentally shapes the installation. These elements reveal layers of circles that slice (at an angle) and frame (vertically or horizontally) a new reading of the municipal building. The installation will offer programming opportunities for the community, including but not limited to a democracy day and youth summit with musical performances. An interview with Bryony Roberts in collaboration with Brooklyn-based textile workshop Powerhouse Arts describes the laborious process of weaving the large structures. (Courtesy Spirit of Space) Understorey, a project by Hans Tursak (MIT School of Architecture + Planning) and Viola Ago (the Ohio State University Knowlton School of Architecture), is an open-air vivarium, a place of life, built from a combination of off-the-shelf agricultural products and custom, digitally fabricated structural elements. Understorey is an ecological education center (like many of this year’s installations) that highlights a cross-section of southern Indiana’s geological specimens taken from quarries, forests, and urban sites. The pavilion is an architectural expression devoid of aesthetic neglect commonly seen in environmentally conscious design. Corn is no surprise in Indiana. The leading crop covers one-quarter of the state and is traditionally processed as animal feed and ethanol. Though Boston and Kigali, Rwanda-based MASS Design Group surprised Hoosiers with an already familiar scene in Corn / Meal. What. From the street view, the installation looks like a standard, well-maintained miniature cornfield. Upon entry, maze-like corridors made of corn lead to a tangled serpentine picnic table within a dedicated open clearing. When read as an absurdist, formalist sculpture referencing local tropes such as corn and the always-communal picnic table, it’s actually one of the more successful installations. An interview with Caitlin Taylor, MASS Design Group’s Design Director, as she describes the depth of research for Corn / Meal and the need for education around food production. (Courtesy Spirit of Space) PienZa Sostenible, led by architect Carlos Zedillo Velasco and his brother Rodrigo Zedillo Velasco, present Las Abejas, a series of homes for bees. The project brings internationally-recognized Mexican architects, like Tatiana Bilbao Estudio and Rozana Montiel Arquitectos, to share their countries’ expertise as regional leaders of apiculture products worldwide. Located in a humble Dan Kiley landscape in front of Eero Saarinen’s Irwin Conference Center (1954) visitors are encouraged to consider the importance of bees everywhere in order to sustain our food and environment. Two remaining installations from the inaugural exhibition aren’t leftovers but more so savor-the-flavor of a less-didactic exhibition concerning architecture. Oyler Wu Collaborative’s all-white, tectonic pavilion, The Exchange, still notably stands in the plaza of the Irwin Conference Center, just moments away from PienZa Sostenible's bee homes. Nestled in a more intimate setting outside the William O. Hogue House, Formafantasma’s Window to Columbus originally pledged to display stories of materials that were used to define Washington Street and Columbus. Though, for the Good Design and the Community opening weekend, the significant structure displayed this year’s marketing material. It reminds us that Exhibit Columbus’s impact goes beyond any one installation as the program leaves a lasting impact on the downtown, and more importantly, how people live and play downtown.
Posts tagged with "Exhibit Columbus":
Exhibit Columbus, the annual celebration of mid-century and contemporary design in Columbus, Indiana, will be showing off new possibilities of materials that unify support and envelope. This August, two of the festival's six University Design Research Fellows will present this work as part of a brand new fellowship program. Marshall Prado, a professor at the University of Tennessee, is creating a 30-foot-tall tower out of a carbon-and-glass fiber spun by robots. To manufacture Filament Tower, strands of the material were rotated on a steel frame and injected with resin, which is cured and then baked to increase its tensile and compressive strength. After cooling, the 27 computationally-designed components were removed from the steel frame and made to support themselves. The design was inspired both by historic architecture—akin to the churches of Eero Saarinen—and by biology. Filament Tower mimics the integrated, fibrous matrices of protein structures native to the connective tissues found in plants and animals, all while maintaining transparency. Christopher Battaglia, a research fellow at Ball State University, turned his skills to a different material for Exhibit Columbus: concrete. In DE|stress, a 35-foot-long, 9.5-foot-tall, pavilion, Battaglia critiques the common approach to prefab concrete construction, which often sacrifices either strength and control over form. DE|Stress is made from 110 curved panels created in a green-sand casting method, where the concrete, made of silica sand and bentonite clay, is worked while still wet. The same CNC robot that produced the mold, which is easily recyclable, later prints the material, giving the process a high degree of efficiency. “There’s no material waste in the form-making at all,” Battaglia claimed in a report from Autodesk. He also said that 3D printing gives a far greater control over shaping the vault-like structure, which is designed to encourage communal occupation and encounters.
How do historic places live for now? This was one of many questions presented during the 2018 Exhibit Columbus National Symposium held in Columbus, Indiana, from September 26 through 29. Using many of Columbus’s High Midcentury Modern structures as venues, curators, architects, and creators explored how architecture, art, and design can be used to make better places to live and inform new approaches to preservation that incorporate modern heritage and civic initiatives into the future of cities. A collaboration between Landmark Columbus, AIA Indiana, AIA Kentucky, Docomomo US, and Newfields, Exhibit Columbus kicked off with alternating programming, featuring a symposium one year and an exhibition the next. This year’s Exhibit Columbus National Symposium complements the 2019 Exhibit Columbus Exhibition, which invites artists and architects to create outdoor works that are inspired by and communicate with Columbus’s more than 80 structures, works of art, and landscapes designed by significant architects and artists, including Eliel and Eero Saarinen, Robert Venturi, Harry Weese, I.M. Pei, and Alexander Girard. Exhibit Columbus follows the original ethos of philanthropist and Cummins Corporation executive J. Irwin Miller, who saw the built environment as a means to create social change and saw a need for the revitalization of his hometown as it approached the mid-20th century. Establishing the Cummins Foundation in 1954, Miller offered to pay all architect fees for new public buildings in Columbus, which brought emerging architects to the small midwestern city to build schools, factories, offices, and houses of worship, and kickstarted the architectural radicalism that Columbus now defines itself by. The 2019 exhibition will bring 18 projects to downtown Columbus, including five J. Irwin and Xenia S. Miller Prize Installations, five Washington Street Installations, six University Design Research Fellowships, and the design team from Columbus High School’s C4 program. The symposium’s intent was to activate multiple aspects of the afterlife of historic places, giving the exhibition a collaborative, thoughtful context. While the bulk of the content related to Columbus’s High Midcentury Modernism, the conversations explored other sites and projects where progressive preservation has been implemented. The Cranbrook Center for Collections and Research's recently-acquired Usonian Smith House, and #NEWPALMYRA, an effort to reconstruct the ancient Syrian city of Palmyra as a virtual environment, were both part of separate discussions on interpretation and connection. The sense of progressive preservation at Exhibit Columbus was refreshingly unburdened by the lack of old-school historic preservation and architectural history thought chains, and discussion instead focused on innovation, creativity, and participation over historical facts delivered by academics. This was clearest in the presenters' choice of language; the overwhelming use of "cultural heritage" over "historic preservation" during sessions brought the field in America one tiny step closer to the cultural, community-centric model practiced in Europe. Discussions on sustainability looked at the role that historic architecture and design might play in making cities more equitable, not as the central pillar of the well-worn idea that the greenest thing is what’s already built, or the notion that a community can only venerate one period and thesis of historical significance. The most vital discussions occurred around exhibitions as civic action, and how historic sites might break out of their stasis and engage future creators and users of design, culminating with the introduction of the J. Irwin and Xenia S. Miller Prize Recipients, an exciting collection of firms tasked with creating the site-responsive installations that will mingle with Columbus’s existing heritage, a vision of the creative future of Columbus that could work anywhere.
Exhibit Columbus has announced the winners of the 2018-2019 J. Irwin and Xenia S. Miller Prize competition. The five winning firms will be featured in the Docomomo US and Exhibit Columbus 2018 National Symposium, titled Design, Community, and Progressive Preservation, taking place September 26 through 29. Firms will then return on January 19 to present their design concepts to the community. Each firm is tasked with constructing site-responsive installations that interact with Columbus’s midcentury modern heritage, with the final works opening to the public on August 24, 2019. This is the second year that the Miller Prize has been awarded. Here are the five winning firms: Agency Landscape + Planning With work that ranges from the Chicago Riverwalk to a two-year examination of the post-Hurricane Sandy landscape, Cambridge-based Agency has a deep commitment to ecological and social mindfulness. Agency is currently leading the White River Vision Plan, a year-long strategic plan for redeveloping 58 miles of southern Indiana river. Bryony Roberts Studio New York-based Bryony Roberts Studio uses design to bring intangible heritage and social histories to contemporary audiences, often through distinctive collaborations. As a participant in the 2015 Chicago Architecture Biennial, Bryony Roberts brought the South Shore Drill Team to Ludwig Mies van der Rohe’s Federal Center for an electrifying performance that used careful choreography to mirror the lines of the iconic modernist plaza. Frida Escobedo Studio Fresh off her commission to design the 2018 Serpentine Pavilion in London’s Kensington Gardens, Mexico City-based Frida Escobedo creates sophisticated structural forms using vernacular materials and methods, including concrete block, brise-soleil, and post and beam. MASS Design Group Based in Boston, and Kigali, Rwanda, non-profit MASS Design Group believes that architecture is never neutral, and that it has the power to heal. The firm’s work includes both research and design. This spring MASS Design Group unveiled the National Memorial for Peace and Justice in Montgomery, Alabama. SO-IL With work that creates “structures that establish new cultures, institutions, and relationships,” New York-based SO-IL created L'air pour l'air for the second Chicago Architecture Biennial in 2017, a project that brought the firm to the Garfield Park Conservatory, where they encased an ensemble of wind instrument players in air-filtering mesh enclosures, designed to clean the air through breathing.
At The Architect’s Newspaper, we’re plain addicted to Instagram. Sure, we love seeing Brutalist concrete through “Inkwell” or “Ludwig” filters, but there’s also no better place to see where architects are getting their inspiration, how they’re documenting the built environment, and where they’ve traveled of late. Below, we bring you some of the best Instagrams of this past week! (Also, don’t forget to check out our Instagram account here.) It was a busy weekend in New York. In Sara D. Roosevelt Park on Saturday morning, the New Museum's latest iteration of IdeasCity kicked off with a host of temporary wooden structures hosting keynotes by speakers like Trevor Paglen, who lectured on visual recognition technologies. https://www.instagram.com/p/BZG5fWFhG4W/?taken-by=ideascity Later, on Saturday night, Storefront for Art and Architecture opened their new exhibit Souvenirs: New York Icons. More than 59 artists, architects, and designers were asked to create souvenirs for each of the city's community districts. It was so crowded we had to escape through the Holl in the wall. https://www.instagram.com/p/BZTw_02nC1c/?taken-by=oma.eu Across the pond, OMA posted renderings of their designs for Amsterdam's Schiphol Airport, clutch the pearls. https://www.instagram.com/p/BZQy_0sHBIt/?taken-by=3xn_gxn Danish firm 3XN demonstrated how their new children's hospital design was inspired by the movement of two hands opening. https://www.instagram.com/p/BZTYEh-AjFr/?taken-by=ekeneijeoma Artist Ekene Ijeoma announced he had created a new sculpture focusing on New York's immigrant community while reposting another sculpture we wrote about a while back that mapped out where low-wage workers can afford the rent, essentially forming islands of affordability. Still very relevant. https://www.instagram.com/p/BZNkVlflw7v/?taken-by=adjaye_visual_sketchbook We don't have favorites, but our perennial fave Sir David Adjaye has the best feed of all. He recently posted from the Aalto University in Finland—a beautiful little chapel by Hiekki and Kaija Siren from 1957. Take that, Louisiana Museum (1958). https://www.instagram.com/p/BZOy-16HlJf/?taken-by=exhibitcolumbus Jetting seamlessly back to rural Indiana, Exhibit Columbus highlighted a contemporary wigwam made of copper scales by Chris Cornelius of studio:indigenous. That's it for today, hashtag archilovers and quote-on-quote gallerinas. See you next week for more drama.
What: The Architect’s Newspaper Opening Conversations When: 8:30 a.m. to 2:00 p.m. Saturday, August 26th Where: The Red Room, Cleo Rogers Memorial Library, 536 5th St, Columbus, Indiana, 47201 As part of the opening festivities of Exhibit Columbus, The Architect's Newspaper (AN) will host a wide-ranging conversation about architecture, art, design, and community in the Cleo Rogers Memorial Library Red Room. Led by Columbus native and AN Senior Editor Matt Shaw, along with AN Midwest Editor Matthew Messner, the Opening Conversations will feature an exciting array of guests including international experts and community leaders (plus a few other surprises) to talk about Columbus from a variety of angles. A full list of speakers with times will be announced closer to the event. Speakers: Will Miller (Wallace Foundation | New York) Richard McCoy (Exhibit Columbus | Columbus) Louis Joyner (Louis Joyner & Associates | Columbus) Jonathan Nesci (Designer | Columbus) Enrique Ramirez (Ball State Urban Design | Indianapolis) John Stoughton (Team B Architecture & Design | Cincinnati) Rick Valicenti (Thirst | Chicago) Benjamin Aranda (Aranda\Lasch | New York) Dwayne Oyler and Jenny Wu (Oyler Wu | Los Angeles) Karen Niverson (Columbus Area Visitor's Center | Columbus) Aaron Schiller (Schiller Projects | New York) Yugon Kim and Tomomi Itakura (IKD | Providence, RI) Joshua Coggeshall and Janice Shimizu (Exhibit Columbus | Muncie, IN) Curtis Hartwell (Cleo Roger Memorial Library | Columbus) Jacob Ebel (Story Inn | Story, IN) More T.B..A. Moderators: Matt Shaw (The Architect’s Newspaper | New York) and Matthew Messner (The Architect’s Newspaper | Chicago) Price: Free Organized by: Exhibit Columbus Please RSVP here
The five Exhibit Columbus Miller Prize pavilions will have company when they open this August. Two teams of local high school students from Columbus, Indiana are also competing to build a temporary pavilion for the architecture exhibition, which will join those of the renowned Miller Prize-winning practices. The two teams have designed pavilions to be built next to the LHP Building in downtown Columbus, Indiana. Professional architects have guided the students through the design process and will pick one of the designs to be constructed. The design process was organized by the Indiana University Center for Art + Design, which has been working with the students since the last fall. Also working with the students on the projects is the center’s designer-in-residence Jee Yea Kim, landscape architect Randy Royer, and contractor Travis Perry. The two high schools participating are Columbus East High School and Columbus North High School. The two projects Between the Threads and Chevron both imagine spaces alongside the LHP Building. Between the Threads is formed by colorful ten-foot rope panels, which create a maze inspired by the work of interior designer Alexander Girard. Girard’s vivid artwork can be found in the iconic Saarinen-designed Miller house in Columbus. Chevron, meanwhile, is a bright red canopy that stretches out over the adjacent sidewalk, covering white modular furniture that provides a seating area under the triangular cloth. Between the Threads is comprised of Mila Lipinski, of Columbus East, and Jane Phillips, Tim Cox and Kyle Kingen, of Columbus North. Tim Rix and Josie Royer, of Columbus East, make up Chevron.
Exhibit Columbus has named the winners of the inaugural J. Irwin and Xenia S. Miller Prize Competition. The winning proposals will be constructed as five installations spread across Columbus, Indiana, the small town two that is home to dozens of modernist masterpieces. The installations will be one of the main attractions at the 2017 iteration of Exhibit Columbus, a new yearly event which connects contemporary architecture with the city’s storied design past. A two-part architectural event, the inaugural symposium of Exhibit Columbus was held in the fall of 2016. The inaugural exhibition, which will include the installations, will open on August 26, 2017. The winners of this year’s J. Irwin and Xenia S. Miller Prize Competition are: Milwaukee-based studio:indigenous’s Wiikiaami The copper-clad form takes cues from the dwellings of the Miyaamia, the indigenous people of central Indiana. It will sit near the Saarinen and Saarinen-designed First Christian Church. Boston-Based IKD’s Conversation Plinth Situated across the street from the First Christian Church, in the Plaza of the I.M. Pei-designed Cleo Rogers Memorial Library, Conversation Plinth plays off the conversation pit in the famed Eero Saarinen-designed Miller House, also located in Columbus. Los Angeles-based Oyler Wu Collaborative’s Untitled The project takes on Euclidean geometries, solid/void relationships, and tectonics to complete the implied spaces formed by the canopies of the Eero Saarinen-designed Irwin Conference Center. New Haven-based Plan B Architecture & Urbanism’s Anything can happen in the woods Built on the grounds of the Keven Roche John Dinkelloo Associates-designed Cummins Corporate Office Building, Anything can happen in the woods works with the sites existing colonnade to produce a forest of reflective columns. Tuscon and New York-based Aranda\Lasch’s Another Circle Constructed in the Michael Van Valkenburgh-designed Mill Race Park, Another Circle brings 2,800 pieces of salvaged Indiana limestone into a 3.5-acre Stonehenge-like circle. The epic piece will tie together a pedestrian trail, the nearby river, and the park’s lake. The jury for the Miller prize consisted of Sean Anderson, associate curator in the Department of Architecture and Design, Museum of Modern Art, Lise Anne Couture, co-founder and principal, Asymptote Architecture, Jennifer Dunlop Fletcher, Helen Hilton Raiser Curator of Architecture and Design, San Francisco Museum of Modern Art, and Dung Ngo, publisher, August Editions. The installations will be joined by 10 other installations by international designers and Midwest architecture and design students. Along Washington Street, in Columbus’s Downtown, five international galleries have each chosen one of the design practices they represent to participate in the event. Those galleries and designers include; London’s Dzek gallery, with designers Studio Formafantasma, Copenhagen’s Etage Projects, with designers Pettersen & Hein, Brussels’s Maniera gallery, with designers Productora, New York's Patrick Parrish Gallery with designer Cody Hoyt, and Chicago’s Volume Gallery with designers Snarkitecture. The university participants will build installations on the grounds of the Ralph Johnson-designed Central Middle School and the Gunner Birkerts-designed Lincoln Elementary School. The universities involved will be Ball State University College of Architecture and Planning, The Ohio State University Austin E. Knowlton School of Architecture, University of Cincinnati School of Architecture and Interior Design University of Kentucky College of Design, School of Architecture, and the University of Michigan Taubman College of Architecture and Urban Planning. Students from the Indiana University Center for Art + Design will also create an installation with the help of a designer-in-residence at the Eero Saarenin-designed North Christian Church.
On December 10th, ten finalists descended on Columbus, Indiana, to present concepts for the inaugural J. Irwin and Xenia S. Miller Prize Competition. The competition is the part of Exhibit Columbus, a yearly architectural event held to highlight the city’s vast collection of architectural masterpieces. Along with the competition, all ten finalists participated in the opening symposium for Exhibit Columbus earlier this fall. The ten proposals took the form of temporary installations for five sites stretching across the city along 5th Street. Each site is associated with an architectural icon in the city, two of which are National Historic Landmarks. Judging the projects is a team of five guest jurors including Sean Anderson, associate curator in the Department of Architecture and Design, Museum of Modern Art, Lise Anne Couture, co-founder and principal, Asymptote Architecture, Jennifer Dunlop Fletcher, Helen Hilton Raiser Curator of Architecture and Design, San Francisco Museum of Modern Art, and Dung Ngo, publisher, August Editions. Each project will be judged on “its formal/spatial relationship to the site, ability to activate the space, innovation in the use of materials, and ability to stimulate a dialogue with the context of the site.” The format of the competition is not typical in that teams are paired head to head on each of the five sites. From the ten proposals, five will be awarded the Miller prize, one for each site, and given the opportunity to develop and build their installation for the 2017 Exhibit Columbus. Winners are expected to be announced in January 2017. Joining the five installations will be more than ten other installations by international designers, students from universities across the Midwest, as well as local students. “With such a talented group, each project was an incredible new idea for the jury to consider. Our expectation is that this event will have a big impact on the Columbus community for years to come,” said Richard McCoy, director of Landmark Columbus, the organization that created and runs Exhibit Columbus. The sites and Proposals are as follows: Site number one is the First Christian Church by Saarinen and Saarinen, built in 1942. For the site, Boston-based Höweler + Yoon proposed Pattern Pavilion. Taking cues from the decorative motif carved into the stone on the church and referencing other Saarinen projects, the Pattern Pavilion extrudes the 2-D geometry into a volumetric canopy. The alignment of the project frames the Church and the I.M. Pei-designed library across the street. Also competing for the First Christian Church site is Milwaukee-based studio:indigenous. Inspired by the dwellings of the Miyaamia, the indigenous people of central Indiana, Wiikiaami is a contemporary take on the wigwam. Clad in copper scales, the project aligns with the church’s famed campanile and the autumnal equinox. Across from the First Christian Church sits the second site, the Cleo Rogers Memorial Library, designed by I.M. Pei and Partners by 1969. Boston-based IKD’s Conversation Plinth was inspired by the conversation pit in the Miller House as well as the plinths that elevate the landmarks surrounding the Library. The design calls for large shifting timber plinths to wrap through the library’s front plaza. Competing against IKD is the collaborative team of Los Angeles-based Johnston Marklee and Jonathan Olivares. Their View Room and Conversation Benches is a roofless structure which frames views of the library and the surrounding sculptures. The 1954 Irwin Conference Center by Eero Saarinen and Associates is the third site. Los Angeles-based Ball-Nogues Studio designed Bank and Trust in Paper (a reference to the building's original name) which echoes the plan and roof of the low-slung structure. Made of a waterproof treated recycled paper, the canopy is molded in forms reminiscent of Saarinen’s designs such as the iconic tulip chair. Untitled, by Los Angeles-based Oyler Wu Collaborative, is focused on three main concepts: Euclidean geometries, solid/void relationships, and tectonics. The design completes spaces implied by three canopies, originally part of the drive-up bank. The team adds new walls which are solid, built of thin lines, or carved away into voids. The fourth site is Kevin Roche John Dinkeloo Associates’ 1983 Cummins Corporate Office Building. Los Angeles-based Baumgartner + Uriu’s Machines Suspended extrudes the saw-tooth pattern of the office building's layout into a three-dimension multi-directional object. Hanging in the building's colonnade, the object defines new spaces and ways of habituating the space. New Haven-based Plan B Architecture & Urbanism’s proposal Anything can happen in the woods transforms the site’s colonnade into an urban forest of reflective columns. The surrounding greenery and built structure reflect in project. The final site is the Mill Race Park, designed by Michael Van Valkenburgh Associates with architecture by Stanley Saitowitz in 1992. Another Circle by Tuscon and New York-based Aranda\Lasch adds a henge-like stone circle to the park. Using 2,800 pieces of salvaged Indiana limestone, the 3.5-acre stone circle ties together the park's lake, pedestrian trail, and river. Tulsa-based artist Rachel B. Hayes Studio proposal Chroma Connection is comprised of colorful ripstop nylon. Stretching through the site's covered bridge into the lake at the heart of the park, the projects is meant to appear as if it is built out of pure color.
This past weekend Exhibit Columbus launched its inaugural annual programming with a three-day symposium. Exhibit Columbus will alternate between symposiums and exhibitions in the modernist enclave of Columbus, Indiana. The small city of Columbus is home to an unmatched collection of modernist architecture. In major part due to the Cummins Foundation Architecture Program's support, the city is filled with projects by the likes of Eliel and Earo Saarinen, Perkins + Will, Pei Cobb Freed & Partners, Richard Meier, SOM, KPF, Roche Dinkeloo, Robert A. M. Stern, Caudill Rowlett Scott, Harry Weese, Kevin Roche, and Robert Venturi, to name a few. The Cummins Foundation supplements architecture fees for projects in the city that are designed by architects chosen from a list maintained by the Foundation. The incentive has led to schools, churches, factories, and corporate campuses commissioning some of the world’s most famous architects. The goal of Exhibit Columbus is to celebrate the city’s design heritage and bring new talent and attention to the area. This year’s symposium, “Foundations and Futures,” brought speakers and architects together to discuss the past and the future of the city and the field of architecture as a whole. The symposium also launched the J. Irwin and Xenia S. Miller Prize Competition, which will pit ten young offices in a head-to-head juried competition. The Miller Prize Competition will culminate in the 2017 Exhibit Columbus exhibition with five site-specific installations around the city. This last weekend’s symposium brought historians, critics, clients, and architects together in panel discussions and lectures. Some of the speakers included Curbed Architecture Critic Alexandra Lange, Vitra Museum Chief Curator Jochen Eisenbrand, Fabio Gramazio of Gramazio Kohler, Bill Kreysler, president of Kreysler and Associates, and L. William Zahner, co-chair of A. Zahner Company. The Miller Prize participants also spoke on panel discussions throughout the symposium. Keynote discussions included conversations with Robert A. M. Stern and Deborah Berke, both of whom have built projects in the Columbus area. The J. Irwin and Xenia S. Miller Prize Competition participating offices include: Aranda\Lasch Tucson, AZ and New York, NY Baumgartner + Uriu Los Angeles, CA Ball-Nogues Studio Los Angeles, CA Rachel B. Hayes Studio Tulsa, OK Höweler + Yoon Boston, MA Yugon Kim Boston, MA Johnston Marklee and Jonathan Olivares Design Research Los Angeles, CA Oyler Wu Collaborative Los Angeles, CA Plan B Architecture & Urbanism New Haven, CT studio:indigenous Milwaukee, WI These offices will be designing for five sites around the city, which include: Bartholomew County Public Library I.M. Pei and Partners First Christian Church Saarinen and Saarinen Irwin Conference Center Eero Saarinen and Associates Cummins Corporate Office Building Kevin Roche John Dinkeloo Associates Mill Race Park Michael Van Valkenburgh Associates with architecture by Stanley Saitowitz