Posts tagged with "Stantec":
In recent years, Cubs baseball fans have watched as the neighborhood immediately surrounding their beloved Wrigley Field transformed into a Cubs-themed village. A new hotel, residential real estate, and entertainment venues are making the area a year-round destination. Nearest and dearest to the stadium though is a new mid-rise office building and a public plaza. Designed by Stantec Architecture’s Chicago office, the project shares an odd-shaped block with the stadium and houses the baseball team’s administrative offices.
While the space is everything you might expect of a new office (with the addition of plenty of Cubs branding and some appropriately ivy-covered walls), it is the public plaza, currently being called the Park, that is creating the most buzz.
Debuted for the 2017 Cubs home opener, the Park is wedged between the stadium and the new office building. The ground floor of the office building houses a handful of stores and food and drinking options, but the plaza itself was designed to be used for more than just pregame events. Tiered seating, strategic plantings, and performance space provide opportunities to watch scheduled programs or just take in Wrigley’s atmosphere. Stantec took cues from Place des Vosges, in Paris, and Chicago’s Millennium Park when designing the Park, with the goal of making it more than just an entrance to the stadium.
“When we first dreamt about what the plaza could be, we wanted it to be more than just a walkway people pass through on game day,” said Grace Rappe, principal designer at Stantec. “We wanted to create a park for memories, a place for the community to gather and thrive.”
In its first year, the Park has already seen plans put in place to activate the space when there is not a game being played. The Old Town School of Folk Music has started biweekly morning and afternoon music programs. The nearby art-house Music Box Theatre will also be hosting six of the city’s “Movies in the Park”—the first of which will be, appropriately, Ferris Bueller’s Day Off; Rookie of the Year and The Sandlot are also on deck.
However, not everyone has had the same vision for the space. Local alderman Tom Tunney pushed, with some success, for a handful of restrictions on the use of the Park, citing the well-being of the residents of the surrounding neighborhood. Ald. Tunney was able to establish rules about who could drink alcohol in the Park on game days, and when. Currently, only ticket holders will be allowed onto the plaza immediately before and after the game, and barriers and bike racks have been set up to control the crowds. This did not make the Cubs administration too happy.
“I want to apologize to our fans when they show up today; they’re going to see bike racks and other things that channel them in and out of the Park, rather than walk in and let them enjoy it,” Crane Kenney, Cubs president of business operations, said to the press on opening day. “So we’ll try that for the first year and see how that works. Nobody has more to lose than we do if something happens that is untoward, and so we’ll police like we do everywhere else around Wrigley Field.”
Kenney had other words for the city, which he felt could have provided more financial support for the project, as it is part of a larger $500 million renovation of the entire complex.
“The mayor made clear the city could not give us the kind of financial support the White Sox got in rebuilding Comiskey Park or the Bears got renovating Soldier Field,” Kenney said.
Despite the financial discussion, the Cubs were openly grateful to Mayor Rahm Emanuel, who was on hand at the ribbon cutting. While the city has not provided the tax and financial backing the team had hoped, it has provided support through the temporary and permanent closing of multiple streets surrounding the stadium.
Exactly what the Park’s role will be in the greater Wrigleyville neighborhood may still be up for debate, but, for the Cubs, the new space is a chance to reach out and bring the community a little closer. And timing couldn’t be better: With the Cubs winning the last World Series and effectively having the best season in the stadium’s 103-year history, much of the city is already going Cubs crazy.
A young developer hopes to shake up the Boston development scene with this 38-foot-wide, 30-story tower
Contemporary stone envelope asserts the continued relevance of book learning at GVSU.For the new Mary Idema Pew Library Learning and Information Commons at Grand Valley State University, SHW Group, now Stantec, considered a brick skin to tie it to the surrounding edifices. "But at the end of the day, the library, we believe, is one of the most important buildings on campus," said senior design architect Tod Stevens. "That's where we started to have a conversation about the library as it moves into the 21st century. We wanted to signal the continued importance of the library to university life." To do so, the architects designed a quartzite envelope whose random pattern of stones sits in tension with an interlaid stainless steel grid. On the building's north facade, a 40-foot-tall glass curtain wall creates an indoor/outdoor living room on the campus's main pedestrian axis, and reveals Pew Library's state-of-the-art interior to passersby. Stantec chose a multi-hued quartzite, said Stevens, as a nod to the limestone banding on many of GVSU's historic buildings. In addition, he explained, "when it rains, it brings out the red and other colors embedded in it. Even on a grey day, you can see that this building has personality and sparkle. And that red knitted it back to the other buildings as well." The architects wanted the stones set in a random pattern because, said Stevens, "the pattern really talks about the care that it takes to build this building: one stone at a time is the importance of this building." But achieving such a level of craftsmanship was easier said than done. "Nobody wants to take ownership of what it looks like," explained senior project architect Joe Mitra. "We spent a great deal of time coming up with a strategy to create that pattern. No two of the rectangular spaces are identical. Instead every stone is planned. We made shop drawings for each one." The purposefully irregular stone design is counterposed to a surrounding stainless steel grid. "This is a contemporary building, and we wanted to signal that on the stone facades," explained Stevens. "We wanted to get that snap: it's a crisp conversation between the quartzite and the metal reveals." Faux copper accents signaling entry points on the stone cladding nod to other contextual cues, including Cook Carillon Tower. With respect to installation, maintaining a constant level of humidity was a special concern, given Michigan's hot, humid summers and cold, dry winters. After performing a number of moisture-migration analyses in WUFI, the architects settled on a 2 1/4 inch stone veneer backed by a 1 3/4 inch cavity and 3 1/2 inches of insulation. "The corners are mitered," noted Mitra, "so the stone looks thicker; you don't get that feel of veneer." On the north side of Pew Library, the architects pulled the massive curtain wall away from the stone to create a multi-purpose atrium. "The aspirations for LEED on this project were the highest we could get," said Stevens. "Bringing light into the building is fundamental. Flooding the library with natural light from the north was one of the drivers of the design. A side benefit," he noted, "is that when students are working late into the evening, the glass wall signals and shows their scholarly work." The triple-glazed curtain wall is hung from a twinned truss system. "We wanted the structure behind the glass to disappear," said Mitra. "It wanted to look light. We did a lot of physical models to test different systems. Ultimately, the twinned truss system at each of the column heights allowed us to have that transparency; you can see the building behind it." On the south, east, and west sides of the building, the size of the windows indicates the program within. Smaller windows mark individual study spaces, while larger apertures attach to communal meeting areas. To mitigate thermal gain, the architects employed a number of shading strategies, including horizontal sunscreens, interior motorized shades, extruded mullion caps, and 18-inch insets for the vertical punch windows. On the roof plane, Stantec created a landscaped terrace for student use. Pew Library, with its Automated Storage and Retrieval System and 31 types of indoor and outdoor seating, has been celebrated for its high-technology approach to learning. Its message—literally written in stone—is that the library is not dead. Far from it. Though it has been carefully adapted to meet the needs of today's students, GVSU's newest monument to education suggests that the university library remains a place worth celebrating, a beacon for the campus's thriving intellectual life.