The Chicago Architecture Biennial released a full list of participating designers today, bringing the total to more than 100 architects and artists from more than 30 countries. Beginning October 3, the inaugural festival of architecture, art, and design is being billed as “the largest international survey of contemporary architecture in North America,” and if all goes well it is expected to become a regular occurrence. who has framed the festival as a continuation of the legacy left by the 1893 World’s Columbian Exposition. Here's the full list of participants: Al Borde (Quito, Ecuador) all(zone) (Bangkok, Thailand) Andreas Angelidakis (Athens, Greece) Andrés Jaque / Office for Political Innovation (Madrid, Spain; New York, United States) Aranda\Lasch (Tucson and New York, United States) Architecten De Vylder Vinck Taillieu (Gent, Belgium) Assemble (London, United Kingdom) Atelier Bow-Wow (Tokyo, Japan) Iwan Baan (Amsterdam, Netherlands) Baukuh (Milan, Italy) Besler & Sons + ATLV (Los Angeles, United States) Tatiana Bilbao S.C. (Mexico City, Mexico) BIG - Bjarke Ingels Group (Copenhagen, Denmark; New York, United States) Santiago Borja (Mexico City, Mexico) David Brown with 3D Design Studio, Central Standard Office of Design, Ania Jaworska, Krueck+Sexton, Landon Bone Baker, Stanley Tigerman, Margaret McCurry, JGMA, JAHN (Chicago, United States) Carlos Bunga (Barcelona, Spain) Bureau Spectacular (Los Angeles, United States) SOM + CAMESgibson (Chicago, United States) Counterspace (Johannesburg, South Africa) Csutoras & Liando (Jakarta, Indonesia; London, United Kingdom) DAAR (Decolonizing Architecture Art Residency) (Beit Sahour, Palestinian Territories) Design With Company (Chicago, United States) Environmental Communications (Los Angeles, United States); Mark Wasiuta, Marcos Sanchez, Adam Bandler + GSAPP Exhibitions (New York, United States) El Equipo de Mazzanti + Nicolas París (Bogota, Colombia) Assaf Evron (Chicago, United States; Tel Aviv, Israel) Fake Industries Architectural Agonism + University of Technology, Sydney (New York, United States; Sydney, Australia) Fala Atelier (Porto, Portugal) Ramak Fazel (Los Angeles, United States) Frida Escobedo Taller de Arquitectura (Mexico City, Mexico) Didier Faustino (Paris, France) Gramazio Kohler Research, ETH Zürich (Zürich, Switzerland) + Self Assembly Lab, MIT (Cambridge, United States) Nikolaus Hirsch/Michel Müller (Frankfurt, Germany) with David Adjaye (London, United Kingdom), Markus Binder (Stuttgart, Germany), Bollinger + Grohmann Ingenieure (Frankfurt, Germany), Aroon Puritat & Chayanon Hansapinyo & Sumeth Klahan (Chiang Mai, Thailand), Tobias Rehberger (Frankfurt, Germany),Tomás Saraceno (Berlin, Germany), Superflex (Copenhagen, Denmark) Hinterlands Urbanism and Landscape (Chicago, United States) Moon Hoon (Seoul, Korea) Independent Architecture (Denver, United States)+ Paul Preissner Architects(Chicago, United States) John Ronan Architects (Chicago, United States) Johnston Marklee (Los Angeles, United States) junya.ishigami+associates (Tokyo, Japan) Barbara Kasten (Chicago, United States) Kéré Architecture (Berlin, Germany) Kuehn Malvezzi (Berlin, Germany)+ Armin Linke (Milan, Italy; Berlin, Germany) +Marko Lulić (Vienna, Austria) Anne Lacaton & Jean-Philippe Vassal + Frédéric Druot (Paris, France) Yasmeen Lari + Heritage Foundation Pakistan (Karachi, Pakistan) Lateral Office (Toronto, Canada) LCLA Office (Cambridge, United States; Medellín, Colombia) LIST (Paris, France) MAIO (Barcelona, Spain) Makeka Design Lab (Cape Town, South Africa) Mass Studies (Seoul, Korea) MOS Architects (New York, United States) New-Territories / M4 (Paris, France; Bangkok, Thailand) NLÉ (Lagos, Nigeria; Amsterdam, Netherlands) Noero Architects (Cape Town, South Africa) Norman Kelley (Chicago and New York, United States) OFFICE Kersten Geers David Van Severen (Brussels, Belgium) + Bas Princen(Rotterdam, Netherlands) onishimaki + hyakudayuki architects (Tokyo, Japan) OPEN Architecture (Beijing, China) + Spirit of Space (Chicago, United States) otherothers (Sydney, Australia) P-A-T-T-E-R-N-S (Los Angeles, United States) Michael Pecirno (London, United Kingdom) Pedro&Juana (Mexico City, Mexico) Pezo von Ellrichshausen (Concepción, Chile) PIOVENEFABI (Milan, Italy) Plan:b Arquitectos (Medellín, Colombia) Point Supreme (Athens, Greece) PORT Urbanism (Chicago, United States) PRODUCTORA (Mexico City, Mexico) RAAAF [Rietveld Architecture-Art-Affordances] (Amsterdam, Netherlands) Pedro Reyes (Mexico City, Mexico) Bryony Roberts (Los Angeles, United States) + South Shore Drill Team (Chicago, United States) RUA Arquitetos (Rio de Janeiro, Brazil) Rural Urban Framework (Hong Kong) Tomás Saraceno (Berlin, Germany) David Schalliol (Chicago, United States) selgascano + helloeverything (Madrid, Spain) Deane Simpson (Copenhagen, Denmark) Sio2arch (Chicago, United States; Barcelona, Spain) Smout Allen (London, United Kingdom) + Geoff Manaugh (New York, United States) SO-IL (New York, United States) Sou Fujimoto Architects (Tokyo, Japan) Stefano Boeri Architetti (Milan, Italy) Studio Albori (Milan, Italy) Studio [D] Tale (Harare, Zimbabwe; Cape Town, South Africa; London, United Kingdom) Studio Gang (Chicago, United States) TOMA (Santiago, Chile) UrbanLab (Chicago, United States) URBZ (Mumbai, India) Vo Trong Nghia Architects (Ho Chi Minh City, Vietnam) WAI Architecture Think Tank (Beijing, China) WEATHERS with AECOM (Chicago, United States) Amanda Williams (Chicago, United States) Wolff Architects (Cape Town, South Africa) WORKac + Ant Farm (New York, United States) Liam Young (London, United Kingdom)
Posts tagged with "Chicago Architecture Biennial":
An expanse of sustainable timber just clinched the Chicago Architecture Biennial’s Lakefront Kiosk Competition
Officials with the Chicago Architecture Biennial today announced the winners of the Lakefront Kiosk Competition, choosing a team whose stated goal was “to build the largest flat wood roof possible.” Dubbed Chicago Horizon, the design is by Rhode Island–based Ultramoderne, a collaboration between architects Yasmin Vobis and Aaron Forrest and structural engineer Brett Schneider. Their pavilion uses cross-laminated timber, a new lumber product that some structural engineers call carbon-negative for its ability to displace virgin steel and concrete while sequester the greenhouse gas carbon dioxide during its growth. Ultramoderne's long, flat roof “aims to provide an excess of public space for the Architecture Biennial and Chicago beach-goers,” according to the project description. Their design rose above 420 other entries from designers in more than 40 countries, and will receive a $10,000 honorarium, as well as a $75,000 production budget to realize the kiosk. BP is providing those funds as part of a $2.5 million grant to the inaugural biennial. Three teams—Lekker Architects, Tru Architekten, and Kelley, Palider, Paros—were finalists for the top honor. Fala Atelier, Kollectiv Atelier, and Guillame Mazars all received an honorable mention. The Biennial has posted a selection of submissions to the Lakefront Kiosk Competition on its Pinterest page.
After the biennial, Chicago Horizon "will find a permanent home in Spring 2016, operating as a food and beverage vendor, as well as a new public space along the lakefront.During the Biennial three other kiosks will be installed along the lakefront. Details on those are due to be announced next week, but here are the preliminary project descriptions:
The Cent Pavilion, designed by Pezo von Ellrichshausen in collaboration with the Illinois Institute of Technology, is a forty-foot tower meant to convey silent and convoluted simplicity. Rock, the kiosk designed by Kunlé Adeyemi in collaboration with the School of the Art Institute of Chicago is a pop-up pavilion a public sculpture composed from the raw and historic limestone blocks that once protected the city’s shoreline. Summer Vault, designed by Paul Andersen of Independent Architecture and Paul Preissner of Paul Preissner Architects, in collaboration with the University of Illinois, Chicago, is a lakefront kiosk that consists of basic geometric shapes combined to create a freestanding hangout within the park.
Navy Pier’s new “Wave Wall” by nArchitects lays a modern Spanish Steps at the foot of a Ferris wheel
Navy Pier is three years into a $278 million overhaul, and the new face of Illinois' most visited tourist attraction is beginning to emerge—most recently a grand staircase titled “Wave Wall" washed over the foot of the pier's famous ferris wheel. The peninsular mall and mixed-use amusement park has many major changes still in store, courtesy of a design team led by James Corner Field Operations. But photos available on the website of designers nARCHITECTS reveal a completed portion of the project collectively called “Pierscape” that creates an outdoor amphitheater from a simple stairway. (The full design team includes dozens of consultants.) The form of the new public space, which faces south into Chicago Harbor, resembles a sweeping wave or a wending draft of wind. Treads made of composite materials domesticate the snarling steel risers. Glass beneath the steps allow passersby indoors at the Pier to glimpse activity on the steps outside. From the bottom of the stairs, the project unspools into an audience seating area for public performances, and also frames the historic Navy Pier Ferris wheel—a 196-foot tall wheel will soon replace the current one, itself a stand-in for the 264-foot icon first transported to the spot from the 1893 World's Columbian Exposition. The designers say “Wave Wall” was inspired by the Spanish Steps in Rome.
More than 60 design firms across four continents will contribute to a new festival of design that aims to become the largest international survey of contemporary architecture in North America, co-artistic directors Joseph Grima and Sarah Herda announced Tuesday. The Chicago Architecture Biennial kicks off October 3 and lasts through the year, comprising one-time events and ongoing exhibitions across the city. The festival will be based at the Chicago Cultural Center, but activities will extend to sites including Millennium Park, Michigan Avenue's City Gallery, 72 East Randolph Street, and the Theaster Gates–rehabbed Stony Island Arts Bank. Chicago officials announced the biennial in June. Until now details were scant on the festival, which takes after the Venice biennale. Questions remain, however, on the content of the participating designers' expected contributions, and on the city's ability to fund what has been advertised as a major tourist draw with global cultural significance. Oil giant BP agreed to donate $2.5 million for the inaugural show—a contribution that was reportedly solicited personally by Mayor Rahm Emanuel. And Tuesday Biennial organizers announced a $1 million gift from SC Johnson. But the city’s still looking to raise at least half a million dollars more. “The Biennial team affirms with confidence that the fundraising goal will be met,” said a spokeswoman. The Chicago Department of Cultural Affairs and Special Events (DCASE) and the Graham Foundation will present the show, with programming in partnership with the American Institute of Architects and the Chicago Architecture Foundation. Iwan Baan will exhibit a photo series about Chicago, the organizers announced in November, and the show will pay homage to Chicago architect Stanley Tigerman, who in 1977 helped mount a seminal conference that gave today's biennial its name: The State of the Art of Architecture. Here's the full list of participating firms, as of April 14: Al Borde (Quito, Ecuador) allzone / Rachaporn Choochuey (Bangok, Thailand) Andreas Angelidakis (Athens, Greece) Andrés Jaque / Office for Political Innovation (Madrid, Spain; New York, USA) Aranda\Lasch (Tuscon, USA; New York, USA) Assemble (London, UK) Atelier Bow-Wow (Tokyo, Japan) Iwan Baan (Amsterdam, Netherlands) Erin Besler / Besler & Sons (Los Angeles, USA) Tatiana Bilbao S.C. (Mexico City, Mexico) Bjarke Ingels Group / BIG (Copenhagen, Denmark) Santiago Borja (Mexico City, Mexico) Carlos Bunga (Barcelona, Spain) Bureau Spectacular / Jimenez Lai (Los Angeles, USA) Csutoras & Liando (Jakarta, Indonesia; London, UK) Design With Company (Chicago, USA) El Equipo de Mazzanti / Giancarlo Mazzanti (Bogota, Colombia) Frida Escobedo (Mexico City, Mexico) Didier Faustino (Paris, France) Moon Hoon (Seoul, Korea) Indie Architecture + Paul Preissner Architects (Denver/Chicago, USA) John Ronan Architects (Chicago, USA) Johnston Marklee (Los Angeles, USA) junya.ishigami+associates (Tokyo, Japan) Kéré Architecture / Francis Kéré (Gando, Burkina Faso; Berlin, Germany) Kuehn Malvezzi (Berlin, Germany) Anne Lacaton & Jean-Philippe Vassal and Frederic Druot (Paris, France) Yasmeen Lari / Heritage Foundation Pakistan (Lahore, Pakistan) Lateral Office (Toronto, Canada) LIST / Ido Avissar (Paris, France) MAIO (Barcelona, Spain) Marshall Brown Projects (Chicago, USA) Mass Studies / Minsuk Cho (Seoul, Korea) MOS / Michael Meredith and Hilary Sample (New York, USA) New-Territories / Francois Roche & Camille Lacadee (Paris, France/Bangkok, Thailand) NLÉ / Kunlé Adeyemi (Lagos, Nigeria; Rotterdam, Netherlands) Norman Kelley (Chicago, USA) OFFICE / Kersten Geers David Van Severen (Brussels, Belgium) Onishimaki + Hyakuda Architects (Tokyo, Japan) OPEN Architecture/ Li Hu & Huang Wenjing (Beijing, China) Lluís Ortega / Sio2arch (Chicago, USA; Barcelona, Spain) otherothers / David Neustein & Grace Mortlock (Sydney, Australia) Pedro&Juana (Mexico City, Mexico) Pezo von Ellrichshaussen (Concepcion, Chile) Plan:b Arquitectos / Felipe Mesa & Federico Mesa (Medellin, Colombia) PORT (Chicago, USA) Productora (Mexico City, Mexico) RAAAF [Rietveld Architecture-Art-Affordances] (Amsterdam, Netherlands) Bryony Roberts (Los Angeles, USA; Oslo, Norway) RUA Arquitetos (Rio de Janeiro, Brazil) Rural Urban Framework (Hong Kong) SO-IL (New York, USA) Sou Fujimoto Architects (Tokyo, Japan) studio Albori (Milan, Italy) Studio [D]Tale (Harare, Zimbabwe; Capetown, South Africa; London, UK) Studio Gang / Jeanne Gang (Chicago, USA) TOMA (Santiago, Chile) UrbanLab / Sarah Dunn and Martin Felson (Chicago, USA) VTN / Vo Trong Nghia Architects (Ho Chi Minh City, Vietnam) WAI Architecture Think Tank (Beijing, China) Weathers / Sean Lally (Chicago, USA) Amanda Williams (Chicago, USA) WORKac+ Ant Farm / Amale Andraos & Dan Wood, Chip Lord & Curtis Schreier (New York, USA) A full list of the festival's sponsors and partners is available on chicagoarchitecturebiennial.org.
Mayor Rahm Emanuel's announcement that Chicago would launch an international festival of art and architecture—its own take on the famous Venice biennale—drew jeers and cheers from the design community both near and far from The Second City. AN called for the show aspiring to be North America's largest architectural exhibition to go beyond tourism bromides. Now the upstart expo has a name, as well as its first show. The inaugural Chicago architecture biennial will begin in October 2015, and will be called “The State of the Art of Architecture,” in reference to the controversial conference organized in 1977 by architect Stanley Tigerman. Tigerman's show celebrated the postmodern rejection of Chicago's old masters like Mies van der Rohe, forging the position of architectural protest group The Chicago Seven. A press release from the organizing committee alludes to the upcoming exhibition's wide scope:
More than a profession or a repertoire of built artifacts, architecture is a dynamic cultural practice that manifests at different scales and through various media: buildings and cities, but also art, performance, film, landscape and new technologies. It permeates fundamental registers of everyday life—from housing to education, from environmental awareness to economic growth, from local communities to global networks.The biennial's first commission was announced Wednesday by co-directors Joseph Grima—a former curator of the Storefront for Art and Architecture, and director of the Ideas City platform of the New Museum—and Sarah Herda, director of the Graham Foundation and AN editorial advisor. Renowned photographer Iwan Baan will contribute an original photo essay about Chicago featuring aerial shots taken at sunrise. The work will “capture the city during a moment of its daily routine,” according to the press release. “Like the Biennial itself, Baan’s expansive photographs interpret Chicago as a realm of architectural possibility, past and future.” The free festival's home base will be the Chicago Cultural Center, but organizers say it won't be restricted to downtown. “Using the city as a canvas, installations will be created in Millennium Park and other Chicago neighborhoods, including new projects and public programs developed by renowned artist Theaster Gates on Chicago’s south side,” reads a press release. “The Biennial will also feature collateral exhibitions and events with partner institutions throughout the city, and will offer educational programming for local and international students.” Tigerman, whose 1977 exhibition is the inspiration for the 2015 show's title, sits on the biennial's International Advisory Committee, which also includes architects David Adjaye, Elizabeth Diller, Jeanne Gang, and Frank Gehry, along with critic Sylvia Lavin, Lord Peter Palumbo and Hans Ulrich Obrist. Ty Tabing, former executive director of the Chicago Loop Alliance and founder of Singapore River One, will serve as the biennial's executive director. Oil giant BP has agreed to donate $2.5 million for the show, but Mayor Emanuel is reportedly seeking $1.5 million more.
Chicago, in a bid to boost its tourism industry and cultural cachet, will host an international design exhibition next year modeled after the Venice Biennale, which every two years draws contributions from architects and artists from around the world. Mayor Rahm Emanuel announced the Chicago Architecture Biennial Tuesday. Speaking to the Chicago Tribune’s Blair Kamin, Emanuel said he hopes to use the city’s reputation as a hub for modern architecture to encourage economic development:
"Obviously there's an economic benefit in tourism and travel. Chicago will continue to be seen worldwide as an epicenter of modern architecture… The real question is: Why wasn't Chicago doing this before?"The Chicago Department of Cultural Affairs and Special Events (DCASE) and the Graham Foundation will present the show, which will be based in the Chicago Cultural Center. The Chicago Architecture Foundation, whose annual Open House Chicago will coincide with the start of the initial biennial, will help coordinate the first exhibition, which is planned for October 1, 2015 through January 3, 2016. Oil company BP donated $2.5 million for the first show. Kamin reported that Emanuel personally solicited BP’s grant funding, and that the city’s still looking to raise $1.5 million more. While the Chicago event makes no secret of taking after its prestigious namesake in Venice, there will be several differences from that event, which reportedly drew more than 175,000 visitors in 2012. Admission to Chicago’s event will be free, and the show will not have national pavilions. It will have a theme, which has yet to be determined, and will seek to compete in an increasingly crowded field of international design exhibitions. Venice has mounted its exhibition 14 times in 34 years, deviating occasionally from its biennial schedule. If Chicago’s initial event is deemed a success, officials say they’ll duplicate it every two years. Joseph Grima, who co-curated the Istanbul biennial in 2012, and Graham Foundation Director Sarah Herda will co-direct the inaugural Chicago event. Another Chicago-based design curator, Zöe Ryan of the Art Institute of Chicago, is coordinating Istanbul’s next biennial, which will run concurrently with Chicago’s.