Posts tagged with "BIG-Bjarke Ingels Group":

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SLA’s park design for Bjarke Ingels power plant revealed

The Bjarke Ingles Group (BIG)-designed Amager Bakke Waste-to-Energy Plant in Copenhagen is finally set to wrap up later this year, and international firm SLA has revealed their final plan for the plant’s 170,000-square foot rooftop park. First revealed in 2011, the biomass-burning plant, with its ski slopes on the roof and a smokestack meant to belch ring-shaped clouds, instantly caught the internet’s attention. Amager Bakke is seen as major step in Copenhagen’s transition to a carbon-free city, as the plant will burn wood pellets made from rotting waste wood instead of coal. Because Amager Bakke is off the coast of the city center, BIG chose to approach the project as both a publicly accessible common area and a tourist attraction. Clad in a perforated aluminum façade that resembles oversized bricks, the power plant is 289-feet at its peak near the smokestack, but gently ramps downward to meet the ground and provides pathways for both walking and skiing. While the renderings released up until now have typically shown skiers tearing up snowy slopes, SLA has released renderings of how the roof will be planted in warmer weather. The extreme angle of the roof, combined with the building’s height, and temperatures reaching up to 140 degrees Fahrenheit due to boilers under the roof, meant that the plant selection had to be carefully curated. Several distinct biomes are seeded throughout the roof, including a “mountain” and “meadow” area, trees to shield guests from the wind, and laid out hiking and jogging trails that run alongside the 1,640-foot long ski slope. A fitness area has also been placed alongside the viewing platform at the roof’s peak, which visitors can reach by either hiking, or by summiting the building via a climbing wall at ground level. SLA hopes that other than being used as a year-round recreation space, Amager Bakke’s green roof will seed the rest of Copenhagen with city-friendly vegetation. According to Rasmus Astrup, a partner at SLA, “The rooftop’s nature is designed to attract and shelter a wide selection of birds, bees, butterflies and insects, which in itself will mean a dramatic increase in the biodiversity of the area. And utilizing natural pollination and seed dispersal will mean that we can spread the rooftop nature to also benefit the adjacent industry area, parking lots and infrastructure.” Amager Bakke is also well known for its smokestack, which Bjarke Ingels originally envisioned as being able to blow a ring of steam for every ton of carbon dioxide that the power plant emits. Following a successful Kickstarter in 2015 to build a prototype of the system, the “steam ring generator” will be included in the final design. Construction on the rooftop park is underway and will be completed in September of 2018.
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Google and BIG propose one million square feet of offices in Sunnyvale

Google has been on an expansion tear lately, and has announced plans to follow their recently approved Mountain View, California housing development with a new campus in neighboring Sunnyvale. The one-million-square-foot project will be called Caribbean, and sees Google teaming up with Bjarke Ingels Group (BIG) yet again for a pair of terraced office buildings for up to 4,500 employees. The city of Sunnyvale is no stranger to Google, as the tech giant has been consolidating land purchases throughout the year and most recently paid $21 million for a five-acre plot in the Moffet Park area on December 22nd. BIG and Google are also familiar partners, as the firm has been involved with both the Charleston East campus and speculative designs for the northern Mountain View residential project. Their latest collaboration will involve two five-story office buildings, each featuring green roofs with paths that gently zigzag atop stepped floors. Each building will connect these paths with the ground level and encourage the building’s melding with the street. Renderings show that these paths could be used for a variety of activities, from biking to skating, and that any floor of each building should be accessible from outside. Although each office building will be clad in a floor-to-ceiling glass curtain wall, they differ slightly in their typology. While one is boxier, with easily distinguishable steps and clearly defined plazas and gathering areas, the other resembles a cascading hillscape with organically defined curves and valleys. From the ground level, the offices’ landscaped terraces clearly evoke cliff faces or natural slopes. The future 200 West Caribbean Drive will be 505,000 square feet, while the nearby 100 West Caribbean Drive will be slightly larger at 538,000square feet. Other than BIG, Clive Wilkinson Architects has been tapped to design the interiors, while OLIN Landscape Architects will be responsible for the landscape design. A project this large will require a number of approvals from the Sunnyvale city government, and the project is only just beginning to work its way through the process. Google expects to move employees into the finished buildings in 2021. Of note is that the city has mandated that all of the utilities, sewage systems, hydrants and streetlights will need to be relocated and upgraded, which will falls under the city of Sunnyvale’s design guidelines.
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Google wins approval in Mountain View for sweeping housing plans

The Mountain View, California, city council unanimously voted on Tuesday to approve a redevelopment plan that would give Google the power to build up to almost 10,000 residential units near its new Charleston East campus, and they won’t be restricted solely to Google employees. The approval paves the way for Google to build alongside its new Charleston East campus, designed by a team of Heatherwick Studios, Bjarke Ingels Group (BIG), and Hargreaves Jones Landscape Architecture, which expects to complete construction by 2019. Besides bringing 3.6 million square feet of office space and the aforementioned residential buildings to the North Bayshore neighborhood, Google and other outside developers will be allowed to construct a high-density, mixed-use neighborhood in an area stymied by a lack of new housing. Rising above than the low-slung suburban office park surrounding the new site, the new development will feature office towers up to eight stories, and residential buildings up to 15 stories tall. Although the city, Google, and other interested developers still need to put together a master plan detailing the project’s timeline, it’s expected that the project will claim up to 150 acres for residential use. Of the 9,850 units allowed by the new measure, developers are shooting to keep 70 percent of the units as one bedrooms or studios, with 20 percent of the total set aside as affordable housing. Planners have already begun envisioning the new neighborhoods that the ordinance would create, naming them Joaquin, Shorebird and Pear. Overall it’s expected that the redevelopment will bring more office space, retail and entertainment options to a previously underdeveloped area. At the Tuesday meeting, vice mayor Lenny Siegel said the project would help address the Bay Area’s housing crisis. “This is a cutting edge plan that sets a standard,” said Siegel. “Not just for the Bay Area, but for the rest of the country.” The massive project will still need to face further rounds of public approval before being finalized, but previously released renderings by Google provides some indication of how the tech giant will build out their adjacent campus. A distinctive two story, tent-like structure with a solar panel-clad canopy will occupy 595,000 square feet, with the ground floor open to the public. The second floor will hold Google office space, and both areas will be peppered with interior courtyards designed to act as cores for socializing. It's not yet clear how the newly-formed neighborhoods will link with the company's peaked office space. The recent city council approval is only the first step in a long line of public approvals that the development will need to clear before becoming a reality. While no exact estimates of how long the project will take, or how much it could cost, have been revealed yet, Siegel has said that it may take up to a decade to fully realize.
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Adjaye, DS+R, Ryue Nishizawa and SO-IL on shortlist for Australian contemporary art museum

Adjaye Associates, SO-IL, BIG, and Woods Bagot are among the 13 firms the Government of South Australia has selected to produce concept designs for a new contemporary art museum in Adelaide, South Australia's capital.

The Adelaide Contemporary International Design Competition, as it is officially known, asked firms to design both a museum and public space for events around the future Adelaide Contemporary, which will be part of the Art Gallery of South Australia (AGSA) network.

The six chosen teams, a mix of Australian and international firms, are now at work on concept designs that will be revealed to the public in April 2018, right before the competition jury convenes. London's Adjaye Associates was matched with Sydney's BVN, while SO-IL and Melbourne's HASSELL are working together on a concept. BIG – Bjarke Ingels Group (Copenhagen) and JPE Design Studio (Adelaide) are paired up, as is Diller Scofidio + Renfro (New York) and Woods Bagot (also from Adelaide). London's David Chipperfield Architects and Sydney's SJB Architects working together on the design, and a team of three firms—Khai Liew (Adelaide), Office of Ryue Nishizawa (Tokyo) and Durbach Block Jaggers (Sydney)—makes up the final grouping. The firms were selected in the competition's first stage from over 100 teams (525 firms) representing five continents. To create the final teams, organizers paired international winners with shortlisted Australian firms. "This is an extraordinarily rich list of diverse creative partnerships of architects looking to complement their talents by working with both peers and smaller talented practices. There is a strong thread of Australian professional expertise running through the entire list with Australians taking both equal and collaborative positions," said Nick Mitzevich, director of AGSA, in prepared remarks. "The six teams all showed a strong connection with Adelaide—and understood that our aim is not to create an off-the-peg architectural icon but a piece of Adelaide, an entity that will be sustainable and polymathic in the way it enhances the social, cultural and architectural fabric of the city." The final jury will be announced in early 2018.
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BIG unveils first pro sports stadium for Austin

Austin Sports & Entertainment, together with New York–based Bjarke Ingels Group (BIG) and Austin-based STG Design, has released a first look at plans for its 1.3-million-square-foot, multipurpose collection of interlinked stadiums. The new East Austin District bills itself as Austin’s first pro-sports stadium and will host workspaces, convention space, retail, medical facilities, and a huge music arena. Anchored by a 40,000-seat stadium designed for soccer and rugby games and a connected 15,000-seat multipurpose arena, East Austin District will be a loose collection of buildings covered by a shared, latticed rooftop. The checkerboard roof, taking inspiration from the Jefferson Grid, will segment each area by function while still allowing visitors to experience a variety of indoor and outdoor programs. Resembling enormous, overlapping shingles, the red photovoltaic roof will allow the district to be self-sufficient, and eventually export electricity to the rest of eastern Austin once the infrastructure is in place. “Like a collective campus rather than a monolithic stadium, the East Austin District unifies all the elements of rodeo and soccer into a village of courtyards and canopies. Embracing Austin’s local character and culture, the East Austin District is a single destination composed of many smaller structures under one roof,” said Bjarke Ingels, BIG's founding partner. Although each building greatly differs in function, they’re united through all-wood interiors that reference Austin’s characteristic barns and porches. Eight outdoor courtyards are interspersed throughout the district, further highlighting the connection to Austin’s porch and patio culture. Expected to be used throughout the year, the outdoor spaces will host public parks and plazas, food trucks, and smaller concerts. While BIG’s plans for East Austin District are still conceptual, Austin Sports & Entertainment has been pushing to raise funding for the project, although they have declined to disclose the projected cost. If successful, the district would be built over the site of the annual Rodeo Austin with the event moving to the development’s secondary arena. “We are in active discussions with leading global sports and entertainment organizations, including our partner Rodeo Austin as well as various corporations, to serve as anchors to accelerate the goals of the Spirit of East Austin Forum,” said Sean Foley & Andrew Nestor, co-managing partners of Austin Sports & Entertainment, in a statement. If investors for the project can be found, construction is expected to begin in 2018 and finish by 2021.
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2017 Best of Design Awards for Building of the Year – Southeast

2017 Best of Design Awards for Building of the Year – Southeast: Grove at Grand Bay Architect: Bjarke Ingels Group (BIG) Location: Coconut Grove, Florida Grove at Grand Bay, a pair of 20-story twisting glass towers located in Miami’s historic Coconut Grove neighborhood, marks BIG’s first condominium design completed in the United States. The 98-unit, sold-out development, which was also the first new residential project completed in Coconut Grove in over ten years, has helped lead the rejuvenation of the neighborhood—an area long known for its bohemian attitude and laid-back waterfront lifestyle. On first impression, the design appears to be a purely aesthetic move, conceived from the outside in; but in fact, the shapes of the Grove at Grand Bay towers were generated by inward necessities following an exhaustive study by the firm. The team searched for the ideal form that would allow maximum views for every unit in both buildings, gradually settling on two tornado-like towers to achieve the most effective orientation. “Developer-led housing can often be a bore, but the designers managed to breathe life into it. The client took a risk with the structural system, and the landscaping helps it meet the ground elegantly.”Matt Shaw, Senior Editor, The Architect's Newspaper (Juror)
Developer: Terra Landscape Architect: Raymond Jungles Executive Architect: Nichols Brosch Wurst Wolfe & Associates Structural Engineers: DeSimone Consulting Engineers LEED Building Consultant: The Spinnaker Group
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BIG designs kindergarten for WeWork as the company expands into education

Fresh off the completion of the LEGO House in Billund, Denmark, the Bjarke Ingels Group (BIG) has embarked on a playful new school project for co-working company WeWork. Called “WeGrow,” WeWork is hoping to extend its reach into education with a pilot school near the company’s Manhattan headquarters. With an initial test class of seven students ranging from 5 to 8 years old, WeGrow wants to rapidly expand its micro-school to a class of 65 by next fall, and then to a full K-through-12 program soon after. Currently housed near the company’s Chelsea headquarters, WeGrow will join WeWork when it moves to the former Lord & Taylor building on 5th Avenue in 2019. A plan that ambitious requires a dedicated space, and BIG has revealed renderings for a WeGrow school full of soft, biomorphic forms. Pebble-shaped pillows can be stacked for adjustable seating, and swooping round reading areas are right at home among circular lighting fixtures, play areas and staircases. While BIG has tried to let in natural light by removing divider walls and creating open floors, the studio has left the underlying columns, beams and joists exposed for an industrial look. Bjarke Ingels described the design as tactile, and meant to encourage interactivity in an educational system that typically disparages experimentation. “What we’ve tried to do is undo the compartmentalization that you often find in a school environment,” said Ingels. While funding for WeGrow hasn’t been finalized, the initial plan may be to charge a market-comparable tuition on a sliding scale and potentially transition into a privately funded non-profit later on. Set to occupy its own section of the future headquarters, complete with a separate entrance, WeGrow hopes to use this first school as a jumping off point for eventually integrating a WeGrow space in every WeWork. Picturing a world where parents can head to the office with their children in tow, WeGrow is a logical next step for a company that also operates WeLive, a co-living space featuring fully furnished apartments, and Rise By We, a chain of wellness clubs. Adam Neumann, WeWork’s CEO, has stated that he eventually wants to expand into designing entire neighborhoods. WeGrow, in their own words, has claimed the ambitious goal of trying to eventually educate people “from birth to death.”
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Air rights locked down for BIG’s spiral tower in Hudson Yards

At a buy of $157 million, New York–based developer Tishman Speyer secured the final air rights it needed for The Spiral, a massive new BIG building in Hudson Yards. The green-ribboned glass monolith, which will top out at 65 stories with a $3.2 billion price tag, acquired the rights from lots around the Eastern Rail Yards owned by the Hudson Yards Development Corporation. Pfizer, the New York–based pharmaceutical mammoth, will be the tower's primary tenant, and has already inked a deal to rent out 800,000 square feet of the total development. To date, Tishman Speyrer has spent $265 million on air rights alone—the tower will rise to a lofty 1,005 feet, which will make it the second-tallest development in the Hudson Yards, right after 30 Hudson Yards. Designs for the supertall were first released last February by the developer, and feature an ascending spiral of terraces populated with vertical and hanging greenery split between two-floor atria. These spaces, leased out as offices, housing, and hotel, will offer incomparable views over the Hudson River and the High Line, which will extend right up to the tower's base. The idea for the spiraling greenspaces (a popular trope, especially after Stefano Boeri's forested towers in Milan) is drawn from naturally-occurring patterns demonstrated in plant growth, molecular structure, and galactic formations, as Ingels explains in the tower's promotional video. With all rights locked down, Tishman Speyer now has the go-ahead for construction, joining its KPF-designed neighbors 55, 30, and 10 Hudson Yards.
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Adjaye’s Studio Museum, a view from Mexico City, and other updates from the architects of Instagram

At The Architect’s Newspaper, we’re plain addicted to Instagram. Sure, we love seeing Brutalist concrete through “Inkwell” or “Ludwig” filters, but there’s also no better place to see where architects are getting their inspiration, how they’re documenting the built environment, and where they’ve traveled of late. Below, we bring you some of the best Instagrams of this past week! (Also, don’t forget to check out our Instagram account here.) Richard Meier & Partners unveiled a dual pedestrian and vehicular bridge in Alessandria, Italy, suspended from an enormous white steel arc. Sleek, Richard. https://www.instagram.com/p/BZgzzhAAhEe/?taken-by=richardmeierpartners Adjaye Associates released new, more detailed renderings for the new home of the Studio Museum in Harlem this week – along with this gorgeous model (via Field Condition). The five-story building block structure will increase the museum's space by 115 percent. It will break ground next year. https://www.instagram.com/p/BZg5koFFWWi/?taken-by=field_condition Not to over-saturate your feed with Iwan Baan, but he's just ... so good at what he does. Here, an aerial of BIG's big new LEGO House in Billund, Denmark – a terraced, colorful playground for adults and children alike. https://www.instagram.com/p/BZl7egsBk2t/?taken-by=iwanbaan Any excuse for a garden wall. Steven Holl Architects here tried a mock-up vertical sedum for the Kennedy Center expansion.  https://www.instagram.com/p/BZWMirrAprB/?taken-by=stevenhollarchitects You thought you could escape Thomas Heatherwick for a second – but here he is again, haunting your weekend. The Heatherwick-designed Zeitz Museum of Contemporary Art Africa opened in Cape Town last week, featuring immense sections cut out of concrete grain silos to form a central atrium. We demand receipts. https://www.instagram.com/p/BZV0CXohcx9/?taken-by=zeitzmocaa Finally, from Mexico City-based architect Michael Rojkind and his firm Rojkind Arquitectos, a sobering view of the future of reconstruction needed in the aftermath of the city's most recent earthquakes. He will be at a MAS Context fundraiser in Chicago to provide an update from Mexico City. https://www.instagram.com/p/BZha3qXF0M_/?taken-by=rojkindarquitectos That’s it for today, hashtag archilovers and quote-on-quote gallerinas. See you next week for more drama.
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Bjarke Ingels’s LEGO House is finally open to the public

The last brick has been placed on the long-awaited LEGO House in Billund, Denmark. Yesterday, the Danish royal family was on hand to open the building to visitors. Before the Bjarke Ingels Group (BIG)–designed structure, the city was only famous for architectural splendor of a different (smaller) scale. Now, however, Billund finally has something BIG to shout about.

Flying into the city, it’s hard to miss the almost three-acre LEGO House. The building’s vibrant terraced squares of red, yellow, green, and blue are easy to spot beneath the clouds despite the equally colorful LEGOLAND and Lalandia water park nearby. This aerial view, which will be the first for many who visit the LEGO House and a rare instance where aerial photography and renderings are relevant—hints at the modular structure's 21 rectangular volumes, waiting to be discovered on the ground.

Though colorful from the sky, the LEGO House is predominantly white at the street level. Ninety-thousand white clip-on ceramic tiles wrap around the building, each abiding by the proportions of a two-by-four LEGO brick. This reference to the toy-maker's most iconic brick can be found more explicitly in what Ingels calls the LEGO House’s “keystone.”

Sitting at the top of the building, the keystone features eight oversized circular studs and tops out the LEGO House which rises to just over 75 feet high. Rather surprisingly, this makes the building Billund’s tallest, though this isn’t exactly a tough achievement in the low-rise city.

Billund is very much a company town—something its residents aren’t afraid to admit. Around 3,000 LEGO employees work here, though not all live in the city, which had a population of 6,194 as of 2014. The city center is generally ignored by tourists who visit Lalandia and LEGOLAND, as those going to the latter stay at the LEGOLAND Holiday Village. This is not because the center is far away: You can drive around Billund in five minutes, or walk. The center just has very little to offer, with few restaurants and shops.

Billund Mayor Ib Kristensen is hoping the LEGO House will change that. “I don’t have any concerns,” he told The Architect’s Newspaper (AN). “The LEGO House will bring at lot of guests into the center of Billund and it will help other shops, restaurants,” he said, adding that he estimates the building will bring 250,000 visitors to the city every year.

With the municipality so reliant on LEGO, news of the company cutting eight percent of its workforce was not welcome at the start of the month. The cuts will eliminate 1,400 jobs worldwide, and Kristensen said this would mean 600 lost jobs in Billund. Despite this, Kristensen noted that LEGO House has created 180 new jobs and that the city’s “Triangle Region” has the lowest unemployment in Denmark, though this is partly because many travel into Billund for work.

Locals share the mayor’s optimism in spite of the grim jobs news. Tina Hald Kristensen, (no relation) who has worked in a sleepy cafe opposite the LEGO House for two years, is eager to see an influx in potential customers and revenue to the area. “I think it’s a much-needed positive addition to the city,” she said.

Despite its lofty ambitions and height accolades, the LEGO House is not imposing. BIG struck a sensitive balance with Billund’s topography and sprawling surroundings, while making the statement LEGO want to make.

Steadily rising cubic volumes create two corners that form an orthogonal cascading landscape that provides steps and seating. These rubber-surfaced areas will be open to the public 24/7, while the rest of the roofscape, which includes an assortment of play areas, will only be accessible during official open hours.

Considering the building is an almost all-white structure, with walls and terraces open to the public at all hours, the potential for it being a target of graffiti springs to mind. However, Hald Kristensen stressed that this was unlikely to occur. “Billund isn’t that sort of town,” she said. A wander around the area confirms that there’s no graffiti at all. Potential vandalism aside, it remains to be seen how the white tiles and other white surfaces will be maintained in their pristine condition.

It is in the white tile facade, however, where BIG’s details stand out. On the inside, the tiling continues, gradually pixelating into various shades as you enter different areas, most dramatically into black as you enter the basement.

Here, on the lower level, adults who are still interested in LEGO or played with the toy as children will find a nostalgic treasure trove. This area resembles a museum of the company, going back to its first product. Well-known LEGO and System products line the walls and old moulds used to make two-by-four bricks can be seen. Furthermore, an interactive database of almost all LEGO sets lets visitors scroll through and find their favorite.

Anna Manins, a local resident who is a mother of three, is more pleased that her children will have a place to keep them entertained in the winter when LEGOLAND and Lalandia close down. The LEGO House is ultimately a venue for children. Three hours away in Nørrebro, Copenhagen, Ingels' Superkilen park is evidence that his work for children can stand the test of time. Completed in 2012, the park is still well-used five years on. 

Like Superkilen, the LEGO House uses color as a circulatory means. As denoted by the colored rubber on the terraces, four zones feed off an interior concourse where a shop, restaurant where LEGO robots serve food, and a staircase spirals round a LEGO tree that has carvings of the first LEGO products that were made from wood can be found. 

According to the firm, the Red Zone is for “spontaneous creativity and free-building”; the Green Zone is for "social activities" and “roleplay with your own characters and stories”; the Blue Zone is for “putting your cognitive skills to the test”; and the Yellow Zone is intended to “play with emotions.”

In these areas, children can see their creations come to life on CGI-animated screens and are encouraged to build with each other, contribute to other buildings which are added to throughout the day, race their own LEGO cars, and make stop-motion LEGO movies.

An interesting and unexpected activity is the role of the urban designer. In the Yellow Zone, modular blocks, limited in size to a square base, can be placed around a city-like grid. Custom-made creations can be built around pre-built fixed buildings such as a soccer stadium and concert venue. Similar to playing Sim City, the interactive grid responds to what is placed, demanding at times a particular typology—which you build—be placed in a certain area.

There is room for adulting here too. The accomplished work of certified LEGO builders of all scales —there are only 40 LEGO “master builders” in the world—are dotted around the building. Some are carefully curated moving scenes that tell a story. If you can find it, a depiction of LEGO owner Kjeld Kirk Kristiansen can be found having his picture taken with his leg in a cast (he broke it when the LEGO House's foundations were being laid).

BIG's plans for Billund don't stop at LEGO. Apartments for families, the elderly, and rental apartments designed by the Danish firm are set to be built in the city. LEGO is also planning a new headquarters in the city, courtesy of C.F. Møller, another Danish studio. For the time being, though, small bricks are the only thing anyone is talking about in Billund.

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BIG to design the world’s largest Mars simulator in the UAE

The world's largest space stimulation city is a BIG deal. On Tuesday, United Arab Emirates leaders unveiled designs for a 1.9-million-square-foot Mars simulator designed by Bjarke Ingels Group (BIG). When it opens, a team will live in a Mars-like environment under one of the development's domes, subjecting themselves to and conducting experiments on energy, food, and water self-sustenance. To support the research, the simulation will include agriculture testing facilities to study food security, as well as labs for food, water, and energy. The public will be able to visit a museum of "humanity’s greatest space achievements" complete with educational spaces for young aspiring astronauts. The museum's walls will be 3D-printed from desert sand. Emirates News Agency (WAM), the UAE's official news agency, first broke the news. The project will cost approximately $136 million (AED $500 million) to build. "The UAE seeks to establish international efforts to develop technologies that benefit humankind, and that establish the foundation of a better future for more generations to come," said Vice President, Prime Minister, and Ruler of Dubai, His Highness Sheikh Mohammed bin Rashid Al Maktoum, at the meeting. "We also want to consolidate the passion for leadership in science in the UAE, contributing to improving life on earth and to developing innovative solutions to many of our global challenges." The space city is part of the UAE's Mars 2117 Strategy, an initiative launched this February that aims to build the first human settlement on Mars within the next century.
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MVRDV, BIG, and James Corner Field Operations selected to future-proof Bay Area

Resilient by Design | Bay Area has chosen 10 multi-disciplinary teams to partake in the next phase of a design challenge focused on future-proofing California’s San Francisco Bay Area against the destructive effects of climate change and sea level rise. The 10 teams will partner with community members and organizations over the next nine months to develop innovative approaches for the region. The teams include several notable architecture and landscape architecture firms, including BIG, MVRDV,  and James Corner Field Operations. Each of the selected teams contains at least one community member and several of the teams are entirely Bay Area–based. Resilient by Design is modeled on Rebuild by Design, a federally-funded New York City re-visioning competition held after 2012's Hurricane Sandy. The 10 selected design teams include:
BIG + ONE + SHERWOOD Bionic Team Common Ground HASSELL+ Permaculture + Social Equity Public Sediment The All Bay Collective The Field Operations Team The Home Team Team UPLIFT
The teams were each awarded $250,000 to engage in research over the next three months and to work with community members to analyze chosen sites with the eventual goal of crafting an adaptation strategy for a specific project location by May. “Resilient by Design is creating a blueprint for the world, bring together community members and experts to show how we can collectively tackle climate change,” Amanda Brown-Stevens, managing director of Resilient by Design | Bay Area Challenge, told The Architect’s Newspaper. “We know that it is time for something different, a new approach that matches our new reality but draws on who we are and what we have always been able to do: think differently, innovate, come together, and adapt.” Formal announcements for team and site pairings will be timed to coincide with California Governor Jerry Brown’s scheduled Global Climate Action Summit in December. The most recent announcement comes after the Bay Area Challenge was awarded a $4.6 million grant from the Rockefeller Foundation earlier this year.