A proposed 90-story mixed-use residential tower by international architect Carlos Ott—in partnership with Crown Architecture, Davis Partnership Architects, and New York City–based developer Greenwich Realty Capital—has the potential to become the tallest tower in Denver. The project is dubbed Six Fifty 17 and would contain 284 high-end condominiums, a hotel, and 22,000 square feet of retail space. The podium style structure would also feature a 13-story parking garage containing 500 stalls and retail spaces along its lower levels. Renderings for the project depict a faceted, blue-glass-clad tower topped by a sculptural crown. The tower’s upper levels feature offset and cantilevered planted terraces while the roof of the podium structure will offer an amenity level for hotel guests. If built as currently planned, the spire would rise 1,000 feet high, dwarfing the city’s current height leader—the Republic Plaza tower, a gridded, 54-story office tower designed by Skidmore, Owings, and Merrill in 1984, which rises 714 feet. Under these metrics, the tower would also become the 19th tallest in the United States overall, according to a recent USA Today report. The project, first reported by The Metropolitan, the student newspaper at Metropolitan State University of Denver, comes amid a flurry of new construction across the Denver area, especially high-rise and affordable housing construction. Even so, it is unclear whether the project is really in the works or not. The Denver Post reports that the city’s planning department does not consider the tower “an active project right now,” though the agency is ready to review plans for the proposal once submitted. Adding to the confusion, a 42-page document posted to an Issuu site maintained by Crown Architecture shows an 800-foot-tall, 85-story high structure accompanying the same renderings as those showcased on the project website. For now, however, the tower remains an idea. The next few months will tell how real those plans might become. The team behind the project hopes to break ground on the project in 2018. See the project website for more information.
Posts tagged with "Carlos Ott Architects":
In observance of the 60th anniversary of the Series 7 chair, furniture manufacturer Fritz Hansen enlisted seven architects to re-envision the classic Arne Jacobsen design. Explaining the impetus behind the program, Jacob Holm, CEO of Fritz Hansen, said, "If we fall asleep on top of our heritage, design becomes museum items. And if that happens, it (design) no longer adds new value to the present time." The participating firms—BIG, Snøhetta, Zaha Hadid, Jean Nouvel, Neri & Hu, Jun Igarashi, and Carlos Ott in association with Carlos Ponce de Léon—certainly created some eye-opening interpretations of the chair. The architects' comments on their designs reveal their inspirations and intentions. Bjarke Ingels Group "The inspiration for the design is the materiality of the chair, the essence of the layered veneer and the functionality of the stacking. The final result is a subtle repetition of the iconic form language." Neri & Hu Design & Research Office "The idea of a replica, a re-edition, hinges on the duality between the original and the re-design. Our take on this project is to embrace this exact idea of duality and create an actual 'double'. The doubling of two original seats facing each other becomes the new version: The singular chair multiplied as the individual becomes a community. Reminding us that we are never alone, but always together." Jean Nouvel Design "Our chair is an example of Jean Nouvel's design signatures: contrasting colors and juxtapositions. Black and white mark each chair—although they still play together in a feminine and masculine flow. Creating a reinforcement of the curves of the front and of the back of the shell." Zaha Hadid "The provision for this chair was to create a harmonic transition from the existing shell and how it can effortlessly touch down on the ground. This special edition formalizes the Series 7 chair as a dynamic and seamless expression of structure and support. Formed from two continuous steel rods, the sculptural base sweeps down to the ground and reaches up to embrace the undulating shape of the iconic plywood seat." Jun Igarashi Architects "When buildings collapse during earthquakes, the building materials are wasted. Our idea is to collect the waste wood, introduce a color and process it into boards that can be used for furniture." Carlos Ott Architects in association with Carlos Ponce de Léon Architects "The chairs have been intervened the same way a vertical garden grows organically up a wall. The upholstery climbs and settles peacefully on the shell of the chair. The curved lines which compose the foundation of the different areas in the garden are mimicked and adapted to the anatomy of the chair". Snøhetta "We nurture differences. When opposites meets, they conjure an interesting dialogue. When nature meets the cultivated, when humans interact with architecture, when soft and hard co-exist—interesting things happen. "Maybe the Series 7 chair with its metal legs and wooden seat acknowledges this juxtaposition. We wanted to explore the soft side of the chair. "The wood is a representation of softness in contrast to metal. A legless construction is free and indeterminate. It is versatile and simple. And maybe it can be a symbol for social interaction and playfulness. If we add even more softness to it we might be able to create a new user experience, additional functionality. We want it to be a multifunctional social tool in both singular and plural contexts. You can sit in any formation dictated by any social scene you are in. It can be a singular, free, soft chair or a plural one in a fixed social situation." The chairs will travel to design festivals in London, Copenhagen, and Gent, Belgium before being auctioned to benefit UNICEF.