Tom Hanks, a trustee of the Academy Museum of Motion Pictures and a co-chair of its campaign, broke long-awaited news about the project while taking the stage during last night's Academy Awards: “We're all very proud of what has been accomplished so far in the landmark that is taking shape on Fairfax and Wilshire, and it is a pleasure to announce that the Academy Museum of Motion Pictures will open its doors on December 14th, 2020.” On that date, the museum's first two exhibitions will take in the main gallery spaces of the renovated 1939 May Company Department Store (also known as the Saban Building): Hayao Miyazaki, a retrospective of the famed Japanese filmmaker’s career, and Regeneration: Black Cinema 1900-1970, an archival presentation of black participation in American filmmaking. Programming has not yet been announced for the David Geffen Theatre, a 1,000-seat auditorium set in a Renzo Piano Building Workshop (RPBW)-designed semi-sphere attached to the Saban Building via the Barbara Streisand Bridge. As AN covered last August, the auditorium building is being constructed using an innovative double-layer system that provides soundproofing without compromising expansive views of the surrounding Hollywood hills. Opening dates for the museum have been repeatedly set and re-set since the capital campaign was launched in 2012. The project’s original $250 million budget has ballooned during the course of its several-years-long construction, causing significant delays in installing the finishing touches. A recent pre-opening campaign has helped the museum reach the 95 percent mark of its revised $388 million budget. In that time, founding museum director Kerry Brougher left his position was been replaced by Bill Kramer, a former managing director of development and external relations at the museum that helped raised $250 million for the new building. Though the major structural and aesthetic portions of the project is complete, work on the mechanical and electrical engineering details is being finalized alongside the installation of the museum’s first exhibitions. “The dream of this museum will finally become a reality,” Academy CEO Dawn Hudson said in a press statement. “[It will be] a gathering place for filmmakers and movie fans from around the world, where we can share the Oscars legacy and further fulfill the Academy’s mission to connect the world through cinema.” The Academy Museum will become the latest cultural attraction on Los Angeles’s Miracle Mile and will open shortly after the majority of the original building on the adjacent LACMA campus will have been demolished to make way for its groundbreaking redevelopment.
Posts tagged with "Academy Museum of Motion Pictures":
This morning, the Academy Museum of Motion Pictures released new renderings by the Renzo Piano Building Workshop for its proposed museum space in Miracle Mile, Los Angeles. The design for the complex extends out of the historic May Company Building on Wilshire Boulevard into an adjacent, 140-foot-tall orb. The top section of the globe will be an open terrace and project space housed under a huge arcing glass dome, and the bottom section will be a crimson-walled, steel-encased theater. This theater will feature a state-of-the-art projection facility able to screen 35mm, 70mm, and nitrate prints for an audience of up to one thousand people. All told, the project will cost $388 million to build. The May Company Building, a 1939 structure that epitomizes the Streamline Moderne style, will be home to three stories of exhibition space (two permanent, one temporary). One of these spaces will be an entire floor dedicated to the "Oscars Experience," an exhibit commemorating the annual film ceremony for which the organization is best known. The building was previously home to a satellite space for the Los Angeles Museum of Contemporary Art, once referred to as "LACMA West," but the Academy inked a long-term lease on the structure and an adjacent parcel in 2014 for $36.1 million. The new renderings show that most of the iconic features of the building will be preserved, including the giant golden cylinder at its Wilshire Boulevard entrance. An additional, smaller theater and a flexible education space will be constructed underground between the older building and Piano's orb. The two above-ground structures will be connected on three levels by glass-encased catwalks. An outdoor seating area will also be build at the ground level of the orb, extending into the central lobby area of the May Company Building. As Kerry Brougher, director of the Academy, told Architectural Record, the museum was designed primarily from a filmmaker's perspective. “I think the fact that the Academy is part of the project makes it take on a different characterization than it might if it were a film museum in Milan or Paris," he said. With completion projected for 2019, the Academy Museum hopes to join the ranks of other movie museums around here and abroad, from the National Cinema Museum in Turin, Italy, to the controversial Lucas Museum, or New York's own Museum of the Moving Image, which Leeser Architecture revamped in 2011.
And… action. In a unanimous vote the LA City Council approved Renzo Piano’s plans for the Academy Museum of Motion Pictures. The design, which includes a renovation of the AC Martin’s May Company Building on Wilshire and Fairfax avenues and the eye-popping addition of a 140-foot-diameter glass and steel globe sited behind the existing 1939 building, comes with at $300 million estimated construction cost and hopes to open in 2017. Located next to LACMA, the 290,000-square-foot museum is the third Piano project on the block. Its bold, spherical form (which will house a 1,000-seat theater) breaks character from the architect’s more low-key Broad Contemporary Art Museum (BCAM) and the Resnick Pavilion on the LACMA campus. “I am thrilled that Los Angeles is gaining another architectural and cultural icon,” said Los Angeles Mayor Eric Garcetti in a statement. “My office of economic development has worked directly with the museum’s development team to ensure that the Academy Museum of Motion Pictures will create jobs, support tourism, and pay homage to the industry that helped define our identity as the creative capital of the world.” While the City Council’s 13-0 vote ensures that the building moves forward into permitting, the project has seen some bumps in the road. Last year, AN reported that Culver City firm SPF:a, which had been working with Piano on the project since 2012, was removed from the project. The question of traffic and parking in the neighborhood remains a hurdle. The Los Angeles Times reported that activist non-profit Fix the City, is “weighing legal action to stall development.” The organization cites an 860,000 visitor increase to the area as a burden on existing streets and parking lots. When constructed, the sure-to-be iconic Academy Museum of Motion Pictures will compete with the hot-rod facade of the Petersen Automotive Museum designed by KPF, now under construction across the street. Both designs will be trumped if and when Peter Zumthor’s Wilshire-crossing proposal for LACMA takes shape.
It’s good to see some good old-fashioned roasting, and that’s what the Westside Urban Forum’s WUFFIES awards are all about. This year’s event, held earlier this month at the Los Angeles Times of all places, was full of the usual snipes on botched RFPs and difficult County Supervisors. But it also got in some good jibes at architecture’s expense. Our favorite: the Darth Vader Award, which went both to Peter Zumthor’s foreboding, jet black LACMA expansion and to Renzo Piano’s Academy of Motion Picture Arts and Sciences Museum with its helmet-looking theater bulging out of the old May Company Building.
[beforeafter] [/beforeafter] In sad but spectacular gossip news, we’ve been informed that Culver City firm SPF:a has been removed from the Academy of Motion Pictures Arts and Sciences' new museum project in Los Angeles. SPF:a principal Zoltan Pali had been working with Renzo Piano on the project since 2012. The design for what is now called the Academy Museum of Motion Pictures includes a renovation of AC Martin’s Streamline Moderne May Company Building (1939) on Wilshire and Fairfax avenues and a new 140-foot-diameter glass and steel globe sited behind the existing building, which would contain, among other things, a 1,000-seat theater. The Academy has declined to comment on the matter, and AN has so far been unable to reach SPF:a. After first receiving the commission, Pali told AN, “It is a full collaboration in every aspect. We work together very well. I love working with Renzo.”