Luminaries Brookfield Place Winter Garden 10:00 a.m.–8:00 p.m. 230 Vesey St., New York Through January 10, 2016 New York–based architecture and design practice Rockwell Group is lighting up New York City this holiday season with Luminaries, an interactive lighting display inside the ten-story, glass-vaulted pavilion Winter Garden Atrium at Brookfield Place New York. Designed by the LAB at Rockwell Group, the festive display features a large illuminated canopy comprised of 650 lanterns and an array of color-changing LED lights. The display is also outfitted with three interactive “wishing stations,” which trigger various lighting effects upon touch. For every wish made at Luminaries, Arts Brookfield will donate $1 up to $25,000 to the GRAMMY Foundation in an effort to fund music education programs for high school students. Inspired by the holiday traditions of sharing, community, and connection, Luminaires includes five choreographed light shows—Snowfall, Christmas Tree, Ribbons, Firecracker, and Northern Lights—that are scheduled every two hours during exhibition hours. Visit Arts Brookfield's website for more information on the exhibition.
Posts tagged with "Brookfield Place":
Usually, strong smells wafting from the Hudson River are bad news. This time, though, there's nothing to worry about: household fragrance maker Glade has partnered with the Rockwell Group to create a pop-up branding exercise on the waterfront outside of Brookfield Place. The Museum of Feelings ask visitors to reflect on how the senses, especially smell, contribute to emotion. It's like raving with James Turrell at the Yankee Candle factory outlet store—plus crystals. Like a groovy mood ring, a board on the exterior of the museum changes colors to reflect the current mood of the city. Rage triggers like the weather forecast, stock market indices, and flight delays are tracked in real time. The "mood" is translated into color and light. On opening day, the colors, pale blue and deep purple, indicated calm. This being New York City, one wonders whether "calm" is a proxy for "low-level resentment and deep-seated apathy," a more ambiguous emotion that often masquerades as serenity. Inside, feelings are compartmentalized into five zones, each themed with a different emotion and corresponding scent. The first room, Feel Optimistic, is inspired by the soon-to-be-released Radiant Berries fragrance. Before entering the room passageway of hanging cloth panels, staff members hand out reflective (and scented) cards that trigger and reflect bursts of pink and blue light reflected off of strategically placed interior crystals. Ambient music, not dissimilar to Music for Airports, is intensified or diminished as visitors enter or leave the space. The "Balsam & Fir" room invites you to Feel Joyful. The hanging LED light forest invites comparisons to Yayoi Kusama's installations. The strands emit a piney scent when touched, and it's impossible not to touch. According to a museum staff member, Blue Odyssey, the "marine scent" of the next room, is designed to invigorate. Upon entering the space, an oscillating LED halo encircles the floor around each visitor. The halo moves with its owner, vibrating as subwoofers beneath the floor thump with a bass-heavy beat. Visitors can swap halos by jumping into someone else's halo. The scent in this, and other rooms, was released through wall-mounted scent diffusers that resemble tissue under a microscope. "Feel Exhilarated" is a kaleidoscope of floor-to-ceiling video screens that project patterned peony and cherry blossoms, the base of the room's fragrance. Touch screens arranged around a central panel allow visitors to manipulate the floral patterns. One visitor remarked, "if you stare at the ceiling long enough, you feel nauseous, in a good way!" After exhilaration comes calm. "Lavender & Vanilla" fragrance permeates a candy purple and pink space. The powerful fog machine creates a sight radius of approximately three feet, giving visitors ample opportunity to bump into one another or trip over small children rolling on the heavily carpeted floor. What museum would be complete without a gift shop? The "retail lounge" gives visitors the opportunity to buy small and large Glade candles. The true treat, however, is the "MoodLens." Visitors place their hand on a sensor connected to a large screen and camera. The sensor allegedly reads emotion and generates a "mood selfie" based on that emotion. The selfie is printed out (for free!) on scratch-and-sniff paper that matches the emotion. Selfies are uploaded to the museum's website to create an archive of feelings. The Museum of Feelings is open through December 15th.
Archtober Building of the Day #12 The Pavilion at Brookfield Place 100 West Street Pelli Clarke Pelli Architects It is impossible not to notice The Pavilion at Brookfield Place from almost any viewpoint near it’s location on 100 West Street. A glass curtain wall seems barely to contain the steel trees that emerge from its floor. While our Archtober tour was conducted under the noonday sun, one can easily imagine the building’s brilliance after nightfall. Our tour leader was Craig Copeland, an Associate Partner in the New York studio of Pelli Clarke Pelli Architects, and the Design Team Leader of the Pavilion at Brookfield Place. He explained that after the September 11, 2001 terrorist attacks, the World Trade Center and World Financial Center (now the Pavilion at Brookfield Place) were left disconnected. The Pavilion now reconnects Battery Park City’s Winter Garden, the newly completed World Trade Center Concourse, and both MTA and PATH transportation hubs. And, as the complex’s front door, the Pavilion will create a welcoming pedestrian space out of a former vehicular-only zone. But, let’s get back to those incredible steel trees. In order to create them, the firm looked to “nature and trees in particular,” and as a result, created two 54-foot-tall basket-like woven steel beams which take up very little space on the ground but slowly spread as they reach for, and eventually encompass, most of the ceiling. These beautiful and unique columns solve both an aesthetic and structural solution. Precariously positioned at the edge of the Hudson River, an initial building design of four columns was deemed structurally unsound. The team was forced to envision ways in which the building’s support could be focused upon two points. While two ordinary columns would have left them with a heavy roof, the Pavilion’s “trees spiral inside and outside creating enough tension to hold the basket together” and allow for an “expressive and light” look that hides their true strength. “From there,” Copeland pointed to the ceiling, “a glass curtain wall hangs from the roof- no weight falls to the ground.” A feat that he said, “could not have been accomplished without the efforts of engineering firm, Thornton Tomasetti.” As for the whole concept of the building, Craig explained that “instead of taking the stone from around the base of the building, we took cues from the Winter Garden’s Hudson River facing view.” The result is a building that “demonstrates resiliency as a culture and promotes a feeling of transparency instead of creating another stone fortress.” Rochelle Thomas received an M.A. in American Studies from Columbia University and is the Membership Assistant at the AIA New York Chapter.