It was not always so. My first girlfriend when I moved to Chicago was Tal Gilat, an architect from Israel. She was an admirer of Mies. Together we explored his campus of the Illinois Institute of Technology. She showed me his four adjacent apartment buildings on Lake Shore Drive and said they looked as new today as when they were built. It is now 40 years later, and they still look that new. Then I was impressed. Now I think of it as the problem. They will never grow old. They will never speak of history. No naive eye will look at them and think they represent the past. They seem helplessly captive of the present.Ebert goes on to bemoan the loss of character in Chicago and beyond, in buildings new and old. "Remember a deli, with its neon signs, its daily prices, its sausages and cheeses and displays of pop and wine in the window. Now it has been defaced and replaced by this branch of the Bank of America, which was not even conceived for this site, but offers as little glass and metal as it possibly can, devoid of any ornamentation at all." Yet this seems much more like a problem with capitalism than architecture, not to mention that the latter has always been a product of the former, a reality of both the most grandiose and spare buildings. There's long passages applauding Sullivan—and defaming Mies for denuding him, as Ebert sees it. With all this praise for the past, is there anything he does like? Never having watched much Ebert ourselves, we always got the sense he was rather conventional. What does he think about Jean Gang's Aqua or the compelling work of Krueck+Sexton? Surely it can't all be bad, much as Ebert seems to be remembering the past a little too fondly, as there has been the good and the bad throughout history, architectural and otherwise. Over at the LA Times there's a poll asking readers what they think of Ebert's arguments. About a little more than a third say he's being too simplistic, while the same amount find him to be right on the money. Whatever said you take (and we think we can guess what that is) it's still a thoughtful, if disagreeable piece, and well worth reading.
Posts tagged with "Chicago":
An Olympic dream denied, with no other job- and revenue-generator on the horizon. Aldermen weary of being squeezed from both sides. A retailing behemoth thwarted in other cities desperate to advance its urban strategy. All of those factors--and a site change to a Far South Side ward whose alderman is more popular than his Chatham colleague--helped to bring the long-running Wal-Mart saga to a successful conclusion. But the six-year battle over Wal-Mart's plan to expand its foothold in the Chicago market ultimately came to a close because it was too big to pass up and because the world's largest retailer blinked.How an agreement for 21 stores is considered blinking is news to us, even if Walmart has made wage agreements (or not!) for the first time in its history. With this one settled, how long before Brooklyn is next?
What’s the cliché? You can dress up a pig but it’s still a pig? I can’t remember. Some terrible former governor, who will not be named, used the line a lot. Anyway! The Great American Tower, the newest addition to Cincinnati’s skyline, was recently topped off with a giant tiara inspired by Diana, Princess of Wales. The glitzy tower could be the ugliest building in the Midwest. It’s a toss-up as to whether the Royal Family will add this to its rather lengthy list of regal embarrassments—oh Fergie!—or delight in the ghastly tribute. After all, the tower will be the tallest in the city, surpassing the Carew Tower, which reigned supreme since 1930 with its beautiful art deco interiors. The tiara’s (and building’s) design cred go to Gyo Obata, the “O” of HOK. Eavesdrop wonders why Gyo did not look to local royalty, like former mayor Jerry Springer. A skyscraper inspired by guests throwing chairs at one another could be interesting!
PARTY IN THE POMO PHIL-JO LIBRARY
Shannon Stratton, executive director of threewalls, the contemporary art incubator and gallery, kindly invited Eavesdrop to their annual party and silent auction being held in Philip Johnson’s postmodern office building 190 South LaSalle. The so-strange-it-was-fab event, themed “Office Romance,” took place in the Library, a nutso 40th-floor Cambridge-inspired law library and event space whose stacks are overlit with 80s-tastic green fluorescent bulbs. Among the guests donning faux-cigarettes befitting the Mad Men-meets-Bret Easton Ellis vibe, Eavesdrop stumbled into architects Dirk Denison and David Harris Salkin (a graduate of Tulane’s School of Architecture and URBANbuild). We were grateful for the company, but perhaps we got too comfortable and had one too many Manhattans. The silent art auction was suddenly irresistible, and brought out a competitiveness in Eavesdrop previously only seen during rounds of mini-golf. We walked away with a large-format photograph by the Swiss-born artist Selina Trepp. Shannon, you can send a thank-you note to Eavesdrop, c/o AN.
Send thank-you notes, castle moats, and old billy goats to firstname.lastname@example.org.