On July 24, The Architect's Newspaper is bringing Facades+ to Minneapolis for the first time to discuss facade trends within the city and beyond. Panels for the conference will highlight the recently completed Allianz Field stadium, perspectives on curtainwall systems by leading contractors and manufacturers in the region, and the challenges of high-performance design for northern building enclosures. Architectural practice Alliiance, and structural engineering and facade design firm Studio NYL, are co-chairing the conference.
Participants for the conference's symposium include Populous, Mortenson GC, Walter P Moore, Pfeifer-FabriTec, Permasteelisa, Enclos, MG McGrath, Harmon, Morrison Hershfield, Payette, and HGA.
In this interview with The Architect's Newspaper, Alliiance Senior Associate Joe Simma and Studio NYL Facade Design Director Will Babbington, the conference co-chairs, discuss the conference's panels and their respective bodies of work.
The Architect's Newspaper: Both Alliiance and StudioNYL have completed or are involved in significant civic and or stadium-related projects. What do you perceive to be the most exciting material or technological developments within this typology? Is there a particular detail of the first panel, "Stadium Rising: The Complexities of Allianz Field’s Woven PTFE Facade," that you are interested in?Joe Simma: In terms of technological development I think the design process itself for stadia is very exciting in that it has become an early applications ground for the use of computational design techniques. The stadium typology lends itself nicely to generating a rules-based parametric design process for the general elements, including the facade and it’s (relatively) simpler set of demands. That freedom for experimentation in data and performance-driven form-finding is then able to become a useful reference for the design processes for different building types beyond stadia. From a material standpoint, I'm intrigued by fabric membranes and their continued growth towards becoming an accessible material for facade design. In particular, at the Allianz Field project, I'm excited to hear more about the process of achieving the translucent and metallic quality of the material, which has resulted in a such a dynamic effect across different lighting conditions.
Will Babbington: We have worked with a variety of materials in our stadium work. Fabrics such as PTFE and metal meshes are attractive for this building type due to their light weight and potential to be front and back-lit, as well as manipulated geometrically in a variety of compelling manners.
Regardless of materiality, we have had great success—and fun—in our exploration of computational design and digital fabrication methodologies. For the ongoing LA Rams stadium, we worked with Zahner to develop the metal cladding system. Our team was able to optimize the structural performance and detailing of the perforated metal skin by leveraging parametric design tools and fabrication technologies. In the end, the design of a custom perforation pattern was able to be realized by a digital workflow that exported analytical models directly into fabrication files for over 150,000 panels.
AN: Minneapolis is experiencing a period of tremendous growth. A factor in this growth is the concentration of manufacturing and facade management firms. In your opinion, how does this proximity between design practices and manufacturers influence the execution of projects in the area?JS: We are somewhat spoiled by access to world-class glazing, sheet metal, and curtain wall fabricators right in our backyard. In many ways, one of the biggest benefits is easily facilitated collaboration between makers and designers, especially at those early "what if" design stages when fabricator expertise can help give an innovative concept legs. I think one of the biggest areas for untapped collaborative potential is the very unique brain trust that exists in the local region in terms of custom curtain wall engineering. I'm especially looking forward to this panel to see representatives from some of these influential players together in the same room to discuss the current climate and what the future holds for Minneapolis and beyond.
WB: The most dynamic and successful designs attain prominence only by close cooperation and understanding between the design, manufacturing, fabrication, and installation teams. This is true in facade design perhaps more so than in any other subset of the building industry. With the importance of the building enclosure being far from lost on a design community in such a climate, combined with the fact that Minneapolis is a national hub for the production of cutting-edge systems; this design and construction community is exceptionally well-positioned to capitalize on this collaborative potential.
As the desires and needs for high performance, increased quality, and more formally demanding skins continue to evolve; it’s exciting to see what creativity and innovation, whether in the form of panelization, various fabrication technologies, or other, will permeate into local works and how.
AN: Increasing regulation coupled with the growing demand for sustainable design is fueling the proliferation of high-performance enclosure systems. How are Alliiance and StudioNYL addressing this challenge and what lessons can be learned from Minneapolis?JS: To start with, we're trying to set our goals on every project well beyond the minimal baseline of code regulation and treat performance and sustainability as integral components to the design process. Our office is a signatory to the 2030 Commitment which means we're also doing as much measuring as we can so that we can build a living data set to analyze and track trends as we go. The surge in the accessibility of analytical tools is having an impact across the profession, and we're incorporating these tools more frequently and earlier in the process to predict performance and even feedback into the process as a design-driver. Being located in Minneapolis, our frame of reference, of course, is cold climates and all the challenges they bring—so that means we often come to a project with a critical eye towards envelope performance. Marrying these technical demands of thermal performance, durability, and occupant comfort with early design concepts can make for a very rich approach to facade design—an approach that can be a valuable reference outside the region as all buildings become more closely scrutinized for performance.
WB: As a firm, we’ve been pursuing sustainable initiatives in our enclosure, as well as in our structural, projects for years. Fortunately, this has become a prevailing sentiment found in not only my ASHRAE committee work where widespread thermal bridging code provisions are near, but also on the job site where the application of thermal break technologies is no longer viewed as a “specialty item."
As a result, “high performance” is being pushed even higher. Our work with Payette on Amherst College’s new Science Center, a 2019 COTE Top Ten award winner, is one shining example of this; while the recladding of the Social Security Administration’s half-century-old HQ we have underway with Snow Kreilich and HGA in Maryland is another.
One of the most compelling byproducts of such works is how quickly these tenets are reaching the mainstream, where I’ve even witnessed firsthand how net-zero and developer-driven goals can align on a mixed-use project. Another collaboration with Pyatt Studio on South Dakota’s Pine Ridge Reservation is seeing 21 net zero, low-income homes being built.
More information regarding Facades+ Minneapolis can be found here.
After a whirlwind round of conferences and forums this year—from New York, to Chicago to Miami—The Architect’s Newspaper and Enclos made the last stop of the year in Seattle for Facades+ AM. Over 150 attended our December 4th event at the Motif Seattle hotel. Nine speakers brought in diverse perspectives and engaging ideas, with room for productive Q & A. Here's a recap in case you missed it.
After opening remarks by co-chairs Carsten Stinn, designer at Perkins+Will, and Mic Patterson, Enclos' VP of strategic development, the first session united three presenters under the theme of complex digital facade collaborations. Speakers included Jeffrey Vaglio, director of Enclos' Advanced Technology Studio, and Joshua Zabel, vice president of business development at Kreysler & Associates. David Sandinsky, senior associate at NBBJ co-presented with Marne Zahner, design engineer at Magnusson Klemencic Associates. They talked about the Amazon domes—more specifically, the conjoined Catalan spheres and their structural steel modules.
Session two focused on models, methods, and materials for optimizing facade performance. Energy strategist and consultant Sangeetha Divakar at Perkins+Will presented workplan models for integrating engineers' and architects' work in energy and envelope modeling. Stéphane Hoffman, building specialist at Morrison Hershfield, discussed parametric visualization tools for mapping building energy performance and why architects and engineers should track thermal bridging. Richard Green, Principal at Front, Inc talked about custom fabrication and digital manufacturing.
In the final session, Devin Kleiner, Perkins+Will architect, Peter Alspach, principal of environmental and building physics at Arup, and Daniel Brindisi, associate at ZGF Architects, spoke to the real-world effects of facade technology. Kleiner discussed post occupancy lighting evaluations, Alspach presented data on the cost benefits of the carbon life cycle, and Brindisi talked about his firms efforts to maximize daylighting.
In the L.A. area or planning a trip to Southern California at the end of January? Catch the latest building envelope developments at the Facades+ Symposium and Workshops in Los Angeles, January 28th and 29th.
While visually interesting, the primary facade of the SFMOMA expansion (Snøhetta with associate architect EHDD) was not originally designed to pioneer a new material system. All that changed when William Kreysler visited the architect's New York office. "I went there to meet them about the interior," recalled Kreysler, whose firm—composite specialists Kreysler & Associates—had been called in to advise on the project's vaulted ceilings. "I asked about the exterior, how that was going to get done. They didn't know." Over the coming months, Kreysler & Associates transitioned from interior consultant to envelope fabricator as the facade itself was transformed from a ductal concrete fantasy to a fiber-reinforced polymer (FRP) reality. Along the way, thanks to a patent-pending process developed by Kreysler & Associates, the design and fabrication team positioned itself on the cutting edge of high performance building enclosures with the first major use of FRP cladding on a multi-story facade in North America.
When a client's representative called to ask if his firm—at that point poised to collaborate with an outside glass fiber reinforced concrete (GFRC) contractor on mold-making—would consider taking on fabrication themselves, Kreysler's reaction was mixed. "I said, 'Yes, I don't see anything particularly complicated about it in terms of fabrication,'" he recalled. "The problem was the fire codes. No one in the [FRP] business had attempted to pass the fire code requirements." Kreysler & Associates had been keeping abreast of the regulatory situation, and had been involved in inserting a new section for FRP into the International Building Code[s]. But the fire code test itself, NFPA 285, is expensive. After further conversation, the client committed to partially fund the test. "We got to the point where I said, 'Okay, I'm willing to put some money at risk here,'" said Kreysler. "We went ahead and did it."
Kreysler & Associates' system, which they call Fireshield 285, passed the test, likely becoming the first FRP cladding panel to do so. Having thus paved the way for a more widespread application of the lightweight material to building exteriors, the fabricator's next step was to bid to three facade companies. Of the firms to which they introduced their design, Enclos was the most engaged. By the end of the first meeting, Kreysler & Associates and Enclos had brainstormed ideas to eliminate the secondary structural frame intended to go in front of the weatherproof wall specified in the original design.
Kreysler & Associates
Snøhetta, EHDD (associate architect)
San Francisco, CA
Date of Completion
FRP veneer over unitized facade panel rain screen
custom Fireshield 285 FRP panels, unitized facade panels with waterproof membrane and fireproofing, custom mechanical attachment system
Soon the group introduced an additional innovation. Enclos is known for its expertise in unitized panel systems rather than conventional walls, explained Kreysler. "We said, 'Maybe we could make our material so lightweight, we could just fasten our material onto the front of the unitized wall panel.'" Kreysler is quick to give credit to Enclos "for seeing the potential and sharing their expertise in building facades so we could work collaboratively to take full advantage of both systems' strengths." With a combined composite-unitized wall panel assembly, one team of contractors could erect the entire rain screen in a single shot. "It would save one million pounds of structural steel, plus the time of going around the building three times," said Kreysler. Not surprisingly, "the contractor liked it, and the owner liked it," he recalled.
Only one obstacle remained. "Unitized wall systems are designed to go in straight lines, or if curved, are curved in a radius," said Kreysler. "But if you look at the facade of SFMOMA, it's all over the place." The Kreysler & Associates-Enclos team quickly developed a solution: Kreysler & Associates would fabricate their panels with edges of different depths to bridge the gap between the facade's surface and the flat unitized panel wall. "We were able to create a curved front even though the the wall behind was a nice straight line," explained Kreysler. "From the front of the building you don't see any of the edges—you see this flowing curved line. That was a big breakthrough, and as a result, Enclos really got behind our system." The client was suitably impressed, and Kreysler & Associates won the contract against bids involving GFRC systems. "Even if our price turned out to be higher, the benefits of only going around the building one time, and the benefits of a system considered to be a higher-quality weatherproof wall" won out, said Kreysler.
Though the expansion is not expected to open until 2016, Kreysler & Associates' work on the project is finished. The installation went "beautifully," said Kreysler. The 710 unique FRP panels were mechanically fastened and bonded to the unitized wall using a custom aluminum extrusion. The Enclos representatives had been nervous, he recalled. However, "the project manager told me that in the years he's being doing this, it was the most complicated project he's ever done, but in the end this was the most straightforward part of the project." As for Kreysler himself, he has no regrets—quite the opposite. "It was tricky, but it was fun and interesting," he said. "And it was nice to know that we were breaking new ground."
For Enclos' Alex Barmas, true innovation in facade design and fabrication is about more than the latest technological bells and whistles. Rather, it is about exercising creativity despite the restrictions posed by tight budgets, compressed timelines, and aggressive real estate markets.
At Facades+ NYC later this month, Barmas will moderate a conversation on implementing innovation with AEC industry leaders including Cutler Anderson Architects' Jim Cutler, Arup's Tali Mejicovsky, Michael Stein, of Schlaich Bergermann & Partner, and Richard Meier & Partners' Vivian Lee. "My intention is to get the panelists talking about the possibilities of producing truly fantastic architecture while constrained by very real-world budgets and schedules," said Barmas. "They have all worked on projects where an intelligent and responsive approach to design, and an intelligence about materials and tectonics have allowed them to deliver great projects under tight constraints. The panel will focus on the commitment and perseverance required to execute and deliver such projects."
New York is a hotbed of facade innovation exactly because of the particular constraints at play there, said Barmas. In much of the United States, he explained, the litigious nature of the building design and construction market tends to discourage integrated project deliver. But "the New York market is actually a counterbalance to this. Due to the complexity of building projects, compressed construction schedules, and the need for coordination throughout the design and construction process, projects must take on a more holistic design mentality." At the same time, said Barmas, the drive to build taller and faster for the top of the market "has meant that there are some very interesting building envelopes either recently built, or under construction." As a case in point, he cited BIG's 625 West 57th Street (W57), calling it "a fantastic example of a really interesting curtain wall."
All of this is not to say that new technology is not compelling—especially when made a part of built projects. "I'm very excited about the continuing integration of sensors, actuators, and other electrical components with the building envelope to create active and responsive facades," said Barmas. "This seems to be turning into a virtuous cycle where integrated systems are becoming more robust, system integration is improving, and all the parties to a building project are becoming more comfortable implementing these systems. System intelligence and integration enable us to achieve better performance with traditional building envelope components."
To hear more from Barmas and panelists on bringing facades innovations to fruition, register today for Facades+ NYC. More information, including a complete symposium agenda, is available online.
In recent years, architects and fabricators in the field of facade design and construction have formed new collaborative relationships through the design assist model of contracting. Under design assist, the fabricator contributes their know-how throughout the design process, not just during building. A couple of factors have encouraged the shift to design assist. On the one hand, "the recent increase of building skin complexity has been a driver of this new way of working," explained Enclos’ Luke Smith. "But I think budget and schedule demands have also played an important role."
Next week, Smith will moderate a panel on design assist contracting, "Delivering Complexity," at Facades+ LA. With panelists Bill Kreysler (Kreysler), Paul Martin (Zahner), and Kerenza Harris (Morphosis), Smith will explore several case studies of architect-fabricator collaborations, and will examine the benefits and challenges of these new alliances. (Smith is also leading a dialog workshop, "Material Explorations: The Resurgence of Wood," on the second day of the workshop.)
Because design assist encourages early and frequent communication between architect and fabricator, said Smith "all of the involved parties feel invested in the project." Collaboration also improves the likelihood that a design is actually built. "Working together toward a buildable solution can often mean the difference between whether a project moves ahead or not," said Smith. "At Enclos we’re seeing that the discrepancy between design intent and budgetary restrictions can be minimized through early involvement on a project." As for the criticism that design assist removes control from the architect, he argued, "given the intricate knowledge required, the facade is no longer simply a byproduct of design, but is a specialty of its own."
Smith and the rest of the panel will focus on two examples the group knows well: Morphosis' Emerson College Los Angeles Center (with Zahner), and Snøhetta's San Francisco Museum of Modern Art. The museum expansion, said Smith, "has been a great opportunity for Enclos, partnering with Kreysler, to explore solutions with Snøhetta from a very early stage of facade conception."
Regarding the future of design assist, "increased communication between the two 'sides' of architecture and construction will only benefit everyone in the long run," said Smith. "Whether we need to collaborate on all projects is another question. Where we really see the process take center stage is when a new challenge arises."
To hear more about design assist from some of the AEC industry's top experts in building envelope design and construction, register today for Facades+ LA. More information, including a complete symposium agenda and lineup of tech and dialog workshops, is available online.
When the new Fulton Center opened this weekend—after seven years of delays and cost overruns that lifted the project’s price tag from $750 million to $1.4 billion—New York City got two things: a modern upgrade to its transportation network and an iconic piece of architecture. With new well-lit concourses, pedestrian tunnels, escalators and elevators, and more intuitive transfer points between nine subway lines, Fulton Center will drastically improve the transit experience for the 300,000 people who pass through it every day. But even with these significant improvements, all anyone is talking about is the center's eye-catching glass oculus and its hyperboloid Sky Reflector-Net installation. Step inside the station, and you'll understand why.
The 53-foot-diameter structure was commissioned by the MTA Arts & Design program and created by James Carpenter Associates with Grimshaw Architects, Enclos, TriPyramid Structures, and ARUP. It is comprised of 952 aluminum panels, 224 high-strength rods, 112 tension cables, and 10,000 stainless-steel components that work in tandem to fill the station with natural light. The full effect of the design can only be experienced from within the station—standing across the street from Fulton Center, which appears as a steel and glass headhouse, the oculus and Sky Reflector-Net could be mistaken for a massive vent.
The upper floors of the rotunda, which are set directly underneath the oculus, will soon be ringed by shops and restaurants. The 66,000 square feet of commercial space is connected to the station through a prominent glass elevator that is wrapped in a spiral staircase.
But as dramatic as all of these large gestures are, the center is completed with the MTA's standard-issue, black and gray finishes. The handrails, doors, flooring, and even garbage cans are what you would find at any other station. The station's subdued color scheme, though, is broken up slightly with the light blue glass tiles that clad the station’s below-grade corridors. In these subterranean spaces, the choice of tile, and the decision to set overheard fluorescent bulbs at an angle, shows the impact that designers can have when deviating—however slightly—from the norm.
Spread throughout the new Fulton Center are over 50 digital screens that make up the MTA’s “largest state-of-the-art digital signage media program.” When AN visited the Fulton Center, some of those screens were quickly switching between video art and ads for Burberry. And then back again.
The completion of the Fulton Center also comes with the $59 million renovation of the adjacent, 125-year-old Corbin Building. The refurbished space, which boasts a stately exterior, is incorporated into the circulation of the center. Exiting through the Corbin Building–side exit, you can see the wings of the nearly $4 billion, Calatrava-designed World Trade Center Transit Hub. When that station opens next year, it will connect to the Fulton Center, and quite likely overshadow it.
The bulk of the funding for this project ($847 million) came from a Congressional appropriation which was aimed at rebuilding transit networks in Lower Manhattan after September 11. An additional $423 million came from President Obama's stimulus act. The MTA also provided $130 million in funds.
As AEC professionals who have practiced in different cities know, each place has its own unique architectural culture. That is one of the lessons Mic Patterson, VP of Strategic Development at Enclos, has learned during his years of involvement with the Facades+ conference series. “Instead of holding one annual conference, we’ve been doing three a year in different cities,” said Patterson. “My observation is that each of those has been different.” The newest event in the Facades+ stable, Facades+ AM, was inspired in part by a desire to bring the conversation about high performance facade design to more locales. The inaugural Facades+ AM four-hour program takes place next week in Seattle.
“Everywhere makes sense to talk about building envelopes,” said Kerry Hegedus, architect at NBBJ and seminar chair of Facades+ AM Seattle. At the same time, he added, “in Seattle, we have a great architectural community that can be very experimental and, most importantly, aspirational. We need a forum like this to share these thoughts and developments.” A prime example of the seaport city’s aspirational architecture is the Bullitt Center, the subject of one of three panels at Facades+AM Seattle. Designed by Miller Hull and often referred to as “the greenest office building in the world,” the Bullitt Center embodies a no-holds-barred approach to sustainable design. “The Bullitt Foundation is that missing link the profession needs to evolve to a new, higher density, sustainable future,” said Hegedus. “We will find, I suspect, that this is not just a skin, but an integral part of the strategy of how this living building became a success. We need to build on this project’s great success.”
But while some of the Facades+ AM program next week will be specific to Seattle, much of the discussion will hold value for designers and builders working in different contexts. More importantly, the lack of a script makes way for spontaneous, collaborative problem-solving. Speaking of another panel, on innovations in facade design and construction, Hegedus observed: “The beauty of this format, with this wildcard ‘Facade Futures,’ is that we don’t know what is going to come out of this.”
To learn more about Facades+ AM or to register, visit the event website.
Frank Gehry's Walt Disney Concert Hall in Los Angeles, Scott Johnson's Museum Tower in Dallas, and Rafael Viñoly's Vrada Hotel & Spa in Las Vegas have at least one thing in common. All three provoked the ire of their neighbors when glare from their reflective facades raised sidewalk temperatures, blinded drivers, or—as in the Museum Tower case—jeopardized the nearby Nasher Sculpture Center’s collections. Glare is increasingly a problem in facade design, says Curtainwall Design Consulting president Charles Clift, in part because of the tools contemporary architects have at their disposal. "The conclusion I came to is that the digital age of architecture has allowed designers to create anything they can imagine, but with that comes some unintended consequences."
Clift and other experts in high-performance envelope design, including George Loisos (Loisos + Ubbelohde) and Luke Smith (Enclos), will dig into the problem of glare in a symposium panel at this month's Facades+ Dallas conference. Nasher Sculpture Center director Jeremy Strick, David Cossum of the City of Dallas, and the Dallas Morning News' Mark Lamster will join them to discuss the reflectivity challenge within the local context. The conversation will continue on day 2 of the conference at the "Curating Daylight: Effective Control of Interior Illumination & Issues of Exterior Reflectivity" dialog workshop (led by George Loisos and Susan Ubbelohde), which meets at the Nasher Sculpture Center.
Advancements in building materials offer one solution to the glare challenge, which exists in tension with the demand to reduce thermal gain. "An easy way for the facade to accomplish sustainability goals is to use highly reflective glass, but obviously that rejected glare goes back into the environment," said Clift. Happily, innovations by today's glass manufacturers, including low-e coatings, boost performance, reduce glare, and allow a decent amount of visible light transmission. External or internal sunshades can also do double duty as thermal barriers and glare blockers. But both specialty glass and shading structures come at a cost, and are often the first to go when the budget gets tight. "A lot of the time, the issue of glare has been taken into account in the design process, but it’s one of the first components that might get value-engineered out," said Smith, who will moderate the panel.
Municipal-level regulation is another possible fix for the reflectivity problem. Clift reports that some Dallas builders he’s talked to are confident that the market will sort things out. They say that the Museum Tower/Nasher Sculpture Center debacle "is such a bad situation that a savvy developer won’t do that in the future." Smith is not so sure. "This is an urban problem, but as soon as the city tries to step in, people say, 'No, this has nothing to do with the city,'" he said. "I think the problem is getting worse because density is increasing in cities, and right now glass is predominantly the building material of choice." Dallas, he notes, is the perfect place to explore the glare issue. "The city’s going through a regeneration: the place is coming back. Plus, it’s sunny, and they like glass buildings."
To hear more from Smith, Cliff, and the other panelists about the problem of glare, register today for the Dallas Facades+ conference. The complete lineup of symposium speakers, dialog workshops, tech workshops, and networking events can be found on the conference website.
In an environment of escalating demands and expectations for high-performance building envelopes, the need for innovative responses from AEC professionals is ever increasing. But as new building materials, fabrication techniques, and design technologies ceaselessly emerge into the marketplace, the architectural possibilities become dizzying.
At Facades+ PERFORMANCE, the nation's premiere conference for high-performance facades, we strive to keep you up to date with the latest strategies and tools that are revolutionizing the built environment. Join us for two days of cutting edge workshops, panels, and symposia presented by the industry’s leading innovators, and become part of the movement that is transforming the built environment.
Be there as Mic Patterson of Enclos is joined by Keith Boswell and Anwar Hakim of SOM to discuss the process of innovation and the application of emerging building technologies in their afternoon dialog-workshop, “Innovation and The Building Skin.” Space is limited, so reserve your seat today to take part in this and other exciting programs at AN and Enclos’ Facades+ PERFORMANCE, coming to Chicago, October 24th-25th!
"Innovation is no accident," said Patterson in a statement, "it is a creative act requiring discipline, deliberation, and strategic planning; the key is learning to implement and manage the process of innovation." With decades' worth of experience in the study and promotion of the design, fabrication and instillation of advanced facade technologies and structural glass facades, Patterson has dedicated his career to realizing the future of the building skin. After founding ASI Advanced Structures in 1991 and pioneering the use advanced facade technologies in the US, Patterson joined up with Enclos in 2007 when they acquired ASI. He has since worked to establish the Advanced Technology Studio of Enclos in Los Angeles, a think-tank tasked with developing innovative technical and structural solutions to match the ever expanding geometric complexity and performative demands placed upon today's most dynamic facades.
"Today's building programs involve unprecedented demands on the building skin, demands that are driving step-change in facade systems and technology. Innovation is the necessary industry response to these drivers of change. When I consider the current crop of projects we are involved with I am struck by how different they are from the work we were doing five, or even three years ago. Recognizing these differences highlights the trends that are shaping the future of our industry."
Join Mic Patterson has he discusses his experience delivering elegant, economic, high-performance facades amidst the revolution of formal complexity and material diversity that is transforming the AEC industries, and learn the tools to necessary to compete on the crest of innovation. Register today to take part in this and other exciting workshops, panels, and symposia, offered only at Facades+ PERFORMANCE!
Launched in 2012 in collaboration by The Architect’s Newspaper and Enclos, the Facades+ conference series is heading back to Chicago for two days of architecture symposium and workshops with a brand new theme: Performance. On October 24th and 25th, keynote speakers Stefan Behnisch of Behnisch Architekten and Gerardo Salinas of Rojkind Arquitectos, as well as a host of recognized architects, innovators, and engineers will engage attendees on the subject of facade design within the last five years, specifically sustainable, yet aesthetically pleasing construction. Day one hosts a symposium of panel speakers and networking opportunities. And during day two, attendees make the choice between tech or dialog workshops, both intimate groups with hands-on training and personal discourse. Registration is now open for both days and early bird rates apply until September 27th.
Partnering with YKK AP, Facades+PERFORMANCE in Chicago offers dialogues, workshops, and opportunities for networking for professional architects and designers The conference addresses an increasingly current issue within an era of climate change and environmental responsibility.
Day one of the symposium will offer two keynote addresses and a variety of environmentally-themed architectural panels. Presenters in attendance represent YKK AP, Buro Happold, Thorton Tomasetti, Eckersley O'Callaghan, Studio NYL, among others. Students can earn eight AIA Continuing Education Units for attending this day's events. In keeping with the theme of Performance, panel topics include: Innovation, Climate Responsive Design, Material, Complex Façades, and Client Perspective.
On the schedule for day two are intimate group workshops, either tech or dialogue based. In tech workshops, design engineers from firms like Mode Lab, Thornton Tomasetti, and CASE provide one-on-one training in cutting-edge architectural facade design technologies. In dialog workshops, participants set their own daylong schedule to attend creative-thinking sessions where architectural and engineering firms present their own work as case-studies. Coordinators for these workshops include Gehry Technologies, Enclos, SHoP, Cricursa, and more.
Comprehensive, interactive, and present, Facades+PERFORMANCE is a symposium not to be missed.
Register here before September 27th for early bird rates.
Glass-clad, cable-net structures are one of today's leading forms of high-transparency facade technology. Since 2009, Enclos has been an authority in the design, engineering, fabrication, and assembly of custom curtain wall systems and structural glass facades. The company has published a number of reports about building skin systems. Volume 1: Skylights of the Facade TecNotes Series focuses on glass in overhead applications and the unique opportunities it brings. On September 11th, Enclos’ Mic Patterson will join AN to discuss glass facades at GlassBuild America: The Architects Forum in Atlanta. Mr. Patterson will share several examples that show how optimal transparency and aesthetic elegance can work together. He will discuss projects such as 51 Louisiana in Washington, D.C., two existing buildings that have been joined by a glass-clad atrium, and Station Place: Security & Exchange Commission Headquarters, also in Washington, D.C., which consists of a 55-foot-long and 60-foot-wide skylight. Mr. Patterson has lectured internationally on various aspects of advanced facade technology and is the author of Structural Glass Facades and Enclosures.