Posts tagged with "Competitions":

Dancing – Alternative Designs for Clubs

Summary  The aim of the “dancing” competition is to develop design proposals for the nightclub typology, intended as a place to experience entertainment in relation to music: listen, perform, dance. The participants are asked to create innovative and unconventional projects on this theme, questioning the very basis of the notion of a club. Recently a series of new initiatives have emerged in relation to music entertainment and dance. While festivals and morning discos have extended the duration of musical events over the limited span of one night, silent discos and flash mobs exceeded the boundaries of the club, reinventing the way and the place where music events were occurring. In the meantime, music and dance have been used also for therapies and training, as means of self-improvement and realization.Technological advances and streaming services made music much more accessible, increasing consumption and drastically facilitating production and distribution. Within this context, with critical thinking and creative attitude, the participants are urged to create an artifact, merging considerable programmatic innovation and valuable design tools. the proposal can be a device, a piece of furniture, an interior design project, a pavilion, a building or an urban plan. The scale of intervention, program dimensions and location are not given and they can be arranged by the participants to better suit their project. Prizes WE DO NOT BELIEVE IN ONE WINNER Non architecture competitions wants to be unconventional also in the way it rewards its participants. The winners will be in fact three, all equally important. In addition 9 honourable mentions will be awarded. Each one of the 3 jury members will select one winner and four honourable mentions. The prizes are the following: Winners (3 Prizes) 1,000 euros Publication in the Non Architecture Competitions books Publication on the Non Architecture Competitions website Reviews in digital magazines and several architecture blogs 3 Books by DOM Publisher Honourable Mentions (9 Prizes) Publication in the Non Architecture Competitions books Publication on the Non Architecture Competitions website Reviews in digital magazines and several architecture blogs Finalists Publication in the Non Architecture Competitions books Jury & Calendar  Rebeca Sanchez & Miquel Clot – Directors at Ledscontrol Lukas Feireiss – Founder of Studio Lukas Feireiss Marc Roma Trepat Perez – Architect at B\TA & co-founder of Heads&Tails; INC 1–15 February 2018 – Special Registration (30 €) period 16 February-15 March 2018 – Early Registration (45 €) period 16 March -15 April 2018 – Regular Registration (60 €) period 16 April -27 April 2018 – Late Registration (75 €) period 15 April 2018 – Submission opened on our website 30 April 2018 – Submission Deadline (23.59 GMT+0) 21-26 May 2018 – Winners announcement 21 April 2018 – Call for Papers for the “Dancing – Non Architectural Clubs” book starts 21 May 2018 – Call for Papers for the “Dancing – Non Architectural Clubs” book ends 1 September 2018 – The “Dancing – Non Architectural Clubs” book is available DOWNLOAD THE BRIEF HERE

Coexist: Rethinking Zoos

· introduction ·  Future of zoos will be decided in the next few years. We are facing radical changes in the concept. Over the decades we have been proved that animal captivity, in most cases in terrible conditions, has affected badly their quality of life and their expected lifetime. The raison d’être and the welfare of the more than 3.5 million animals that they contain around the world are increasingly questioned. These places, emerged between the eighteenth and nineteenth century, deeply linked to colonialism and the discovery of new worlds, must evolve adapting to the new needs. The question is how to do so.  · a change of direction ·  Over time, zoos mission has evolved, from being just collections of animals, a symbol of power and greatness of many empires, almost exclusively for the enjoyment of the population, to fulfill other objectives. This evolution goes hand in hand with a growing scientific interest and greater possibilities for research and study. This growing respect for the animals around us means that more and more people are working to look after and maximize animal welfare. · challenge · Archstorming is calling for proposals to create an infrastructure that rethinks the zoo concept and gives it a twist, this time thinking about animals and their conservation over the exhibition to humans. The project is located in the current Zoo of Barcelona. The animal species that will be located in the zoo, as well as their distribution, will be at the discretion of the participant. In the same way, the reuse or elimination of the current infrastructures of the Barcelona Zoo will also be optional. · deadlines · JANUARY​ 15th       EARLY REGISTRATION OPENS     (40€/team)* FEBRUARY 14th      EARLY REGISTRATION CLOSES    (40€/team)* FEBRUARY 15th      REGULAR REGISTRATION OPENS     (60€/team)* MARCH 14th     REGULAR REGISTRATION CLOSES    (60€/team)* MARCH 15th     ADVANCED REGISTRATION OPENS     (80€/team)* APRIL 18th      SUBMISSION DEADLINE MAY 3rd      WINNERS ANNOUNCED · prizes · Prizes totaling 5.700€, broken down as follows: 1st PRIZE - 4.000 € 2nd PRIZE - 1.000€ 3rd PRIZE - 500€ PEOPLE’S CHOICE AWARD - 200€ + 10 honorable mentions

ASA International Design Competition: Vex Agitated Vernacular

1.DESIGN BRIEF

This year’s ASA International Design Competition aims to upend the typical associations of vernacular architecture and design. The term ‘VEX’ can be approached from a multitude of perspectives, all to challenge, or agitate, the stereotypes of what vernacular should or should not be.

One tends to assume that vernacular architecture is in opposition to modern architecture and lifestyle. There is the perception that vernacular is something that is traditional and therefore is considered to be technologically ‘inept’ or ‘crude.' This relegates vernacular design to irrelevance in today’s society and also implies that it is immutable and static, and ‘unimprovable.’

The challenge of the competition is for participants to create a new type of vernacular with characteristics not commonly associated with vernacular design. The competition is looking to showcase new vernacular design that is mutable, inventive and capable of self-renewal.

The goal is to re-think vernacular as something that can assume performative roles and possess generative potentials. The Jury will reward entrants that can demonstrate vernacular design that is dynamic and is particularly suited to innovation, invention and relevance.

VEX asks:  How can Vernacular agitate the status quo?

- Can Vernacular be a catalyst, a variable, a process, rather than a static element?

- Can Vernacular be a language from which others can spring from and use?

2. SUBMISSION REQUIREMENTS

Each submission must include the following contents:

2.1. The participant can select any specific site as the site of their design. The subject can be architecture, urban design or interior design.

2.2.  After identifying the site, provide conceptual drawings, analytical drawings, sections, plans, renderings or perspective drawings in any scale. Demonstrate how vernacular quality modifies the subject and the resulting design outcome.

3. DELIVERABLES

3.1. Five (5) Graphic Slides: Square Format 420×420 mm each

-  High resolution PDF @ 300 dpi (maximum file size of combined 5 PDF slides: 20* MB)

-  Recommendation: font size used in the graphics should not be less than 11 pt. for

   printing clarity.

-  File name: Firstname_Lastname_300.pdf

3.2. Project Description in English, maximum 300 words

Files that do not meet the specified requirements will not be taken into consideration.

For more details on deliverables and submission process please refer to the competition website.

4. AWARDS

First prize: 4,000    USD

Second prize:  2,000    USD

Third prize: 1,000    USD

Honorable Mention: 3 x 500    USD

5. COMPETITION TIMELINE

-  Official Announcement of competition:  January 30, 2018

-  Online Submission for competition begins: January 30, 2018

-  Deadline for submissions: March 31, 2018

-  Announcement of shortlisted entries: April 15, 2018

-  Finalist Judging and Awarded entries: May 6, 2018

6. REGISTRATION & SUBMISSION

-  Registration is free.

-  Register and submit online at www.asacompetition.com

7. ELIGIBILITY TO PARTICIPATE

-  Open to students, architects, urban planners, designers, artists and thinkers.

-  Submit as an individual or as a team.

-  No restrictions on age, gender or nationality.

-  No limits on the number of submissions.

-  Work cannot be published elsewhere before.

-  Submission cannot be built work or completed projects.

-  The entrant should have legal rights and copyrights to all the material submitted.

   If the project contains any material or elements that are not owned by the entrant,

   the submission shall be excluded from any consideration.  If it is later known that

   rights have been violated, the prize and award will be recalled.

-  The copyright of the project belongs to the entrant.

-  All materials submitted may be displayed and/or published at the discretion of

   The Association of Siamese Architects under Royal Patronage.

Register for A' Design Award and Competition 2018

A' Design Competition is one of the worlds' most prestigious international juried design competition where entries are peer-reviewed and blind-voted by an international 50-person experienced jury panel of outstanding scholars, established professionals and influential press members.

Since 2009, the competition has attracted 30,000 Participants from 150 Countries. Last year, we awarded entries from 70 Countries and hosted 400 guests (Designers, Press Members, as well as Ambassadors and Consul Generals of five countries) at our Gala-Night in Italy. Brands such as Google, Nestle, Whirlpool, Bridgestone, Pirelli, Speedo, Nespresso, Coca Cola, Electrolux and Disney were successfully highlighted in the awards, and the A' Design Award Logo reached more than a billion impressions worldwide thanks to appearances in national televisions, newspapers, traditional and digital publications.

How to join? 

Register: https://competition.adesignaward.com/ (should enter company name for Name and Company Legal title for Surname).

Kindly download presentation guidelines from control panel and especially ask marketing or advertising or graphic department to prepare the images based on requirements.

Nomination is done online and automated. But to make sure it is nominated correctly you should contact one of the support staff.

Find complete instructions here.

The late deadline is on February 28th for Entries.
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Jury is announced for Adelaide Contemporary museum competition

The Adelaide Contemporary International Design Competition has announced the jury members selected to judge the competition, which will commission a new contemporary art museum and public sculpture park dedicated to Australian, Aboriginal, Asian and European art in Adelaide, Australia. Last December, the shortlisted firms were announced, and among the 13 firms grouped into six teams were Adjaye Associates, SO-IL and Diller Scofidio + Renfro, along with Australia-based firms BVN, Hassell, Woods Bagot and Durbach Block Jaggers. The nine-person jury is comprised of leaders in the arts, architecture, culture and business, including Walter Hood and Toshiko Mori. The competition jury will be chaired by Michael Lynch and advised by the competition director, Malcolm Reading. The full jury is below:
  • Michael Lynch AO CBE (Chair), Chair, Sydney Community Foundation and Chair, Circa
  • Lee-Ann Tjunypa Buckskin, Deputy Chair, Australia Council for the Arts, Managing Director, L-AB & Associates and Executive, Aboriginal Strategy, South Australian Film Corporation
  • Beatrice Galilee, Associate Curator of Architecture and Design, The Metropolitan Museum of Art, New York
  • Walter Hood, Creative Director and Founder, Hood Design Studio
  • David Knox, Deputy Chair, Economic Development Board of South Australia and Member, Adelaide Botanic Gardens Foundation Committee
  • Nick Mitzevich, Director, Art Gallery of South Australia
  • Toshiko Mori, Founder and Principal, Toshiko Mori Architect and Robert P. Hubbard Professor in the Practice of Architecture at Harvard University Graduate School of Design
  • Sally Smart, Vice-Chancellor’s Professorial Fellow, University of Melbourne and renowned contemporary artist
  • Tracey Whiting, Chair, Art Gallery of South Australia Board

In eleven weeks, the six teams will present their conceptual designs, with an honorarium of approximately $72,000 dollars (AU $90,000) to complete this stage. In April, these designs will be shown to the public at an exhibition in Adelaide as well as online. Details about that exhibition will be released then. The jury will decide upon the winner in May and the winners will be announced by mid-June of this year. Further updates to the competition can be found at the competition's website.

Bay Book House (BaBH) San Francisco Competition

The Bay Book House (BaBH) San Francisco international competition for students and young architects consists in proposing a space for cultural exchange that will activate one or several of the unused piers of the historic Port of San Francisco. San Francisco is the fourth largest city in the State of California, with a population of around 860,000 distributed over 121 km2. It is located on the West Coast of the United States, on the north end of the San Francisco peninsula, with the Pacific Ocean to the west and connected to the mainland to the south. San Francisco is one of the most important cities of the United States, one of the most well-known cultural, technological and financial centres of California, at the leading edge of research in biotechnology and biomedicine, where the opportunities generated by the internet revolution continue to attract residents and skilled workers with high salaries. It also welcomes more than 16 million tourists a year, drawn by the iconic image of the city. Its music, cinema and monuments are recognized around the world. It was in 1849, during the California Gold Rush, when the small trading post known as Yerba Buena became the incoming port for numerous ships transporting thousands of fortune hunters from all over the world. The population grew from 400 to 25,000 residents in just one year. The promise of great fortunes was so tempting that the crews of the arriving ships deserted them and hurried to the gold fields, leaving the Port of San Francisco filled with ghost ships. Mud and gravel was dumped into the bay due to mining activity, extending the boundaries of San Francisco 10 blocks out from its natural border. With the outbreak of World War II, the port became a military logistics centre involving nearly all the piers, with ships and troops and warships docked all along the Embarcadero. After the war and the arrival of container ships, commercial traffic moved to the Port of Oakland, thanks also to the construction of the Bay Bridge. The piers fell into disuse and were relegated to storage or abandoned. Today, the north-eastern shore of San Francisco has been reborn as a walking path flanked by palm trees and with a trolley, where numerous piers have been transformed into restaurants, office buildings and commercial areas. There are plans to build a museum, a cruise ship terminal and other services and attractions for residents and visitors.   OBJECTIVE OF THE COMPETITION The objective of this competition for students and young architects, Bay Book House (BaBH) San Francisco, consists in proposing a space for cultural exchange that will activate one or several of the unused piers of the historic Port of San Francisco. Thanks to its privileged location, the proposed space will seek to become an international  meeting point for students and researchers, as well as for lovers of culture and general knowledge, where consultation, open-air reading or technological innovation will attract inhabitants or visitors. The BaBH aspires to be the future of traditional libraries, an evolution in the how we understand, use and enjoy this source of knowledge, a museum of (not) books adapted to today’s world, and where culture becomes a unique sensory experience. In a city filled with iconic images known around the world, this new space should become the new cultural reference of San Francisco, the flagship of the strong shoreline that is currently flowering.   JURY   Kim Herforth Nielsen - Co-founder and Principal of 3XN Architects Masahiro Harada - Co-founder of MOUNT FUJI ARCHITECTS STUDIO Ada Yvars - Principal of Mangera Yvars Architects Sara de Giles - Principal of MGM Morales de Giles Arquitectos Vanessa Vielma - Director of ArchDaily Mexico Manuel J. Feo- Professor at ETSA Las Palmas de Gran Canaria Diego Botella, Álvaro Jiménez, Omar Páez & Yacme Mangrané- Winner team of MoAN Egypt competition   PRIZES € 6,375 in prizes + 1 year free subscriptions to Arquitectura Viva magazine + 1 year free subscriptions to WA Wettbewerbe Aktuell magazine + Digital publication in Plataforma Arquitectura + Digital publication in Arquitectura Viva + Digital publication in Metalocus + Publication in WA Wettbewerbe Aktuell.   +INFO & REGISTRATION: http://www.arquideas.net/competition/bay-book-house
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ACSA cancels controversial detention center competition

The Association of Collegiate Schools of Architecture (ACSA) announced today that it has nixed a controversial student competition to design an immigrant detention center. The brief asked participants to design a "Humanitarian Refugee (Detention) Center." When it was announced, the competition received an avalanche of negative feedback, which the ACSA called "justified​ criticism" in its statement. "[While] the organization is committed to engaging important issues in our society, we ​regret our decision to publish the category," it added. ACSA deleted its own publicity tweet about the competition, and subsequent tweets from @ACSAUpdate on the topic redirect to broken URLs. A new building category for the spring semester will be announced in a few weeks.

Open International Competition for Standard Housing and Residential Development Concept Design

The Open International Competition for Standard Housing and Residential Development Concept Design has been officially launched. Architects and bureaus from all over the world are invited to develop projects of innovative housing for future generations of Russians. Applications can be submitted at https://dom-competition.ru until December 25th. Competition participants are required to develop 4 types of houses for one of the urban environment target models: low-rise, mid-rise and central. Competition entries will be judged by compliance with the Competition Brief and the solutions they provide, the potential for application in different climate zones, and expected cost of construction and maintenance. In February, 2018, 20 finalists will be announced, each of them receiving 1 million roubles (about € 14,600). During the following six weeks, they will have to adjust their projects according to recommendations of the Competition’s Jury. Following the Second Stage of the Competition, winners will be selected:
  • up to five winning projects will be awarded 2 million roubles (about € 29,200) each;
  • up to five runners-up will receive 1.5 million roubles (about € 21,900) each;
  • up to ten projects will be granted a third-place prize of 1 million roubles (about € 14,600) each.
Terms and application forms are available at https://dom-competition.ru.

Design By Your Side - Medical furniture contest

New product design contest on Desall.com: Missaglia and Desall invite you to propose a new family of cabinets designed for medical environments, with an innovative design and contemporary style, equipped with state-of-the-art technologies aimed at enriching and facilitating the user experience.

For more info: http://bit.ly/DesignByYourSide

Contest timeline

Upload phase: 27th September – 20th December 2017 (1.59 PM UTC)

Community vote: 20th December 2017 – 11th January 2018

Client Vote: from 11th January 2018

Winner announcement: approximately before the end of February 2018

Total awards

€3000

Participation is free of charge and open to all creative people (at least 18 years old).

Luxy Chair Design Award

New product design contest on Desall.com: Luxy and Desall invite you to propose a new upholstered chair for indoor use, with a modern and refined design, conceived for both the contract and the residential sectors.

For more info: http://bit.ly/LuxyChairDesignAward

Contest timeline

Upload phase: 22nd September 2017 – 31st January 2018 (1.59 PM UTC)

Client Vote: from 31st January 2018

Winner announcement: approximately before the end of May 2018

Total awards

Royalties (with advance on royalties of €2000)

Participation is free of charge and open to all creative people (at least 18 years old).

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wHY wins competition to redesign Edinburgh's Ross Pavilion

The team led by New York and Los Angeles–based wHY was unanimously selected as the winner of the Ross Pavilion International Design Competition, as announced today by the Ross Development Trust and the City of Edinburgh Council.

There were 125 submissions for the £25 million project to reimagine the prominent West Princes Street Gardens and the Ross Pavilion in Edinburgh, Scotland, which led to a shortlist in March comprising of seven finalists. The competition brief asked teams to design a new pavilion that will host cultural arts programming, a visitor center with a cafe, and a subtle upgrade to the surrounding landscape.

Jurors found that wHY's proposal was simultaneously exciting while respectful of the historic setting. wHY's team also included Edinburgh-based design studio GRAS, Groves-Raines Architects, Arup, Studio Yann Kersalé, O Street, Stuco, Creative Concern, Noel Kingsbury, Atelier Ten, and Lawrence Barth.

wHY’s proposal takes influence from a butterfly's symmetry, organic form, and its connection between nature and humankind. The ‘butterfly’ Pavilion folds into the landscape, allowing the historic Edinburgh Castle to be the main focal point. There is also an undulating promenade with sculptural seating embedded into the earth. When all combined, the proposal emphasizes “human scale with moments of drama ... activating four layers of meaning within the Gardens: botanical, civic, commemorative and cultural,” according to the architects.

“Their proposal is a landscape scheme that is really more like an energy-field: using animation and drama as well as open vistas, they transform the Gardens and create an experience that is much freer and organic,” stated Malcolm Reading, the competition director, in the press release.

The other finalists were led by Adjaye Associates, Bjarke Ingels Group (BIG), Flanagan Lawrence, Page \ Park Architects, West 8 Landscape Architects and BuroHappold Engineering, William Matthews Associates and Sou Fujimoto Architects, and Reiulf Ramstad Arkitekter.

Construction is planned to start in 2018.

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Major landscape design competition announced for Philadelphia International Airport

An airport is the gateway to any city: It’s the first—and last—thing a visitor sees. In a push to establish Philadelphia as America’s ‘Garden Capital,’ the Philadelphia International Airport is launching a landscape design competition to transform the airport into an icon of the city. The airport is collaborating with the Pennsylvania Horticultural Society (PHS) for the competition. With 130 acres of natural and planted lands that surround the airport as a canvas, it’s an opportunity to re-image the transportation hub. “The experience of any city’s airport sets the tone for the traveler; the landscape around the airport plays a vital role in setting that tone,” according to the PHS website. The goal of the competition is to place Philadelphia’s airport at the forefront, creating an iconic, “Image Maker” airport that will leave lasting impressions on travelers arriving and departing the city. The design should also consider sustainability and resiliency as an objective. The competition will launch on June 8, when the Request for Qualifications (RFQ) will be distributed. Responses for the RFQ are due by July 21, 2017. From there, four finalists will be selected by a jury. Each finalist will receive a $20,000 stipend to develop a budget and a “thoughtful, creative, environmentally appropriate concept plan,” according to PHS. The concept plan should also provide details for the airport to seek funding for design development and phased construction implementation. Further details and the full application can be found over at PHS’s website.