After reviewing 679 remarkable entries, a world-renowned jury on behalf of New York City’s Battery Conservancy and NYC Parks has selected the top 50 designs of the “Draw Up A Chair” design competition. The chair proposals are by students and professionals from nine countries around the world. The winning submission will be built and available for public use in Lower Manhattan's Battery Park. NYC Parks is eager to share the designs with the public and to receive feedback, as the chair will be for all New Yorkers and visitors to use upon installation. The Battery Conservancy established the competition to emphasize and encourage excellence in design and innovation in the public realm. The Conservancy is asking the public to participate in the competition by commenting online about the chairs. The top 50 designs are available to view from May through October on banners near the Battery Green in Lower Manhattan. Visitors can express their opinions on-site by texting (424) CHAIR-55. All 679 submissions are viewable through the online gallery. The selection of the top 50 chair designs is the second in the four-phase competition. The next round of finalists will be revealed in November and the Conservancy will build full-scale prototypes of the curated selection. The final winner will receive $10,000 and the winning design will be replicated at an estimated 300 units for public use on the Battery Green.
Posts tagged with "Chairs":
Ever since Michael Thonet established Gebrüder in 1819, the brand has been at the forefront of mass producing the now iconic bentwood and tubular steel furniture by designers from the Bauhaus era as well as contemporary designers and architects, as well as Thonet himself, of course. Gebrüder is not only one of the oldest modern design brands and manufacturers, it's also one of the few that are still family owned and managed. The 5th generation of Thonet's (Michael's great-great-grandchildren) currently run the company in Germany, but a few days ago they announced their new partnership with M2L to distribute classics like Mart Stam's chrome-plated cantilevered chair and the Vienna coffee house chair that started it all to the US market. Yes, it's a little crazy to think that a brand like Gebrüder hasn't had direct US distribution in its nearly 200 year history, but better late than never. M2L has a thirty year reputation for distributing the quality craftsmanship and time-honored work of designers like Alvo Aalter, Walter Gropius, Eero Aarino as well as contemporary talents, including Patrick Norguet, Norman Foster and Pearson-Lloyd. Here are a few of our favorites from the Gebrüder T 1819 collection. Marcel Breuer's tubular steel desk (S 285). We want these with the matching cantilever chairs with a wood-framed wicker back and seat (S 32) for our office. Christian Lepper and Roland Schmidt's comfortable yet structured ergonomic lounge chair and ottoman (S 850, S 853) in oak-stained molded plywood and black leather. Naoto Fukasawa's solid wood 130 chair (available in oak, beech or stained, with or without arms) is all grown up yet fun and lively, too.
Reimagining the chair as an architectural materialWith their focus on "environmental acuity and a critical digital ethic," Brian Bush and Yong Ju Lee of E/B Office describe themselves as "digital architects" who design "real projects that are virtually indistinguishable from their digital visions." Their most recent vision included 300 of IKEA's pine wood Ivar chairs arching through the air across the wide lawn at Freedom Park in Atlanta, where SEAT was installed earlier this summer for Flux Projects, a public art organization. Bush and Lee hope that SEAT will encourage people to reconsider the chair as more than just a passive, everyday object, but as an architectural structure in and of itself. Indeed, sitting amongst a swooping pavilion built entirely out of chairs, it would be difficult not to. No doubt you've seen the Ivar chair before, or something like it. Popular for its low price ($24.99) and ability to be painted any color, Ivar is so basic it's the kind of chair that should pop right up when you do a Google Image search for “chair” (it doesn't, though IKEA's Poang does). Because they came from IKEA, all 300 were assembled by hand by Bush, Lee and a team of 15. The chairs were unaltered except for the seat, which was removed from most to make them easier to connect. After Bush and Lee made a 3D model in Rhino with the help of a structural engineer, they launched right into building the full-scale version onsite. Once the materials were shipped to Freedom Park, installation began at the farthest edges of the pavilion, which were stabilized with rebar in a concrete foundation. Chair by chair, they worked their way towards the middle, at which point a keystone chair was added. Then the temporary bracing was gradually removed and wooden support columns were added at key points. But because the lag bolts, clamps, screws and other hardware are hidden from view, embedded in the body of the chairs, the corbeled arch looks fluid, regardless of the additional columns. Given the fact that the overall weight of the structure is nearly 4,000 pounds it's surprising that more columns weren't needed, but the parametric design manages the tolerance and distributes the weight across the structure. The result is a pavilion that, while not strong enough to be climbed on, has weathered its fair share of storms that have swept through Atlanta this summer. SEAT will remain up at Freedom Park through September 22nd, so visitors have just one more week to sit in the first row of chairs around the periphery that "turn inward to create an intimate, compressive space to converse and regard the upward flow of chairs transcending their function."