The first hotel from Detroit’s luxury watchmaker Shinola and developer Bedrock is open for business. The adaptive reuse project in Downtown Detroit, which has placed three new buildings as connective tissue between the former Singer Sewing Machine store and the Meyer Jewelry Building, is now taking reservations for stays beginning January 2, 2019. To celebrate the project’s completion, Shinola and Bedrock have released a batch of new photos detailing the hotel’s interiors, and the Shinola touch is prevalent throughout. The 129-room Shinola Hotel was a collaborative design effort between the New York–based Gachot Studios and the Detroit-based Kraemer Design Group. The end result features 50 different room configurations, ground-floor retail, and a line of Shinola products specially made for the hotel (including a desk clock, alpaca throw blanket, and a candle) across the complex’s five buildings. 1400 Woodward Avenue, built in 1915 and expanded in 1925, has been described by the Kraemer Design Group as “Detroit’s best example of art nouveau Sullivanesque-style architecture.” The former department store is the largest building in the full-block hotel, and a 1,600-square-foot Shinola store opened at the building’s base on November 23. The other existing building, a much shorter neo-classical storefront at 1416 Woodward, was built in 1936. Two of the new buildings, one five stories tall and the other eight-and-a-half stories tall, will open on Woodward, with a final, retail-oriented building on Farmer Street. A multi-story sky bridge will cross the alley at the back of the development and encourage circulation throughout the complex.
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Last week, General Motors announced its intention to cut 14,000 jobs and close five of its North American plants in 2019. The automaker made the decision as part of a company-wide “global restructuring” process that will trim costs, though many consider the move to be part of an effort to enhance production in Mexico. As GM aims to save $6 billion by the end of 2020, five separate cities are about to experience a major shift in their local economies and take on newly-barren industrial landscapes. The plants expected to turn idle early next year include three factories: the Lordstown Assembly in Warren, Ohio; the Detroit-Hamtramck Assembly in Detroit; and the Oshawa Assembly in Ontario, Canada. Two transmission plants will also cease operations including one in White Marsh, Maryland, and another in Warren, Michigan. As the company only has 35 facilities in the U.S., this hit will be felt at the national level, but even more so in the small- to mid-size towns where many of these facilities have boosted jobs for decades or longer. The Oshawa plant came online in 1907 while the one in Warren, Michigan, opened in 1941. The Detroit-Hamtramck Assembly, which began production in 1985, received local, state, and federal subsidies to open its doors and completely altered the city of Detroit. Jalopnik recounted the tragic story of GM’s move to the Motor City where the Detroit-Hamtramck facility’s initial development cleared 465 acres containing 1,300 homes, stores, churches, and hospitals in a Polish immigrant-neighborhood called Poletown. The youngest factory on the list, GM Baltimore Operations in White Marsh, opened in 2000. A $245 million structure was built next door just six years ago, adding 110,500 square feet to the existing 471,000-square-foot facility. According to the Baltimore Sun, it was the first electric motor production facility operated by a major U.S. automaker. The project was subsidized by a $106 million U.S. Department of Energy grant. Though former GM leadership wasn’t aware that less than a decade later this massive investment would go idle, the company’s sudden decision to shut down some of its oldest and newest facilities, begs the question: How will these towns bounce back? Some larger cities like Atlanta and New York have managed to reuse large, vacant industrial spaces, but it remains to be seen whether these smaller towns with shuttering GM facilities can pull that off given they don't have the population demand or the financial resources. As these locales transition over the next year, they’ll be forced to begin considering just how long these sites will remain unoccupied. Since opening, they’ve served as homes away from home for thousands of autoworkers who’ve helped bring steady money to their respective local economies. The closure of these plants, along with the millions of invested dollars that GM, the federal government, and these towns have made within the last 100 years, will come at a huge cost.
The former Hudson's site at 1206 Woodward Avenue in Detroit will soon be host to Michigan’s tallest building. Designed by SHoP Architects, the development will top off at 912 feet, tying One Prudential Plaza in Chicago for the title of the 32nd tallest building in the United States. Previously expected to rise to only 800 feet, the structure will be a full 200 feet taller than the Renaissance Center, Detroit’s current tallest. SHoP’s newly released design drawings feature a stepped tower, scrapping the previous plans for an observation deck. “Stepping allows for terraces for amenities and possible hospitality spaces," said Bill Sharples of SHoP Architects on the updated plans. "The addition of new programming in the latest iteration of the design allowed us as architects and designers to break down the scale of the tower even further, and to approach it even more holistically, something we have been conscious of since the beginning of the project." The 1.4 million square foot development, which includes a twelve-story podium structure in addition to the tower, will be mixed use. The podium will house office, event, and exhibition space, while the tower will house hotel and residential units. Seven hundred parking spaces will be located within an underground garage. The development intends to link retail on Woodward Avenue with cultural destinations near the Detroit Public Library. Bedrock LLC was chosen as the developer in 2013 via an invited completion to study the potential to develop the former site of the flagship J.L. Hudson department store, and the firm has developed the site along with SHoP and Hamilton Anderson Associates of Detroit. The project will be partially financed through tax breaks to Bedrock via the Michigan Strategic Fund, as well as the MIThrive Initiative. The structure intended for the Hudson's site is one of four in the works for Bedrock that will be working with these programs. Built in stages from 1911 to 1946, the Hudson's flagship building on Woodward Avenue was once the tallest department store in the world at 25 stories. The store closed in 1983 and the building was demolished in 1998. A portion of the basement of the original structure was used for parking at the site until Bedrock broke ground on the new structure in December 2017. The new structure is not expected to show any verticality for another fourteen months.
As Detroit and Buffalo get set to take on two transformative park projects along their respective waterfronts, both cities have been generously backed by a philanthropic organization aiming to enhance green space and bolster community engagement. Today, the Ralph C. Wilson, Jr. Foundation announced its pledge to invest over $1.2 billion in the cities by 2035 in honor of its founder, the Buffalo Bills’ late owner, and his centennial birthday. The Foundation is making a sizable donation to Western New York and Southeast Michigan—the two areas Wilson loved most—by committing a combined $200 million for upgraded parks and 250 miles of trails in the regions. A large chunk of that change will go directly to revitalizing LaSalle Park in Buffalo and West Riverfront Park in Detroit. With a design already envisioned by Michael Van Valkenburgh Associates (MVVA) and David Adjaye, the latter parkland will give Michiganites long-desired, tangible access to the Detroit River. Though the 77-acre LaSalle Park has stretched across Lake Erie’s edge since the 1930s, it’s massive potential for further beautification and elevated programming could increase the quality of life for Buffalo residents and beyond. Dave Enger, president of the Foundation, stressed that community involvement is the key to taking on these monumental landscape goals. “Foundations don’t build parks, communities do,” he said. “Our vision is really to support these wonderful projects and the people that have the vision.” The design process is well underway for West Riverfront Park in downtown Detroit. Situated atop a former industrial piece of land, the 22-acre parkland will be a year-round destination for fishing, skating or swimming, sports, entertainment, and family gatherings. MVVA’s proposal was chosen over 80 other submissions in an international design competition to reimagine the park, which was transferred from private ownership to the Detroit Riverfront Conservancy in 2014. Since their master plan was selected earlier this spring, MVVA has worked alongside the Conservancy and the Detroit Mayor’s office to garner feedback from locals and find out their personal ambitions for the park. The firm’s principal, Michael Van Valkenburgh, said his team especially loved talking to people aged 60 and older about their childhoods in Detroit—the places they loved and why. For many, the secluded Belle Isle was the only locale they could go to enjoy green space and the river at the same time. But that’s about to change thanks to these new ideas for downtown. “Not every place in Detroit has what New York’s Brooklyn Bridge Park offers—a way to touch the water and put your toes in,” said Van Valkenburgh. “Because Detroit is so vast horizontally, we knew needed to add shock and awe to the design to get Detroiters who were far away to come to the water. Michiganders feel defined by and proud that the state is surrounded on three sides by the Great Lakes. We thought giving access to the water, through this cove and beach creation, would be a big draw.” A construction start date hasn’t yet been announced for West Riverfront Park, but officials estimate it will be complete by 2022. Van Valkenburgh is sure the master plan will go through many design iterations before ground is broken and he’s excited about more community input. “I’ve been going to public meetings since 1990,” he said. “These have been the most uplifting public meetings I’ve ever been a part of. People come with a real sense that this park is going to be a big lift for the city. They really want it.” At the other end of Lake Erie is LaSalle Park in Buffalo. Though it’s a long-loved and well-utilized community treasure, city stakeholders agree that it could use significant improvements. In 1998, the city conducted a planning review to overhaul the expansive parkland and identify priorities for a new design and upgraded programming. That vision was never realized until the Regional Institute at the University of Buffalo began researching its history and surveying people through a project called Imagine LaSalle. A focus group even spent this summer exploring the park and visiting other famous green spaces in Chicago, Cincinnati, and New York for inspiration. “The feedback has been tremendous so far,” said Brendan Mehaffey, executive director for the city’s Office of Strategic Planning. “Part of the mayoral administration’s core values is inclusion so we’ve talked to people from all backgrounds including low-income individuals, young professionals, business owners, and more.” Community engagement is at the heart of both efforts in Buffalo and Detroit. Much like Imagine LaSalle, MVVA also transported a busload of teenagers to visit their Maggie Daley Park in Chicago, and other groups went to New York and Philadelphia. Mehaffey sees the connection between the two waterfront park projects, and the two cities in general, as vital to their respective successes. “The Detroit team is much further into the design process than we are, so we’re delving into their research to try and discover best practices for building our own LaSalle Park,” he said. “I think that commonality between us is part of what the Wilson Foundation’s statement is going to make to the country.” Enger also believes the two cities are inextricably important to one another—that’s why his organization has zeroed in on their combined futures. He emphasized that spurring economic development through green space is a key way to democratize the municipalities on a greater level. “Where else in the United States are you going to find world-class parks in post-industrial cities that overlook international border crossings and feature some of the most magnificent sunrises and sunsets?" he said. "We think the total leverage of this project will be far greater than what our investment will bring.”
Downtown Detroit is slated to build one of the tallest buildings in the Midwest, set over the former footprint of the city’s iconic J.L. Hudson department store. Though construction on the project has already begun, the exact height of the soaring structure remains unresolved. Crain’s Detroit Business reported that the $909-million mixed-use tower planned for the long-vacant Hudson site could reach as high as 912 feet—an increase of over 100 feet from previous estimates. But the developers won’t make a final decision on its height until the end of January. This is the third time Bedrock LLC, owned by Quicken Loans founder Dan Gilbert, has increased its estimated elevation and updated the design. The complex is being designed by Detroit-based Hamilton Anderson Associates and SHoP Architects. Though the skyscraper won’t make the list of top 10 tallest towers in the country, it will break the record for the largest high-rise in the Motor City. As of now, the design shows the tower next to a nine-story podium connected by a public plaza and alleyway. It’s anticipated to include programming for residential space, and potentially room for hotel or commercial use. The additional 112 feet of height would allow the architects more flexibility in designing the building's various programs, according to Crain’s. Per the current designs, that number coincides with the established length of the elevator core. The project was first announced in February 2017 with the tower reaching a maximum height of 734 feet. It was projected to feature space for retail and restaurants, events and conferences, offices and exhibits, as well as residential units. A public observation deck and an underground parking garage were also cited in the initial plans. Current renderings reveal two glass-clad, boxy constructions with outdoor terraces and greenspace. The project is estimated to take four-to-five years to complete. Demolition of the existing parking garage on site is nearly finished and foundation work is already underway.
The Shinola Hotel in Detroit has shared new renderings of its interiors in advance of an anticipated December opening. The hotel, which will stand at 1400 Woodward Avenue in Downtown Detroit will feature subdued, warm interiors designed by New York–based Gachot Studios and Kraemer Design Group. Gachot Studios, purveyors of warm, elegant interiors, has worked with Shinola on their Los Angeles and Brooklyn stores and has extensive experience in hospitality for other clients. Kraemer Design Group is a Detroit firm with experience in local historic renovation projects and ground-up construction. The new hotel will incorporate renovated historic buildings, including an old department store and a former Singer sewing-machine store. In addition to 129 guest rooms, the hotel will also include a mix of lounges and restaurant spaces to attract the broader public. The concept follows the lead of the Portland-based Ace Hotels or New York's newer Public Hotel, which include public amenity spaces and are meant to attract people to work and hang out. The renovated interiors incorporate products of Michigan and are meant to emphasize material craft. Pewabic ceramics, stone finishes from Booms Stone Company, and decorative metalwork from Great Lakes Stainless are all made locally and are used in the design. The project, a collaboration with Detroit developer Bedrock, capitalizes on Shinola's reputation for high-quality design. Shinola was originally founded in upstate New York in the 19th century and became well known for shoe polish, but in 1960 the company went out of business. In 2011 a venture capitalist bought the rights to the brand and used it to lend prestige to a line of watches and leather goods.
After an international design contest that drew 78 entries from 14 countries, five winning sukkahs (temporary huts built for the weeklong Jewish holiday Sukkot) have landed in Detroit’s Capitol Park. The competition was part of Sukkah x Detroit, a celebration of Jewish culture, Detroit’s status as a UNESCO City of Design, and the city’s large number of urban farms; the chosen sukkahs make reference to all three. Sukkah x Detroit was an initiative of the Isaac Agree Downtown Synagogue as part of Detroit’s Month of Design, and all five winning designs will be on display until the festival’s end on September 30. Sukkahs are meant to be flexible and at least partially exposed to the elements, and observant Jews are expected to eat and sleep in the temporary structures during the seven days of Sukkot. All of the winning structures put a playful spin on the typical sukkah typology but were certified by two rabbis to ensure they met biblical requirements and were fully usable. Abre Etteh of New Malden, U.K., sought to evoke the light that filters through a swaying treetop canopy with his entry, Hallel. Painted blue plywood was used to form the structure of Hallel, while 500 freshly-milled cherry shingles were hung from the ceiling. The shingles all move with the breeze, and dappled light is reflected in a brass-covered bowl of water in the center of the floor. Gamma Architects from Gibraltar focused on sharing in both the physical and spiritual sense with their Shuk-kah. This sukkah was built from recycled white vegetable crates, ubiquitous sights at food markets around the world, which were used for the structure’s walls, furniture, and central table. A “roof” of bamboo scaffolding was installed overhead that would allow visitors to see the stars, and LEDs were run through the crates making up the walls, enabling the hut to softly glow at night. Noah Ives, of Portland, Oregon, reinterpreted the sukkah as an art object with his biomorphic Seedling Sukkah, which resembles a pinecone or hive at first glance. Laser-cut plywood “leaves” were used to tile the outside of Seedling Sukkah, creating a lightweight, open pavilion that references nature in both material and form. JE-LE, the only Detroit-based winner, took cues from the vibrancy and sculptural qualities of fruit for Pocket Space, by referencing the packed fruit ornamentations traditionally hung inside of sukkahs. Sukkahs are by nature designed to be intimate spaces, but JE-LE expanded the uses of Pocket Space through a series of rotating interior nets that can be adjusted based on use. Finally, the Cambridge-based Nice One Projects embraced the inherently paradoxical nature of the sukkah (a structure that by definition must remain exposed and open to nature) with Chaffy. Nice One took the premise to its logical extreme, attempting to “dissolve” all sense of hard walls by creating a continuous wall clad in thousands of thatch bundles. Inside, guests will find a respite from the outside world, allowing them to see out while remaining obscured. Sukkah x Detroit was modeled after New York’s 2010 Sukkah City, a competition that brought 12 high-design sukkahs to Union Square and spawned both a book and a documentary on the exhibition. Unable to make it to Detroit by September 30? The Marlene Meyerson JCC Manhattan and JCC Harlem are presenting five sukkahs designed by artists from now until October 8, including a scaled down version of Israeli architect Avner Sher's Jerusalem 950m2 (Quarter Acre) Alternate Topographies. All 78 Sukkah x Detroit entries can be seen online here.
This past month, architect-turned-artist Phillip K. Smith III revived the 100-foot-long walkway that links two of Detroit’s most celebrated skyscrapers with a dynamic light installation. Wedged between the Guardian Building and One Woodward Avenue, the suspended passageway was built in the 1970s to allow employees of the American Natural Resources Company and Michigan Consolidated Gas Company to pass freely between the two office buildings without interference from inner-city traffic and congestion. When one of the companies relocated in the 1990s, however, the bulky walkway was abandoned. Fortunately, the sky bridge has now been revitalized with a permanent installation by the California designer known for his extravagant, light-based, and Coachella-esque works of art. Phillip K. Smith III has completely transformed the neglected passageway into a vibrant, floating bar of light that electrifies the streets of downtown Detroit. “Detroit Skybridge is another example of how underutilized spaces can be reimagined for the benefit of the public,” said the owner of Library Street Collective, the art organization that conceptualized the project. “Phillip’s use of light and color, along with his understanding of architecture and scale, makes this a compelling project for the city.” Smith drew inspiration from the geometric white concrete of Minoru Yamasaki’s 1962 One Woodward building and the variegated interior of the 1929 Guardian Building. His design, which is composed of shifting tones and moving planes of light, has added a pop of color and a renewed interest to the historic city’s constantly evolving skyline. “By day, the Skybridge will continue to be seen as its historic self within the architecture and massing of Downtown. But by night, it will become a beacon for the beauty, creativity, and innovation of Detroit,” said Smith. “I am interested in creating experiences that tap into ‘universal beauty’—experiences that make us step away from our pattern, our life, our work, our errands, and allow us to see sublime beauty shifting and changing before our eyes.”
On October 10, the doors of Detroit’s long-abandoned State Savings Bank will open to the public and reveal a space radically different from the building's original interior. Among the building’s elegant columns, historic bank vault, and vast interior space sits Doug Aitken’s latest art installation, a mystifying sculpture in the form of a one-story American suburban house, equipped with a maze of mirror-clad rooms and hallways that will leave visitors both disoriented and perplexed. The sprawling design, known as Mirage Detroit, diffracts and reflects every aspect of its surroundings, including the historic architecture of the antiquated building in which it resides. The resulting contrast is intense: the bank, with its bold sculptural supports, decorative enrichments, elaborate cornice, and over-scaled features, is juxtaposed with Aitken’s angular, mirrored sculpture and the room’s marble floor, which has been completely obscured by raw earth and river rocks. The merging of these elements conjures images of “a constantly shifting landscape that incorporates the organic and inorganic, reflects the past, and questions the future,” according to a statement from the artist's studio. Mirage Detroit will mark one of the first times that the public has had open access to the State Savings Bank, which was built in 1900 and has been vacant for decades. The bank, which is impressive by virtue of its sheer size, classical décor, and adaptation to the urban American landscape, represents the history of Detroit while looking towards its future. It was saved from demolition after it was purchased by Bedrock in late 2014. “In many ways, Mirage will become its surroundings,” says Anthony Curis, owner of Detroit-based art gallery Library Street Collective. “It will reflect and intensify one of the city’s greatest historical and cultural contributions—its grand architecture.” Over the course of the exhibition period, Mirage Detroit will host an array of cultural events ranging from educational programs, musical performances, and community programs funded by organizations like Cranbrook Academy of Art, Art Museum, Museum of Modern Art Detroit (MOCAD), and College for Creative Studies.
In celebration of Detroit’s designation as the first UNESCO City of Design, the Detroit Design Festival will transition from a weeklong event into Detroit Month of Design. From September 1 through 30, over 25 participants will present 41 events and special projects throughout the city in celebration of Motor City design. Detroit became the first and only city in America to receive a UNESCO City of Design designation in 2015, joining a network of over 20 cities using creativity as a driver of long-term equitable development. Perhaps known best for its program to designate World Heritage Sites, UNESCO (the United Nations Educational, Scientific and Cultural Organization) was chartered in Paris in 1946 as a specialized branch of the United Nations pushing for the protection of justice and human rights through the advocacy of cultural heritage, in both tangible form—such as monuments, natural resources, and sites—and intangible, such as folkways, gastronomy, and literature. Detroit has been an active member of the City of Design network, with representatives traveling to other partner cities across the globe to participate in convenings and festivals. Detroit Month of Design is planned and executed completely by Design Core Detroit, an organization established in 2010 to recognize Detroit as the origin point for much of America’s industrial design and a driver of influential creative thought. Here are some Detroit Month of Design highlights: Sukkah x Detroit Sukkah x Detroit celebrates Detroit’s designation as a UNESCO City of Design as well as its 1,300 urban farms. Sukkah x Detroit received 78 applications from 17 countries to design contemporary sukkahs, which are ancient symbolic structures built for the celebration of Sukkot, a holiday commemorating Jewish freedom from slavery. The winning sukkahs will be on display in historic Capital Park, along with complementary programs and events. SHAPE: Defining Furniture in Michigan's Design Legacy Next:Space Detroit is curating an exhibit of contemporary furniture by the likes of Alex Drew and No One, Nina Cho, Colin Tury, and Hunt & Noyer inspired by the design theories and practices of Charles and Ray Eames and Florence Knoll (Knoll was a native Michigander). The furniture will go on display at the Shinola Canfield Flagship Store. Light Up Livernois Now in its fifth year, Light Up Livernois celebrates one of Detroit’s oldest and most significant commercial corridors, known for its connection to Detroit fashion. Vacant storefronts will be activated with art installations and pop-up shops, while existing businesses will be offering special programming and goods, and will be open late into the night. Previous iterations of Light Up Livernois offered musical performances and fashion vignettes. 2018 Junior League of Detroit Designers’ Show House Detroit designers are let loose within the 1922 Charles T. Fisher Mansion, the largest home in the Boston-Edison Historic District. The estate includes 14 bedrooms and 14 bathrooms, and includes a pub, a private chapel, and a prohibition-era liquor vault. From September 15 through October 7, 39 designers will transform over 40 spaces within the 18,000-square-foot home and throughout the gardens. Picnic Curated by Campo Studio (designers Fernando Bales & Elise DeChard), Picnic bills itself as a “spatial feast,” with the project blurring the lines between art and architecture. The piece will bring together a series of mobile furniture armatures, each with an independent presence and use. The project will be assembled and shown in the Simone DeSousa Gallery. Gold Ink + Red Wine at POST POST, a new, open-concept retail store on Detroit’s east side, will open its doors for tours, demos, and workshops all month long, allowing visitors to peruse new work by in-house design and production studios, including Mutual Admiration, Hooray Forever, and Scarlet Crane. The 1940s building that houses POST was a former post office and served for a while as a Baptist church. The store opened in 2017.
Artnet News recently reported on a Berlin-based artist who reconstructed one of Rosa Parks's homes and is now trying to sell it to an American institution so that it can be publicly displayed. The Rosa Parks house sheltered the famous civil rights pioneer after she left Montgomery, Alabama, for Detroit, Michigan, because of death threats that she was receiving because of her activism. After Parks's death the building was eventually abandoned and fell into disrepair, and the City of Detroit had slated the structure for demolition. The house was saved by Rhea McCauley, Parks's niece, who bought it for $500 in 2014. She then offered the building to Ryan Mendoza, an American artist based out of Berlin who had previous experience moving a house from Detroit to the Netherlands, so that he could move the building to a secure location. He then deconstructed the house, shipped it to Berlin, and rebuilt it in the European capital. Artnet News talked to both McCauley and Mendoza, who said that Berlin was just a stopping point for the house while he found a more permanent custodian for the structure in the U.S., where it could potentially serve as part of an educational exhibit on the life of Parks, the civil rights movement, or the history of African American housing throughout the past century. As Mendoza notes in the artnet News article, the Parks house is a testament to the low-quality structures that many African Americans were forced to accept as racist policies and redlining excluded them from housing loans and affluent neighborhoods. The article reported that Mendoza and McCauley were having trouble finding a suitable buyer, but that they are continuing their search and still hope to bring the structure back to the U.S.
A little bit of New Orleans’s music and architecture scene will touch down in Detroit this weekend with a music house’s residency at the Dabls MBAD African Bead Museum. 'Porch Life' is a 22-foot-tall mobile touring installation, conceptualized and built by New Orleans Airlift, a nonprofit arts organization. New Orleans Airlift is best known for The Music Box Village, an artist-built sculpture garden based in New Orleans and “a place where play, imagination, experimentation, collaboration, community and hard work come together.” The organization has been using common household architectural features as musical instruments. Porch Life, like other Music Box productions, features 11 musical instruments built into the multi-story home that professional and novice musicians can use. Handrails become harps; windows become percussion instruments; porch swings act as metronomes. It is the first mobile musical home that the organization has created, however, measuring 16 feet wide by 22 feet tall by 21 feet long and weighing 6,000 lbs—a hefty weight for a truck to tow. The project originally started off on Kickstarter, raising and meeting its goal of $14,000 to bring the house to life and on the road, hitting New Orleans’s Jazz Fest 2018, the Eaux Claires Festival in Eau Claire, Wisconsin, Detroit, and New York City. It will then return home to New Orleans to be incorporated into the Music Box Village. Fresh from Eaux Claires Festival, Porch Life's Detroit residency starts at 1 p.m. on Saturday, July 14 and will be open to the public, free of admission until 7 p.m.