Rafael de Cárdenas of Architecture at Large ventured into his first curatorial endeavor with Christie’s for a special installation that premieres the sale of The Collector: English & European Furniture, Fine Art, Ceramics & Silver. From a gilt centaur with an amethyst base to a cameo acid-etched vase to a Louis XVI mahogany desk, de Cárdenas studied individual works in the upcoming sale to design a display of highlights from the auction. Showcased atop bronze-hued plinths, de Cárdenas’ favorite lots are interspersed in a landscape of flowers and palm leaves delicately arranged by Meta Flora. With over 300 lots, the auction encompasses 17th to 19th-century European furniture, sculpture, works of art, silver, ceramics, carpets and more, with starting prices ranging from the thousands to the hundred thousands. AN asked Rafael de Cárdenas about his installation design, his personal knowledge of decorative arts, and what he found fascinating about the sale. The Architect’s Newspaper: How long have you been collecting decorative arts and why did you start? Rafael de Cárdenas: Barring a few purchases at antique shops in France, I wouldn’t say I’m a collector of decorative arts. I collect quite a bit of design pieces but mostly 20th century. Working with Christie’s on this exciting collaboration may change that however. I will be bidding on pieces in the auction! Can you tell us about the installation and what your inspiration was? I don’t think these items need a lot of razzle dazzle; they are quite dazzling on their own. We are simply curating a particularly mannerist selection together on semi-rounded tiered plinths. The plinths isolate each piece, giving them more attention than they might normally have in a traditional living environment. We are working with Meta Flora to weave a monochromatic but lush landscape as an element interacting with the pieces. In your studies of the lots, what did you find most intriguing or surprising? Lot 237, a George Woodall for Thomas Webb glass cameo work, is particularly compelling in its general moodiness. I’ve been drawn to the glass works most, I’d say. Lot 271, a Louis Solon for Mintons glass vessel, is another favorite. Many of the smaller fragile works are so atmospheric almost to the point of no other function. What are your favorite works/artists from the 17th to the 19th century? I would have been unable to answer that a few months ago, but I particularly like the pieces by George Woodall for Thomas Webb Glass in the auction. The installation is on view in Rockefeller Plaza at Christie’s from April 6-9. Afterward, the auction will follow on the day after, on April 10.
Posts tagged with "Auction":
A design auction, featuring a few rare and standout pieces by the late architect Zaha Hadid, will take place at one of Europe's largest auction houses, Palais Dorotheum in Vienna, on June 20, 2017. The “Design First” auction focuses on radical designs from the 1960s. Besides pieces designed by Hadid, works from architecture firm Superstudio and Austrian architect Adolf Loos are also up for bidding. Hadid’s “Project in Red” sofa, which is a part of her Wave Collection and was presented at Milan’s nightclub Studio 54 in September 1988, is a highlight. Another design by Hadid that will be in the auction includes a pair of “Monsoon” seats, which were custom-made in the 1990s for the Monsoon Restaurant in Sapporo, Japan. The other Zaha pieces include a tea and coffee set, as well as an ash "Ordrupgaard Bench." The items are now on view at the site before the auction tomorrow. Bidders can also bid online on the Palais Dorotheum's website, which ends in a few hours.
In honor of the Day of the Dead (and to raise some money), LA's MAK Center is hosting an auction of some amazing lamps this Friday from 7 to 10pm at its Fitzpatrick-Leland House. Those designing pieces for Light My Way, Stranger include Ball-Nogues, Hitoshi Abe, Coop Himmel(l)au, P-A-T-T-E-R-N-S, Hodgetts + Fung, Ehrlich Architects, B+U and many more. We can't do these objects justice with words, so check out the slideshow. Enjoy!