Posts tagged with "Ai Weiwei":
United Talent Agency (UTA) will be moving their Los Angeles art space from Boyle Heights to a former warehouse in Beverly Hills this summer with an architectural overhaul designed by their own client, renowned Chinese artist Ai Weiwei.UTA opened their first art space in 2016 after founding a fine arts division to represent high-profile artists in 2015. While getting some positive press from art world critics, the space, along with a number of other L.A. galleries, received flack and community pushback for contributing to gentrification in the Eastside. Perhaps it is then fitting that UTA Artist Space will be relocating to Beverly Hills, taking over a 4,000-square-foot former diamond-tooling facility. Ai’s yet-to-be-released design is inspired in part by the architectural similarities of the concrete Los Angeles warehouse to his own Beijing studio. This is hardly Ai’s first foray into architecture. The artist has collaborated with Herzog & de Meuron on more than one occasion, including on major commissions like the Beijing National Stadium (commonly referred to as the “bird’s nest”) and the firm’s 2012 Serpentine pavilion. Ai has also collaborated with other firms on architectural projects and, since 2003, has run his own architecture firm FAKE Design. While Ai himself will exhibit a series of new marble works at the new UTA Artist Space this October, the gallery will open in July with a color field-focused show entitled One Shot featuring the work of Morris Louis, Helen Frankenthaler, Kenneth Noland, Sam Gilliam, and Jules Olitski, among others.
According to the League of American Cyclists, Austin is the only “Gold Level” city in Texas. The cycle group, Bike Austin, currently boasts approximately 13,000 members—more than one percent of Austin’s population. So perhaps a sculpture titled Forever Bicycles has found the right home.
Forever Bicycles comprises, well, you guessed it, a lot of bicycles—1,200, to be precise.
The large-scale work from Chinese artist Ai Weiwei is part of The Contemporary Austin’s Museum Without Walls program and its ongoing partnership with Waller Creek Conservancy. It can be found adjacent to the Waller Creek Boathouse at 74 Trinity Street.
The steel bikes have not been painted or colored, resulting in a gray monolith that recalls Weiwei’s childhood memories and dadaist principles. In particular, it seems to reference Marcel Duchamp’s subversions of the everyday object such as the Bicycle Wheel, one first of the French artist’s “readymades.”
However, while Duchamp toyed with the mode transport in a singular fashion, Weiwei exhibits it in excess, recalling the bike brand “Forever” that dominated the streets of China during his childhood, yet were out of his, and many others’, price range.
The bikes are connected and arranged in a seemingly disorderly manner, yet this pattern of partially tessellating bicycles is repeated 11 times, with each iteration being equidistant from the next. From certain angles, the density of the sculpture obscures the cycle motif and the artwork is instead perceived as a metal mesh. However, this isn’t putting off Bike Austin, which says it will be incorporating the sculpture into the daily cycle routes.
Forever Bicycles is actually one of two Weiwei works that now fall under the Museum Without Walls program. The second, titled Iron Tree Trunk, is located at the museum’s Betty and Edward Marcus Sculpture Park at Laguna Gloria and sees a replica dead tree trunk rise 15 feet.
On a visit to the Chinese town of Jingdezhen, Weiwei observed how locals trade dry wood by basing the value on the wood’s form and general aesthetic. This inspired Weiwei to experiment with wood in a large-scale format. By 2009, he was exhibiting works that used twisted timber, and Iron Tree Trunk, conceived in 2015, continues this thought. The sculpture uses the remains of a large tree that have been pieced together to form a new “tree” that, at a glance, looks as if it is from oxidized iron.
“With beautiful and outspoken conceptual work fused to his own larger-than-life persona, Ai Weiwei has become one of the most important artists working today,” said Louis Grachos, executive director of The Contemporary Austin in a statement. “And his relevance is only deepening given the current political climate in the United States and throughout the world.”