Posts tagged with "Arizona":
Went to visit the James Turrell crater two days ago. This is life changing. We all will live in Turrell spaces— ye (@kanyewest) December 13, 2018
On Monday, the rapper-turned-designer released a statement explaining that he wants Roden Crater to be “experienced and enjoyed for eternity.” The gift stands out among West’s philanthropic work, as he thus far hasn’t made similar contributions to any other artistic institutions. Still, this isn’t the first time that Turrell’s work has infatuated a rapper; Drake danced his way through homages to the artist’s light installations in the 2015 video for Hotline Bling. Turrell is attempting to fundraise the rest of the $200 million in conjunction with Arizona State University. According to Artforum, that money will go towards keeping the site open for the next five years, and the school hopes to eventually integrate Roden Crater with the curriculum of the “Herberger Institute for Design and the Arts, School of Sustainability, School of Earth and Space Exploration, and School of Social Transformation.”
Kanye and team visiting the Roden Crater by James Turrell in Flagstaff, Arizona earlier this week.Kanye also visited the location on December 11. pic.twitter.com/4rySiP5Ujs — TeamKanyeDaily (@TeamKanyeDaily) December 21, 2018
DLR Group is currently at work repurposing an existing 1980s-era county jail in Phoenix, Arizona, as a new, state-of-the-art office space owned by Maricopa County. The now-decommissioned jail was originally designed to hold 700 inmates, but its population eventually swelled, incarcerating between 1,200 and 1,500 individuals at a time over the last decade of its life. The jail was decommissioned in the early 2000s and has sat vacant for a decade. After DLR Group’s planned renovations, however, the complex will have new life, and will house six levels of daylit office space and ground-floor community areas.
“The basic approach was to remove everything back to the superstructure and start over,” Larry Smith, principal in charge of DLR Group’s southwest division, said. Smith explained that the 350,000-square-foot structure will be surgically altered in order to absorb the new office functions.
Planned changes include completely removing the structure’s four mezzanine levels and replacing its exit stairs. The existing stairs are located awkwardly within each of the four square-shaped lobes of the complex, impeding open floor plan configurations. They will be demolished and their footprints filled, with new exit stairs to be located at each corner, beyond the existing building envelope, instead. These new glass-clad circulation cores will complement a new communicating stair at the center of the complex that will be topped by a solar light monitor designed to bring light into the building’s center.
The removal of the mezzanines will lower the overall size of the project to 270,000 square feet and raise floor-to-floor heights to roughly 16 feet. The arrangement allows designers to add a raised floor plenum housing ducts, telecommunications, and electrical and plumbing infrastructure to each level. Also as a result, the old cell windows—a thin, horizontal band of glass set in from the exterior facade—now act as ribbon windows that will wash interior surfaces with reflected sunlight. Closer to the floor, a second continuous band of windows measuring 32 inches tall will wrap the perimeter of every level. Along the southern facade, this ribbon window is wrapped by a louver assembly made from aluminum plates. New planted terraces will rise through the structure’s perimeter.
Along the ground floor, new entry lobbies will embrace surrounding street life and create a “changing entry procession from the new entry on the street to the lobby and then security zone” for new users, Megan Duffy, senior interior designer at DLR Group, said. The complex will feature community rooms on these levels as well as a large planted plaza along the street.
Demolition phase for the project starts this fall; DLR Group expects to finish construction at the end of 2019.
William Pereira fans, rejoice! Though many of the high-modernist architect’s masterpieces are under threat of demolition, there is one notable structure in Phoenix, Arizona, that will continue to live on.
The former Farmers & Stockmens Bank—originally built in 1951 by Los Angeles–based Pereira & Luckman and designed in a localized variant of the international style—was landmarked in 2012 and restored in 2014. In spring 2017, the building became home to regional offices for Cuningham Group Architecture (CGA) and its staff of 20 architects and landscape architects who built out the office’s interiors.
The asymmetrical 6,000-square-foot structure—a rectangular glass box interrupted by a rounded, stone-clad vault—is cited by the City of Phoenix Historic Preservation Office as a hallmark of the Salt River Valley’s post-World War II expansion. The building is notable for its contemporary style and because the bank it housed was a key financial institution for the growing region’s stockyard communities. The structure was occupied by a Bank of America branch until 2012, and over the years suffered from a variety of incongruous renovations, including the replacement of many glass curtainwall panels with stucco cladding. Those changes have now been reversed, leaving the open, airy structure to shine as was originally intended.
Nabil Abou-Haidar, principal at CGA, said that the firm wanted to keep the building’s lofty interiors “as open as possible.” The architects filled this “blank shell” modestly, adding workstations along the ground-floor areas while also returning the mezzanine level back to its original function as a meeting room. Abou-Haidar added that the firm sought to make the office spaces as perfectly lit as possible, going so far as to install highly programmable, dimmable lighting fixtures and MechoShades throughout the office. Aiming to stay true to the midcentury-modern era that birthed the structure, the firm installed time-appropriate furnishings and sought inspiration from the style for original additions, like the streamlined ceiling fans and pendant lighting fixtures installed in the main lobby.
CGA also converted the old rounded bank vault into a conference room complete with a new curvilinear conference table. The vault does not contain windows, but the city allowed the architects to install skylights into the space. No need to panic, as it’s not possible to get trapped for eternity in a meeting—the vault door does not lock and has been outfitted with a ventilation grille out of an abundance of caution.