Posts tagged with "Center for Architecture":

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New York City report urges good design in affordable housing

The New York City Public Design Commission (PDC) has released new guidelines for designing affordable housing, painting quality of life as an integral part of any such development. Quality Affordable Housing in NYC, a case study of affordable housing throughout the city, was released at a roundtable presentation at the Center for Architecture last night. Innovative housing is nothing new in New York, but with Mayor de Blasio’s pledge to build or preserve 300,000 units of affordable housing by 2026, a cohesive plan was needed to standardize the new buildings being designed. Quality Affordable Housing pulls together the best aspects from its seven case studies and presents eight guidelines for building more resilient, contextual low-income developments. According to the findings, infill developments that favor pedestrian circulation and an integration with the existing community fabric should be given preference over cloistered, standalone projects. The massing should visually connect the new building with its surroundings, and materials should complement the project’s neighbors. Circulation, both air and pedestrian-related, should be maximized, and the ground floor condition should be inviting to the rest of the neighborhood. All of these suggestions seem like common sense improvements, but tight budgets, strict deadlines, and site constraints often tamp down ambitious social housing projects. Thankfully, Quality Affordable Housing uses its case studies to put projects that have met these goals on display for reference. The PDC has collected projects large and small, from the 16-unit Prospect Gardens, a pilot infill prototype in Brooklyn designed by RKTB Architects in 2004, to 2015’s massive 911,000-square-foot Hunter’s Point South Commons and Crossing in Queens from Ismael Leyva and SHoP. What connects all seven projects is their integration with the surrounding community, attention to landscaping, and most importantly, that people want to live in them. As presenters at the Center kept coming back to, neighborhood residents were overjoyed to move in, and winning the housing lottery often felt like a dream come true. The full PDC guide and breakdowns of all seven case study projects can be found in full here.
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European social housing show presents thinking outside the box

Social housing in Europe is as varied in form as the countries that contain it. Towers, low-slung row houses, and standalone homes are all valid social housing typologies throughout the world, and all of them can be seen at Social Housing – New European Projects, now on display at the Center for Architecture in Manhattan. Of course, no definition of “social housing” can be universal, but the main thrust of Social Housing is to expose American architects, planners, developers and politicians to the myriad of different types. Twenty different firms from across Europe have assembled 25 case studies of social housing projects, most of them realized, ranging from refurbishment to experimental building typologies. What links them together is that they present a vision for an alternative to market-driven housing construction. Models and renderings of each project are on display, grouped by building type, as well as diagrams comparing social housing statistics across countries, and video pieces. The studios contributing work to Social Housing include: Adam Khan Architects (UK), Assemble (UK), Avenier & Cornejo Architectes (France), Chartier Dalix (France), Hans van der Heijden (The Netherlands), einszueins architektur(Austria), Hawkins\Brown (UK), Haworth Tompkins Architects (UK), Karakusevic Carson Architects (UK), Lacaton & Vassal (France), LAN architecture (France), Mae (UK), Mecanoo(The Netherlands), Mikhail Riches Architects (UK), Mole (UK), muf architecture/art (UK), Niall McLaughlin Architects (UK), s333 architecture + Urbanism (UK), Sergison Bates architects (UK and CH), TVK (France), Witherford Watson Mann (UK), and zanderroth architeckten (Germany). Curated by Karakusevic Carson Architects, Social Housing the exhibit pulls exemplary projects from the similarly titled book released late last year, Social Housing: Definitions and Design Exemplars. Interviews with each of the firms are included, providing contrasting roadmaps for designers in the states who are looking towards Europe for guidance. Social Housing – New European Projects is open now at the Center for Architecture and will run until May 19, 2018.
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Ten architecture shows to see in 2018

2018 is shaping up to be a solid year for striking and thought-provoking architecture exhibits. From Yugoslavian architecture to California design, here are ten shows not to miss: The Arsenal of Exclusion & Inclusion: New York Edition Center for Architecture 536 LaGuardia Place Through March 31 Curated and designed by Interboro Partners, The Arsenal of Exclusion & Inclusion: New York Edition presents 156 “weapons” used by political groups, developers, and community organizations to restrict or increase access to urban space. Inside the Walls: Architects Design Friedman Benda 515 West 26th Street Through February 17 This January, Friedman Benda gallery presents its annual guest-curated exhibition Inside the Walls: Architects Design, a survey spanning over a century that will encompass a broad range of architects from across the globe. The exhibit will feature the works of such architects as Philip Johnson, Frank Lloyd Wright, Mies van der Rohe and Luis Barragán, through the mediums of archival photographs and historical ephemera. Mark McDonald, a pre-eminent dealer of 20th-century modernist design, curated the sweeping exhibition. Arakawa and Madeline Gins: Eternal Gradient Columbia Graduate School of Architecture, Planning and Preservation 1172 Amsterdam Avenue March 30, 1:00 p.m. The opening of Arakawa and Madeline Gins: Eternal Gradient includes a half-day conference with speakers such as Adrienne Hart, Steven Holl, Momoyo Homma, Lucy Ives, Andrés Jaque, Thomas Kelley, Leopold Lambert, Carrie Norman, Spyros Papetros, Irene Sunwoo, and Miwako Tezuka. The exhibit features the work of the former artistic and architectural partnership between Madeline Arakawa Gins and Shusaku Arakawa. Copy + Paste: Hall of Architecture  Carnegie Museum of Art 4400 Forbes Avenue, Pittsburgh Through May 6 The Carnegie Museum of Art's Hall of Architecture possesses almost 150 facades, monuments, and architectural details sourced from across the world, which are predominantly cast and assembled in plaster. Copy + Paste explores this tradition of recreation through the investigation of augmented reality, 3-D printing, and potential robotic applications in the art of replication. The Open Workshop: New Investigations in Collective Form  Yerba Buena Center for the Arts 701 Mission Street, San Francisco March 9–July 15 Based in the Bay Area, The Open Workshop is an interdisciplinary design workshop focusing on urbanism, politics, and infrastructure. Featured as part of the Center’s The City Initiative, the group looks to create provocative and daring works within the urban environment. The Open Workshop founder Neeraj Bhatia is an architect and urban designer from Toronto and an assistant professor of architecture at the California College of the Arts. Designed in California San Francisco Museum of Modern Art 151 3rd Street, San Francisco Through May 27 Over the 20th century, California emerged as leader in design in both the United States and the world. Designed in California focuses on the output of design addressing socioeconomic and environmental awareness. The exhibit also examines the role of the digital revolution and the transformation of the consumer to digital user, one connected by the Internet of Things. Drawing Codes: Experimental Protocols of Architectural Representation University of Michigan Taubman College 2000 Bonisteel Boulevard, Ann Arbor, Michigan March 7–March 28 The use of innovative technologies in the realms of design and production has opened new avenues for architectural drawing and rendering. Through the use of 24 experimental drawings, Drawing Codes: Experimental Protocols of Architectural Representation examines the engagement between architectural drawing and design within the constraints of coding, be it zoning ordinances or technological scripts. The intended goal of the exhibit is to display the many approaches available for designers when confronted with a diversity of rules and restraints. Then, Now, Next: Evolution of an Architectural Icon Denver Art Museum 100 W 14th Avenue Parkway, Denver Through February 25 Architect Gio Ponti designed the Denver Art Museum and this exhibit traces the history of Ponti’s work featuring his historical photos, original architectural sketches, building models, and project renderings to tell the story of the North Building’s evolution. Not to Scale: Highlights from the Flys Eye Dome Archive Crystal Bridges Museum of American Art 600 Museum Way, Bentonville, Arkansas Through March 28 This exhibit features drawings, models, and concept sketches from the architect Buckminister Fuller during his work on the project Fly’s Eye Dome. Not to Scale: Highlights from the Fly’s Eye Dome Archive illuminates the work of Fuller and his collaborators, engineer John Warren and architect Norman Foster. Toward a Concrete Utopia: Architecture in Yugoslavia, 1948-1980 The Museum of Modern Art 11 W 53rd Street October 10, 2018–January 13, 2019 This exhibit will feature more than 400 drawings, photographs, models, and film reels from across the former Yugoslavia, depicting the unique Brutalist style that developed in that sprawling Balkan state. Toward a Concrete Utopia will be the first exhibit of its kind to focus on Brutalism across the Balkan peninsula.
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2018 AIANY Design Awards winners announced!

AIA New York announced the recipients of their 2018 Design Awards tonight at the Center for Architecture, and the winners were once again varied across project type, scale, and country. Narrowing their scope from the 35 winners chosen last year, this year’s group of distinguished AIA New York members presented exceptional examples of work the world over, with only 12 of the 32 projects based in New York. The jurors were as varied as the projects they were judging, and included the following:
  • Gro Benesmo, Partner, S P A C E G R O U P
  • Ila Berman, DDes MRAIC, Dean and Edward Elson Professor, UVA School of Architecture
  • Aaron Forrest, AIA, NCARB, Principal, Ultramoderne
  • Walter Hood, Creative Director, Hood Studio
  • Tom Kundig, FAIA, Principal and Owner, Olson Kundig Architects
  • Debra Lehman Smith, Partner, LSM Studio
  • Meejin Yoon, AIA, Co-Founder, Höweler + Yoon Architecture LLP, Professor and Head of the Department of Architecture, Massachusetts Institute of Technology
The biggest award of the night went to the collaborative efforts of Adjaye Associates, Freelon Group (now Perkins+Will), Davis Brody Bond, and SmithGroupJJR, for their work on the ethereal Smithsonian National Museum of African American History and Culture, which both references its surroundings while integrating African and American historical references. BEST IN COMPETITION Architect: Freelon Adjaye Bond / Smithgroup Landscape Architect: Gustafson Guthrie Nichol Project: Smithsonian National Museum of African American History & Culture Location: Washington, DC ARCHITECTURE HONORS Architect: Architecture Research Office Project: Brooklyn Bridge Park Boathouse Location: Brooklyn, NY Architect: BIG – Bjarke Ingels Group Landscape Architect: Bach Landskab Project: Tirpitz Museum Location: Blåvand, Denmark Architect: LEVENBETTS Landscape Architect: Marc Peter Keane Project: Square House Location: Stone Ridge, NY Architect: MQ Architecture Project: Magazzino Italian Art Location: Cold Spring, NY
Architect: NADAAA Associate Architect: Adamson Associates Architects Restoration architect: ERA Architects Project: University of Toronto Daniels Building at One Spadina Location: Toronto, Canada MERITS Architect: Desai Chia Architecture Architect of Record: Environment Architects Landscape Architect: SURFACEDESIGN Project: Michigan Lake House Location: Leelanau County, MI Architects: LTL Architects and Perkins+Will Landscape Architect: Trowbridge Wolf Michaels Landscape Architects Project: Cornell University Upson Hall Renovation Location: Ithaca, NY Architect: nARCHITECTS Project: NYC DOT Harper Street Yard Structures Location: Corona, NY Architect: N.E.E.D. Architecture Project: The Book Company Headquarters Location: Seoul, South Korea Design Architect: Renzo Piano Building Workshop Executive Architect: Davis Brody Bond Associate Architect: Body Lawson Associates Landscape Architect: James Corner Field Operations Project: Columbia University Lenfest Center for the Arts Location: New York, NY Architect: Richard Meier & Partners Architects Associate Architect: RAF Arquitetura Project: Leblon Offices Location: Rio de Janeiro, Brazil Architect: Selldorf Architects Architect of Record: C + D Architects Landscape Architect: Bureau Bas Smets Project: LUMA Arles Location; Arles, France
Architect: Studio Libeskind Landscape Architect: Claude Cormier + Associés Project: Canadian National Holocaust Monument Location: Ottawa, Canada Architect: StudioSUMO Architect of record: Obayashi Corporation Project: Josai International University i-House Dormitory Location: Togane, Japan Architect: Tod Williams Billie Tsien Architects | Partners Associate Architect: Ballinger Landscape Architect: Michael Van Valkenburgh Associates Project: Princeton University Andlinger Center for Energy and the Environment Location: Princeton, NJ Architect: WEISS/MANFREDI Architecture/Landscape/Urbanism Architect of Record: Richard L. Bowen + Associates Landscape Architect: Knight & Stolar Project: Kent State Center for Architecture and Environmental Design Location: Kent, OH Architect: WORK Architecture Company Project: Queens Library at Kew Gardens Hills Location: Flushing, NY CITATIONS Architect: David Scott Parker Architects Architect of Record: Bosch Architecture Project: Williamsburgh Savings Bank Location: Brooklyn, NY Architect: Michielli + Wyetzner Architects Project: Delancey and Essex Municipal Parking Garage Location: New York, NY INTERIORS HONORS Architect: N H D M / Nahyun Hwang + David Eugin Moon Architect of Record: ALab Architects Project: Nam June Paik Art Center Renovation Location: Yongin, South Korea
MERITS Architect: LEVENBETTS Project: Cornell University Rhodes Hall Location: Ithaca, NY Architect: Peter Marino Architect Project: The Lobster Club Location: New York, NY Architect: Rice+Lipka Architects Project: Parsons Making Center Location: New York, NY Architect: A+I Interior Architect: SheltonMindel Project: New York Family Office Location: New York, NY CITATION Architect: Young Projects Landscape Architect: Future Green Studio Project: The Gerken Residence Location: New York, NY PROJECTS HONOR Architect: LTL Architects Project: Manual of Section MERIT Architect: APTUM Architecture Project: Thinness Pavilion Location: San Francisco, CA CITATION Architect: Studio Joseph Architect of Record: Foster + Partners Project: London Mithraeum Location: London, UK
URBAN DESIGN MERITS Architect: Kohn Pedersen Fox Associates Project: One Vanderbilt Location: New York, NY Architect: NADAAA Project: Justice in Design Location: New York, NY Architect: ROGERS PARTNERS Architects + Urban Designers Project: Houston-Galveston Area Protection System (H-GAPS) Location: Galveston Bay, TX
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Sweden comes to New York for a series on democratic architecture

From October 24 to 28, the Center for Architecture and Van Alen Institute will host Swedish Design Moves New York, a program exploring Swedish innovation in architecture and design. In addition to a series of public panels, an exhibition of Swedish architecture projects called Aiming for Democratic Architecture will be on view at the Van Alen Institute from October 26 to 28, curated by Architects Sweden and the Swedish Institute. This program is part of the Center for Architecture's Archtober 2017. The program, curated by an international nonprofit called STHLMNYC, will focus on the concept of democratic architecture using Sweden as a progressive touchpoint. According to the series' press release, "Sweden's egalitarian society and intimate relation to nature have generated great examples of balanced architectural solutions that accommodate both community and environmental needs." Through multidisciplinary panels that bring together architects, planners, and designers from the U.S. and Sweden, Swedish Design Moves will look at the application of these principles worldwide. Previous iterations have been hosted in Stockholm, Milan, London, and Paris. The four-day program will open with The Process of Democratic Architecture, a panel that will include Christer Larsson from the Department of City Planning in Malmö, Sweden, Alexandra Hagen from White Arkitekter, Per Franson from the KTH School of Architecture, David Burney from Pratt Institute, Claudia Herasme from the New York Department of City Planning, and Chris Sharples from SHoP Architects. The series will also include a conversation on nature and well-being with panelists from Wingårdhs, Urbio, Marge, Kohn Pedersen Fox Associates, and RAAD STUDIO, a conversation on culture and people with panelists from GoDown Arts Centre, White Arkitekter, Mandaworks, and Diller Scofidio + Renfro, and a conversation on innovative solutions with panelists from CFMoller, Färgfabriken, Stockholm City, ORE Design, and HPD Architecture. Along with the panels, several workshops will also offer an in-depth look at questions of a "new urban agenda" and the potential of self-built housing. Equity in design will be a central topic at each panel. "One of the largest challenges we face when it comes to the built environment is affordability," said Chris Sharples, Principal at SHoP Architects. "Our role as architects and planners is to come up with new material systems and design/building processes that allow us to address the cost constraints." Swedish Design Moves New York was organized through a partnership between Visit Sweden, STHLMNYC, Architects Sweden, The Swedish Institute, and the Consulate General of Sweden in New York. The full program for Swedish Design Moves New York (October 24 - 28) at the Center for Architecture and Van Alen Institute is available here.
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Mirage houses, Mongolian blob museums, and other updates from the architects of Instagram

At The Architect’s Newspaper, we’re plain addicted to Instagram. Sure, we love seeing Brutalist concrete through “Inkwell” or “Ludwig” filters, but there’s also no better place to see where architects are getting their inspiration, how they’re documenting the built environment, and where they’ve traveled of late. Below, we bring you some of the best Instagrams of this past week! (Also, don’t forget to check out our Instagram account here.) A new exhibit on the historical iterations and potential of scaffolding went up at the Center for Architecture, and Shohei Shigematsu of OMA was the exhibition's lead designer. https://www.instagram.com/p/BZmIjN-hQh0/?taken-by=centerforarch A short hop across the East River, the Noguchi Museum is gearing up for the October 25 opening of Gonzalo Fonseca's architectural sculptures, many carved from stone. https://www.instagram.com/p/BZ1f0wpHH1F/?taken-by=noguchimuseum SO-IL's Florian Idenburg paid a visit to a panopticon prison in Haarlem, Netherlands called Kijk in de Koepel. His visit was timed perfectly with two news bits that had us chuckling this week: One upsettingly real (Jeremy Bentham's literal severed head displayed in an upcoming exhibit), and the other pure satire (meet Synergon). https://www.instagram.com/p/BZoAOCVn8AC/?taken-by=florianidenburg Andrés Jaque, founder of Office for Political Innovation, posted the opening of his new exhibit titled Transmaterial Politics, which opened at Tabacalera Madrid on September 28. Poppy and probing as always. https://www.instagram.com/p/BZpq6FJAz4E/?taken-by=andres_jaque MAD Architects threw us back to their Ordos Museum in inner Mongolia, a mass of organic and rigid forms cloaked under an undulating shell of metal tiles. Without wanting to, we will imagine it springing to life at night and prowling the Gobi Desert under a shrouded moon, much like Gehry museums (wherever they live). https://www.instagram.com/p/BZnkPdyFNdq/?taken-by=madarchitects Geoff Manaugh, author of BLGBLOG, visited the extremely Instagrammable Mirage by Douglas Aitken in the California Desert which is clad with mirrors both inside and out. https://www.instagram.com/p/BZ4WEW5j_M1/?taken-by=bldgblog The DesignPhiladelphia conference shared their city's redeveloped Navy Yards, landscaped by James Corner Field Operations. https://www.instagram.com/p/BZy-YJzF9WA/?taken-by=designphilly This last one is short and sweet, and we tell you this only because of the crushing guilt that would consume us otherwise. Winka Dubbeldam ate a grasshopper. https://www.instagram.com/p/BZ0lE02BVh9/?taken-by=winkadub That’s it for today, hashtag archilovers and quote-on-quote gallerinas. See you next week for more drama.
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AN will bring you a building every day for Archtober 2017

Get ready New York City, the month of Archtober is almost upon us. While October heralds the return of chunky knits and PSLs, New York City's architecture and design community knows that the tenth month of the year is really Archtober, AIA New York's celebration of the built environment. In collaboration with the city's cultural institutions, Archtober (also known as Architecture and Design Month) fosters awareness of architecture's role in everyday life through exhibitions, conferences, films, lectures, and the Building of the Day tours – architect-led visits to the city's best-loved structures and landscapes. The first site this year is the Woolworth Tower Residences, apartments by SLCE Architects in Cass Gilbert's classic neo-Gothic skyscraper. In partnership with AIA New York, The Architect's Newspaper (AN) is pleased to be the one-and-only source for Building of the Day blogs. For all of October, we'll bring you on-the-ground stories and tour highlights, so you can ride on WXY's SeaGlass Carousel, step inside LOT-EK's shipping container Carroll House, or explore Paul Rudolph's Modulightor Building, all without leaving your office. But if you do decide to leave (and you should), tickets for all tours are now available at the Archtober website. Here is the complete schedule:
Oct. 1 The Woolworth Tower Residences Architect: Cass Gilbert (the Woolworth Building's original architect); SLCE Architects (Woolworth Tower Residences architect of record): SLCE Architects; The Office of Thierry W. Despont (interior design) Oct. 2 Empire Stores Architect: S9Architecture Oct. 3 Brooklyn Grange Rooftop Farm Architect: Bromley Caldari Architects Oct. 4 The Noguchi Museum Architect: Isamu Noguchi and Shoji Sadao (original architects); Sage and Coombe Architects (rneovation architect) Oct. 5 SeaGlass Carousel Architect: WXY architecture + urban design Oct. 6 Modulightor Building Architect: Paul Rudolph Oct. 7 Cary Leeds Center for Tennis & Learning Architect: GLUCK+ Oct. 8 Project Farmhouse Architect: ORE Design Oct. 9 The Residences at PS186 & Boys and Girls Club of Harlem Architect: Dattner Architects Oct. 10 Naval Cemetery Landscape Architect: Nelson Byrd Woltz Landscape Architects Oct. 11 Cathedral Church of St. John the Divine Architect: Heins & LaFarge/Cram & Ferguson (1899) Oct. 12 Alexander Hamilton U.S. Custom House Architect: Cass Gilbert Oct. 13 New Lab, Brooklyn Navy Yard Architect: Marvel Architects Oct. 14 Open House New York Weekend Oct. 15 Open House New York Weekend Oct. 16 iHeartMedia Architect: A+I with Beneville Studios Oct. 17 56 Leonard Street Architect: Herzog & De Meuron Oct. 18 Staten Island Courthouse, St. George Architect: Ennead Architects Oct. 19 Carroll House Architect: LOT-EK Oct. 20 Columbia University – Lenfest Center for the Arts Architect: Renzo Piano Building Workshop (design architect); Davis Brody Bond (executive architect); Body-Lawson Associates (associate architect) Oct. 21 Museum of Chinese in America (MOCA) Architect: Maya Lin Studio (Designer); Bialosky + Partners Architects Oct. 22 Freshkills Park Architect: NYC Parks/James Corner Field Operations Oct. 23 The George Washington Bridge Bus Station Architect: STV – Program Architect/Architect of Record/Design Architect for Retail Development; PANYNJ Architectural Unit – Design Architect for Bus Station Oct. 24 Governors Island – The Hills Architect: West 8 Urban Design & Landscape Architecture Oct. 25 Bronx River House Architect: Kiss + Cathcart, Architects Oct. 26 ISSUE Project Room Architect: McKim, Mead & White (original architect); Conversion to ISSUE Project Room: WORKac in collaboration with ARUP (ongoing) Oct. 27 Downtown Brooklyn Cultural District Architect: TEN Arquitectos Oct. 28 Morris Jumel Mansion Architect: Original Architect Unknown Oct. 29 Roy and Diana Vagelos Education Center Architect: Diller Scofidio + Renfro in collaboration with Gensler Oct. 30 Cornell Tech Architect: Handel Architects; Morphosis; WEISS/MANFREDI Architecture/Landscape/Urbanism Oct. 31 The William Vale Hotel Architect: Albo Liberis
If your number-one-can't-miss tour is sold out, don't despair: There are more than enough events for everyone. Archtober has a new series called Workplace Wednesdays where firms like SHoP, Snøhetta, and others will open up their offices to ticketed members of the public for workshops, presentations, and talks. On October 29, AN Contributing Editor Sam Lubell will give a talk on Never Built New York, the exhibition he co-curated at the Queens Museum.
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Scaffolding exhibit coming up at the Center for Architecture

In Italo Calvino's Invisible Cities, one of the most interesting places described is Thekla, a city consisting entirely of endless construction—nothing but cranes, pulleys, and scaffolding. If you ask Thekla's residents why its construction is taking so long, they "continue hoisting sacks, lowering leaded strings, moving long brushes up and down, as they answer, 'So that its destruction cannot begin.' And if asked whether they fear that, once the scaffolding is removed, the city may begin to crumble and fall to pieces, they add hastily, in a whisper, 'Not only the city.'" In Calvino's work, scaffolding is a metaphor for progress without substance—interminable development as a way to create meaning as a species. Without it, jobs disappear, the landscape disappears, even meaning itself disappears. In New York City, scaffolding is as ubiquitous a part of the landscape as the buildings it sheathes, moving across neighborhoods like an urban kudzu. An estimated 280 miles of it stretch across the city at any given moment. In an upcoming exhibit at the Center for Architecture, scaffolding as a typology—with all its vernacular potential and industrial usage—is given a thorough examination. Is it a building? Not entirely, although it emulates buildings and can serve as a shelter. Is it an exoskeleton or an endoskeleton? It can be both, thrown up to restore interiors or panel up facades. As the exhibit explores, scaffolding is a flexible architecture, a nuisance to some , an aesthetic choice to others (for instance, Doug and Mike Starn), temporary or permanent, modular ... the list goes on. In this spirit, the Center for Architecture's upcoming exhibit Scaffolding will include case studies of the support structure's functions around the globe. The show's curator, Greg Barton, created a visual history of its development as a technology, from the wooden beams and bamboo of an earlier era to the steel and aluminum of today. Actual scaffolding designed by Shohei Shigematsu of OMA will be installed throughout the gallery space and main atrium. OMA also created a system of periscopes and mirrors scattered throughout the installation, allowing viewers to peer into separate parts of the gallery.
“‘Scaffolding' functions as a noun and verb, object and process,” Barton said in a statement about the show. “It is commonly invoked as a powerful metaphor by many disciplines due to its supportive role and adaptive qualities.”
The show's opening will kick off a series of public programs through December, examining scaffolding as a framework for social engagement as well as its use in theater and emergency relief. Scaffolding is on view at the Center for Architecture from October 2, 2017–January 18, 2018. There will be an opening reception Monday, October 2, from 6:00–8:00 p.m. More information can be found here. 
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FBI files, a missing MoMA house, and the life of modernist architect Gregory Ain

On show now at the Center for Architecture (CFA) in New York is an exhibition on the late architect Gregory Ain. Titled This Future Has a Past, the show looks at Ain's life while focusing on his Exhibition House for the Museum of Modern Art (MoMA) Garden, a project that mysteriously disappeared. Guiding audiences through Ain's personal life, This Future Has a Past attempts to shed light on the house's curious history. Ain practiced mostly around Los Angeles and his style comes under the umbrella of midcentury modernism. He even taught the likes of Frank Gehry. However, as Phillip Denny points out in his New York Times article, not much else is known about the architect, especially by those outside L.A. Unless you are the F.B.I., that is. Ain, who died in 1988 at the age of 80, was a Leftist and his political stance meant he was under scrutiny during the Red Scare. This happened after a housing complex (which never came to fruition) appeared on the F.B.I.'s radar; it was rumored the scheme was connected to the Communist Party. In 1950, Philip Johnson, who the F.B.I. was also monitoring due to his supposed connections to the Nazi Party, commissioned Ain to design a house for the MoMA to stand as an exhibit in its garden. The house was the second of its kind. Marcel Breuer, also commissioned by Johnson, had controversially supplied the previous MoMA Garden house in 1949. Mysteriously, however, Ain's house appears to have gone missing, with little clues as to its whereabouts. Breuer's house and the house that came after it, the Japanese House by Junzo Yoshimura, meanwhile, still survive having been relocated elsewhere. Christiane Robbins, founding principal at Metropolitan Architectural Practice (MAP) and professor of architecture at California College of the Arts, created the CFA exhibition with Katherine Lambert, who is principal and director of special projects at MAP. The pair's interest was piqued when the photographer Julius Schulman mentioned Ain's mysterious past. “He said there was a story there that wasn’t getting told,” Lambert told the New York Times. “But he wouldn’t tell us what it was.”

The exhibition at the CFA includes a model of Ain's MoMA house. The model had turned up at architect Theodore "The Dean of Models" Conrad's house in New Jersey. In addition to this, F.B.I. files procured by Robbins after a Freedom of Information Act (FOIA) request are also on display. The files disclose oddly specific details on Ain, such as his weight and also his alias, Fred Grant.

Despite the unearthed files, Ain's house is yet to be found. “To put all of that money into the exhibition house only to demolish it doesn’t make sense,” said Robbins.

This Future Has a Past is presented in cooperation with Anyspace. The exhibition was initially intended for the 15th International Venice Biennale of Architecture but is on show at the CFA until September 12, 2017. A special talk, "Who was Gregory Ain?" is planned for September 7. More details on that can be found here.

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From futuristic mall to hellish jail: New AIANY exhibit delves into the history of Venezuela’s “El Helicoide”

AIA New York’s Center for Architecture opens its newest exhibit, El Helicoide: From Mall to Prison, on May 9. The exhibit, curated by Celeste Olalquiaga of PROYECTO HELICOIDE, examines the development and subsequent collapse of the El Heliocoide drive-in mall in Caracas, Venezuela. The building was designed in the late 1950s by architect Romero Gutierrez as a representation of the utopian hopes of a booming Venezuela and quickly became an icon of modern architecture. The spiraling mall caps La Roca Tarpeya hill, which overlooks Caracas, and is topped with a geodesic dome designed by Buckminster Fuller. The project went from being the star of MoMA’s 1961 show Roads to an abandoned home of more than 10,000 squatters after facing several financial roadblocks and a series of political upheavals. In 1985 the abandoned building was adopted by the Venezuelan intelligence services and has since been a place of imprisonment and surveillance. “El Helicoide’s failure and turbulent history are symptomatic of what went wrong with modern Venezuela,” said Olalquiaga in a press release. “By showing the building’s patrimonial and cultural value, PROYECTO HELICOIDE seeks to highlight the country’s outstanding modern heritage in all its contradictory complexity.” A book about the project’s history, From Mall to Prison: El Helicoide’s Downward Spiral, will be released in conjunction with the exhibit. An opening reception with the curator will be held on May 9 and the exhibition will be open through July 13. For more information, you can visit the AIA New York’s Center for Architecture event page here.
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Work by designers of color celebrated in a new exhibition at the Center for Architecture

Say It Loud: Distinguished Black Designers of NYCOBA | NOMA celebrates the creative work of black architects across the U.S. The exhibition is being held at the Center for Architecture (CFA) in Manhattan and runs through April 1 of this year. Roughly 2,090 licensed architects across the United States are African American, accounting for two percent of the profession. "Moreover, the achievements of these individuals are seldom recognized," said the CFA in a press release. Say it Loud will focus on African American accomplishments in design across New York and the rest of the country. Work from 20 designers including Harlem-based architect Roberta Washington; Mark Gardner, a principal at Jaklitsch/Gardner Architects; and Yolande Daniels, co-founding principal at studioSUMO, will be on display. Student work from NYC students too will be shown along with projects that won the Jumaane Omar Stewart Award and Diversity in the School of Architecture Award. The exhibit is a product of a coalition between the New York Coalition of Black Architects (NYCOBA) and The New York Chapter of the National Organization of Minority Architects (NOMA). FXFOWLE are also supporting the exhibition. Further details can be found here.
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New book on the diverse roles of architects launches tomorrow at the AIANY Center for Architecture

A new book Architect d.b.a. focuses on the various roles architects assume in a world that demands specialization. The book begins by assuming that architecture is a profession and discourse based on a broad multidisciplinary foundation. It asks forty different architects and people associated with the field (including this journalist) to comment on the roles they assume under the rubric of ‘architect.’ The book explores each of these roles independently and then together in a concluding essay by Nader Tehrani as a way of defining the inclusionary shape of the profession today. This Thursday, December 15th from 6:00pm to 8:00pm there will be a launch of this new book at the Center for Architecture on LaGuardia Place.