2018 is shaping up to be a solid year for striking and thought-provoking architecture exhibits. From Yugoslavian architecture to California design, here are ten shows not to miss: The Arsenal of Exclusion & Inclusion: New York Edition Center for Architecture 536 LaGuardia Place Through March 31 Curated and designed by Interboro Partners, The Arsenal of Exclusion & Inclusion: New York Edition presents 156 “weapons” used by political groups, developers, and community organizations to restrict or increase access to urban space. Inside the Walls: Architects Design Friedman Benda 515 West 26th Street Through February 17 This January, Friedman Benda gallery presents its annual guest-curated exhibition Inside the Walls: Architects Design, a survey spanning over a century that will encompass a broad range of architects from across the globe. The exhibit will feature the works of such architects as Philip Johnson, Frank Lloyd Wright, Mies van der Rohe and Luis Barragán, through the mediums of archival photographs and historical ephemera. Mark McDonald, a pre-eminent dealer of 20th-century modernist design, curated the sweeping exhibition. Arakawa and Madeline Gins: Eternal Gradient Columbia Graduate School of Architecture, Planning and Preservation 1172 Amsterdam Avenue March 30, 1:00 p.m. The opening of Arakawa and Madeline Gins: Eternal Gradient includes a half-day conference with speakers such as Adrienne Hart, Steven Holl, Momoyo Homma, Lucy Ives, Andrés Jaque, Thomas Kelley, Leopold Lambert, Carrie Norman, Spyros Papetros, Irene Sunwoo, and Miwako Tezuka. The exhibit features the work of the former artistic and architectural partnership between Madeline Arakawa Gins and Shusaku Arakawa. Copy + Paste: Hall of Architecture Carnegie Museum of Art 4400 Forbes Avenue, Pittsburgh Through May 6 The Carnegie Museum of Art's Hall of Architecture possesses almost 150 facades, monuments, and architectural details sourced from across the world, which are predominantly cast and assembled in plaster. Copy + Paste explores this tradition of recreation through the investigation of augmented reality, 3-D printing, and potential robotic applications in the art of replication. The Open Workshop: New Investigations in Collective Form Yerba Buena Center for the Arts 701 Mission Street, San Francisco March 9–July 15 Based in the Bay Area, The Open Workshop is an interdisciplinary design workshop focusing on urbanism, politics, and infrastructure. Featured as part of the Center’s The City Initiative, the group looks to create provocative and daring works within the urban environment. The Open Workshop founder Neeraj Bhatia is an architect and urban designer from Toronto and an assistant professor of architecture at the California College of the Arts. Designed in California San Francisco Museum of Modern Art 151 3rd Street, San Francisco Through May 27 Over the 20th century, California emerged as leader in design in both the United States and the world. Designed in California focuses on the output of design addressing socioeconomic and environmental awareness. The exhibit also examines the role of the digital revolution and the transformation of the consumer to digital user, one connected by the Internet of Things. Drawing Codes: Experimental Protocols of Architectural Representation University of Michigan Taubman College 2000 Bonisteel Boulevard, Ann Arbor, Michigan March 7–March 28 The use of innovative technologies in the realms of design and production has opened new avenues for architectural drawing and rendering. Through the use of 24 experimental drawings, Drawing Codes: Experimental Protocols of Architectural Representation examines the engagement between architectural drawing and design within the constraints of coding, be it zoning ordinances or technological scripts. The intended goal of the exhibit is to display the many approaches available for designers when confronted with a diversity of rules and restraints. Then, Now, Next: Evolution of an Architectural Icon Denver Art Museum 100 W 14th Avenue Parkway, Denver Through February 25 Architect Gio Ponti designed the Denver Art Museum and this exhibit traces the history of Ponti’s work featuring his historical photos, original architectural sketches, building models, and project renderings to tell the story of the North Building’s evolution. Not to Scale: Highlights from the Fly’s Eye Dome Archive Crystal Bridges Museum of American Art 600 Museum Way, Bentonville, Arkansas Through March 28 This exhibit features drawings, models, and concept sketches from the architect Buckminister Fuller during his work on the project Fly’s Eye Dome. Not to Scale: Highlights from the Fly’s Eye Dome Archive illuminates the work of Fuller and his collaborators, engineer John Warren and architect Norman Foster. Toward a Concrete Utopia: Architecture in Yugoslavia, 1948-1980 The Museum of Modern Art 11 W 53rd Street October 10, 2018–January 13, 2019 This exhibit will feature more than 400 drawings, photographs, models, and film reels from across the former Yugoslavia, depicting the unique Brutalist style that developed in that sprawling Balkan state. Toward a Concrete Utopia will be the first exhibit of its kind to focus on Brutalism across the Balkan peninsula.
Posts tagged with "Carnegie Museum of Art":
In the 1950s, Pittsburgh was the American poster child for a progressive city. Forward-thinking gentrification projects such as the Gateway Center, a five-building office complex, and Allegheny Center, the former hub of downtown Allegheny City, were part of a transformative frenzy of high-rise constructions during the postwar period. From September 12, 2015 – May 2, 2016, the Carnegie Museum of Art is hosting an experimental presentation to untangle the evolution of modern architecture and urban planning in Pittsburgh. Titled HAC Lab Pittsburgh: Imagining the Modern, exhibits include archival materials, an active architecture studio, and a salon-style discussion space for urban planners, architects and residents, which collectively unearth layers of history. The museum’s architects-in-residence, Boston-based studio over,under, highlight the stories of pioneering architecture, disrupted neighborhoods, and the utopian ambitions of public officials and business leaders. Pittsburgh, then a public model for the progressive American city, simultaneously bore the brunt of criticism against postwar gentrification for destroying neighborhoods and displacing communities. Photos, films, drawings, and other ephemera document this perennial chafing between idealism and public discourse and protest. The exhibition zeros in on landmark projects such as East Liberty, the Lower Hill and Oakland, revisiting the work of influential architects the likes of Harrison & Abramovitz, Mitchell & Ritchey, Simonds & Simonds, and Skidmore, Owings & Merrill (SOM). The exhibition also examines unrealized proposals such as those by Frank Lloyd Wright for the Point, located at the tip of Pittsburgh’s “Golden Triangle.” Imagining the Modern is the first in a new series of HAC Labs overseen by Raymund Ryan, curator at the Heinz Architectural Center. Each Lab sees a team of design radicals investigate architecture and planning in Pittsburgh from a historical and contemporary perspective to reflect our changing understanding of architecture and urbanism. In conjunction with the Labs, architecture students at Carnegie Mellon University will investigate the stalled urban revitalization project at Allegheny Center in Fall 2014, examining the sociological, economic and political motivations for urban renewal.
Sketch to Structure Heinz Architectural Center Carnegie Museum of Art Pittsburgh Through May 20, 2015 The concept and visual for Sketch to Structure, an exhibition that has just opened at Pittsburg's Heinz Architectural Center, is so cogent and well thought out it's a wonder no other museum hasn't already staged such a show. The exhibit is curated by Alyssum Skjeie of the Heinz Center and takes the architectural design process and divides it into four discrete sections—concept, collaboration, communication, case studies—each with drawings and renderings taken from the center's own collection. "Concept" begins with loose hand drawings like Richard Neutra's for the Los Angeles County Hall of Records and attempts to highlight how architects think through drawing implements—whether sketching, constructing a rough model, a quick watercolor, or increasingly, using computer models. Then, perhaps the most socially constructed section, "Collaboration," makes clear that architects work in office teams with other designers and with engineers, etc.—a process not recognized enough in exhibitions on architecture. This process is highlighted with drawings from Winold Reiss' four schemes for the Savarin Restaurant at Penn Station in New York City. The third part of the exhibit, "Communication," uses drawings, renderings, and models from the early 20th century to convey, as the curator claims, "a nearly final design." This is a large jump from Collaboration, but perhaps the final section, "Case Studies," clarifies, or brings together, what communication in an architectural practice means in a practical working condition. Case studies, the exhibit asserts, "pieces the parts of this process together, with groupings of models, renderings, drawings, and elevations on seven separate projects, illustrating how the other three exhibition sections work together in the larger design process." It might be argued that this chronological presentation is too linear and that architectural design moves back and forth across these sections, but the exhibition stakes a claim for this process and attempts to highlight it through strong visual examples. The exhibit will feature drawings by Lorcan O'Herlihy, James Wines, and the French firm Jakob + MacFarlane. If only this show were in New York, closer to my home! If your anywhere near the Steel City, go see this exhibition and let us know what you think of the sections.
White Cube, Green Maze: New Art Landscapes Carnegie Museum of Art 4400 Forbes Avenue Pittsburgh, PA Through January 13, 2013 With the exhibition White Cube Green Maze at the Heinz Architectural Center in the Carnegie Museum of Art in Pittsburgh, curator Raymund Ryan moved beyond the predictable white enclosed gallery, creating a maze, which forces viewers to navigate museum space and interact with art in new ways. The exhibition presents a series of six innovative designs from around the world that blend landscape design, modern architecture, art, and environment. The sites are shown with photos, presentation models, sketches by various artists and historical designs and redesigns of the sites, offering an understanding of how collaborative the design processes were. Visitors can wander through the exhibition’s different pavilions that open to beautiful outdoor spaces. The sites in the exhibition include the Olympic Sculpture Park (USA), Stiftung Insel Hombroich (Germany), Benesse Art Site Naoshima (Japan), Instituto Inhotim (Brazil), Jardín Botánico de Culiacán (Mexico), and Grand Traiano Art Complex (Italy), all captured in architectural photographs by Iwan Baan.