Charles Dickens would have been 200 today. Among the bicentennial celebrations of the noted Victorian writer, the Museum of London has been hosting an elaborate Dickens and London exhibition including a Dickensian street scene designed and built by set designer Simon Costin for its City Gallery. The "fantastical wintry vision of 19th century London" made entirely of cardboard and lit with hundreds of LED lights includes quite an array of Victorian buildings and winding alleyways. According to Costin, "My intention is to create a fantasy vision of London as it would have been glimpsed by Dickens on his nocturnal wanderings through the city. His essays are extremely evocative and I am using the text as my starting point and things will grow and develop from there. He has said that he felt like a child in a dream, ‘staring at the marvellousness of everything’. It is that marvellousness that I want to recreate." The window display closes this month, but if you're in London, the MoL's Dickens show keeps going through June. (Via Creative Review.) But it turns out Dickens had his own eye for design as well. Hilary Macaskill recently wrote in the Guardian that the Victorian author had quite the penchant for interior design. She cites a 6,000 word article (you can become amazingly descriptive when paid by the word) he wrote about wallpaper and other decorations, where he remarks on the design of American wallcoverings from his recent visit in 1842 along with his own designs for wallpaper. Even in his home at 48 Doughty Street, Dickens enjoyed crafting the interior spaces down to the shade of pink trim and a set of decanters he picked up for "slight bargains." Read the entire article here and check out a slideshow of his home here.
Posts tagged with "Architectural Model":
German photographer Frank Kunert is out to challenge your sense of perception and expectation with his meticulously crafted and hilariously absurd miniature scenes. His series "Photographs of Small Worlds" presents glimpses into mundane vignettes gone awry, where doors don't meet balconies, diving boards lead to giant toilets, or an office is eerily underwater. Each model takes weeks—and sometimes months—to build, and Kunert is a perfectionist who won't stop until every detail is just right. The end result is well worth the wait. Kunert prefers the "analog" nature of hand-built models to their digitally rendered counterparts. He believes the tangibility of his miniature worlds adds to their visual effect. Individual model's meaning is left up to the viewer, each evoking a sense of fear, the grotesque, unease, or pure absurdity. What do you you see in Kunert's Small Worlds? Be sure to check out more miniatures on Frank Kunert's web site. All images used with permission. [ Via Trend Land. ]
Fox News featured Ed Wood and Leszek Stefanski of Radii Inc. last night, giving viewers a behind the scenes glance at a craft little known outside of architectural circles. Wood explained the relevance of architectural models in the face of advances in computer animation. He noted that there is, perhaps, a kind of dishonesty to the flat screen. “The physical model allows freedom,” he said. It was a sound bite that no doubt gelled with Fox producers, who promptly posted the video to their “Rise of Freedom” website under the subtitle “Designing Freedom.”
The cult of decay is an enthralling topic. This inevitability of time serves as the inspiration of Italian artist Daniele Del Nero's new project "After Effects" consisting of a series of model houses in advanced states of decay. Del Nero covered the models in flour and mold which then grew to nearly consume the models. These eerie miniatures appear strangely similar to plant-strewn ruins of many ailing rustbelt cities that have captivated public imagination as cities continue to wrestle with abandonment and revitalization. [ Via designboom. ]
Children from a school in the West Village love the High Line and they have a giant model to prove it. Carol Levitt's second grade starchitects-in-training recently finished their wood-block coup de grâce detailing the story of the famed elevated park - past and present. The model shows the transition from railroad line in the 1930s to abandoned field of weeds (featuring actual plants) to the High Line we know today. The kids paid extra attention to detail and demonstrated engineering prowess with structures spanning the High Line, including a tin foil Standard Hotel. Other landmarks in the model include the Chelsea Market and Pastis (maybe the only time you won't have an excruciating wait for a table).
"The children in my group feel as if the High Line somehow belongs to them," Carol says, "They joyfully take their parents, grandparents, and friends of all ages to the High Line and tell them the story. The children followed the approval of the Rail Yards with cheers. How extraordinary that they studied the High Line as it grew and will continue to grow. They see themselves as being the future of the High Line—which they will indeed be."Looks like the High Line will be in good hands for years to come! [ Via High Line Blog. ]
On Monday, September 15, 2008, Herzog & de Mueron's 56 Leonard Street was unveiled. That same day, Lehman Brothers collapsed. As you can guess, this Jenga-like tower never got off the ground—if anything, the Tribeca luxury tower was the exclamation point capping off the real estate bubble in the city. And yet now is your lucky opportunity to buy into the project: Curbed tipped us off to an eBay sale of one of 300 limited edition models of the project—#37 to be exact. Taking the Jenga theme to an extreme, the model actually comes apart, so its 145 pieces (one for each floor/residence) provide "a means of exploring the tower’s radically innovative design." The model even has a replica Anish Kapoor sculpture at its base, just as the tower was supposed to, a symbol of the excess of the times that's now seen as bad taste. Amazingly, there must still be demand for design even in these rough times, as bidding, which Curbed said started at a penny, is up to $187.50. Is there no end to the madness? UPDATE: Apparently not. No sooner did we hit publish than the auction jumped 8 bids and the price now stands at $228.50. And this is only after the first day. Are we looking at a bubble here?
The future has let us down in so many ways—still waiting on that jet pack you promised, Hollywood!—but this sweet new gadget should tide us over for a little while, at least. Straight out of Star Trek, it was demonstrated at last month's SPAR 2010 conference in Houston by Austin-based company Zebra Imaging. The technology produces strikingly realistic holographic models, printed on two-dimensional sheets of plastic. Each hologram is the product of thousands of still images, stored in any format from satellite photographs to (calling all architects!) CAD models. These images are then compiled and printed onto a sheet of photographic film up to two feet wide and three feet long. When illuminated from above, a full color, high-resolution 3-D model appears to project up from the flat sheet. You can walk around the display and view it from different angles, and the model seems solid enough that you feel like you could reach out and wrap your hand around a tower or poke your finger into a window. The technology is still new, but architects have begun experimenting with using it for both planning and promotional purposes, to convey a sense of massing and relative scale that could otherwise could only be achieved with a time-consuming, unwieldy physical model. Zebra Imaging says the technology is also proving useful to product designers—as well as the US Military, which has already purchased thousands of geospatial maps. Zebra reports that their next step is to find a way to link the hologram to the computer so that you can change the data and watch the 3-D model morph correspondingly in real time. Very cool, Zebra—when you're done with that, can you get cracking on the holodeck we've all been looking forward to?