Posts tagged with "Axor":

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Product> Kitchens + Baths: The Latest Designs from Europe

At Salon del Mobile, the specialized trade show Eurocucina focuses on innovation in kitchen systems and appliances. This year, trends include a fascination with dark woods and the evolution of wall cabinets from closed boxes to open shelves. On the bathroom front, exhibitors at the Salone del Bagno were promoting unusual finishes and materials for plumbing fixtures and fittings. Valcucine Riciclantica Acciaio Now available with a glass worktop, ultra-thin doors, and a redesigned backsplash panel that facilitates installation around utility lines. Designed by Gabriele Centazzo. Snaidero Ola 25 In Ferrari Red lacquer, this limited-edition design commemorates the quarter-century anniversary of the kitchen manufacturer. Designed by Pininfarina. Scavolini Foodshelf Designed specifically for open-plan residences, the storage is modeled after living room furniture, rather than traditional kitchen cabinets. Designed by Ora-ïto. Leicht Xtend+ Automated louvered cabinet fronts can be raised and lowered via remote control or smartphone. Elmar @home The black walnut cooking island is modeled after a Venetian rowlock. Suspended steel cylinders house ventilation, lighting, and audio speakers. Designed by C+S Architects. Cesar Kalea Aluminum door-frames can be fitted with glass, wood, or ceramic panels in a variety of colors and finishes. Designed by G.V. Plazzogna. Kreoo Gong Available in four marbles, this 32-inch-by-13-inch basin can be installed as a countertop vessel or on a compatible pedestal. Designed by Enzo Berti. Dornbracht MEM in Cyprum Finish This new rose-gold-colored finish is a nuanced interpretation of polished copper; available on select fitting collections for bath and kitchen. MEM was designed by Sieger Design. Rexa Esperanto This component-based system provides flexible design alternatives that can be adapted to baths of different sizes and configurations. Designed by Monica Graffeo. Geberit Monolith A compromise between bulky floor-mounted commodes and in-wall installations, this toilet features a shallow tank that is sheathed in white or black glass. Axor Axor Starck V Fabricated of glass, this bathroom mixer puts hydrodynamics on display, with a swirling vortex created whenever the tap is turned on. Designed by Philippe Starck. Laufen IlBagnoAlessi One  Offered in 35-inch and 47-inch versions, the curves of this console basin complement the strong lines of the walnut vanity cabinet. Designed by Stefano Giovannoni.
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Q+A> Design Week with Philippe Grohe

After the release of the new Organic Collection, designed by Philippe Starck for Axor/Hansgrohe, AN sat down with the head of the brand to talk about working with the designer, the technology behind the product, and Grohe's formula for success. How did Axor/Hansgrohe start working with Philippe Starck? We started working with Philippe Starck in 1998 and it has always been a special relationship. I was very lucky because I followed my mother to the French part of Switzerland, so I speak both German and French. Not only does it help [Philippe and I] communicate [in French] but language is also culture. You think in a different way when speaking French versus German simply because of the structure of the language. How long did it take to complete the project? The Organic collection was a three-and-a-half year project. Many designers think [that pace] is too slow but it's a highly industrial product and we had a lot invested—not just financially but in the technology. The new spray cartridge, for example, took quite some work. It's much more than just a nice shape. We are now testing some new technology but we must test longer than we would for products with existing technology. [More testing means] you get a higher level of assuredness that the whole 'shebang' will work. Please speak to the technology behind the water efficiency of the Organic Collection. Well, if you really look for potential to save water its on the shower side. It's where we lose the most. But we use various [water saving] technologies in both the Axor and Hansgrohe brands. In fact, we've started to study the transparency of efficiency and consumption [related to water use]. The other thing we consider is the perception of water. When you bring it away from being a commodity and bring it closer to nature through studies of laminarity, you can see those results in our waterfall technology for Axor's Massaud Collection. Transparent water is less comfortable because it splatters more, so you have to bring down the volume, but its a fine line and we try to address this [with our products]. Another aspect of this project is the optical perfection of water. On the mixer side, the flow rate [for the Organic Collection] is at .9 gallons per minute [standard flow rates are around 2 gallons per minute]. We can't control installation of the [building's water] system but we do our best to accommodate. It's not as easy to regulate warm water, but as you regulate the quantity that becomes easier. It's the same reason we have a shower spray, because you feel the temperature differently [with changes in spray volume]. The shape of the collection is very unique. When you do something very different, only three to five percent of people will like it and the bathroom is a conservative [place]. But if you change the archetype [people] can access it easier. What's the greatest success of the collection? The success of the Collection is a veritable cocktail of elements. You can have the best ingredients but if you mess up while you're cooking its gone. But [the Organic Collection] has this incredible shape and I have to tip my hat to Philippe. He really proves that he's on top of things consistently. This is a very new shape and the majority of people like it from the first view. You need that attraction when you want to change the habits of people. We try to put a lot of values into our products and I think this perception comes through in discussion, one in particular that I had recently with Fabio Novembre. We've used flow restrictive [flow] technology for 20 years [so there is lots of added value] but it always comes down to that last cent. [The] people [working on the project] don't care what happens after. He said, "You can impress rich people with beauty only." And he's right but you have to like the product first. And [based on the initial reception], for that we must thank Philippe.
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EVENT> January 24: New Practices Finale with The Living + Google

TheLiving-LivingLight(1) Framed:Interfaces, Narratives, and the Convergence of Architectural and Internet Technologies Thursday, January 24 6:00pm-8:00pm AIA New Practices New York 29 Ninth Avenue/Axor NYC Showroom The Living, which sounds like an indie band but is actually one of the 2012 AIA New Practices New York winners, will conclude this year's New Practices conversation series with a bang. The firm has gained recognition for developing futuristic forms through new technologies and prototyping, and for "Framed: Interfaces, Narratives, and the Convergence of Architectural and Internet Technologies" The Living's David Benjamin, who also directs the Living Architecture Lab at Columbia's GSAPP, will sit down with Jonathan Lee, a designer at Google UXI, that company's design think tank. Following what promises to be a lively presentation and conversation, a reception will celebrate the conclusion of the New Practices series. The January 24 event, which is co-hosted by The Architect's Newspaper, will be held at Axor's NYC showroom. Free of charge with AIA CES credits provided. RSVP here.