Posts tagged with "Cosentino":
The XGLOSS series is an incredibly resilient high-gloss surface that is suitable for both interior and facade treatments. Nanotechnology lends Dekton’s new colors their luxuriously shiny finish. The five new color options are available in large format slabs in three different thickness options.Translucent Color Portfolio 3Form
3form has expanded its range of translucent color panels to offer 250 options that can be layered with different colors and textures to allow for infinite combinations. The colors can be applied to any of five material options including resin, polycarbonate, glass, recycled acrylic, and recycled resin.Krion Porcelanosa
This exterior wall cladding system is particularly useful against adverse weather conditions, and the development of advanced fixing systems allows Krion to be used in ventilated facades. In addition, it can be thermoformed to create different curves, shapes, or textures. Krion is 100 percent recyclable, and made of an ecological material that is available in a wide range of colors.
UltraClear glass offers maximum clarity and color neutrality, making it virtually invisible. Without the green tint of standard glass, UltraClear allows for picture-perfect views. It can be combined with low-e coatings, and is fabricated, laminated, and heat-treated like standard glass.Trosifol Kuraray
The Diamond White PVB interlayer is a single-layer film that offers the safety of a laminated construction as well as a uniform opaqueness and highly reflective surface. The optical properties are better than that of coated or fritted glass, because the glass does not need to be tempered, which results in less optical distortion.3Seal JE Berkowitz
Composed of a warm edge spacer, primary PIB seal, and two-part silicone secondary seal, 3Seal is robotically applied to ensure an extremely straight sightline, improve thermal performance, increase condensation resistance, promote sound attenuation, and maximize heat-flow resistance.
Daniel Libeskind on Acoustics, his Unexpected Architectural Process, and his Latest Venture One Day in Life
Sleek black rain screen reflects Porsche Design's understated style.In the world of high-end retail, first impressions matter. Knowing this, DXU, LLC principal Eric Styer took special care selecting a facade material for the Porsche Design boutique in Oak Brook, Illinois. "We were trying to play off Porsche Design's simplicity and clean lines," said Styer, referring to the clothing and leather goods retailer's minimalist style. "Of course, this location is in a mall, so we had to deal with [their requirements] as well." After first eliminating other options on budgetary, performance, or aesthetic grounds, the architect found himself drawn to Dekton, an ultra-compact surfacing material from Cosentino. Styer's solution, a matte black Dekton rain screen featuring mitered joint detailing and integrated acrylic signage, plays up the material's strengths to embody Porsche Design's understated glamour. "We were looking for materials that would meet Porsche Design's design qualities as well as the mall's," recalled Styer. "They were pushing us to get granite on the exterior. However, that potentially leans in a direction we didn't want to follow." Specifically, Styer worried that the marbling on granite or another natural stone would distract from the overall impression he hoped to convey—of a solid block carved into masses and voids. In search of a similarly durable material, he reached out to Cosentino. The company mentioned Dekton, which was just being introduced to the United States, and suggested that the Porsche Design presented a unique opportunity to explore the material's use in a new application (as a facade). Styer was soon convinced that the material, composed of naturally existing inorganic minerals subjected to a patented high-heat, high-pressure process, would help him realize his technical and aesthetic ambitions. Styer, who half-jokingly referred to Dekton as "basically surfacing on steroids," selected the material for three principal reasons. The first was its technical compatibility with his design. Dekton is manufactured in 5-foot by 10-foot slabs, thus reducing the occurrence of joints or seams. In addition, it can be miter-cut to mimic the appearance of cut stone. "That went back to the very simplistic, minimalistic impression we were looking for," explained Styer. "For all of our fenestrations in the building we have three-inch returns tucked behind the storefront volumes; that aspect of the material was perfect for Porsche Design." Durability was another important factor in the architect's decision to go with Dekton. The Oak Brook Porsche Design store is located on a high-traffic corner in a popular mall, making it especially vulnerable to wear and tear. Given Chicago's freeze-thaw cycle, Dekton's resistance to thermal shock was also a plus. As well as being technically appropriate and rugged, Dekton appealed to Styer on aesthetic grounds. Elegant but not showy, it captures the Porsche Design brand's emphasis on quality over bling. And though the material was available in only a limited number of colors and finishes at the time (Cosentino's offerings have since expanded to 23 colors), one of those combinations—the matte black Sirius—echoed the interior painting scheme. "In the interior, Porsche Design uses black glass, so if a high gloss black was available, we would have chosen that," said Styer. "But they also use matte black paint, so [Sirius] was perfect for us." The Dekton panels were installed as a ventilated rain screen. "There were some complications, maybe something of a learning curve in the fabrication process," recalled Styer. "A lot of that was due to the newness of the product in the States." None of the components that had been used to install Dekton rain screens in the United Kingdom were yet available on the other side of the pond, he explained, so "the Cosentino team had to jump through some hoops to get them here." The extra effort was worth it, however, as the particularities of the Dekton rain screen helped mitigate the difficulty of dealing with a preexisting structural rhythm. "For it being a pretty hard material, it was flexible in terms of some of the parameters we were looking for," said Styer. "There were piers we couldn't change, and a parapet element we had to tuck back into. To us, it seemed like a magic material." Styer is understandably pleased with where his hunt for an appropriate facade material led him—so much so that he looks forward to further experiments with Dekton. He mentioned in particular the capacity for bookmatching, and imagines a facade distinguished by a mirrored pattern. "It seems like you'd have more of an opportunity to do that with Dekton than with traditional stone," mused Styer. "It's a new aesthetic area I would like to investigate."
A new exhibition helps a New York-based firm explore indoor and outdoor applications of a new building material.Cosentino is celebrating Architecture Month with Surface Innovation, a multi-media exhibition at the Center for Architecture in New York that presents innovative applications of its new Dekton material. A combination of raw, inorganic materials found in glass, porcelain, and natural quartz, the new indoor/outdoor surfacing material is made with particle sintering technology (PST) that recreates the natural process of stone formation. The company invited six local architecture firms to design unique projects featuring the material, including SOFTlab, a design/build firm known for its mix of research, craft, and technology in large-scale installations and building projects. For SOFTlab, working with a product that could be used for both interiors and exterior applications was an opportunity to reconcile the growing inverse relationship between the skin and volume of large buildings. “We came up with the idea of building something a little more dense than a single story or residentially scaled building, where Dekton may be used,” said Michael Svivos, founder and director of SOFTlab. “We went to a larger scale building, that blurs the inside and outside.” Starting with the idea of a vertical atrium, which often includes biophilic elements like water features and indoor gardens, the SOFTlab design team envisioned an ATRIUn, a uniquely shaped building feature that uses the durability of Dekton’s stone-like properties to bring the outdoors in. ATRIUn is sponge shaped, and breaches the structure’s exterior at various points. “It forms an interior plaza in a building, not as something that’s flat, but spans the height, width, and depth of the building,” Szivos said. The form was generated in Maya. After inserting the apertures along the quadrilinear volume, the physics simulation plug-in generated the smooth, sinuous surface across various levels. For its larger projects, Szivos says the firm typically solves engineering challenges with Arup through an advanced finite software analysis software program. Those optimized, large designs are then sent to Tietz-Baccon, their long-time local fabricator. However for smaller projects where SOFTlab fabricates its own models and project components, the physics tool provides a close approximation of Arup’s services. To generate a model of ATRIUn’s design for the exhibition, the designers translated the Maya drawing into Rhino with Grasshopper to feed to their in-house laser cutter. Since the design was modeled in paper, four sided shapes were fabricated. If the design was realized in Dekton, triangular shapes would be necessary to achieve the complex curvature of the ATRIUn skin. The set volume was 24 by 24 by 36 inches, scalable for a building between 10 and 12 stories. ATRIUn and Surface Innovation is on view at the Center for Architecture in New York through October 31.