Posts tagged with "BIG-Bjarke Ingels Group":

Placeholder Alt Text

BIG unveils “Alphabet of Light” installation with Artemide at Salone del Mobile

In tandem with this year’s Salone del Mobile Euroluce event, Artemide partnered with Bjarke Ingels Group to create a new light series, Alphabet of Light. Inspired by neon lights, BIG worked with Artemide to create an updated, LED light that could be formed into letters or graphics—creating a new font in the process. Alphabet of Light is composed of straight and curved light modules with high-tech optoelectronics to ensure a smooth, even light.

To showcase this new product, BIG and Artemide installed the modular system in the east courtyard of the Università degli Studi di Milano using the classic typography sentence, “Quick Brown Fox Jumps Over the Lazy Dog,” which uses every letter in the alphabet. The installation is part of the event Interni Material Immaterial.

For more Salone del Mobile and Milan Design Week coverage don’t miss The Architect’s Newspaper’s Instagram with our live updates.

Placeholder Alt Text

BIG, Adjaye, and wHY among seven shortlisted teams for Ross Pavilion Design Competition

This article was originally published on ArchDaily as "BIG, Adjaye Among 7 Shortlisted for Ross Pavilion Design Competition."

The Ross Development Trust, in collaboration with the City of Edinburgh Council and Malcolm Reading Consultants, has announced the seven finalists teams that will compete for the design of the new Ross Pavilion in the heart of Edinburgh, Scotland. Located in West Princes Street Gardens below Edinburgh Castle and at the intersection of the UNESCO World Heritage recognized Old and New Towns, the £25 million project will feature a landmark pavilion to replace an existing bandstand, a visitors center with cafe, and a subtle reimagination of the surrounding landscape. The new pavilion will host a range of cultural arts programming.

From an entry pool of 125 teams, the following seven were unanimously selected to continue on to the second stage of the competition:

  • Adjaye Associates (UK) with Morgan McDonnell, BuroHappold, Turley, JLL, Arup, Plan A Consultants, Charcoalblue and Sandy Brown Associates
  • BIG Bjarke Ingels Group (Denmark) with jmarchitects, GROSS. MAX., WSP | Parsons Brinckerhoff, Alan Baxter Associates, JLL, Speirs + Major, Charcoalblue, and People Friendly Design
  • Flanagan Lawrence (UK) with Gillespies, Expedition Engineering, JLL, Arup, and Alan Baxter Associates
  • Page \ Park Architects (UK) with West8, BuroHappold, Muir Smith Evans, and Charcoalblue
  • Reiulf Ramstad Arkitekter (Norway) with GROSS. MAX., AECOM, Groves-Raines Architects, and Charcoalblue
  • wHY (USA) with GRAS, Groves-Raines Architects, Arup, O Street, Creative Concern, Noel Kingsbury, Yann Kersalé Studio, Lawrence Barth, Stuco, Alan Cumming, Aaron Hicklin, Alison Watson, Peter Ross, Adrian Turpin, and Beatrice Colin
  • William Matthews Associates (UK) and Sou Fujimoto Architects (Japan) with GROSS. MAX., BuroHappold, Purcell, and Scott Hobbs

“We were absolutely delighted by the response of designers from around the world to the competition’s first stage. The quality of the 125 teams on the longlist sent a strong signal that the international design community regards this as an inspirational project for Edinburgh that has huge potential to reinvigorate this prestigious site,” said The Chairman of the Ross Development Trust and Competition Jury Chair, Norman Springford.

“Selecting the shortlist with our partners from City of Edinburgh Council was an intense and demanding process. We’re thrilled that our final shortlist achieved a balance of both international and UK talent, emerging and established studios. Now the teams will have 11 weeks to do their concept designs – and we’re looking forward to seeing these and sharing them with the public.”

Finalists will have until June 9, 2017, to complete concept designs for the pavilion, visitor’s center, and site, which will need to fully integrate into the existing Gardens, which are of outstanding cultural significance and operated and managed by the City of Edinburgh Council as Common Good Land. A public and digital exhibition will follow in mid-June, with a winner expected to be announced in early August. Construction is expected to begin in 2018.

For more information, visit the competition website, here.

News via Malcolm Reading Consultants. Written by Patrick Lynch. Want more from ArchDaily? Like their Facebook page here. Archdaily_Collab_1
Placeholder Alt Text

BIG and Heatherwick Studios unveil new Google campus renderings

Heatherwick Studios, Bjarke Ingels Group (BIG), and Hargreaves Jones Landscape Architecture have revealed new renderings and designs for the firms’ Google Charleston East campus in Mountain View, California. The renderings, shared via public documents made available by the municipality in advance of a public meeting scheduled for March 7th to discuss the plans and first reported by 9to5Google, showcase a distinctive, tent-shaped structure located on a large, landscaped site.   The canopy is square-shaped in plan and rises gently out of the tree-lined site, rising to a peak of 111 feet above grade. The structure measures 576 feet on each side and is configured as a solar panel-clad canopy hung from a gridded field of steel support columns. The structure’s cascading roof structure is designed to be supported by structurally glazed clerestory walls that have been treated to minimize their impact on local bird populations and are designed to bring diffuse light into the office areas. The 595,000-square-foot, two-story structure is bisected by an interior 15,300-square-foot pedestrian path that turns into a small public square at the center of the building. That path is lined on one end with retail. Retail functions appear again surrounding the central square, which totals 10,000 square feet in all. These areas connect to an expansive, landscaped site that is mostly accessible to the general public and connects to the city’s expansive network of greenways and pedestrian paths known as the Green Loop. According to other documents shared by the municipality, the project will require the removal of 196 heritage trees from the site. As part of a California Environmental Quality Act compliance, those trees are being replaced with 392 new specimens. The publically-accessible ground floor of the structure and the site will be open to the public during daylight hours. The non-public areas along the ground floor will be laboratory spaces, quasi-public assembly areas, and shared employee leisure areas. The second floor of the structure will contain Google’s offices. The floorplates of both levels are punctured throughout with interior courtyards that will bring light into the work areas and also act as circulation cores. The project has yet to be approved by Mountain View officials. Once approved, the designers expect the project to be completed in roughly 30 months.
Placeholder Alt Text

Bjarke Ingels Group wins commission to design San Pellegrino bottling plant in Italy

Bjarke Ingels Group (BIG) has won the commission to design a bottling plant in Bergamo, northern Italy. Sound innocuous? Don't be ridiculous, this is Bjarke Ingels after all. The Danish Designer saw off competition from Dutch firm MVRDV with a proposal that takes cues from Italian Classicism and Rationalism.

The $95 million plant will span 4.3 acres and become the flagship factory for Italian beverage company San Pellegrino. The company, known for its mineral water, has been based in San Pellegrino Terme, Bergamo since 1899. Touching on the company's history in the area, BIG's scheme takes on the classical element of the archway, allowing this to dominate certain aspects of the design. Rationalist inflections can also be found as repeating elements, including the archway, comprise other areas of the plant. Subsequently, certain spaces are encapsulated by wide, sweeping curves from above, while on a smaller scale, archways guide both footsteps and the eye, curating corridors of circulation and framing views onto the mountainside.

Running through the site is the Brembo river, which separates the factory from the San Pellegrino village. A new bridge will cross the water, offering pedestrian and vehicular access to the plant. Trees will then line the water's edge on one side, shielding the infrastructure, while also offering scenic views for those looking out from the factory.

On the other side of the factory, along highway 470 will be "La Pergola"—a series of concrete arches, trees, and foliage that intend to bridge a connection between the factory and the adjacent village. A public plaza, meanwhile, will act as a more explicit gateway between the public and industrial realms of the site, acting as a space for visitors. In the center of the plaza will be a rock obelisk-like pillar. The core sample will comprise claystone, dolostone, chalk, and sandstone and is meant to reflect the journey San Pellegrino's water.

“Rather than imposing a new identity on the existing complex, we propose to grow it out of the complex. Like the mineral water itself—the new S.Pellegrino Factory and Experience Lab will seem to spring from its natural source," said Bjarke Ingels in a press release. "We propose to wash away the traditional segregation between front and back of house, and to create a seamless continuity between the environment of production and consumption, and preparation and enjoyment." Local architects Studio Verticale will work on the project with BIG over the next four years. Groundbreaking is slated to take place next year.
Placeholder Alt Text

What’s new with the BIG U?

Four years after Hurricane Sandy, New York City is one major step closer to flood-proofing its shores. The Mayor's Office of Recovery and Resiliency (ORR) and the New York City Economic Development Corporation (NYCEDC) have officially selected three firms to collaborate on the second phase of resiliency measures planned for lower Manhattan. AECOMBjarke Ingels Group (BIG), and ONE Architecture will work on the Lower Manhattan Coastal Resiliency (LMCR) Project, a flood-proofing and park-building measure that extends from the Lower East Side up to the north of Battery Park City. "The project is landscape architecture as public realm, design as policy, and urban planning on an architectural level," said Kai-Uwe Bergmann, partner at BIG. In concert with heavy-duty resilience measures, the LMCR project, he said, aims to improve access to the waterfront and augment green space in the neighborhoods it will traverse. The 3.5-mile-long project will extend from the northern portion of Battery Park City to the Lower East Side's Montgomery Street to pick up where its sister initiative, the East Side Coastal Resiliency (ESCR) Project, leaves off.

Like the ESCR, the LMCR visioning process will begin with extensive community engagement to figure out what, exactly, neighbors want to see on the rivers' edge. The firms plan to take lessons from the ESCR, now in its final stages of design, to this one. Besides the resiliency measures that provided the impetus for the construction, Bergmann said the East Side ESCR constituents expressed a strong desire for more green space, open space, and recreation areas.

Initial renderings for the ESCR depict sinuous parks, lighting to illuminate dark and foreboding highway underpasses, and novel play spaces that bring citizens close to the waterway. BIG and ONE Architecture are working in concert to design the 2.5-mile strip, which costs an estimated $505 million, in collaboration with local, state, and federal agencies. Construction is expected to begin in 2018.

For that project and for the LMCR, Bergmann says there's no one design solution that fits all of the waterfront, especially the working waterfront. What Bergman called the LMCR “pinch points”—the tighter areas beneath the raised FDR Drive, or the Staten Island Ferry Terminal—present distinctive design challenges, though he said it’s too early to speak to specific solutions. Public meetings began this summer, and with the next set of meetings planned for February, "we hope the community can see there is traction and movement forward from a devastating event like Hurricane Sandy." 

The city says that by 2018 the LMCR team is to deliver an actionable concept design for the project area, with design and implementation to follow.

The plan, as its realized in stages, differs from the original BIG U, the sexy proposal that wowed both architects and the bureaucrats at HUD. When it first debuted, the floodproofing infrastructure extended all the way up to West 57th Street. “My hope," Bergmann said, "is that the vision will reach its full intention because that completely protects the entire lower Manhattan area."

The only component that's fully funded is the ESCR, so in order to realize both components—and possibly the whole BIG U vision—government at every level would need to open their budgets. Although Trump's infrastructure plan seems like it will focus on prisons, pipelines, and border walls, maybe the president-elect will put aside his climate change denial for a moment to help out his hometown?

Placeholder Alt Text

BIG’s two luxury Miami towers spiral into the sky

A decade ago, Sweden's tallest building went up with a twist. The "Turning Torso" by Santiago Calatrava rises up elegantly on the coast of Malmö, a low-rise city that is Sweden's third largest. That same year, across the equally impressive Øresund Bridge that links Copenhagen with Malmö, a sprightly 31-year-old Bjarke Ingels was founding his studio, Bjarke Ingels Group (BIG) in the Danish capital (his hometown). Today, Calatrava's tower still lays claim to its 2005 title, but Ingels' firm has arguably reached greater heights since then. Just over a decade later, BIG has completed its second project in the United States: The Grove at Grand Bay, a pair of luxury 20-story towers that emulate Calatrava's contortions. From Malmö to Miami, however, climatic conditions could not be more different. While cold winds bash the Swedish shoreline, appearing to sculpt Calatrava's work into shape, the same cannot be said in humid south Florida (except for the occasional hurricane, maybe). However, that is not to say BIG's towers are out of place. The glass-clad twisting high-rises at Coconut Grove on Miami's coast bring with them a welcome breeze to the area–even if only implied. Accommodating 98 units, the two towers have floor plates that have been rotated incrementally by three feet from the third floor through the 17th. This feature, twinned with the 12-foot-tall custom insulated fenestration that traces the perimeter of each floor, facilitates balcony space that offers views over the tranquil Biscayne Bay. Panoramic vistas, in fact, can be found all around, especially on the upper levels where residents can look onto South Beach and downtown Miami, something which Ingels said echoes the expansive views associated with the "Caribbean sense of modernism" found in the vicinity. "The main view, though, is out over the water," said Ingels at a presentation of the project in his Manhattan office. The winding nature of the towers caters to the ocean, allowing the luxury units, which range in size from 1,276 to 10,118 square feet (2 – 6 bedrooms), as much exposure as possible to the waterfront vista. "Even though they are perceived as side-by-side, they don't block each other's views," Ingels explained. Optimum orientation, he continued, is realized at the 17th floor—three levels below the top. Ingels also discussed the task of structuring the buildings, for which BIG sought the expertise of Vincent DeSimone, who passed away this November. He described DeSimone (whom he referred to as “Vince”) as a “visionary" and called him "one of the greatest engineers" he worked with in his practice. DeSimone's solution saw poured concrete columns follow the floor plan, rotating with the structure, appearing at a glance to wrap around the building. As for the amenities for the project, luxury add-ons come thick and fast. Five pools for all residents, a 25-meter lap pool, a jacuzzi as well as four more pools for residents in each tower and the owners of rooftop penthouses are included. A fitness center, private treatment spa, and even a spa for pets comes too, along with a library, private dining room, and a "kids and teen room." Developer Terra has spent big on art with $1.2 million going toward sculpture and works in a curated art gallery. Parking for owners of dwellings above 4,000 square feet is also available on site. Unit pricing ranges from $2.96 to $25 million—though all are sold out.
Placeholder Alt Text

Bjarke Ingels, Kengo Kuma, and Dominique Perrault on board for Paris subway overhaul

Danish studio Bjarke Ingels Group (BIG) has been award the commission to design a subway station in Paris. Working with local firm Silvio d’Ascia Architecture, BIG has designed the Pont de Bondy station situated northwest of Paris. The station will one of 68 new stations which will form the Grand Paris Express—a new infrastructure project in the French capital which is due to add 124 miles of rail to the existing subway network. Clad in terra-cotta, the looped "P"-shape design bears an orthogonal frame in section and spans the Ourcq canal, providing a sheltered walkway for pedestrians. Inside the P's counter will be the station area itself, meanwhile the other main entranceway extends along the canal's banks. This will elegantly connect with the sidewalk while passing under the existing tram and road bridge. Keeping with the typographic theme, "PONT DE BONDY" appears to be emblazoned on the structure in BIG's distinctive typeface. The Pont de Body station will be a major part of the Grand Paris Express, being one of nine special "emblematic stations" throughout the new subway network. Conceived by the Société du Grand Paris (a public agency for industrial and commercial transport development), the scheme aims to reduce travel times, link business districts with each other and the center of Paris, as well as connect airports Charles de Gaulle, Orly, and Le Bourget. BIG and Silvio d’Ascia Architecture's station will be part of Line 15, a ring route surrounding Paris, and be the main access point for the business hub that joins the Bondy, Bobigny, and Noisy-le-Sec districts. Other notable architects such as Kengo Kuma and Dominique Perrault are also part of the scheme, with both, like BIG, having won the commission to design a business district node. Kengo Kuma Associates has designed the Gare Saint-Denis Pleyel station located north of Paris and Dominique Perrault Architecture has designed the Gare Villejuif Institut Gustave-Roussy situated south of the capital. Both stations will be on the Line 15 ring route and connect to Pont de Bondy.
Placeholder Alt Text

BIG releases more information on ultra-fast Hyperloop One

After teasing audiences with a 170-second-long video last month, Bjarke Ingels Group (BIG) has unveiled further information on its collaboration with Elon Musk's Hyperloop One, a super high-speed transit network in the United Arab Emirates (UAE). With expected travel times of just 12 minutes between Dubai and Abu Dhabi, the route would slash current car journey times of two hours between the cities. It's a tantalizing prospect and BIG has been working on the project since May of this year. The firm has developed concepts for autonomous point-to-point travel including Hyperloop One's transport portals and pods while also working on a feasibility study financed by the Transport Authority of Dubai (RTA). The plan so far involves a pods—capable of carrying humans and freight—traveling in excess of 680 miles per hour through pressurized tubes that would stretch between Dubai and Abu Dhabi. These pods will carry six people and would be part of a zero-emission electric propulsion system. Speed is also a concern relative to passenger circulation outside the pods. "All elements of the travel experience are designed to increase convenience and reduce interruptions," BIG said in a statement. "The main objective of the design is to eliminate waiting from the passenger experience." BIG's designs for the portals build on a study that looked at inter-city transport network integration with existing infrastructure and population density in the two cities. As a result, the firm's proposal involves easily identifiable departure gates that passengers can swiftly access. While pods may be small in size, BIG explained that their frequency rate of arrival and departure would cater to high demand. Pods would also be able to operate autonomously away from the pressurized tubes, meaning they could travel on regular roads. "Together with BIG, we have worked on a seamless experience that starts the moment you think about being somewhere—not going somewhere,” said Josh Giegel, president of engineering of Hyperloop One, in a press release. “We don’t sell cars, boats, trains, or planes. We sell time.” Bjarke Ingels, founding partner of BIG, added: “With Hyperloop One we have given form to a mobility ecosystem of pods and portals, where the waiting hall has vanished along with waiting itself. Hyperloop One combines collective commuting with individual freedom at near supersonic speed," he said. "We are heading for a future where our mental map of the city is completely reconfigured, as our habitual understanding of distance and proximity—time and space—is warped by this virgin form of travel.”
Placeholder Alt Text

Bjarke Ingel’s first office building completed in Philadelphia

You'd be forgiven for thinking that something named "1200 Intrepid" is a ship (or at least a boat), especially when it's located at the Navy Yard Corporate Center. In fact, that is the name of Bjarke Ingels Group's (BIG) first building in Philly and first-ever office building. Spanning 92,000 square feet, 1200 Intrepid takes on ship-like qualities through more than just its name: its warped facade emulates the hull of warships docked nearby. The four-story building will occupy land between James Corner Field Operations' Central Green Park and the Navy Yard's basin. It's hull-esque facade also curves in sync with the circular layout of the adjacent park. Fenestration on this side is arranged with alternating pre-cast concrete panels that express the building's height and visually exaggerate the angle of inclination. These gradually loom over the tree-lined path that traces the edge and provides shelter of sorts for the walkway. The building's other facades offer more traditional, orthogonal elevations while maintaining the paneling facade system. “The ‘shock wave’ of the public space spreads like rings in the water, invading the footprint of the building to create a generous urban canopy at the entrance," said Ingels in a press release. "The resultant double-curved facade echoes the complex yet rational geometries of maritime architecture. Inside, the elevator lobby forms an actual periscope, allowing people to admire the mothballed ships at the adjacent docks.” Inside 1200 Intrepid, generous ceiling heights mean office spaces are bathed in sufficient amounts of daylight. A central atrium creates a dialogue between the floors: though rectangular, its twist incrementally references the building's signature facade. "In many cases, architects design big, boxy buildings that could be placed anywhere and don’t connect directly to the site," said Kai-Uwe Bergmann, a partner at BIG. "You would really be hard-pressed to place 1200 Intrepid anywhere else, due to how it connects with its surroundings. Our commission involved creating a speculative office building, for which no tenants were committed. The key challenge here was to create a reason for tenants to be here with the constraint of a stringent budget.”
Placeholder Alt Text

Ground breaks on Bjarke Ingels Group’s Gotham East 126th Residential in Harlem

Yesterday saw the ground break on Bjarke Ingels Group's (BIG) Gotham East 126th Residential, a collection of rental units in east Harlem. At the event, Bjarke Ingels, founding partner of BIG, was on hand to speak about the building which features a checkerboard-like, curvaceous facade. The project is backed by developer Edward Blumenfeld's firm, Blumenfeld Development Group (BDG) and will offer 233 units for rent. At the groundbreaking ceremony, Blumenfeld remarked how lucky he was to nip Ingels in the bud early on, going on to say, "If we tried to hire him now, I don't think we would be so lucky!" BDG's development is set to comprise a combination of one- and two-bedroom apartments of which 20 percent will be set at affordable rates. "Here we are in the heart of a very lively and transforming neighborhood," said the Danish architect. "We had to think differently. We came up with this idea of gently draping the facade between the two neighbors, leaning back to allow sunlight and air to reach the street and also to fulfill the set-back requirements." By leaning back in such a manner, Ingels said the building "almost moves from 125th to 126th street." Gotham East 126th Residential also "peeks over the hedge" of a commercial building on 125th Street. This, in Ingels' eyes, allows occupants to make the most of the space that has been left unbuilt over the offices below by providing views downtown. On this part of the building, "an amazing roof garden for the inhabitants" is on offer, supplying wide-spanning "views over the developing neighborhood." Inside, these units will be filled with what Ingels described as "explosions of color," something which he drew on his experiences from working in and traveling to the Caribbean and Puerto Rico. In practice, this will see the entrance lobby and mailboxes splashed with "Caribbean colors." However, Ingels also spoke of caution when using such a vibrant color palette, pointing out how its use in architecture—and indeed dwellings—can be "incredibly personal." "Architects rarely play with color but here we felt that we had the context to do it," he said, going on to add how residents will have the opportunity to fill their apartments with "their own color." In addition to the living spaces, a lobby will act as a space for local artists to exhibit work. The building will also include a roof garden, game room, and fitness center. Previous renderings of Gotham East 126th Residential had depicted the building clad in cor-ten steel. This, though, has now changed. Speaking to The Architect's Newspaper, Ingels explained, "We looked at cor-ten which was the idea of trying to match the red brick with a material that wasn't brick," he said. Now renderings show a black concave facade. "It's blackened stainless steel," Ingels explained. "We wanted something that could express the three-dimensionality of a drape, to have a very soft facade framed by the two buildings either side. The building is also our first in-fill in New York so we wanted to express the idea of spanning between two sides." Ingels continued: "[The stainless steel] is smooth on its surface which means that it will reflect better than cor-ten. On the south side where you have a lot of direct light a bright material would emphasize the shape. But on the north side, where you have light from the sky, then actually a dark material where you can have the sky reflected... emphasizes the three-dimensionality."
Placeholder Alt Text

Bjarke Ingels Group releases teaser video for Elon Musk’s Hyperloop

Bjarke Ingels Group (BIG) has released a teaser video for Hyperloop One—the high-speed transportation system pioneered by Elon Musk, who is seeking to revolutionize modern transit. The plan is to shoot freight and passenger pods through a pressurized tube at speeds of more than 700 miles per hour using a zero-emission electric propulsion system, which, according to Rolling Stone, could result in a travel time of about 30 minutes from Los Angeles to San Francisco. The video reveals the first hyperloop links in the United Arab Emirates (UAE) and features Jakob Lange, BIG partner and director of BIG Ideas, the experimental incubator that creates prototypes and products for their portfolio projects. (See our interview with Lange). BIG Ideas is responsible for helping envision the Hyperloop and designing adaptability into its initial pods and pressurized tubes. Hyperloop One announced that Bjarke Ingels Group would join them as an architectural partner in the same week as it passed its first, open-air test of their electric propulsion technology in the Mojave Desert back in May 2016 (that test reached speeds of 116 miles per hour). Engineering firms AECOM and Arup have also been named as partners to realize the advanced technology as infrastructure. The video above reveals planned Hyperloop connections between Abu Dhabi Airport and Dubai Airport, among other locations in the UAE. Hyperloop One’s chief executive Rob Lloyd told The New York Times that he is most proud of the speed at which the technology is being developed, saying that Hyperloop “will do to the physical world what the Internet did to the digital one.” The company recently raised another $50 million needed to complete another prototype, bringing its total funding for research and development to $160 million. The company also named Brent Callinicos as its chief financial advisor to guide its funding needs. Callinicos joins Hyperloop after working as a treasurer at Google, and most recently as Uber’s chief financial officer.
Placeholder Alt Text

Renderings revealed of High Line luxury development by Bjarke Ingels Group

New renderings and details on Bjarke Ingels Group’s (BIG) multiuse development under construction on 76 11th Avenue along New York City’s High Line park were released yesterday. The project, dubbed “The Eleventh” will contain a five-star 137 key Six Senses hotel and spa (the company’s first in U.S. location) in the East Tower and approximately 240 luxury apartments split between the two towers, as well as retail space and a public promenade accompanying the adjacent High Line. “When we acquired the last major downtown development site in 2015 we had a blank slate to create a new neighborhood on one of the world’s most valuable and desired pieces of land,” said HFZ Capital Group chairman and founder Ziel Feldman in a press release. The Eleventh will consist of two towers that, at an estimated 300- and 400-feet tall, will be the tallest buildings in the West Chelsea neighborhood (the West tower will be the taller of the two), ensuring panoramic views of downtown and midtown Manhattan and the Hudson River. In addition to the 240 condominiums and hotel, taking up roughly 950,000 square feet, 90,000 square feet will be devoted to retail. The two, twisting towers topped with glass “crowns” have a distinct BIG geometric sleekness about them that is, if not reminiscent of, then certainly complementary to the firm’s VIA 57 West and “The Spiral,” both just north along the Hudson River. According to the press release, the buildings are inspired by “New York City's classic modernist structures and cultural institutions … The punched window openings, meanwhile, are an important nod to the past, a reference to the historic industrial buildings of the neighborhood and nearby Meatpacking District.” The Eleventh joins a slew of starchitecture along the High Line, including Zaha Hadid’s West 28th Street, Neil Denari’s HL23, DS+R’s “The Shed,” and Renzo Piano’s Whitney Museum. The Eleventh is slated to open 2019.