For the second month in a row, the Architecture Billings Index (ABI) grew slightly in November with an average national score of 51.9 (anything above 50 indicates an increase). The change, calculated by the American Institute of Architecture (AIA), comes just months after the ABI dipped to record lows in August, revealing the demand for design services in the U.S. had been dramatically declining. Over the fall season, it seems things took a positive turn when the index rebounded with a score of 52.0 in October. Although November’s numbers are a bit lower, both new project inquiries and design contracts netted higher average scores of 60.9 and 52.9 respectively—higher than the previous month. Based on the index, architects in the southern half of the U.S. have been busier securing more work opportunities: the region received a score of 54.5, which is 3.2 points higher than the next saturated market out West. Of the four regional divisions (each calculated quarterly), the Northeast failed to grow from October to November, getting a total score of 47.5. It’s possible that the area saw a decrease due to lack of room or hesitation for new development, according to the AIA’s chief economist Kermit Baker. “The uncertainty surrounding the overall health of the economy is leading developers to proceed with more caution on new projects,” he said in a press release. “We are at a point where there is a potential for an upside but also a potential for things to get worse.” The index revealed that commercial and industrial projects are largely on the rise across the U.S: The sector scored an average of 52.9 while mixed practice work, multi-family residential, and institutional scored 52.2, 51.5, and 50.1 respectively. The industry won’t know until mid-January how the overall 2019 index shaped up but based on the recent increase, it’s likely the national average will even out just below positive, given it spent the majority of the year flat from spring through summer.
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This year’s Monterey Design Conference (MDC), held from October 25 through 27 was hot and crowded. With over 900 registrants, the main hall was packed, and the overflow lounged in comfortable chairs in the chapel. There was music around the campfire, and for the first time in my memory, marijuana smoked openly. The bar was in full swing. It was the "partiest" MDC in ages. As David Hecht, the new chair of the MDC committee told me, they hoped that each participant could find their own theme—this time, it felt like “Humility Not Spectacle.” Many architects mentioned inspirations, teachers, and mentors. On Friday, October 25, the first headliner was Alberto Kalach of TAX/Taller de Arquitectura X in Mexico City. He set the tone with humor, humility, self-effacement, and beauty. As Kalach said, “We are the canvas of the planet” and advocated reconnecting vegetation and water systems to create integrated cities. Kalach moved on to show some of his best-known projects, including his own office building and his controversial "hanging" library in Mexico City (a concept recently mimicked by the renovation of Cornell's Mui Ho Fine Arts Library). Like much of Kalach's work, it felt as if the structure has grown out of the garden. Every project Kalach shared integrated nature in a way most Californians advocate, but don’t often achieve in practice. Mark Cavagnero, one of the luminaries of the Bay Area scene, linked his personal story to his architectural one. Edward Larrabee Barnes was Cavagnero’s mentor and early employer, and Barnes was one of Marcel Breuer’s students. Cavagnero knew some of Breuer’s Connecticut homes as a child, as well as the Torin Building, where Cavagnero’s father worked. These early lessons in what Cavagnero calls “the long, low line” still hold. Cavagnero’s presentation was humble and precise, similar to his buildings. One of my favorite Cavagnero projects is the subtle renovation of the Oakland Museum of California, originally designed by 20th-century modernist Kevin Roche. Cavagnero inserted alterations that could be easily identified yet support the original concept. While most of Cavagnero’s horizontal buildings have very developed ideas about space, light, and a limited palette, he is just beginning to apply his reductive and horizontal approach to larger scales. The San Francisco Public Safety Campus he designed with HOK looks a little tough. More recently, with SOM, he has helped turn the bland Moscone Convention Center into something more distinctive. Following this lecture was the surprise announcement of the 2019 Maybeck Medal, bestowed to another San Francisco modernist, Jim Jennings, who received a well-deserved standing ovation. Saturday’s first speaker, Yvonne Farrell of Grafton Architects in Dublin, Ireland, stole the show. Along with her partner Shelley McNamara, Farrell has picked up the modernist mantle and moved it forward with gentle good humor. Although their powerful buildings are not exactly humble, they read as humane. Farrell cited Jørn Utzon as one of her influences, beginning with his porch in Mallorca. One of Farrell's main themes was architecture as the new geography, the container of our lives. Like Cavagnero, she does not use context as a pattern for replication but as inspiration for new forms, shaped with light and space. Saturday’s second headliner, Brian MacKay-Lyons, is another architect of place. One of his memorable phrases was “buildings hung from the horizon.” Although his approach is very different from Cavagnero’s, he faces a similar challenge. How does one scale up? MacKay-Lyons sticks to some of his basic ideas of framing views and seeing light and air as free. But his larger buildings, although derived from place, don’t feel tucked in the way his smaller buildings do. He also cited Charles Moore as an influence. Moore seemed to hang over much of the conference like a guardian angel. Bob Harris of Lake|Flato knew Moore in Austin and mentioned the sparkle in his eye. More than the other presenters, Harris focused on his practice, how it was organized, and emphasized the value of collaboration. One of the core values of Lake|Flato’s practice is restraint, and this came across at a variety of scales. Charles Moore’s former business partner in San Francisco, Donlyn Lyndon, talked about their early years together at a session with architect and historian Pierluigi Serraino. Moore wanted architecture to create new kinds of spaces that enhanced the sense of place. It was a kind of humble position that he staked out. But as Lyndon said in his presentation, “he held onto the pencil,” which meant control. In addition to showing Moore’s hedonistic exuberance within his own small Orinda house, Lyndon presented images of the Hubbard House (1959) in Corral de Tierra. Lyndon also said something critically important about Moore: “He was thinking about the movement of the body,” a key thread in the work. Over drinks afterward, longtime MDC committee member David Meckel of California College of the Arts joked, “It was well into day two before we saw any parametric design!” That sums up the 2019 Monterey Design Conference pretty well.
The American Institute of Architects (AIA) announced that Marlon Blackwell will receive the 2020 Gold Medal, the AIA’s highest annual honor which, according to their website, recognizes individuals “whose work has had a lasting influence on the theory and practice of architecture.” “Marlon Blackwell is a student of his ‘Place’ in the world. This ethic provides a philosophical coherence to his work,” Brian MacKay-Lyons wrote in a letter supporting Blackwell’s nomination. “His is a uniquely American Architecture; he builds confidently upon the American cultural landscape.” Blackwell received a Bachelor of Architecture from Auburn University and his Master of Architecture from Syracuse University. Although he was born in Germany, the AIA describes Blackwell as a “product of the American South”, which shows through his large body of work in Northwest Arkansas. His first monograph, An Architecture of the Ozarks: The Works of Marlon Blackwell, was published by Princeton Architectural Press in 2005 and in the Fall of 2020, a new monograph will be released under the title Radical Practice. His achievements are not only in practice but in strong academic leadership. As the department head of the Fay Jones School of Architecture and Design at the University of Arkansas, Blackwell was named one of DesignIntelligence’s “30 most Admired Educators.” He also served on the U.S. Department of State’s Industry Advisory Group for the Bureau of Overseas Buildings Operations from 2012 to 2019. “Every Marlon Blackwell design is a new lesson in the transformative ability of architecture to reveal the uniqueness of every site and give meaning to any program, to achieve an expressive clarity in strong and simple forms,” wrote Julie V. Snow in another letter supporting Blackwell’s nomination. 2013 Gold Medal recipient, Thom Mayne, wrote, “As a practicing architect and educator myself, I have become aware of the growing estrangement between the world of the practitioner and that of the academy. Marlon teaches because of the great sense of responsibility to add a measure of reality to the education of architectural students while also supporting the theoretical or less pragmatic aspects of their education.” The 2020 Advisory Jury consisted of: Kelly M. Hayes-McAlonie, FAIA (Chair), The State University of New York at Buffalo, Buffalo, New York Emily Grandstaff-Rice, FAIA, Arrowstreet Inc., Boston, MA Norman Foster, Hon. FAIA, Foster + Partners, London, United Kingdom Marsha Maytum, FAIA, LMS, San Francisco, California Takashi Yanai, FAIA, Ehrlich Yanai Rhee Chaney Architects, Culver City California Scott Shell, FAIA, EHDD, San Francisco, California Melissa Harlan, AIA, Christner, St. Louis Missouri Maurice Cox, City of Detroit, Detroit, Michigan
Yesterday President Trump formally notified the United Nations that he intends to pull the United States from the Paris Agreement, which he had been promising to do since he took office in 2017. In response to the Trump administration’s notice, the American Institute of Architects (AIA) called for the decision to be reversed. “The AIA deplores the administration’s shortsighted decision,” said AIA 2019 president William Bates in a statement. “The economic impact of the United States as a participant in the Paris Agreement is a fraction of the toll we will pay if we do not make climate action a top priority as a nation. The stakes couldn’t be higher—a reversal of this decision is critical.” Nearly 200 countries signed the accord in November 2016, which served as a collective pledge to combat climate change by reducing greenhouse gas emissions around the world. President Obama brought the U.S. into the agreement, but President Trump—who once described climate change as a “hoax”—has been warning neighboring nations that he would withdraw. As of Monday, the first day possible to do so, the Trump administration submitted its intentions to remove the U.S. from the agreement. It will take a year for the formal exit to go into effect on November 4, 2020—the day after the 2020 election. While cities and states across America from Seattle to Los Angeles, Maine, New York State, and even Washington, D.C., have announced individual plans to go carbon neutral in the decades to come, having little-to-no federal oversight is still not acceptable to many believers in climate change, including several architects. AIA’s Executive Vice President and Chief Executive Officer Robert Ivy said the “abdication of America’s leadership on climate action undermines our nation’s credibility on the global stage.” When AN reported earlier this year on the Green New Deal, design industry leaders noted how the impact of climate issues goes beyond global warming. While the Green New Deal calls for decarbonization across the entire U.S. economy, it also pushes the idea that a carbon-free economy is a socially-just one, too. That means thinking beyond environmental impact and shifting the focus to public projects that benefit all people, like affordable housing. The AIA and many among the architectural community, in general, aim to solve the climate crisis by promoting healthy building design and reducing carbon waste during and after construction. In August, many architects took to the streets for the Global Climate Strike with climate activist Greta Thunberg. Even if President Trump is able to get what he wants by removing the U.S. from the Paris Agreement, there are a number of 2020 Democratic presidential candidates running against him who have trillion-dollar plans to reverse his damage. Regardless, the AIA has announced its opposition to the president’s move this week and urges him to think again: “In order to move the needle on this global crisis, it will take the efforts of every industry, every company, and every citizen in the United States as well as the leadership of the United States government,” said Ivy. “The AIA will continue to prioritize climate action in an effort to support architects—and the entire design and construction field—in this critical role.”
A bipartisan bill to improve school safety reached the floor of the U.S. Senate this week. Senators David Perdue (R-GA) and Doug Jones (D-AL) introduced the proposed legislation known as The School Safety Clearinghouse Act on Monday, an aisle-crossing effort that would help state and local officials make schools safer through smarter design. “Children deserve to go to school and learn in a safe environment,” said Senator Jones in a statement. “School leaders should always have the resources they need in order to protect our children and their teachers.” The School Safety Clearinghouse Act would establish a federally-funded national database full of information on the best design practices for enhancing security and safety in schools across the country. Managed by the Department of Homeland Security (DHS), the clearinghouse would include recommendations from architects, engineers, building security experts, first responders, and mental health advocates. It would not, however, advocate or advertise for specific technologies or tools for schools to use. The program is the follow-up to the STOP School Violence Act which gave school districts access to funding for safety-enhancement projects. The School Safety Clearinghouse Act provides information to those districts so stakeholders can make informed design decisions using that money. The American Institute of Architects released a statement confirming its commitment to working with Democrats and Republicans, as well as DHS, on the build-out of the clearinghouse—an idea first brought forward by the organization to the federal government when AIA members testified in front of the Federal Commission on School Safety last August. The AIA’s support is the latest move in its growing effort to address school safety and gun violence. In 2018 and 2019 alone there were over a total of 40 school shootings that resulted in injuries or death, according to Education Week. “More than 20 years after the attack on Columbine High School, our schools deserve to be safer. As architects, we know how to help,” said AIA EVP and CEOOffice Robert Ivy in a press release. “Design serves as a critical element in making our airports, stadiums, and office buildings safer following September 11. Senators Purdue and Jones should be commended for introducing new legislation that will give education officials the vetted information they are desperately seeking to create and secure schools for America’s children and teachers.”
Less than two years after Hurricane Maria hit the U.S. territory of Puerto Rico, the politics behind its recovery and rebuilding efforts have come to the forefront of national news again and again. In recent weeks, two FEMA officials were indicted and arrested for taking bribes, committing fraud, and using federal funds for personal gain. It’s a massive relief, but one that wasn't too surprising to Puerto Ricans who knew the money set aside for post-hurricane recuperation was being mismanaged by the federal government. One Puerto Rican, an internationally-renowned architect who served as a liaison between the private sector and FEMA for the past two years, has been very vocal about this. “I’ve been trying to explain that Puerto Rico has been unfairly cast out as the most corrupt place in the U.S,” said Ricardo Álvarez-Díaz, founder of the San Juan- and Miami-based studio Álvarez-Díaz & Villalón. “And most of the attacks have been labeled towards local people. But this news is a silver lining and basically what I’ve been saying for the last year.” Álvarez-Díaz told AN that only a sliver of the $92 billion promised by President Trump last year has been managed locally. “Some of the people in FEMA were forcing local people to hire companies from the mainland that were not necessarily the right fit for what we are trying to do in our rebuilding," he said. "If you don’t use them they said, they would not refund the investment.” Now that the news is out that ex-FEMA deputy regional administrator Ahsha Tribble had allegedly taken bribes from the Oklahoma City-based energy company contracted to restore the island’s power grid, it’s not crazy to think that other projects there have been subject to corruption as well. Álvarez-Díaz, who has been busy promoting the resiliency of the Puerto Rican people and making the case for more help, said the key to stopping this is three-fold: to get more locally-based architects and companies involved in the rebuilding process “to ensure it’s done in a very localized manner,” encouraging mainland architects to help out, and lastly, educating the next generation of Puerto Rican architects. “We don’t have enough people on this island to do the work that needs to get done,” he said. “In Puerto Rico, there are less than 600 licensed architects out of 3.2 million people, but there are 15,000 licensed engineers. We need more help.” Álvarez-Díaz’s firm practices in Puerto Rico, the U.S. Virgin Islands, New York, and Florida. As the founder and co-chair of the local chapter of the Urban Land Institute (ULI), and a board member of both Invest Puerto Rico and the ENLANCE Project Corporation of the Caño Martín Peña, two governor-appointed positions, he’s keenly aware of the island’s poor reputation and is constantly working to change it. His studio recently completed what’s been touted as the most resilient structure in Puerto Rico. Completed this summer, Renaissance Square is a $35.5 million mixed-income affordable housing project located in San Juan’s Gold Mile financial district. Though construction began years ago and was only 80 percent done when Maria hit, not a single window was broken. It was built through a public-private partnership between the Department of Housing, developer McCormack Baron Salazar, Citi Community Development, and Hunt Capital Partners. Of its 140 units, 60 percent were reserved for low-income families and there’s currently a 1,500-person waiting list to get a space. The demand is high. “Materials can be scarce here on the island and because there’s so much construction, the perception of lack creates a false sense of inflation, so people just want to use the cheapest materials instead of the best ones,” said Álvarez-Díaz. “We aim to convince the next group of developers that doing sustainable housing projects like this is actually profitable.” Creating awareness is Álvarez-Díaz’s main mission. That’s why he’s also urging the American Institute of Architects (AIA) to use its influence to spread the knowledge that Puerto Rico is looking for outside assistance. He wants a chunk of next year’s AIA convention to be dedicated to educating architects on working in disaster zones, helping them connect with companies or organizations that need help, or advocating on behalf of equitable recovery efforts. “The AIA traditionally tends to be inside out instead of outside in,” he said. “Many architects aren’t invited to the table where big government decisions are being made and therefore are forced to talk among themselves about how to make things better. Local engineers are very successful in putting the word out there that Puerto Rico needs a lot of licensed engineers, experienced contractors, and developers. The more engineers we bring in and the less the amount of architects we attract, the more likely it is that we will miss an opportunity to create a holistic architectural vision for Puerto Rico.” The AIA already has an initiative set in place like this, its formal Disaster Assistance Program. But the goal of the program, which has certified architects for 47 years, isn’t for professionals to get more paid work, said an AIA spokesperson. Instead, it’s to provide technical expertise on development, planning, and policy, coordinate with local agencies, advocate for Good Samaritan legislation, and train for and share lessons on post-disaster building safety assessments—all things Álvarez-Díaz sees as good, but still not enough. “We need to make sure this isn’t just about disaster recovery,” he said. “That’s the first step out of a three-step process. Once that’s done, we have to plan a whole island for the next 100 years. It’s not every day you can start from absolute scratch and benefit the next four generations of Puerto Ricans. I see the island as a kind of guinea pig for post-disaster development. Other places could one day learn from our successes and failures.”
Looks like nonresidential construction in the United States has dipped yet again to record lows. Per the AIA’s monthly Architecture Billings Index (ABI), the demand for design services on commercial, industrial, and mixed practice projects has fallen from a score of 50.1 in July to 47.2 in August. The ABI gives architects a glimpse into what the construction industry will look like a little less than a year from now. When the ABI falls below 50, that means billings have decreased from the prior month and helps the industry understand where to look for new work and of what kind. In May, AN reported on what was then the largest contraction the U.S. has seen in over two years: from February to March, the ABI fell from 47.8 to 50.3. The drop in the most recently-issued index is even larger. “The sizeable drop in both design billings and new project activity, coming on the heels of six months of disappointing growth in billings, suggest that the design expansion that began in mid-2010 is beginning to face headwinds,” said AIA chief economist Kermit Baker in a statement. Calculated every three months, the average regional statistics for August showed that there was an increase in billings across the West with 51.2, but individual decreases in the Northeast (49.1), South (48.2) and Midwest (46.4). Per sector—also broken down quarterly—the Architecture Billings Index revealed that institutional and multi-family residential work saw slight increases with 50.6 and 50.5 respectively. Commercial/industrial projects dropped to 46.9 and mixed practice projects fell to 46.3. Furthermore, the Project Inquiries index for August was 54.5 and the Design Contracts index was 47.9.
The American Institute of Architects (AIA) and the National Council of Architectural Registration Boards (NCARB) have helped form a new coalition intended to educate policymakers and the public on the importance of high, consistent licensing standards across various technical fields. Architects, engineers, surveyors, landscape architects, and certified public accounts make up the newly-established Alliance for Responsible Professional Licensing (ARPL). “Complex professions are at risk of being swept up in broad calls to reduce licensing requirements for occupations and vocations,” said NCARB CEO Michael J. Armstrong in a statement. “It is important for us to work with other technical professions to ensure public safety isn’t compromised by broad brush deregulatory efforts.” In other words, rigorous licensing standards across these industries should stay in place in order to keep their professional work from harming the American people. According to NCARB, it’s up to ARPL members to stop sweeping legislative cuts from stripping key standards of practice from authoritative licensing boards such as the American Society of Civil Engineers and more. Professional licensing is getting more political year after year. The debate and criticism surrounding architectural regulations, at least, has been going on for quite some time within the field itself. NCARB, for example, has been working to minimize the burden that licensure candidates have when trying to pay and study for the Architect Registration Examination (ARE), as well as the amount of earned experience hours it takes to get there, by, as they've described it, "modernizing the path" to licensure. Together with the ARPL, NCARB will clarify their moves to make the licensure process stronger, while maintaining the rigorous standards that ensure a safe built environment. According to a press release, the coalition’s mission is exactly that: to protect the public and represent the voices of these various professions when it comes to reasonable regulation and licensing. AIA CEO Robert Ivy echoed Armstrong’s statement, saying any attempts to “weaken or undermine” these requirements for architects harms both the profession and could endanger the health, safety, and welfare of the public they build for. “When an architect designs a hospital or a school, the public must have confidence in its safety and structural integrity,” said Ivy. “The best way to maintain the public’s confidence is to continue to require that architects demonstrate rigorous and ongoing education, examination, and experience.”
With over 750 exhibitors, the AIA Conference on Architecture is the premier event of the year to see the newest building products. We ventured to Las Vegas to speak to the building product manufacturers on the expo floor and discovered the latest materials and high-tech solutions. You’ll find highlights in openings, painting/coatings, software, acoustics, and more below. Enjoy!
OpeningsSun Tunnel Velux This unconventional daylighting solution brings natural light inside through a discreet aperture. The light tunnel provides diffused sunlight that runs all the way from the roof to the room below. YWW 60 TU YKK AP Designed to fit floor-to-ceiling spans, this thermally broken window wall system is equipped with YKK’s patented Megatherm insulating gasketing system. It provides thermal performance for one-inch glazing (or ¼ inch infill using adaptors).
Paint/CoatingsChinese Porcelain PPG PPG named Chinese Porcelain—a deep, saturated, navy blue—the 2020 color of the year. The hue is said to promote relaxation and tranquility in “the anxiety of a fast-paced world.” 2020 Colormix Forecast Sherwin-Williams Paint purveyor Sherwin-Williams debuted 5 palettes of 45 colors to promote the ongoing trend of wellness. Combinations of neutral, nature-inspired hues are designed to foster healthy building environments via the beauty of color.
Software/Digital PlatformsUnity Reflect Unity Technologies At last! No more waiting for files to transfer from Revit. The new platform automatically syncs projects in real time in Autodesk across all platforms—from desktop, to mobile, to VR, and AR. It will be available in fall 2019. OpenCA IngeniousIO This cloud-based construction administration management platform is designed to help architects and engineers collaborate. The visually-driven design clearly illustrates process, progress, goals, and landmarks while simultaneously allowing for real-time feedback.
AcousticsLightFrame Decoustics Utilizing back-lit LED lights, these acoustic fabric panels emit light while simultaneously absorbing noise. A UV coating is applied to the stretched fabric to prevent color fading and ensure optimal lighting. MetalWorks Torsion Spring Shapes Armstrong Ceiling & Wall Solutions These geometric tiles create custom ceilings that absorb sound. The modular design allows for a range of applications to control noise in open areas and small spaces. It is available in 2D- or 3D-patterned panels, non-perforated or perforated, in a full spectrum of custom colors.
The AIA has launched a review of its selection processes for its Honors & Awards and Fellows programs, and has hired Covington & Burling, LLP, and, by extension, partner and former U.S. Attorney General Eric Holder, Jr., to help guide the process. The architecture industry, along with too many others, has been embroiled in a series of #metoo-related scandals, as architects have come forward with their claims of sexual harassment, assault, and belittling at every level. As revelations about once-revered designers emerge, organizing bodies have grappled with whether they should revoke the awards given to offenders. While Richard Meier was able to retain his Pritzker after a New York Times article early last year alleged that he had engaged in a pattern of sexual harassment, AIA New York chose to strip Meier of his 2018 Design Award. Now the national AIA is trying to put procedures in place for vetting the professional conduct of its nominees and to develop a standardized protocol for dealing with allegations that arise after an award or fellowship has been bestowed. The AIA’s Board of Directors and National Ethics Council will work with Holder as part of an advisory group to build out the new guidelines addressed above. Additionally, in the same press release, the AIA touted four rules it had recently changed to demonstrate that it was serious about stamping out harassment:
- Standardizing rules across awards: The guidelines underpinning the Institute Awards now apply to Knowledge Communities awards program, which are geared towards specialized topics.
- Making all letters of recommendation confidential, so that potentially troubling behavior can be brought to the AIA’s attention without fear of reprisal.
- Members of the AIA’s leadership groups are now able to put forward confidential messages about a candidate, which will be appended to the candidate’s confidential review.
- The AIA will now conduct random background checks on its award and fellowship nominees.
The AIA’s Architecture Billings Index (ABI), the institute’s indicator of nonresidential construction activity, has contracted for the first time in 25 months. The ABI tracks architecture billings across the country, and as such, is indicative of what construction industry will be 9-to-12 months later. The March 2019 ABI, a measure of the national monthly billings rate, fell to 47.8 from 50.3 in February. The ABI measures month-over-month statistics, so a score below 50 means a decrease from the prior month, while a score over 50 reflects an increase. “Though billings haven’t contracted in a while, it is important to note that it does follow on the heels of a particularly tough late winter period for much of the country,” said AIA Chief Economist Kermit Baker in a press release. “Many indicators of future work at firms still remain positive, although the pace of growth of design contracts has slowed in recent months.” The regional statistics for March, which are calculated on a three-month basis instead of monthly, break down the figure further. According to the AIA, regional averages were as follows: the South 54.2, Midwest 48.7, West 47.2, and Northeast 43.5. By sector, which is also calculated on a three-month average, mixed practice was reported at 53.1, commercial/industrial at 47.0, institutional at 48.9, and multi-family residential at 47.7. The Project Inquiries Index for March, which is calculated monthly, was 59.8, while the Design Contracts Index, also reported monthly, held in positive territory at 50.8.
The AIANYS Design Awards celebrate projects that epitomize what we have come to expect from architects in New York State. Projects range from skyscrapers, to residences, and from firms of all sizes. Projects are built all around the world and all designed to achieve different goals – with the commonality of being designed by architects from New York.