The 2018 House of Peroni art popup is now open to the public, and at the preview event on October 18 in Manhattan, guests had the chance to wander through Jenny Sabin Studio’s hanging textile sculptures and snack on sugar sculptures. This year’s installation, LUSTER, which was curated by the nonprofit Art Production Fund, presented a more intimate, and refined, version of Sabin’s 2017 Lumen installation for the MoMA PS1’s Young Architects Program. The exhibition encompasses a bar serving up beers and cocktails from Italian beermaker Peroni, as well as functional seating and tables from Sabin. A woven canopy of photoluminescent materials, reflective textiles, and tubing has been lit with color-changing lights, creating a constantly shifting environment. The cell-like structure of the canopy, strung from supports just below the ceiling, both filters and diffuses sunlight during the day and seems to pulse when lit at night. “Tubes,” some defined and others deflated, hang down from the installation and encourage visitors to mingle around and touch them. Depending on the lighting, the effect varies from being inside of a cave, to drinking beer in a dense forest surrounded by tree trunks. Even the spool stools were given an update, their solid cores replaced with spindly, rebar-like supports. The same basic form of the stools was also elongated to form components of the central bar and taller tables. LUSTER was fabricated under very different constraints than the courtyard condition of Lumen. In a discussion at the House of Peroni with GSAPP’s Christoph Kumpusch, Sabin discussed the technical challenges of bringing such an installation to an enclosed space and designing it to travel. After New York, Peroni will bring LUSTER to Los Angeles, Miami, and Washington D.C. The entire canopy zips up for easy transport, and everything was built to fit the specific site. Kumpusch and Sabin also touched on the way that LUSTER openly presents boundary conditions and exposed edges, as well as how the fluid nature of fabric works as an analogy for gender. In terms of the craft itself, Sabin was quick to point out the storied history of textiles and their tangled history with technology—the first punch cards were developed to guide looms, which evolved into the calculator, mainframes, and more, paving the way for modern computing. Also present at House of Peroni 2018 was Glass Garden Lost & Found: Of Healing & Knowledge, an exhibition of carved sugar flowers from candy artist Maayan Zilberman. Mixing live flowers with candy facsimiles, Zilberman’s Peroni installation references the Orto botanico di Padova garden in Padula, Italy, a garden famously known for its collection of both medicinal and poisonous plants. The live flowers take on the healing, medicinal role, while the sugar flowers represent the deadly, artificial constructs created from human knowledge. House of Peroni 2018 will run through October 20 in New York, and then move Los Angeles on November 8, Miami on November 14, and end in Washington D.C. on November 28. Tickets and more information can be found on the House of Peroni website.
Posts tagged with "Art Production Fund":
For the third year of Italian beer maker Peroni’s House of Peroni popup, the company has commissioned an interactive installation from the Ithaca-based Jenny Sabin Studio. LUSTER will be a full-service bar topped with an immersive woven canopy similar to Lumen, Sabin’s 2017 installation for MoMA PS1’s Young Architects Program. The 2018 House of Peroni was curated by the Art Production Fund, a nonprofit that commissions and produces large-scale public art. Sabin’s selection was a conscious shift by Peroni toward showcasing cross-disciplinary, sustainable contemporary design pieces. Much like Lumen, LUSTER will use its canopy to delineate the popup’s programming through different lengths of hanging protrusions across a full bar and lounge, complete with high-top tables and seating. The space will be topped with a lightweight structure shaped into patterns that take their shape from Sabin’s research into the structure of cells and will be woven from textiles, tubing, photoluminescent materials, and fibers that can absorb and re-emit light. During the day the canopy will cast dynamic shadows over the bar and seating as the sun changes position, and the installation will glow at night, similar to the psychedelic experience that Lumen gave PS1 visitors. “We’re excited to be working with House of Peroni and Art Production Fund on this project, as it embraces collaboration and aims to provide a unique venue for artists and designers to share their work with diverse audiences in multiple cities,” said Sabin in a press release. “We’re honored to have the opportunity to design and produce the immersive environment that these exciting events and gatherings will take place in.” “Following the past two years, we’re excited to continue expanding House of Peroni throughout the U.S.,” said David Schmid, senior director of marketing for Peroni in the U.S. “Art Production Fund shares our mission to champion the arts and applies a modern outlook to everything they do. In their expertise and through Jenny Sabin Studio, House of Peroni is shifting from a focus on contemporary Italian style to a more expansive outlook on creative expression.” This year’s House of Peroni will kick off its cross-country tour in Manhattan’s West Village on October 19 and 20. After that, the bar will move to Los Angeles on November 8, Miami on November 14, and end in Washington D.C. on November 28. Tickets and more information can be found on the House of Peroni website.
What: Tracey Emin’s Roman Standard Where: Petrosino Square (Spring and Lafayette Streets, NYC) When: May 10 to September 8, 2013 This summer, Nolita’s Petrosino Square in New York will feature Roman Standard, a thirteen-foot-tall pole with a solitary bronze bird perched at the top. From the ground, the towering sculpture by Tracey Emin, sponsored by Art Production Fund, White Cube, and Lehmann Maupin in collaboration with NYC Parks & Recreation, is so lifelike that onlookers may mistake it for a real bird. According to the artist, the figure is a sign of “hope, faith, and spirituality” that should serve as a source of reflection. The showcase will be on view from May 10 to September 8, 2013. Emin pulls inspiration from the militaristic representations of traditional Roman Standards and desires to demonstrate the power that an outwardly unimportant creature can personify through stature and space. In an attempt to design a public display full of magic and mystery instead of oppression and supremacy, the artist suggests that successful works of this variety can be inspiring without being monumental. Roman Standard is Emin’s first public art project and was commissioned by BBC in 2005 as a part of the art05 festival. Following a lucrative Times Square appearance in February, the Petrosino Square exhibit marks her second public project in the New York City. She is a renowned contemporary artist and is globally recognized for her brutally honest approach to art. In concurrence with Roman Standard, Lehmann Maupin will host the two-part installation, Tracey Emin: I Followed You To The Sun. Highlighting more than 100 original works, the exhibition will be on view through June 22, 2013 at both of its New York galleries. The show will expose Emin’s most personal tales.