Posts tagged with "Art Institute of Chicago":

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Is “Marketing” A Dirty Word?

We were glad to be included on the Studio Gang’s Archi-Salon panel on “outside research” at the Art Institute of Chicago on February 2. UIC’s Clare Lyster moderated a lively discussion that, true to its roots in academic theory, kicked off by questioning the premise in the first place. Are practice and research separated by anything more than semantics? Based on the turnout it seems the discussion series achieved its goal of public engagement—what can we say? We’re thrilled and a bit surprised that you all find architectural theory as stimulating as we do. During the discussion, Paul Preissner detected a whiff of marketing in architects’ clambering to engage “outside” disciplines. You might have thought he accused them of artistic treason, based on the defensive tone that the discussion took whenever the topic popped back up.

Rahm’s Security Loves Art, Passes On Booze

It’s been (another) terrible year for Jeanne Gang! From being awarded the MacArthur Genius Grant to starring in the just opened solo exhibition, Building: Inside Studio Gang Architects, at the Art Institute, there appears to be no slowdown in Studio Gang momentum. Of course, Eavesdrop stopped by the opening and we have a few things to say. The first has little to do with Jeanne and more with the Art Institute. Their openings are always so snoozy! Get more of the students and younger folks in there, in addition to your stodgy museum patrons! We probably wouldn’t have stuck around long, accept a little bird told us that Mayor Rahm Emanuel would be making an appearance and we wanted to see how short he is in real life. Zoë Ryan, the museum’s chair of the department of architecture and design, looked nervous awaiting Rahm’s arrival, while Jeanne looked quite at ease, milling about in a really cute dress. One of the hottest architects in the world is certainly in the same power echelon as the mayor of the Second City.
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On View> Frank Lloyd Wright and the Prairie School

The Formation of the Japanese Print Collection at the Art Institute: Frank Lloyd Wright and the Prairie School The Art Institute of Chicago 111 South Michigan Avenue Through November 4 Frank Lloyd Wright visited Japan for the first time in 1905, inspired by the country’s pavilion at the 1893 World’s Columbian Exposition. He lived in the country while working on Tokyo’s Imperial Hotel, soaking in Japanese art and culture. It had a lasting impact on his own work, especially the development of the Prairie Style as well as his renderings and presentation drawings. During his time in Japan, Wright became a pioneering collector of Japanese prints, and often supported himself as an art dealer. Clarence Buckingham purchased numerous prints from Wright in 1911 (including Utagawa Hiroshige’s Sparrows and Camillia in Snow from 1831, above), which became the foundation of the Art Institute’s print collection. This exhibition is composed of prints purchased by Wright, photos of an exhibition of his collection he staged in 1908 at the Art Institute, and drawings from Wright’s studio.
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Get ‘Em While You Can Afford ‘Em

Coil Lamp by Craighton Berman. Local hot-shot designer, Craighton Berman, has left the firm gravitytank to go solo. He’s keeping himself busy with all kinds of stuff—from illustration to design workshops. Craig, whose illustrations regularly don the pages of Dwell, designed the Coil Lamp, which graced the pages of this paper and many others. The Coil Lamp was recently added to the permanent collection of the Art Institute of Chicago. Better get one before they become pricey collectibles.
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On View> The Outdoor Office at the Art Institute of Chicago

The Outdoor Office The Art Institute of Chicago 111 South Michigan Avenue Chicago Through July 15 Jonathan Olivares takes a human-centered approach to industrial design and research. His 2011 book A Taxonomy of Office Chairs, published by Phaidon, provides an encyclopedic history of the office chair from 1840 to present day; building on this research, Olivares presents the speculative project The Outdoor Office (above). The advent of mobile communication means that work can be done outside of traditional offices and that the utility of outdoor space is no longer limited to recreation and leisure. Olivares examines how productive work environments can be created with new types of outdoor furniture and architecture, with consideration of privacy, shelter, and adaptability. The exhibition showcases the research and results of his findings, with images drawn from television, film, and existing offices, in addition to conceptual projects and models developed for new outdoor work spaces.
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Eavesdrop> The Gang Gang

In news that will surprise no one, Studio Gang is getting the star treatment by the Art Institute with a monographic show planned for fall 2013. Eavesdrop is certainly not immune to Jeanne Gang’s charms, nor do we dispute her talent, but her work is exhaustively covered in these pages and every other design publication as well as prestige glossies like The New Yorker. Last year, Studio Gang released a monograph of their work, as well as a book-length design proposal for the Chicago River. The firm’s contribution to MoMA’s Foreclosed exhibition just opened. Zoe Ryan and her team at the AIC, then, have given themselves a difficult task: how to show or say something new about the MacArthur-anointed genius architect. And next time, AIC, shine the spotlight on someone a bit less exposed!
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On View> Jürgen Mayer H. at the Art Institute of Chicago

Jürgen Mayer H.: Wirrwarr The Art Institute of Chicago 111 South Michigan Avenue, Chicago Through January 22, 2012 While the Berlin-based architect Jürgen Mayer H. is known for his highly sculptural, honeycomb-like buildings, such as the Metropol Parasol in Seville or the the Court of Justice in Hasselt, Belgium (above), one of his quirky obsessions is not as widely known: a fascination with secret codes and numbers encrypted into patterns. Used by institutions such as banks to ensure that sensitive information such as PINs and passwords are only visible to the recipient, these intricately patterned data sheets are largely unexamined. To Jürgen Mayer H., however, this visual expression of our fear of exposure and desire for protection is fascinating and relevant to architecture. For more than a decade, the architect has been collecting hundreds of envelopes lined with patterns and codes designed to encrypt the privacy of the contents, some dating even back to 1913. Part of this collection has even appeared in his designs, like his 2008 Venice Biennale installation, Pretext/Vorwand, the Data tile series he designed for Bisazza mosaics, and the Metropol Parasol, whose form was machine-milled according to numerical code. One hundred reprints of Mayer H.’s collection, which was originally published by Hatje Cantz Verlag, will be on view at Wirrwarr (“chaos” in German). While heavily loaded, the patterns themselves are quite beautiful in their own right.
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Highlight> Avant-Garde Art in Everyday Life

Art Institute of Chicago 111 South Michigan Avenue June 11 through October 9, 2011 Soon after the turn of the last century, artists and designers from Central and Eastern Europe began producing radically innovative images and objects that remain remarkably fresh today. For the first time, the Art Institute has gathered over 300 objects from across departments to present a comprehensive view of works from the period. Bold graphics, such as John Heartfield’s cover and illustrations for Kurt Tucholsky, Deutschland, Deutschland über Alles from 1929 (above), and pared back design objects show some of the ways in which these artists sought to transform daily living, an experiment that historical events would quickly bring to an end.
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Quick Clicks> Boardwalk, High-Speed, Archives 2.0, the Street

Boardwalk Empire. The Brooklyn Paper reports that Coney Island will not be getting a concrete boardwalk, at least not if Community Board 13 has a say in the matter. The board members recently voted down a proposal from the Parks Department that would cement over parts of the historic Riegelmann Boardwalk while covering some of the famed seaside path with recycled plastic lumber.

Express Train. The Van Alen Institute wants to know what you think of the future of high-speed rail in the United States. Check out its call for design ideas here.

Digital Architectural History. The Chicago Tribune's Blair Kamen brings news that the good folks at the Ryerson and Burnham Archives at the Art Institute of Chicago have digitized 5,000 images from Archpaper's late 19th century predecessor, the Inland Architect and News Record, offering up photos and drawings from a pivotal period in US architectural history. Sharing is Caring. New York's Municipal Art Society kicked off its second annual "Streets Month" with a program about the city's new and innovative place-making efforts, including a presentation by DOT Commissioner Janette Sadik-Khan. Check out a recap and analysis from MAS over here.  
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Deck the Tiny Walls

Many museums have of period rooms in their holdings, but the Art Institute of Chicago also has an impressive collection of 68 miniature period spaces. Rather than treat these dollhouse-sized objects as sacred or static, the museum has decorated six of them for the holidays with historically and culturally appropriate trimmings. The English Victorian drawing room is the only one that includes a Christmas tree. Take a look at some of the rooms and details from Tudor to Modern spaces. Alongside wood panneled walls and suits of armour, the English Tudor Hall has a wassailing bowl, a yule log, and a mummer's mask, which was used for during holiday festivities and pantomimes of the era. The French Provincial Bedroom has shoes in front of the fireplace, a creche, and a puzzle. The Modern California hallway has a replica of a mid-century Otto Natzler menorah and a box with a dreidel (along with a Picasso?). The Thorne Miniature Rooms are on view in Gallery 11.
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Celebrating Sustainability at Chicago's Art Institute

On November 17, The Architect's Newspaper and Buro Happold, along with our other event partners Dow Building Solutions, Graphisoft, American Hydrotech, and Adaptive Building Initiative, celebrated GreenBuild at the Art Institute of Chicago's Modern Wing. Renzo Piano's LEED certified building proved to be a stylish venue for the hundreds of architects, engineers, designers, and other assorted revelers. Click through for pictures of some of the evening's hundreds of party-goers. It was quite the green scene!
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Eavesdrop MW 02

DANCING WITH STARCHITECTS Eavesdrop got all flustered when the Chicago Dancing Festival, an annual event celebrating American dance, announced the theme for its August 27 event: “The Dancing Skyline.” Could this be like Dancing with the Stars or a Pilobolus-like pile of dancers recreating buildings from Chicago’s iconic skyline? Probably neither, as the festival’s website simply describes it as “a lecture and demonstration focused on themes of architecture and dance.” Still, we would have paid good money to see Jeanne Gang paired with the likes of Jay Franke of the Lar Lubovitch Dance Company prancing off against Helmut Jahn and Fabrice Calmels of the Joffrey Ballet. A gossip columnist can dream! CURATOR SHUFFLE Ever since AN broke the news that Joseph Rosa is leaving the Art Institute’s architecture and design department to direct the University of Michigan Art Museum, speculation has abounded about who will replace him. The AIC says design curator Zoe Ryan is in the running, but Eavesdrop guesses she’s pretty happy building the museum’s new design collection. Others have pointed to Brooke Hodge, previously of LA MOCA, but might her interests overlap too much with Ryan’s? Oh, and another Ryan, first name Raymund, the architecture curator at the Carnegie Museum of Art in Pittsburgh, could well be in the running. Then there’s John Zukowsky, the former AIC curator, who is conveniently back in town. Seems unlikely. What about Elizabeth Smith, the former chief curator at the MCA? She’s had a longstanding interest in architecture and wrote a wonderful and much lusted after book on the Case Study Houses. Eavesdrop hears that Trustee John H. Bryan, who endowed the chair, holds the key to the kingdom. Send season tickets, croquet wickets, and rusty spigots to midwesteavesdrop@archpaper.com.