One mid-century ceramicist, the late Maija Grotell, finds herself in conversation with another, the living Ian McDonald at Turning Still: Historical & Contemporary Ceramics. At Patrick Parrish gallery in lower Manhattan, the two ceramicists—McDonald, the current artist-in-residence and Grotell, former artist-in-residence at The Cranbrook Art Academy—dialogue through pieces that reference Cranbrook’s campus in Bloomfield Hills, Michigan. Grotell’s modernist vases and vessels, rendered in strong forms with geometric patterns painted in surface slip (colored clay), are in stark tension alongside McDonald’s strong, yet soft, bowls finished with colored terra sigillata (ultra-fine clay that’s sieved, applied, and then burnished for a soft look). In Turning Still, Grotell’s work—11 pieces on loan from The Cranbrook Art Museum’s permanent collection—have rough surfaces built up with slip and glaze, creating peaks and valleys (and sometimes representative images). Compare that to McDonald’s contributions, all new for this show; the bowls and jars are simple and angular, but adorned with fully realized “pipes,” “bars,” and “rails,” turning what’s implied into actual geometry. The effect is especially pronounced as Turning Still mixes and mingles the two artists’ work to create maximum contrast. While Grotell’s vases, cups, and bowls are decorated, they still suggest functionality, an effect that McDonald’s filled-in, covered, or obscured objects eschews. Read the full article on our interiors and design website, aninteriormag.com.
Posts tagged with "Cranbrook Academy":
More than one year after Reed Kroloff announced he would leave his post as director of Michigan’s Cranbrook Academy of Art, the illustrious arts campus and museum has plucked an art museum director from the West Coast to fill his shoes. Christopher Scoates has worked with California State University Long Beach since 2005. A native of England, he has a Master of Fine Arts in Photography from Cranbrook and more than 25 years of experience in universities and art schools. As a curator he has organized exhibitions bringing together music, lighting, and various media for shows that have traveled the country. “Cranbrook Academy of Art's rich legacy and history of innovation have made it one of the top institutions of graduate education in the visual and fine arts,” Scoates said in a statement. “Together, the Academy and Museum share a commitment to new art and new ideas, and I look forward to developing new partnerships, alliances, and audiences that will extend both the Academy and Museum programs far beyond the walls of the campus.” His appointment takes effect August 1st. Cranbrook is a top ranked, graduate-only program in architecture, design, and fine art famous for its Saarinen-designed campus and small class size—just 150 students per year. (Disclosure: Kroloff serves as an editorial advisor to The Architect’s Newspaper.)
Reed Kroloff will leave his full-time position as director of Michigan’s Cranbrook Academy of Art and Art Museum for a part-time role, the academy announced Tuesday. In his stead, Cranbrook Trustee and Academy Governor Allan Rothfeder will serve as a special advisor to assist Cranbrook President Dominic DiMarco during the transition period. Kroloff, who left New Orleans in 2007 to become the director of Cranbrook, presided over the construction of a new wing during his time as director. He also founded the academy’s first National Advisory Council and oversaw the formulation of a new strategic plan for the Bloomfield Hills, Mich. institution. Kroloff was previously head of Architecture magazine and served as dean of architecture at Tulane University post-Katrina. He currently serves as an editorial advisor to The Architect's Newspaper. Cranbrook is the country’s top ranked, graduate-only program in architecture, design, and fine art, retaining just 150 students each year. Its iconic Eero and Eliel Saarinen-designed campus was a favorite subject of modernist photographer Balthazar Korab. “We’re sad that Reed will be leaving us next year,” DiMarco said in a statement, “but are confident that Reed and Allan will be a great working team during this transition of leadership.”
Chicago's collective IQ, no doubt already impressive, may rise a few points even higher this Thursday and Friday. The city is hosting a gathering of international thinkers and innovators who specialize in the tools that enable the creation of some of the world's most high-tech and visually arresting building skins. The conference, Collaboration: The Art and Science of Building Facades, is sponsored by The Architect's Newspaper and Enclos. On Thursday, the conference features a high-powered line-up of speakers on Thursday, including Fernando Romero of FREE as the keynote. Then on Friday, the conference turns practical with a series of hands-on workshops that will lead participants through the very latest tools, programs, and applications. For example, Florin Isvoranu of Austria-based firm Evolute, which has collaborating with Zaha Hadid, Asymptote and others, will host a workshop on parametrically driven optimization of freeform facades, a topic that even has industry experts signing up to learn something new. From students to seasoned veterans, those currently attending include staffers from firms like Sapa, Thornton Tomasetti, Interface, Cannon Design, Adrian Smith + Gordon Gill Architcture, Perkins + Will, NBBJ, SOM, and KieranTimberlake, with roles ranging from engineer to BIM manager, market analyst to company president. PhD candidates, MArchs, and undergrads are flocking in from area universities and colleges including The School of the Art Institute, IIT, and Cranbrook Academy, as well as a hefty contingent of 12 students and three profs from the University of South Dakota State University's new Department of Architecture (DoArch). Collaboration is the industry conference you can't afford to miss. There's still time to sign up! Registration details here.