In one of the more off-beat installations to come from New York's Public Art Fund, Tatzu Nishi’s Discovering Columbus will feature the statue of Christopher Columbus—of Columbus Circle fame—as the center piece to a pedestrian living room environment. Scaffolding is already rising around the statue's pedestal and will eventually culminate in the platform holding a cozy lounge that will open to the public on September 20.
Posts tagged with "Columbus Circle":
Last weekend in Washington, D.C. the American Architecture Foundation (AAF) presented New York City Planning Commissioner Amanda Burden with its 2011 Keystone Award. The annual accolade is bestowed upon an individual or organization from outside the architectural discipline for exemplary leadership in design, specifically design efforts focused on improving lives and transforming communities. Burden, who has served as chair of the City Planning Commission and director of the Department of City Planning since 2002, recently returned from travels abroad, and AN caught up with her just before the awards ceremony to hear what she thinks New York can learn from cities like Barcelona and other street smarts. “To be a dynamic, competitive global city, you have to grow and attract both talent and investment. It’s not just about architecture, but public space and the design of the streetscape. It comes down to how the city feels at street level. It has to be walkable and human scale, with trees, amenities, and vitality,” said Burden. “Barcelona, for example, is a city that is doing this brilliantly. Its mayors and its urban design prioritize the primacy of the public realm.” Over the past few decades Barcelona has enlivened its public plazas with sculpture and painting of both Spanish and foreign artists. Burden’s curbside view stands in contrast to that of her most (in)famous predecessor, Robert Moses, who, ruled planning in New York City from the mid-1930s through the mid-1960s. “In that era, there was emphasis on large-scale connectivity. Design plans were drawn from a helicopter range, 400 or 500 feet in the air. But you have to go from the grand scale down to the neighborhood, the pedestrian scale, and even think about the speed at which pedestrians walk,” said Burden. Burden cites the redesign of Columbus Circle as successful public space in the city, noting its variety of seating, and she is eagerly anticipating the completion of the East River Esplanade (see more on SHoP’s plans here), where park-goers will have seating options galore: they can stretch out on lawns, sunbathe on chaise lounges, or contemplate river currents from bar seating and swings at the waters edge. Thinking of traffic in terms of people, rather than cars, is something Burden attributes to her mentor William H. ("Holly") Whyte, the urbanist and journalist known for his seminal studies of how people use urban public spaces. Whyte, who died in 1999, the same the year the AAF founded the Keystone Awards, surely would have been a contender for the honor himself. Since 1999, Keystone Award recipients include Mayor Richard M. Daley of Chicago, Mayor Joseph P. Riley Jr. of Charleston, S.C., the Museum of Modern Art, Save America’s Treasures, and the Pritzker Family of Chicago.
That would be Dutch for "Happy Birthday Sol Lewitt!" For you see, the Dutch have arrived in the city this week to celebrate the 400th anniversary of the voyage of Henry Hudson and the subsequent founding of New Amsterdam. As part of the week-long festivities, they have unveiled a Ben Van Berkel-designed pavilion (above) down on the Battery that was announced back in January. But once those festivities are over, perhaps ours trans-Atlantic friends might head uptown to Columbus Circle, where the MTA unveiled its latest Arts for Transit project today, a 53-foot long tile rendition of one of Lewitt's wall drawings entitled "Whirls and twirls (MTA)." The installation was revealed today as it would have been the Conceptualist artist's 82nd birthday. (He died in 2007.) According to the MTA, Lewitt began work on the project in 2004 and it consists of 250 individual tiles in 6 colors all cut and arrayed to the artists typically exacting specifications. "It is a very special and unique creation because it is a permanent public installation of a wall drawing, executed in porcelain tile. Usually the wall drawings are executed in paint or pencil based on exacting instructions by the artist," Sandra Bloodworth, director for the Arts for Transit and Facilty Design programs, said in a release. The installation is part of the city's ongoing rehabilitation of the Columbus Circle station, which, in addition to the Lewitt installation, includes new lighting, flooring, and tiles, a new entrance at 60th Street and Broadway, and new bathrooms and newsstands. Back downtown and above ground, not all was high design, however. Yes, the Prince of Orange and Princess Maxima were on hand to help Mayor Bloomberg unveil UN Studio's New Amsterdam Pavilion (for which Handel Architects was the local partner). It's a nice little place that not only offers information about the surrounding neighborhoods and city but also goings on in the Netherlands—though what good that is to locals or tourists is not exactly clear. But by far the worst import was a windmill photographed by our fearless leader Julie Iovine, which looked less like a symbol of Dutcha pride than a new hole on some Lower Manhattan mini-golf course.