Beyond the focus on food and agriculture, there is also a wealth of eye-catching architecture at the Milan Expo as well. Here is a collection of some of our favorite pavilions from this year's rendition. And be sure to check out our coverage of the Expo here.
a handful of designs...stand out as attempts to rethink the way we build and how it relates to modern agriculture and sustainable food production for the next century. Most of the pavilions use sustainable materials and construction methods that utilize national building techniques. Inside, exhibitions—often interactive—showcase biodiversity, culture, and food traditions of each nation.
Posts tagged with "Daniel Libeskind":
Milano Expo 2015 is rolling along, with 145 countries and a host of international organizations, civil society organizations, and corporations displaying their food-centric traditions and the latest sustainable agriculture and food production techniques. AN reported on the Expo when it opened:
Daniel Libeskind’s recently completed Congres Centre, in Mons, Belgium, has opened its doors just in time to kick off the city’s year of festivities as the 2015 European Capital of Culture. The new convention center bears the architect’s signature jagged style, featuring two sharp protruding and overlapping volumes, and is designed “as a new architectural landmark for Mons” and “connector between the old and the new,” explained Studio Libeskind in a statement. On the exterior, a band of anodized aluminum sits atop and intersects the lower section, resembling a hull of a ship. The lower walls are clad with a vertical framework of robinia wood. On top of the roughly 41,010-square-foot building, a steel viewing platform provides views of the medieval town center as well as the new Calatrava-designed train station in the new “Grands Pres” neighborhood. Inside, there are three auditoriums, ranging in size and capacity from a larger 500-seat hall to a more intimate space with 100 seats—all outfitted with bright orange Tangram seats. An entrance hall dubbed the “Forum” can hold exhibitions and special events, and feature narrow skylights—another Libeskind trademark—which crisscross the ceiling to let in “shifting patterns of natural illumination.” The complex will also include a 4,000-square-foot multi-event space and 16 meeting rooms of various size.
On View> Drawings by Hadid, Tschumi, Gehry, Libeskind, and Koolhaas are being exhibited right now in St. Louis
Drawing Ambience: Alvin Boyarsky and the Architectural Association Mildred Lane Kemper Art Museum Washington University in St. Louis 1 Brookings Dr, St Louis, MO Through January 4th The Mildred Lane Kemper Art Museum in St. Louis is currently exhibiting early drawings from some of the world’s leading architects including Zaha Hadid, Bernard Tschumi, Frank Gehry, Daniel Libeskind, and Rem Koolhaas. The works come from the private collection of the late Alvin Boyarsky who chaired the Architectural Association School of Architecture (AA) in London from 1971 to 1990. The collection includes about 40 prints and drawings from the architects, and nine limited-edition folios published by the AA. Those folios include works from Peter Cook, Coop Himmelblau, and Peter Eisenman. “Drawing Ambience offers a rare glimpse into a pivotal moment in architectural history and the imaginative spirit of drawing that was and continues to be instrumental to the development of the field,” said the Kemper Museum in a statement. The exhibit was co-organized with the Museum of Art Rhode Island School of Design and will travel to Providence in April. This is the first public museum exhibition of Boyarsky’s collection.
In a recent Q&A with the Boston Globe, Daniel Libeskind made it clear that when it comes to books, he doesn't just look at the pictures. Titles on the architect's current reading list reflect a predilection for essays and short stories—Borges, Melville, and Walter Benjamin, among others. He told the Globe that he keeps a set of Edgar Allan Poe stories on his bedside table. With so many tomes simultaneously clamoring for his attention, it would be fitting if Mr. Libeskind's library furnishings included his Reading Machine (above)—one of three contraptions he designed for the 1986 Venice Biennale. But alas, the device is no more, having met a bizarre fate. Based on Renaissance engineer Agostino Ramelli's 1584 "Book Wheel" invention, Libeskind's version ended up in a Venetian warehouse after the show. Eventually it was shipped to Geneva for an exhibition at the Palais Wilson. The day before the installation, though, the machine was incinerated, victim of a terrorist's firebomb.
Architect Daniel Libeskind has collaborated with artist Marina Abramovic on the design of furniture for her upcoming event, "Counting the Rice," which will be staged December 4–7 during Miami Art Basel. The integrated table/bench will be fabricated in concrete by Moroso in a limited edition of 30 pieces. Plywood versions were created for previous performances in Geneva and Milan. While striking in its characteristically angular appearance, we're a little skeptical of the comfort quotient of the seating. Was Libeskind channeling his inner Frank Lloyd Wright, who created famously painful furnishings? Hmmm. But perhaps the nature of the performance provides a clue, here: The event requires participants to sit for at least six hours, counting and sorting grains of rice. Part meditative ritual, part atrophy-inducing experience—at least they will look, if not feel, good. Proceeds from the sale of the tables will be donated to Abramovic's MAI organization, a platform for "immaterial art" and long duration works.
Given that you're reading The Architect's Newspaper right now, there's a very good chance you're an architect. If that's true, then dressing up as an architect on Halloween would be a pretty lame costume idea. That is, unless you went as one of The Greats—we're not saying you're not one of them...but, you know what we mean. If dressing up like a starchitect sounds appealing to you, then Curbed has a great guide on how to make it happen. If you want to go as Le Corbusier, all you need is "a double breasted, yet perfectly, tailored suit, long tobacco pipe, mean upper lip, a crisp white pocket square, and a pair of stark oval glasses." Or how about dressing as a living starchitect like Zaha Hadid? To pull that off, make sure your costume has a "swoop" and includes a "Darth Maul cape and purple lipstick." (Note: In the off-chance you're reading this, Zaha Hadid, then you probably shouldn't dress up as yourself. You should go as someone else like, maybe, Daniel Libeskind who's also included in the guide). If you're wondering what the starchitects, themselves, are dressing up as, well, Building Satire has some ideas...
On October 9, Daniel Libeskind marks the opening of Dwell on Design NY, a three-day event bringing together design luminaries for discussions and presentations on urban design and architecture. Other speakers at the conference include architect David Rockwell, Pentagram partner Michael Bierut, Designtex CEO Susan Lyons, Claire Fellman of Snøhetta, and many others. Highlights of Dwell on Design NY include self-guided tours of private residences in Tribeca, the Flatiron district, Harlem, and Soho; the curated retail Dwell Store; and CEU sessions. More information is available on the Dwell on Design website.
Earlier this week, AN went up to the 67th floor of the recently-opened 4 World Trade Center to get a progress report on the 16-acre redevelopment taking shape below. Inside the wide-open and raw space, Larry Silverstein, the site’s developer, told reporters that his vision for a new World Trade Center had finally become a reality. “I’ve gotten a bit of a reputation as a wild-eyed optimist,” he said in front of a wall of windows. “But even I have to admit that I didn’t see all this coming.” Noting that it had been 13 years since the attacks, he went on to refer to the anniversary as the site’s “bar mitzvah.” From high up in Fumihiko Maki’s celebrated 4 World Trade it’s easy to see how much has changed at the World Trade Center site over those 13 years—and how much still needs to get done. Looking straight down the tower’s western edge, you can see the pools of the 9/11 Memorial Plaza which opened in 2011 and the adjacent 9/11 Memorial Museum that came on-line three years later. Next to that is Calatrava’s bird-like transportation hub where workers could be seen busily welding on the structure's skeletal wings. That project is scheduled to open in the second half of 2015, years behind schedule and at a cost of nearly $4 billion. A few blocks north of the winged creature is 7 World Trade, the David Childs–designed building that opened in 2006 and is fully leased. Across Vesey Street is another Child's tower—the site’s centerpiece—the 1,776-foot-tall One World Trade. After years of delays, the building is expected to open some time this fall. As of now, the tower is about 60 percent leased. The same can be said for 4 World Trade. "I am both humbled and inspired by the process. It is never an easy process, and why should it be?" asked Daniel Libeskind, who crafted the site's masterplan. "This is New York City, there are so many stakeholders, so much to be done, and so much to think about." But there is obviously so much more to be done still—so many missing pieces in Libeskind's plan. Just this month, the board of the World Trade Center's performing arts center announced it had scrapped Gehry's decade-old design for the project. The board told the New York Times that is currently looking for a new architect to take over. And then there is Calatrava's other project at the site, the new St. Nicholas Greek Orthodox Church, which is still a few years off. While looking straight down from 4 World Trade shows how much has been rebuilt since 9/11, looking straight out reveals how much has not. The Midtown skyline that served as a backdrop for the event's speakers may have been impressive, but it was a blatant reminder of what has not been accomplished since the Twin Towers came crashing down. Because, at this point in the reconstruction process, employees in 4 World Trade Center shouldn’t have an entirely unobstructed view of Midtown—there should be two other glass towers in the way: 3 World Trade by Richard Rogers and 2 World Trade by Norman Foster. Silverstein said that the former should be completed by 2018, but as for 2 World Trade Center, it’s anyone’s guess. In a fact sheet distributed by representatives of Silverstein Properties, the tower's completion date is conspicuously left off.
Once again, top-drawer design talents—Ronan and Erwan Bouroullec, Konstantin Grcic, Ingo Maurer, Nendo, and Daniel Libeskind among them—claimed the limelight at the last Salone del Mobile. More than 300,ooo attendees navigated the halls of the Rho exhibition center, while closer to the center of Milan, satellite shows and exhibitions drew crowds to more avant-garde events. Here's a selection of our favorite pieces. Rival Artek While created as a work chair for the home office, this swiveling seat has a distinctive presence. Fabricated of birch, in high- and low-back styles; leather and fabric upholstery. Designed by Konstantin Grcic. Flying Flames Ingo Maurer Repositionable downlights and dimmable LED “candles” are held by magnets to a ceiling-mounted canopy that contains an integrated electronic ballast. Designed by Moritz Waldemeyer and Ingo Maurer and team. SU Collection Emeco These simple stools are offered with seats of reclaimed oak, recycled polyethylene, or an eco-friendly “concrete” material, atop legs of anodized aluminum or wooden legs. Designed by Nendo. 22nd Floor Moroso Folded steel and aluminum comprise an all-in-one seating and table unit. Varying the palette of textiles and surface materials creates a custom design. Designed by Tord Boontje. Carbon Fiber Chair Coalesse Weighing less than five pounds and capable of supporting 300 pounds, this stacking chair takes full advantage of the technical properties of carbon fiber. Designed by Michael Young. Shanty Summer BD Barcelona Design Each of the corrugated door panels fronting this cabinet opens in a different direction. Available in several color schemes. Designed by Doshi Levien. Paul Smith & Maharam Carl Hansen & Son Modern classics including the Wing Chair, the Shell Chair, CH28, and the CH163 sofa all receive the signature striped treatment. Textiles by Paul Smith & Maharam; chair designed by Hans Wegner. Paragon Artemide A body of extruded aluminum in matte black or anodized grey finishes, this blade-like floor fixture uses a dimmable LED lamp. Designed by Daniel Libeskind. N=N05 Casamania Breaking apart the components of a traditional sofa, this chair’s seat and backrest float separately, but are linked together by a thin exposed framework. The integral side table is made of ash wood. Designed by Luca Nichetto and Nendo. Big Will Magis This wheeled work or dining table extends to seat eight. The witty wheel-like pair of legs slide for easy expansion. Designed by Philippe Starck. Tuareg Foscarini This tubular fixture’s three LED light sources adjust 360 degrees and can be operated independently, allowing it to be used as a reading lamp, wall lamp, or floor lamp. Designed by Ferruccio Laviani.
In collaboration with Studio Daniel Libeskind and Armani/Casa, developer Century Properties has begun construction on the Century Spire tower in Manila, the capital city of the Philippines. The tower will stand with Trump Tower, the Gramercy Residences, and the Knightsbridge Residences among others to complete the project known as Century City. In a manner similar to some of his alternate works, Libeskind designed the peak of the Century Spire to resemble a skewed, distorted flower. This summit of the building is divided into three sections to create an even more distinct and unprecedented look that is Libeskind's trademark. The 60-story, mixed-use Century Spire will be divided into three sections—offices, residences, and amenity floors. Armani/Casa is designing the building's amenity spaces, which include a massive lobby, pool, library, bar, and relaxation area.
Brooklyn-based illustrator Paul Tuller was inspired to create a new poster-portrait series, Architecture As Crown, by his architect boyfriend. This series features illustrations of famous architect's wearing their most famous works on their heads. Beginning as a parody of Andy Warhol's God Save the Queen, the project includes such figures as Peter Eisenman wearing House I as a crown. Purchase your own posters here.
It's easy to get overwhelmed at the Salone del Mobile and the dozens of related events during Milan Design Week. Luckily there are plenty of visual palate cleansers in form of immersive environments, from new showrooms by Pritzker Prize–winning architects to dazzling installations by up-and-coming designers. There is more to Milan Design Week than just great looking furniture! At the Triennale design museum, for instance, Paris-based DGT architects created a light-catching installation for Citizen watches called Light is Time (above), featuring space dividing curtains made of tens of thousands of watch plates. For the Swedish textile company Kinnasand, a division of Kvadrat, Toyo Ito designed a luminous new showroom to display the company's fabrics, many of which feature diaphanous qualities. Ito covered the walls in frosted glass, which gives them a shimmering quality as downlights tucked into the edge of the ceiling filter through the panels. The ceiling itself is paneled in reflective metal. Draped fabrics are displayed on curved metal rods suspended from the ceiling. Cassina tapped the rising Japanese star Sou Fujimoto to design a "floating forest" for their booth at the fairgrounds, arguably the most innovative display at the Salone. Fujimoto hung mirrored metal planters from the rafters, which held green Japanese maples. Canned bird noises added to the atmosphere, which felt both natural and surreal within the tradeshow hall. The reflective surfaces forced visitors to slow down within the booth, giving them more time to look at Cassina's classic and contemporary furnishings. Also at the fairgrounds, an invited group of architects—Shigeru Ban, Mario Bellini, David Chipperfield, Massimiliano and Doriana Fuksas, Zaha Hadid, Marcio Kogan, Daniel Libeskind, and Studio Mumbai—riffed on themes of domesticity with conceptual installations called, Where Architects Live. As far as installations like these at a furniture fair go, the installations were largely devoid of the trappings of daily life. Libeskind, for example, sliced deep voids into the walls, inset with screens showing videos about his personal history and architectural projects. Chipperfield showed of his German side, with photos of deliciously drab Berlin and clanging music underscoring the seriousness of the project.