Oil-rich cities of the Persian Gulf that fifty years ago were sleepy fishing and pearling villages have remade themselves into spectacles of architectural pomp in the 21st century as they seek to cement their geopolitical prominence. Cities like Dubai and Abu Dhabi have become synonymous with the decadent post–Guggenheim Bilbao era in which municipalities have used spectacular architecture by brand-name architects to lend their locales international glamour, and the close concentration of rival states in the Persian Gulf has spawned a sort of starchitect arms race, with neighboring cities jockeying for aesthetic supremacy. Pritzker winners like Zaha Hadid have raced to the area to show off the full extent of their talents, despite reports of widespread abuse of construction workers. The National Museum of Qatar, designed by Ateliers Jean Nouvel, fits squarely in this moment, although it has not been associated with reports of labor abuses. When it opens in March, 2019, it will set a new benchmark for stylistic exuberance in the area. The design, an almost literal translation of desert rose sand formations, is dizzyingly intricate, almost unbelievable in its complexity. Nouvel said of the design in a statement: “Qatar has a deep rapport with the desert, with its flora and fauna, its nomadic people, its long traditions. To fuse these contrasting stories, I needed a symbolic element. Eventually, I remembered the phenomenon of the desert rose: crystalline forms, like miniature architectural events, that emerge from the ground through the work of wind, salt water, and sand." The 430,000-square-foot institution will house displays that tell the story of Qatar's rise from its deep geological history to its cosmopolitan present. Displays will emphasize the power of the Qatari royal family, showing the nation's history culminating "in the very heart of Qatari national identity, the thoroughly restored Palace of Sheikh Abdullah," according to Qatar Museums, the state organization led by Her Excellency Sheikha Al Mayassa bint Hamad bin Khalifa Al Thani focused on promoting Qatari culture. Iwan Baan, the photographer-par-excellence of architecture's millennial gilded age, has captured the nearly-completed building in images that testify to the architects' ability to realize the bedeviling design. This is not Nouvel's first foray into the area. His Louvre Abu Dhabi, another daring dish design, opened last year in that United Arab Emirates capital city. Museums by Frank Gehry and Norman Foster were scheduled to join Nouvel's work there, but construction on those projects appears to have been indefinitely delayed. The National Museum of Qatar joins I.M. Pei's Museum of Islamic Art, OMA's Qatar National Library, and Nouvel's own Burj Doha in Doha, Qatar's capital city. The country is in the midst of a construction boom as it prepares to host the 2022 World Cup.
Posts tagged with "ateliers jean nouvel":
Meet the incubators and accelerators producing the new guard of design and architecture start-ups. This is part of a series profiling incubators and accelerators from our April 2018 Technology issue. Trimble-owned Gehry Technologies (GT) launched a three-month design-and-technology-focused accelerator program called ZeroSixty that is geared toward helping a new generation of innovators revolutionize project delivery across the AEC industry. The accelerator program will help start-ups based out of its Marina del Rey, California, offices to “build and scale” their services by connecting new entrepreneurs with “people, networks, and technologies,” according to the company. The effort is aimed at turning back the increasingly common trend among mega-projects of being over budget and behind schedule. ZeroSixty comes three years after software developer Trimble purchased GT in an effort to integrate and disseminate innovations in technology-driven project delivery across its various platforms. GT was originally founded in 2002 by Frank Gehry and his team at Gehry Partners to adapt techniques from the aerospace and automotive industries and apply them to the firm’s most complex building projects. In the years since, the group has worked on a variety of challenging projects across the world for various high-profile architects, including the Beijing National Stadium with Herzog & de Meuron and the Louvre Abu Dhabi with the Ateliers Jean Nouvel. ZeroSixty was founded by German Aparicio and Lucas Reames, both GT veterans, earlier this year and is currently accepting applications for its first cohort of companies. “The idea is to help entrepreneurs scale their products and services by leveraging our past experiences, field expertise, and client base while continuously seeking to innovate,” Aparicio said. The GT team has always been at the forefront of this niche within the AEC industry, including back in the early 2000s when, working on the Walt Disney Concert Hall in Los Angeles, they were among the first to utilize virtual reality visualizations for on-site construction. Now, Trimble and ZeroSixty seek to build upon this legacy by focusing on new AEC-related applications for emerging technologies like machine learning, artificial intelligence, augmented reality, and data analytics. “These technologies offer the opportunity to provide greater insights using a data-driven approach to project delivery and increase the quality and efficiencies of our industry,” Aparicio explained. With ZeroSixty and its no-equity support for emerging practices, Trimble has its eyes firmly set on building the future. Aparicio added, “These technologies promise to create services on the web that can be used on demand to automate everyday tasks so designers, project managers, contractors, and facility operators can focus on the more interesting or important part of their everyday lives.”
If at first you don’t succeed: Jean Nouvel’s leaning towers of Paris gets planning approval after initial rejection
After an initial rejection by officials from the Paris Council, French architect Jean Nouvel has been awarded planning permission for his firm's so-called Duo Tower project on the Eastern banks of the Seine. Located in the Quartier De La Gare district of Paris, the project follows on the heels of another pyramidal tower by Herzog & De Meuron planned for the city. Since Paris has dropped its construction height limit, the project is one of the first to be jumping on the high-rise bandwagon. Taking advantage of the new lack of restrictions, the taller tower will rise to 590 feet while the lower block will reach just over 400. Nouvel's towers have been a source of controversy in the French capital. A fierce opponent of Parisian high-rises, Mayor Patrice vowed to fight the scheme earlier in the year. Speaking to Le Parisien he said "I will attack this permit with a gracious solution." Unimpressed with the towers winning planning approval, he went to on to say, "the permit/license of construction was validated on the basis of a grossly false photomontage," arguing that the renders did not accurately portray the visual effect the building would have on the skyline. Touted to cost over $570 million, the mixed-use towers will provide over one million square feet—about 24 acres—of office space, and include a hotel, auditorium, restaurant, and retail area. Of this space, some will be accessible to the public with the restaurant offering views over Paris and along the river. Construction is set to begin next year with the project aiming to be complete by 2020.
The Council on Tall Buildings and Urban Habitat held its 11th annual awards symposium Thursday, bestowing architect Helmut Jahn and structural engineers Charles Thornton and Richard Tomasetti with lifetime achievement recognition and awarding Doha Tower the title of 2012’s Best Tall Building. Ateliers Jean Novel’s cylindrical landmark for the burgeoning Qatar capital is the first tall building to use a diagonal grid of reinforced concrete columns in a cross shape. This innovation leaves open the central core, creating a stunning space at the tip of the tower that makes perhaps the best use of the building’s intricately detailed facade. In the Illinois Institute of Technology’s Hermann Hall, CTBUH also awarded one building in each of four geographical regions with Best Tall Building awards, with each recipient presenting their work. The Absolute World Towers in Mississauga, Ontario took home the Americas award. Architect Ma Yansong remarked that high-rises increasingly resemble machines, but his work aims to make tall buildings more human. See AN's past coverage for more on all the award-winners. SOM’s Al Hamra Firdous Tower in Kuwait City and Progetto CMR’s Complesso Garibaldi Tower 2 in Milan received honors as featured finalists. Jahn, whose 40-year portfolio of built work includes the Sony Center in Berlin, Liberty Place in Philadelphia and the MGM Veer Towers in Las Vegas, said some architects forget that very tall buildings have a responsibility to reflect the character and spirit of the cities whose skylines they alter. During the question portion of the morning presentations, he also lamented the loss of architects “who would just throw their drawings at the client,” calling for less “pussyfooting” and more boldness in design today. In another crowd-pleasing moment, Charlie Thornton said engineering is essentially simple when it is not obfuscated by self-important professors. “We need to get rid of calculus teachers,” he said. “They are destroying future engineers.” “I’m not very popular with engineering schools,” he added. Thornton’s name has become practically synonymous, as has his partner Richard Tomasetti’s, with tall building engineering. Before the days of BIM and Catia, Thornton said, he would calculate building stresses on yellow legal pads during long flights. $5 million of computer calculations later, he said, his longhand calculations would be within 10 percent.