Posts tagged with "adjaye associates":

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Adjaye Associates to help reimagine Grenfell Tower estate

Adjaye Associates and five other firms have been tapped to provide ideas for the high-profile renovation of London's Lancaster West Estate, which contained the now-destroyed Grenfell Tower. With funding from the local council and government, Adjaye Associates, Levitt Bernstein, Maccreanor Lavington, Murray John Architects, Cullinan Studio and Penoyre Prasad will put together a design vision for the future of the municipal housing estate. Lancaster West was originally master planned and realized by Clifford Weardon Architects in 1964, and has been in dire need of an update. As part of the renovation, the architectural team has been working in concert with the Lancaster West Residents Association, the Royal Borough of Kensington and Chelsea, and the government to focus on resident-driven suggestions. At a public meeting earlier in the month, residents of the public housing complex gave the designers feedback on what they felt were the most pressing concerns. Improving accessibility, repairing leaks and improving ventilation all had the broadest support, as did increasing the openness of the common areas in response to safety issues. The team also raised the possibility of securing the entrances to the estate’s street, as well as installing communal and private gardens for residents. Once completed, the council wants the revitalized Lancaster West to be an example for the renovations of the area’s other estates. Of note is the exclusion of Grenfell Tower in the redevelopment plan. As a response to the fire that killed 72 in June of last year, the local council and UK government will be razing the site and likely dedicating the land for a memorial to the victims. Most important to the redevelopment has been the promise that any changes to the estate would be done without demolition of homes or displacement. Funding for the project has already been secured, with both the council and central government having pledged approximately $21 million. Landscape architects Andy Sturgeon Design and consultants Twinn Sustainability will be working alongside the architectural team as well. A brief will be prepared using the collected ideas and followed by a detailed work plan. If everything moves smoothly, work should begin by summer of 2019. No architects had been chosen to realize the plans at the time of writing.
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Adjaye Associates unleashes spy museum on Midtown Manhattan

Spying—on your neighbors, on random strangers, on your ex-partner's new partner—can be kind of fun. Now, there's a whole Manhattan museum dedicated to the fine art of surveillance, deception, and decoding. Adjaye Associates designed SPYSCAPE, a new 60,000-square-foot museum in Midtown Manhattan that opened its doors to secret-seekers on Friday. Developed in concert with former intelligence officials and hackers, the building is decked out in what the New York– and London-based firm is calling "the architectural language of the most prestigious spy organizations:" materially, that translates to black linoleum, grey acoustic paneling, and dark fiber cement across a series of glass boxes that hold exhibitions while fragmenting the viewer's sense of space. Outside, the facade is covered in dot-and-pixel vinyl, which provides solar shading while keeping the inside shrouded from prying eyes. For $39, visitors can learn about history's most famous spies, climb through an agility-testing laser maze in one room and crack codes in another, or detect lies in special interrogation booths. At the end, the exhibition analyzes each visitors' skill set, Myers–Briggs-style, assigning each an intelligence job that best corresponds with demonstrated ability. With features like a 350-square-foot multimedia elevator and whiz-bang elements, the three-story SPYSCAPE's exhibits are ensconced by a futuristic palette—all cool blues and green. A bar, event spaces, and a rare book store round out the program. SPYSCAPE is open from 10:00 a.m.–8:00 p.m. daily. More information about the museum can be found here.
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Renderings revealed for Adjaye Associates’ first Manhattan tower

  Adjaye Associates and developer Lightstone have released renderings of 130 William, a condominium tower a few blocks from the Brooklyn Bridge in lower Manhattan. The 66-story structure will be the firm's first big New York City project. All in all, the project's cast-concrete facade will shroud 244 luxury residences. The round arch windows, a nod to 19th-century industrial buildings below 14th Street, get wider and longer as they progress to upper stories. Up at the very top, the penthouse sports double-height ceilings that frame some of the building's loggias, which are detailed in bronze. A Baths of Caracalla-y pool and spa, as well as a fitness studio with a basketball court, are included in the amenities package. The 800-foot-tall building will also have an IMAX theater to entertain residents, a pet spa to keep their animals clean, a private rooftop observatory deck, and a golf simulator, among other goodies. With all these fun things at home, tenants hardly have to leave the premises, but if they do, they will encounter a street-level plaza where they may mingle with the public. Adjaye Associates, the eponymous London firm founded by Sir David Adjaye in 2000, is perhaps best known in the U.S. for its National Museum of African American History and Culture in Washington, D.C., which was completed last year. New York's Hill West is the architect. Construction has already begun, and sales for the studio to five-bedroom homes will commence in spring 2018.
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Adjaye, DS+R, Ryue Nishizawa and SO-IL on shortlist for Australian contemporary art museum

Adjaye Associates, SO-IL, BIG, and Woods Bagot are among the 13 firms the Government of South Australia has selected to produce concept designs for a new contemporary art museum in Adelaide, South Australia's capital.

The Adelaide Contemporary International Design Competition, as it is officially known, asked firms to design both a museum and public space for events around the future Adelaide Contemporary, which will be part of the Art Gallery of South Australia (AGSA) network.

The six chosen teams, a mix of Australian and international firms, are now at work on concept designs that will be revealed to the public in April 2018, right before the competition jury convenes. London's Adjaye Associates was matched with Sydney's BVN, while SO-IL and Melbourne's HASSELL are working together on a concept. BIG – Bjarke Ingels Group (Copenhagen) and JPE Design Studio (Adelaide) are paired up, as is Diller Scofidio + Renfro (New York) and Woods Bagot (also from Adelaide). London's David Chipperfield Architects and Sydney's SJB Architects working together on the design, and a team of three firms—Khai Liew (Adelaide), Office of Ryue Nishizawa (Tokyo) and Durbach Block Jaggers (Sydney)—makes up the final grouping. The firms were selected in the competition's first stage from over 100 teams (525 firms) representing five continents. To create the final teams, organizers paired international winners with shortlisted Australian firms. "This is an extraordinarily rich list of diverse creative partnerships of architects looking to complement their talents by working with both peers and smaller talented practices. There is a strong thread of Australian professional expertise running through the entire list with Australians taking both equal and collaborative positions," said Nick Mitzevich, director of AGSA, in prepared remarks. "The six teams all showed a strong connection with Adelaide—and understood that our aim is not to create an off-the-peg architectural icon but a piece of Adelaide, an entity that will be sustainable and polymathic in the way it enhances the social, cultural and architectural fabric of the city." The final jury will be announced in early 2018.
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David Adjaye reveals ‘sweeping’ Winter Park Library design

Sir David Adjaye was on hand last night to publicly present Adjaye Associates’ conceptual design for the new 34,000-square-foot Winter Park Library and adjacent events center. Announced in May, the $30 million project will be built on the northwest corner of Martin Luther King Jr. Park, in the Orlando suburb of Winter Park. In front of a packed crowd of 300 residents and public officials, the firm detailed its approach to creating a space that blurs indoor and outdoor usage while still preserving views of the nearby lake. The library, long and rectangular with enormous arched windows running the length of the building, stands apart from the plaza without blocking sunlight from passing through. The two-story library will have a stage, spaces for children of all ages, and historical components. A shorter, square version of the main building, the events center is angled to the library and cuts a triangular public space between the two that still allows for visitors to see the waterfront at all times. Capable of holding up to 300 people, the events center will also host a dining area on its roof. “It feels like somebody has found the perfect position and placed a beautiful tent,” said Adjaye. By angling the windows and sides of each building upward, Adjaye said that he hopes the buildings will shade the deck area in the summer, while still allowing enough sunlight through in the winter to keep the plaza warm. That same shape, he continued, would allow visitors to walk around the outside of each building while staying dry in the rain. The audience was enthusiastic about the renderings overall, but some had still had their concerns. A parking deck that had been previously mentioned was absent at Wednesday’s presentation. Mayor Steve Leary answered that planners for the city were currently working on adding a 220 car parking lot nearby, including 70 more spots than the city’s required minimum for a project of this size. Describing Winter Park Library as a “community campus” composed of complimentary forms, Adjaye said that he hopes his design will honor Winter Park’s past, present and future while preserving its natural environment. Orlando-based HuntonBrady Architects will be serving as the executive architects on the project, and Winter Park City Commissioners will hold a vote on proceeding with the current design on November 13th.
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Adjaye Associates and Ron Arad Architects to design UK Holocaust memorial

Today officials announced Adjaye Associates and Ron Arad Architects as the winners of an international competition to design a Holocaust memorial in London. The project, officially known as the Holocaust Memorial and Learning Centre, will honor the memory of the six million Jews murdered in the Holocaust, as well as the Roma, gay, and disabled people who were killed by the Nazis. Elected officials, rabbis, Holocaust survivors and their descendants presided over the design unveiling for the memorial and learning space, which will sit at the southern end of Victoria Tower Gardens, right next to the Houses of Parliament. The spaces will encourage reflection and understanding by educating visitors on the Holocaust and antisemitism and in turn using this understanding to explore other forms of hatred, such as Islamophobia and homophobia, as well as examine institutions' role in preventing hatred. The idea for a new memorial and education center was first floated in January 2015, following a survey that found growing public ignorance of the Holocaust and dissatisfaction with the memorial in Hyde Park. The design competition launched the following year, in September, and the ten finalists were announced this February. The labyrinthine design is meant to encourage individual reflection. At the end of each pathway, 23 tall bronze fins representing the 22 countries of origin of Jewish Holocaust victims will face visitors, who will enter the chamber alone. The routes eventually funnel into the contemplative Threshold. This segues into the underground Learning Centre, which includes a space where survivors' stories are shared, as well as reflective chamber with eight bronze panels which will be called the "Contemplation Court." “The complexity of the Holocaust story, including the British context, is a series of layers that have become hidden by time," said Sir David Adjaye, principal of Adjaye Associates, in a prepared statement. "Our approach to the project has been to reveal these layers and not let them remain buried under history. To do so, we wanted to create a living place, not just a monument to something of the past. We wanted to orchestrate an experience that reminds us of the fragility and constant strife for a more equitable world." The memorial is Adjaye Associates' latest high-profile public commission. In the U.S., the firm is best known for designing The National Museum of African American History and Culture in D.C., and it was just tapped to design an interactive spy museum in New York. The building's siting was meant to provoke intrigue from afar. On the approach, visitors will see the memorial's fins just over a green landform. The structure dialogues with a likeness of Emmeline Pankhurst and the Burghers of Calais, as well as the Buxton Memorial, three other statues and sites that interrogate injustice. Gustafson Porter + Bowman is collaborating with Adjaye and Arad on the landscape design.
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Adjaye to design interactive spy museum in midtown Manhattan

Adjaye Associates today revealed designs for SPYSCAPE, a spy museum and interactive experience in Midtown Manhattan that will open this December. The 60,000-square-foot space, located at 928 8th Ave., will essentially create a small town inside two floors of a midtown office building; exhibitions are housed in bespoke pavilions, each focused on one of seven themes of spying. Varied environments continually shift visitors’ perspectives, using lighting, screens, bridges and transparency between floors to create a sense of intrigue, curiosity and maybe a little dread. Materials like smoked glass, fiber cement, dark grey acoustic paneling and weathered and mirror-polished steel add to the shadowy, enigmatic environment. Visitors enter the exhibition through a vaulted light canopy, after which partially-obscured circulation spaces open up into the varied pavilions and immersive multimedia environments featuring digital displays on screens, tables, even floors and walls. "We've been able to challenge the traditional museum typology with a design that straddles the physical and digital worlds," said Lucy Tilley, Associate Director for Adjaye Associates. One of the largest structures (focusing on surveillance) will consist of a giant drum clad with curved, weathered steel panels. Other zones will focus on hacking, interrogation, code breaking and historic spy artifacts. The project was developed in collaboration with former station chiefs and directors of various intelligence agencies who, of course, can't reveal who they are. The museum will also contain a café, private event space, and a book shop containing several rare spy tomes. Tickets are on sale as of today here.
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Adjaye Associates, BIG, wHY, and others, unveil designs for Ross Pavilion in Edinburgh

Back in March, The Architect's Newspaper reported that seven teams (from a pool of 125) had been shortlisted for the Ross Pavilion International Design Competition, an effort to reimagine the city's prominent West Princes Street Gardens. The winning team will get the chance to replace an existing 1935 bandstand located in the gardens, as well as make "subtle updates" to the grounds themselves, according to a press release. The jury is now appealing to the public for input—U.K. residents and the international community alike, according to the competition organizers, Malcolm Reading Consultants. Edinburgh’s City Art Centre will exhibit the design concepts—free to the public—from June 21 to July 30. You can also find the designs online here, along with an email address where you can send comments. The winner will be announced this August 2017, “The revival of this, one of Edinburgh’s best and most prominent sites, is a hugely exciting prospect and we now have seven fascinating design concepts from some of the world’s most in-demand creative minds," said Norman Springford, chairman of the Ross Development Trust and competition jury chair, in a press release. Images of each design concept are available in the slideshow above, while you can find short project descriptions below. Once a winner has been selected, construction is planned to start in 2018. Adjaye Associates with Morgan McDonnell, BuroHappold Engineering, Plan A Consultants, JLL, Turley, Arup, Sandy Brown, Charcoalblue, AOC Archaeology, Studio LR, FMDC, Interserve and Thomas & Adamson Adjaye Associates’ proposal for the new Ross Pavilion and the reimagined West Princes Street Gardens is a celebration of Edinburgh as a cultural capital and a reflection of the site’s unique topography and location on the verge between the Old and the New Towns. Our scheme honours the legacy and architectural language of the original bandstand that was once the beating heart of the Gardens in the late 19th century, reinterpreting its function and iconography within the contemporary context. The result is a garden temple responding to the modern-day city, a pleasure pavilion conceived as a sculptural intervention, which serves as a flexible performance space, a community hub and a new icon for Edinburgh. The Pavilion is the focal point of a system of stone-clad outdoor, indoor and in-between public spaces, discreetly embedded into the landscape. Bjarke Ingels Group (BIG) with JM Architects, WSP Parsons Brinckerhoff, GROSS.MAX., Charcoalblue, Speirs + Major, JLL, Alan Baxter and People Friendly At the meeting between the old and the new, the West Princes Street Garden occupies a central location – geographically, historically, and culturally – in Edinburgh. The existing bandstand, in the heart of the Gardens, paradoxically has the feeling of a leftover space that divides rather than unites. We propose to enhance and reconnect the abundant qualities of the Gardens with a pavilion sculpted by its context: its gently undulating canopy reflects the movement of the terrain below and the light of the sky above. Visual transparency at ground level allows for uninterrupted enjoyment of the Gardens. From within, it will frame the context of Edinburgh Castle and its dramatic setting. The rejuvenated bandstand provides momentum to reconsider the Gardens at-large by updating the planting regime, opening up key views, and improving access and connectivity throughout. A refreshment of the historic Gardens that roots its future in the heritage of its past. Flanagan Lawrence with Gillespies, Expedition Engineering, JLL, Arup and Alan Baxter The Gardens form a topographical and visual division between the Old and New Towns, whilst also uniting the people of Edinburgh; a place for people to gather and appreciate the thrilling topography of the city. The sinuous landforms of the Performance Space and Visitor Centre reflect the Garden’s natural landscape in contrast with the angular built form of the Old and New Towns. Our proposals aim to make the Gardens more connected to the city with a dramatic and accessible sense of arrival for all at the Visitor Centre. This is a project of contrasts; between the New and Old Towns and the Gardens that separate them and between quiet tranquil days in the Gardens and vibrant large-scale public events. Our concept is based on creating an architecture that can perform equally well with each of these contrasting modes of behavior. Our design solution is based on understanding how our interventions can be both introverted when the gardens are quiet, and extroverted during the celebrations and events. Page \ Park Architects, West 8 Landscape Architects and BuroHappold Engineering with Charcoalblue and Muir Smith Evans Princes Street Gardens, linking the New Town to Old, is a landscape for viewing the spectacular setting, a garden of commemoration, and a garden to enjoy. The lengthy flower bank to Princes Street is world unique. Our strategy is simple: we leave this alone. Splendid new entrances, self-evident way-finding, and a re-visioned ‘Blaes’ area provide for contextual augmentations to a new Ross Pavilion which includes a combined visitor center and performance venue. In Classical garden tradition, there is a typology of a grotto fed by springs for assembly, marriage, song, and dance—the Nymphaeum. In imagining the new Ross Pavilion we have carved into the landscape such a grotto. A stage at the foot of the ‘Castle Rock’; marking the memory of the old ‘Nor Loch’, lined in pillars of decorated stone echoing the ‘modern henge’ Royal Scots memorial and surmounted with a golden copper roof in the spirit of the ‘Ross Fountain.’ Reiulf Ramstad Arkitekter with GROSS.MAX., AECOM, Charcoalblue, Groves-Raines Architects and Forbes Massie Studio How can the Ross Pavilion offer a new world-class cultural venue not just for Edinburgh, but the whole of Scotland? The Ross Pavilion will be the focal point of the city of Edinburgh and its many visitors, but it can also be a symbolic place for all of Scotland as well. The intervention into the Gardens is therefore conceived as a facility for the entire nation, indeed it is a project that has the potential to capture the imagination of people across the country. For the Ross Pavilion, we propose a public asset that can not only perform as a modern performance venue, but a visitor experience that explores the varied landscapes and histories of the Gardens and the terrains of Scotland beyond. A simple but bold design allows us to propose a venue that can host the wide variety of functions the pavilion calls for. Furthermore, it offers us the flexibility to propose a wider range and intensification of human activities in the Gardens and unleash the incredible potential the site has for Edinburgh. For that matter it can tap into the long history the city’s backdrop has had for inspiring some of mankind’s highest achievements in the arts, literature, philosophy, and science. Our approach to the architecture and landscape has been that of sensitive interventions into the historic fabric of the Gardens. Elements are formed from their context and crafted from quality and timeless materials, and completed with water terracing that recalls the Nor Loch. wHY, GRAS, Groves-Raines Architects, Arup, Studio Yann Kersalé, O Street, Stuco, Creative Concern, Noel Kingsbury, Atelier Ten and Lawrence Barth with Alan Cumming, Aaron Hicklin, Beatrice Colin, Peter Ross, Alison Watson and Adrian Turpin Butterfly / Pavilion The word ‘pavilion’, from the Old French for butterfly (papillion), parsed through the pictogram of a highly-decorated tent, evokes the fluttering canvas and heraldry of a field campaign with a glorious connection between nature and humankind. The butterfly is unity of symmetry and organic form, whose lines can be traced and followed, eagerly denoting meaning. Occasionally alighting, it is of the air but connects with the ground. It delights and draws you in. And so it is with this new ‘pavilion’. Pleasure will be drawn from rock and fold, from seam and segue. There are glimpses of history and the promise of a performance. People will connect through their common story and shared song. There is music in the air. Light, space, sound, and poetry. Castle, rock, garden, and fountain. Without nature, the city is lifeless. This is a place for people and their perpetual delight. William Matthews Associates and Sou Fujimoto Architects with BuroHappold Engineering, GROSS.MAX., Purcell and Scott Hobbs Planning A PLACE FOR PEOPLE These four words defined both the brief and our response—a place for people to gather and celebrate the performing arts in one of the global capitals of culture. The inspiration for the project came from Celtic spirals, the remarkable stone circles of Orkney and the circular forms of the original Bandstand, the Ross Fountain and the Royal Scots memorial. They were reinterpreted to create a new typology of pavilion and viewing platform for the West Princes Street Gardens. The proposal is a powerful landmark symbolizing the unity of Edinburgh: its history, originality, art, and culture. The rings offer new panoramic views of the important heritage sites of the city. They connect the New Town, the Castle and the Old Town without disturbing the existing axial paths of the Gardens. Contrasting with the light and floating spiral are the Visitor Centre and the Performance Space. They blend into the urban context of Princes Street on one side and the Gardens on the other, ready to come alive for the cultural events for which Edinburgh is famous.
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Early conceptual studies revealed for David Adjaye tower in Manhattan

[Update 5/25/2017: After this article went to press Adjaye Associates submitted the following statement to AN: "These images only reflect early conceptual studies of the building. We remain in the process of refining and evolving the design, with imagery adjusting accordingly. We look forward to sharing final renderings in the coming months." This article's title was updated accordingly.) Early conceptual studies have surfaced for architect David Adjaye's latest project, a condominium tower in Manhattan's Financial District. The developer, Lightstone Group, is seeking funding for the 800-foot-tall tower, which is set to rise at 130 William Street. The group tapped Adjaye's London firm, Adjaye Associates, to design the 60-story, 228-unit structure, which—though it's about five blocks north of its namesake row—will be called the Wall Street Tower. In the leading study, the building's arched gold windows rise almost to the same height of SOM's One World Trade, which is tucked coyly into the background. The Real Deal reports that construction on the approximately $700 million project is expected to wrap in November 2019. Though Adjaye is best known stateside for his National Museum of African American History and Culture in Washington, D.C., the London architect has designed affordable housing in Sugar Hill for the Broadway Housing Communities and the Studio Museum in Harlem. Recently, his firm was tapped to design a public library in an Orlando, Florida suburb and master-plan a major waterfront development in San Francisco. Lightstone's teaser site for the project says that prices will start at $630,000 for a studio and go up to $4.7 million for a four-bedroom. Marketing materials show residents cavorting around an indoor pool and spa, a wine cellar, gym, movie theater, and rooftop observatory, among other amenities. All images via 6sqft.
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Adjaye Associates to design new library in suburb of Orlando, Florida

Adjaye Associates, the London-based firm of Sir David Adjaye, will be designing a new 50,000-square-foot library in the Orlando suburb of Winter Park, Florida. The $30 million project will sit on the northwest corner of Martin Luther King Jr. Park and will also house 8,500 square feet of civic center space and a parking deck. “Winter Park’s vision for this project truly embraces the continued evolution of the library in the 21st century,” said Adjaye in a press release. “With a diverse program that recognizes it as a critical piece of cultural infrastructure, this will be a dynamic space for shared education, recreation, and interaction.” Orlando-based firm Hunton-Brady Architects will be the executive architects on the project with Adjaye Associates serving as the design architects. Adjaye Associates is likwly best known in the U.S. for being on the team that designed the National Museum of African American History and Culture, which opened in September of 2016 on the National Mall. The firm is also known for having a principal who has was knighted by Queen Elizabeth II and named among the 100 most influential people of 2017 by TIME Magazine. Design work for the new library is expected to begin next month.
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BIG, Adjaye, and wHY among seven shortlisted teams for Ross Pavilion Design Competition

This article was originally published on ArchDaily as "BIG, Adjaye Among 7 Shortlisted for Ross Pavilion Design Competition."

The Ross Development Trust, in collaboration with the City of Edinburgh Council and Malcolm Reading Consultants, has announced the seven finalists teams that will compete for the design of the new Ross Pavilion in the heart of Edinburgh, Scotland. Located in West Princes Street Gardens below Edinburgh Castle and at the intersection of the UNESCO World Heritage recognized Old and New Towns, the £25 million project will feature a landmark pavilion to replace an existing bandstand, a visitors center with cafe, and a subtle reimagination of the surrounding landscape. The new pavilion will host a range of cultural arts programming.

From an entry pool of 125 teams, the following seven were unanimously selected to continue on to the second stage of the competition:

  • Adjaye Associates (UK) with Morgan McDonnell, BuroHappold, Turley, JLL, Arup, Plan A Consultants, Charcoalblue and Sandy Brown Associates
  • BIG Bjarke Ingels Group (Denmark) with jmarchitects, GROSS. MAX., WSP | Parsons Brinckerhoff, Alan Baxter Associates, JLL, Speirs + Major, Charcoalblue, and People Friendly Design
  • Flanagan Lawrence (UK) with Gillespies, Expedition Engineering, JLL, Arup, and Alan Baxter Associates
  • Page \ Park Architects (UK) with West8, BuroHappold, Muir Smith Evans, and Charcoalblue
  • Reiulf Ramstad Arkitekter (Norway) with GROSS. MAX., AECOM, Groves-Raines Architects, and Charcoalblue
  • wHY (USA) with GRAS, Groves-Raines Architects, Arup, O Street, Creative Concern, Noel Kingsbury, Yann Kersalé Studio, Lawrence Barth, Stuco, Alan Cumming, Aaron Hicklin, Alison Watson, Peter Ross, Adrian Turpin, and Beatrice Colin
  • William Matthews Associates (UK) and Sou Fujimoto Architects (Japan) with GROSS. MAX., BuroHappold, Purcell, and Scott Hobbs

“We were absolutely delighted by the response of designers from around the world to the competition’s first stage. The quality of the 125 teams on the longlist sent a strong signal that the international design community regards this as an inspirational project for Edinburgh that has huge potential to reinvigorate this prestigious site,” said The Chairman of the Ross Development Trust and Competition Jury Chair, Norman Springford.

“Selecting the shortlist with our partners from City of Edinburgh Council was an intense and demanding process. We’re thrilled that our final shortlist achieved a balance of both international and UK talent, emerging and established studios. Now the teams will have 11 weeks to do their concept designs – and we’re looking forward to seeing these and sharing them with the public.”

Finalists will have until June 9, 2017, to complete concept designs for the pavilion, visitor’s center, and site, which will need to fully integrate into the existing Gardens, which are of outstanding cultural significance and operated and managed by the City of Edinburgh Council as Common Good Land. A public and digital exhibition will follow in mid-June, with a winner expected to be announced in early August. Construction is expected to begin in 2018.

For more information, visit the competition website, here.

News via Malcolm Reading Consultants. Written by Patrick Lynch. Want more from ArchDaily? Like their Facebook page here. Archdaily_Collab_1
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David Adjaye to be knighted

British-Ghanaian architect and Principal of Adjaye Associates, David Adjaye, will be appointed "Knight Bachelor" by Her Majesty Queen Elizabeth II for his "services to architecture." Adajye was born in Dar es Salaam, Tanzania in 1966 and is the son of a Ghanaian diplomat, but has lived in London since he was nine years old. His name made the New Year Honours 2017 Diplomatic Service and Overseas List and will subsequently be known as Sir David Frank Adjaye OBE (he was named Officer of the Order of the British Empire in 2007). The official investiture ceremony will take place soon this year at The Central Chancery of the Orders of Knighthood in St. James's Palace in London. In the official document of honoraries, Adjaye was recognized for his "contribution to architecture and design":
He is one of the leading architects of his generation and a global cultural ambassador for the UK. His designs include the Nobel Peace Centre in Oslo in the shell of a disused railway station and the Idea Stores in Tower Hamlets, London where he pioneered a new approach to the provision of information services, as well as the Museum of Contemporary Art in Denver and numerous private commissions. His most recent major achievement was the Smithsonian National Museum of African American History and Culture in Washington DC.
You can read The Architect's Newspaper's review of the National Museum of African American History and Culture here. His most recent U.S. design–a master plan (in the works) for the expansive San Francisco waterfront–can also be seen here. Adjaye's Linda Pace Foundation in San Antonio is also due to open next year. Also included in this year's biannual honors list were British architects Bob Allies and Graham Morrison. The pair co-founded London-based firm Allies & Morrison and have both been appointed as Officers of the Order of the British Empire (OBE).