Posts tagged with "Buffalo":

Placeholder Alt Text

Pittsburgh, Washington, Buffalo lead nation in growth of bicycle commuters

Portland still dominates the American Community Survey ranking the 70 largest cities with the highest share of bike commuters, but the list shakes up some preconceptions when you count which cities had the largest growth in the share of bicycle commuters from 2000 to 2013. The League of American Bicyclists runs the numbers every year, pulling data from the U.S. Census Bureau's American Community Survey. This year's bike culture report card, as it were, has Portland, Washington, San Francisco, Minneapolis, and New Orleans topping its list of bicycle commuters as a percentage of total population. In total 13 cities report more than 2 percent of their population biking to and from work. Growth in that number is more startling. They're small overall numbers, perhaps inflating the percent change figure, but the growth since 1990 for eight cities is over 100 percent. The following cities had the largest growth in the share of bicycle commuters from 2000 to 2013:
Placeholder Alt Text

Architects Join the Circus: Crowd-funded “Architectural Circus” tours the Northeast

The Circus for Construction has taken its gallery-meets-event space on the road this fall, bringing a mix of dialogue and exhibitions on contemporary art and architecture practices, via a custom-built truck, to several east coast cities. After winning a competition by Storefront for Art and Architecture last May, this traveling Circus— conceived by Ann Lui, Ashley Mendelsohn, Larisa Ovalles, Craig Reschke and Ben Widger— got its wheels thanks to a successful Kickstarter campaign. The design team— involved in every step of the process from conception to build out— transformed a 25-foot-long trailer and pick-up truck into the mobile Circus after six weeks of construction in August. Designed to adapt to different sites and programming needs, the truck is outfitted with exterior panels that serve a dual purpose as peg boards and shading components, while interior aluminum frames can be adjusted to increase the height of the space to allow for large-scale works and also for projecting images in the evening. The Circus began its journey in East Boston, and then headed north, to Buffalo, where it parked on the grounds of the abandoned Silo City, and invited local speakers to discuss “Buffalo’s Radical Re-imagining.” Next up, they’ll make stops in Downtown Boston (where AN's own Bill Menking will speak about the Architecture Lobby), and Ithaca. If this three-ring circus hasn’t rolled up to your city yet, you can stream the workshops, lectures, and live events on Circus TV, available on the project's website.
Placeholder Alt Text

Buffalo breaks ground on largest solar panel facility in the Western Hemisphere

Manufacturing is returning to Buffalo, New York in a big way. In late September, SolarCity broke ground on a 1.2-million-square-foot solar panel manufacturing plant that will be the biggest facility of its kind in the Western Hemisphere. The company, which Elon Musk chairs, is investing $5 billion into the project that will rise on the site of a former Republic Steel factory. When fully operational, the panels produced at the factory are expected to generate one gigawatt of energy, that's roughly enough power to power 145,000 homes. New York State has also put forth significant funds for the project. "Under the deal with SolarCity," explained the Buffalo News, "the state will spend $350 million to build the sprawling factory on South Park Avenue and provide $400 million in funding for equipment, with the state following the economic development model that it used to build up the semiconductor industry in the Albany area. Under that model, the state invests in state-of-the-art facilities and equipment that typically are too costly for companies to acquire on their own and then signs agreements with companies, like SolarCity, that want to access it." The facility is expected to open in 2016 and provide 3,000 jobs for the Buffalo region, according to the Cuomo administration.
Placeholder Alt Text

Frank Lloyd Wright–Designed Filling Station Finally Built in Buffalo, New York

It is well-known that Frank Lloyd Wright was an automobile enthusiast, both foreseeing the prominence that this form of personal mobility would occupy in American life and, indeed, laying much of the foundation of how architecture might be designed for and around the car. Less-known is the fact that in 1927 he designed a gas station for Buffalo, New York, which was never built—or never until very recently. Nearly 90 years after its design, the Buffalo Transportation Pierce-Arrow Museum has constructed Wright's vision of where Americans might fill their tanks. As of today, Friday, June 27, visitors to the museum will be able to experience Wright's design first hand, a rather idealistic vision that imagines the gas station as a comfortable, enjoyable, even civilized destination. The two-story facility features an observation deck, copper roof, and gravity fed pumps. Buffalo Filling Station, as it is called, will remain on permanent view at the Pierce-Arrow, where it will join the museum's extensive collection of historic automobiles, bicycles, and transportation memorabilia. Wright did design one gas station that did get built—in Cloquet, Minnesota. That station proudly displays the sign, "The World's Only Frank Lloyd Wright Service Station."
Placeholder Alt Text

Ten Roads Whose Time Has Come: Congress for the New Urbanism Releases List of Freeways Ripe for Removal

highways_to_boulevards_2 The Congress for the New Urbanism has released their annual list of Freeways Without Futures. The organization selected the top 10 urban American (and one Canadian) highways most in need of removal. The final list was culled from nominations from more than 50 cities. Criteria for inclusion included age of the freeway, the potential that removal would have to positively effect the areas where the roadways are currently situated, and the amount of momentum to realize such removals. Additionally the CNU highlighted campaigns in Dallas, the Bronx, Pasadena, Buffalo, and Niagra Falls, that are taking significant steps towards removing freeways (some of which have been included in past lists) as illustrations of broader institutional and political shifts on urban infrastructural thinking. I-10/Claiborne Overpass - New Orleans The already aging Interstate 10 was heavily damaged in 2005 during Hurricane Katrina. The Unified New Orleans Plan (UNOP) suggested that the removal of the elevated portion of the highway would allow for the reclamation of 35 to 40 city blocks and 20 to 25 blocks of open space. With the help of public engagement Livable Claiborne Communities outlined a plan for a similar removal that would improve living conditions in the neighborhood in the immediate vicinity of the expressway. I-81 - Syracuse This road, including an elevated portion that runs through downtown Syracuse, was built in the 60's. Advocates for the transformation of the most urban portion of the freeway could be replaced by a boulevard that would connect neighborhoods, inject economic activity into the area, and be cheaper to maintain. Numerous local politicians have spoken in favor of such a plan and the Syracuse Metropolitan Transportation Council and the New York State Department of Transportation (NYSDOT) co-led the I-81 Challenge to examine traffic patterns and alternatives to the current state of the highway. Gardiner Expressway - Toronto Unpopular with local citizens, the overworked Expressway requires more than $10 million annually in repairs. Recently, the City of Toronto and WATERFRONToronto finished work on the Gardiner Expressway & Lake Shore Boulevard Reconfiguration Environmental Assessment & Urban Design Study which will dictate the future of the portion of the Gardiner overlooking Lake Ontario. Route 5/Skyway - Buffalo The Skyway Bridge and Route 5 mar public views of the Buffalo River, diminish land values, and create a web of confusing traffic patterns predicated on inefficient one-way streets. The Department of Transportation rates the Skyway bridge as "fracture critical" while the Federal Highway Administration classifies the bridge as "functionally obsolete." It is likely to cost more than $50 million to maintain over the next two decades. Inner Loop - Rochester The Loop was built for the city Rochester once was, rather than the shrunken metropolis that stands today. For this reason much of the beltway carries traffic that could easily be carried by a urban avenue. Furthermore it constricts the downtown area, inhibiting development and isolating adjacent neighborhoods. In 2012 the city was awarded a USDOT TIGER grant to replace the eastern portion of the Loop with a two lane boulevard flanked by street parking. I-70 - St. Louis I-70 separates the city from the waterfront of the Mississippi River and Saarinen's iconic arch. Calls for bridging this divide by converting the expressway into an urban boulevard have been long simmering. Park Over The Highway is a $380 million project for a park and pedestrian and bike path that leaps I-70 in connecting the city to the area abutting the river. I-280 - San Francisco Meant to be part of a larger web of freeways that was ultimately halted by mid-century protests, the removal of this highway stub would increase the land values of the area by $80 million according to a report by Fourth and King Street Railyards. Replacing the strip with a urban boulevard would open the area for further redevelopment and allow for greater fluidity between neighborhoods. The city's Center for Architecture + Design has hosted a design competition for such a project. I-375 - Detroit This 1.06 mile strip served to divide portions of the city and contributed to the isolation and subsequent decay of once thriving black neighborhoods. Detroit's drop in population has lead to a 13% decrease in usage since 2009. In December of 2013, Detroit's Downtown Development Authority moved forward with alternative plans for the highway, with particular focus on converting the road into a more pedestrian-friendly thoroughfare. Terminal Island Freeway - Long Beach As it stands the freeway currently serves a mere 14,000 vehicles a day, numbers that could drop further if plans to expand the Intermodal Container Transfer Facility come to fruition, a development that would redirect significant freight traffic in the area. Local nonprofit urban design studio City Fabrick have spear-headed a movement to convert the road into a greenbelt that would act as a buffer between residential districts and industrial port infrastructure. In 2013 the plan was awarded a Caltrans grant. Aetna Viaduct - Hartford This 3/4 mile stretch of elevated expressway was completed in 1965. In running directly through downtown Hartford the Viaduct destroyed historic architecture, public spaces, and severed inter-community links once easily traversed by foot. Initially set for costly re-surfacing that would increase its lifespan by 20 years, new plans are being considered for the heavily-trafficked road. Hartford officials and Capitol Region Council of Governments (CRCOG) are currently considering plans to re-align nearby rail tracks that would open 15-20 acres of nearby land for redevelopment.
Placeholder Alt Text

Five Paul Rudolph Buildings Under Threat in Buffalo

2013 has proven to be a difficult year for post-war concrete architecture. While some iconic structures have managed to emerge from the maelstrom of demolition attempts unharmed, including M. Paul Friedberg’s Peavy Plaza in Minneapolis and (tentatively) the Paul Rudolph–designed Orange County Government Center in Goshen, New York (the fate of which still remains uncertain), others have been less lucky. John Johansen’s daring Mummers Theater in Oklahoma City, Richard Neutra’s Gettysburg Cyclorama and, more recently, Bertrand Goldberg’s Prentice Woman’s Hospital in Chicago have all been doomed to the wrecking ball. Despite architectural historian Michael R. Allen's claim that the demolition of the Prentice’ Woman’s Hospital would be Modernism’s “Penn Station Moment,” the trend still pushes on. The next in line to fight for its survival is a set of Paul Rudolph buildings in Buffalo, New York. Tomorrow, November 6, at 8:15 a.m., the Buffalo City Planning Board will convene to decide the fate of five buildings included in Rudolph’s 9.5-acre Shoreline Apartment complex. Completed in 1972, the 142-unit low-income housing development was featured in both the September 1972 issue of Architectural Record as well as the 1970 exhibition at New York’s Museum of Modern Art. Like many of their contemporaries, the inventive, complex forms and admirable social aspirations of the development have been overshadowed by disrepair, crime, and startling vacancy rates (30 percent in 2006 according to Buffalo Rising). Now, Norstar Development USA, who have owned the property since 2006, are moving forward with their plans to replace five of Rudolph’s complex, brutalist townhouses with eight new buildings containing 48 new housing units. "With few exceptions, Paul Rudolph's buildings can be recognized by their complexity, their sculptural details, their effects of scale and their texture,” wrote Arthur Drexler, the longstanding Director of MoMA’s Architecture and Design Department, in 1970. Drexler exhibited Rudolph’s original, much more dramatic scheme for Buffalo’s Shoreline Apartments alongside pending projects by Philip Johnson and Kevin Roche in an exhibition entitled Work in Progress. The projects on display were compiled to represent a commitment “to the idea that architecture, besides being technology, sociology and moral philosophy, must finally produce works of art.” Rudolph’s original scheme, composed of monumental, terraced, prefabricated housing structures, provided an ambitious alternative to high-rise dwelling that was meant to recall the complexity and intimacy of old European settlements. Drexler wrote in the exhibition brief that, despite the project’s massive scale, it was “designed to suggest human use, affording both inhabitants and passersby a kaleidoscopic variety." The Shoreline Apartments that stand today represent a scaled down version of the original plan. Featuring shed roofs, ribbed concrete exteriors, projecting balconies and enclosed gardens, the project combined Rudolph’s spatial radicalism with experiments in human-scaled, low-rise, high-density housing developments. The project's weaving, snake-like site plan was meant to create active communal green spaces, but, like those of most if its contemporaries, the spaces went unused, fracturing the fabric of Buffalo. Since 2006, Norstar Development has reportedly spent $19 million sprucing up the complex, adding new facades, windows, and railings to some of the buildings, and combining smaller apartments to make larger family units. The next step of their redevelopment includes the demolition of five currently-vacant Rudolph buildings. This is only “Phase 1” of Norstar’s operation, so stay tuned for more (heart)breaking news from the Queen City.
Placeholder Alt Text

Fallen Angels Rescued Parametrically

Fabrikator

Classically trained sculptors breath new life into four 20-foot angels with the help of Rhino.

When Old Structures Engineering engaged Boston Valley Terra Cotta in the restoration of the 1896 vintage Beaux-Arts building at 150 Nassau Street in New York—one of the city’s original steel frame structures—the four decorative angelic figures, or seraphs, that adorned the corners of the uppermost story were in serious decay. “Up close, they were in an appalling state,” said Andrew Evans, engineering project manager. “The biggest issue we had with the angels was understanding what happened with the originals.” The seraphs were carved from stone by Spanish immigrant Ferdinand Miranda in 1895 and had suffered years of exposure and improper maintenance. By the time the facade was up for rehabilitation, the angels were haphazardly strapped to the building with steel bands and supported with bricks. Their state was such that repairs would not suffice and Boston Valley’s artisans began the task of recreating the 20-foot-tall Amazonian figures.
  • Fabricators Boston Valley Terra Cotta
  • Designer Ferdinand Miranda
  • Location Buffalo, New York
  • Date of Completion April 2013
  • Material glazed terra cotta, plywood
  • Process Rhino, Zbrush, Agisoft Photoscan, laser cutting, hand sculpting
It was the company’s first foray into parametric modeling. Like Dorothy stepping from sepia tone into Technicolor, the sculptors at Boston Valley Terra Cotta proclaimed, “We’re not in Kansas anymore,” when they fabricated the 20-foot angels using parametric modeling and lasers. “I have a history in classical sculpture, so when this came in front of me, it was sink or swim,” said Mike Fritz, master sculptor at the Buffalo, New York–based ceramics company. “We went to Oz and everything changed after that.” Henceforth, the newly constructed terra cotta angels came to be known as “Dorothy.” The most decrepit angel was photographed onsite and then disassembled for shipment to Buffalo. In Boston Valley Terra Cotta’s ceramics studio, the images were converted with photogrammetry software and transferred to Rhino to build a digital model. The model was divided into sections, such as an arm, a face, several feathers of a wing, etc. Then a laser cutter was used to cut plywood profiles that matched each section.   “Those [plywood] profiles of her face or her arms were packed with clay to realize the full forms,” said Mitchell Bring, the project manager for Boston Valley Terra Cotta. Each of Dorothy’s parts were hand-finished by Boston Valley’s staff of 30 sculptors. Once the clay had set, negative molds were made of each section to form the parts for Dorothy’s identical sisters. The finished sections, each of which weighs upward of 500 pounds, were shipped back to 150 Nassau Street in pieces and assembled onsite with mortared joints. Since completing the project, the digitally enhanced sculpture methods have been refined and wholly embraced by Boston Valley’s team of artisans. “Through this work flow, we’re able to get a little closer to our material earlier in the process,” Fritz said. “If we went without the new tools, it would have been six weeks of work in total. But even with our substantial learning curve the modeling and the build on the shop floor only took two-and-a-half weeks total.”
Placeholder Alt Text

A Plus Design for Elevator B Hive

Fabrikator

The 22-foot Elevator B honeybee habitat was the winning proposal in a design competition sponsored by Rigidized Metals and the University at Buffalo.

The disquieting phenomenon of colony collapse disorder is seeing global bee populations vanish before our eyes, threatening the pollination of much of the world’s food crops. So when Buffalo, New York, metal fabricator Rigidized Metals discovered a colony of bees in an abandoned grain silo that its owner purchased, the company sponsored the Hive City competition. Students at the University at Buffalo (UB) were invited to design a viable bee habitat that would spark interest in the Silo City area and demonstrate the strengths of various building materials suppliers in Buffalo’s First Ward. As the first, permanent new construction on the Silo City site, Rigidized Metals wanted something that would be visible from nearby Ohio Street, stand out in the industrial landscape, and be reverent to neighboring silos. The winning design, known as Elevator B, is a 22-foot tower of 18-gauge sheet metal panels, with strategic perforations for natural ventilation, light, and heat management. An operable bee "cab" in the interior supports the actual hive on a pulley system, allowing beekeepers to access the colony and return it to a level that keeps the population safe from predators.
  • Fabricators Rigidized Metals, Courtney Creenan, Kyle Mastalinski, Daniel Nead, Scott Selin, Lisa Stern
  • Designers Courtney Creenan, Kyle Mastalinski, Daniel Nead, Scott Selin, Lisa Stern
  • Location Buffalo, New York
  • Date of Completion May 2012
  • Material plywood, steel, 18 gauge sheet metal, self-tapped screws, cypress, laminated glass
  • Process Grasshopper, sawing, welding, laser cutting
"We did lots of research on how bees build hives and colonies," said Courtney Creenan, a student at UB's School of Architecture and Planning, and one of the designers of Elevator B. "The structure also induces the motion of standing inside of and looking up through a grain silo, where you have no where to look but up." However, instead of a perfectly rounded oculus at the tower’s summit, Elevator B viewers see the outline of a honeycomb. The student design team mocked up the tower with plywood cutouts in UB's School of Architecture workshops and Rigidized Metals fabricated the panels, but the design was completed in Grasshopper. The software helped determine a workable pattern of perforations, particularly along the top of the elevator where winds could compromise stability. In the team’s initial design, all of the 70 metal panels received an 80 percent perforation, though each had a unique number of cuts in a unique array. Grasshopper brought out the commonalities from these disparate patterns, and allowed the team to scale back to six types of panels with maximum perforations of 60 percent. "You can barely see a difference," Creenan commented. Once the design was simplified in Grasshopper, the Elevator B team devised a matrix to deliver to Rigidized Metals that indicated the number of panels to be fabricated and which had to be folded around the corners of the tower's steel frame. To ensure accurate installation on-site, each panel was numbered. Since the grain silos are unoccupied most of the time, with the exception of special events and tours, the tower had to be vandal resistant. The students fastened the panels to the frame with self-tapping screws, which required no predrilling. The steel frame was hand-made and the panels were machine-formed, but Creenan said there was little error and the pieces came together easily onsite. Beekeeper Phillip Barr successfully relocated the bee colony in the spring of 2012 and it has survived its first Buffalo winter. With the warmer weather, the colony's member numbers are on the rise. And though Elevator B was designed specifically for bees, Creenan said that other animals have taken a shine to the tower. “Before [the bees] moved in we noticed robins had nested there," she said. Though the design team hasn't been approached about adapting its design for other animals throughout Buffalo's Olmsted-designed park system, Creenan likes the idea. "It'd be interesting to test this somewhere else in the city," she said.
Placeholder Alt Text

New York State Tearing Out Robert Moses State Parkway

Go Down, Moses, indeed. Highway-removal advocates were awarded a small victory this week as New York State announced it will be tearing out a two-mile expanse of the aptly-named Robert Moses State Parkway (aka the Niagara Falls expressway). The section to be removed runs along the main part of the river gorge and has long been a barrier to pedestrians seeking access to recreation areas. The Buffalo News reported that some sections of the roadway will be kept, but the long-term plan is to build a multi-use nature trail for sports such as hiking, biking, and cross country skiing. This will be the first time in half a century that residents and visitors will have access to nature trails without the inconvenience of crossing the parkway. There will be car access to the gorge by way of Whirlpool Street, which will be turned into a two-lane parkway. New York State Parks officials anticipate the entire process will take around three years and cost up to $50 million. According to the Buffalo News, “It would also constitute the largest expansion of Niagara parkland since the Niagara Reservation was created in the 1880s.”
Placeholder Alt Text

Students in Buffalo Reimagine the Structural Potential of Paper

For most architecture students, a model malfunction won't land you in the middle of a river, but one group of Buffalonian risk takers at the University of Buffalo School of Architecture and Planning, under the direction of Associate Professor Jean La Marche were up for the challenge. Students Troy Barnes, Stephen Olson, Scott Selin, and Adrian Solecki designed and installed half of a bridge—made of cardboard—cantilevered over the Buffalo River, and invited people to step out over the water. The frightening experiment worked, challenging conventional notions of material constraints. The small structure was built from locally-produced cardboard tubes and is held up using rollers, pulleys, and ropes tied back to disused rails on the site. A supporting frame on a boat used to position the structure "lent the whole operation a nautical feel, fitting with the site," a spokesman for the team said in a statement. "With one of us on the raft, one manning the ropes, two were left to do the heavy work of pushing the cantilever out six inches at a time. After forty-five minutes, the structure dropped over the edge into place." The Buffalo Rising blog visited the installation, even venturing out onto the cardboard cantilever, and has more photos and observations.
Placeholder Alt Text

Quick Clicks> Sunlight Printing, Draper Train, Street Math, Rain Baskets

Solar sintering. Student work from the Royal College of Art exhibited at the London Design Festival explored the connections between energy and design. One student chose to examine the relationship between manufacturing and nature, creating a “Solar Sintering” machine that uses sunlight to power a 3D printing process. According to core77, the machine converts sand into a glass-like substance. "Draped" trains. Inspired by the decadence and glamour of early train travel, Carlton Varney, president of Dorothy Draper & Co., designed interiors for the Greenbrier Presidential Express cars. The train is slated to have its first run from Washington D.C. next July to Greenbrier, North Carolina, for guest of the Greenbrier Resort. More at Editor at Large. Street math. In an effort to freshen up their brand image, the DOW recently posted a “chalkboard” billboard displaying a mathematical equation on a building at the corner of Broome and Crosby streets in Manhattan. According to PSFK, the solution tells the story. Basketful of rain. An art installation along the Erie Canal Harbor Central Wharf in Buffalo, New York called Fluid Culture examines the impact of globalization on water. One piece in the exhibition, Rain Baskets, repurposed everyday items such as umbrellas, hoses, and rugs to create a rainwater harvesting system reported Buffalo Rising.
Placeholder Alt Text

Quick Clicks> High Speed Rail Rescued, Buffalo′s Rebirth, Metrocard’s Demise

High Speed Rail Rescued. Transportation Secretary Ray LaHood announced $200 million for high speed rail projects in Michigan yesterday, as part of a $400 million package for high speed rail in the Midwest. The money came from funds rejected by Florida governor Rick Scott. Grist reports: "It looks like Scott's tantrum will mean improved speed and performance in the Northeast Corridor, a high-speed line between Detroit and Chicago, better train cars throughout California and the Midwest, and forward movement on the planned L.A.-to-S.F. high-speed line. Thanks, sucker!" Over the Hill. And speaking of rail, Grist brings us this infographic showing the dramatic decline of Amtrak's coverage since its heyday in the 60s. Maybe it's time to bring Joe Biden in for a celebrity ad campaign. Buffalo's Berkeley Makeover. Can Buffalo, New York become the next hip college town? That's what administrators at the University of Buffalo are betting on, staking $5 billion to expand the campus from the outskirts of the city to downtown. The city, which lost 1/10 of its population over the last decade, may not have Berkeley's hippie past, but business leaders and local politicians envision bringing thousands of professors and staffers downtown, with "young researchers living in restored lofts, dining at street-side bistros and walking to work." Metrocards Out, Smart Cards In. The country's oldest subway system foresees a future without the iconic Metrocard. The NY Daily News reports that the New York City MTA plans to replace Metrocards with smart cards in three to four years. Riders would tap the MTA Card, or a debit or credit card, to pay their fares.