Posts tagged with "BIG-Bjarke Ingels Group":

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BIG proposes gondola to connect Oakland A’s stadium to public transit

Bjarke Ingels Group (BIG) has unveiled renderings for a proposed gondola line that could link downtown Oakland, California, with the firm’s proposed baseball stadium development for the Oakland Athletics on Howard Terminal. The proposed gondola line would bridge a 1.3-mile gap in transit access between the Bay Area Regional Transit (BART) system that stops in downtown Oakland and Jack London Square, a site adjacent to the new development. The link is projected to serve up to 6,000 individuals per hour and will take roughly three minutes to make the trip. The proposal has come to light as the A's and BIG work to assuage local stadium-related concerns, which include lack of transit access to the site and preservation issues for the existing Oakland-Alameda County Coliseum, which will be effectively torn down for the project. The new renderings show a conventional gondola system running above the streets of Downtown Oakland. The elevated line will ferry passengers above the street and between the buildings that line the route while picking up and dropping off at raised stations with curved metal and wood walls. Gondolas are having a bit of a moment in American transit planning circles, as two efforts are lifting off in Los Angeles and in other cities. In L.A., a recent proposal to build a gondola line linking the city’s Union Station with Dodger Stadium has gained momentum. A second proposal to build a gondola line to connect various parts of the city to the Hollywood Sign has also gained notoriety as local officials move to accommodate a recent uptick in foot traffic to the remote mountainside sign. Plans for the Oakland gondola are being developed in tandem with the stadium proposal, which calls for new residential, commercial, and cultural programs around the baseball stadium. If all goes according to plan, the new stadium and gondola line could be up and running as soon as 2023.
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BIG shows off its new full-block office in DUMBO

Bjarke Ingels Group (BIG) has completed its move to Brooklyn, setting up shop in a new 50,000-square-foot office space only a stone’s throw from the Brooklyn Bridge. BIG has consolidated its 250-person office onto a single full-block floor near the top of 45 Main Street in DUMBO. Designed by BIG’s in-house interiors team, the office is full of furniture and lighting fixtures from the Danish design firm and frequent BIG collaborator KiBiSi. The move to a larger office meant that the studio was able to quadruple the space allocated to its two fabrication and assembly spaces. Completed pieces can then move to an extra-height, skylight-lit room for displaying large-scale models and mockup furniture. A gallery on the south side of the floor connects the office’s eastern and western wings. The chairs inside of the glass-enclosed conference room are color-coded in reference to the studio’s monograph Hot to Cold and range from mild to vibrant, a flourish repeated in the perimeter-lining bookshelves. Rounding out the new office’s perks is a private roof deck that the studio can use for events and conference meetings, which is separate from the building's 9,500-square-foot green roof designed by James Corner Field Operations.
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Let’s kick it: Here are the top sports architecture stories of 2018

Is the United States becoming more serious about soccer? We think we have evidence to say that it is. AN’s most popular sports stories of 2018 center around the world’s greatest sport, telling us that this year’s uptick of soccer-related architecture news signals a newfound appreciation for the game in our country. Read on for several developments you should pay attention to, and other stories about why sustainable stadium design is also on the rise. David Beckham’s Miami soccer village reveals Arquitectonica’s designs Miami is set to receive its first Major League Soccer (MLS) team, backed by soccer superstar David Beckham who plans to build a 73-acre campus for the city called “Miami Freedom Park.” Arquitectonica revealed new renderings of the sports village, complete with a sweeping, 25,000-seat soccer stadium. In November, local residents voted to approve the project and its projected location on the city-owned Melreese Country Club golf course, meaning Beckham’s vision is one step closer to breaking ground. Nashville’s new $2 million soccer stadium takes shape In December 2016, MLS announced a major club expansion to four U.S. cities including Nashville, Tennessee. Though the southern city wasn’t sure it’d be awarded a new team, plans for a multimillion-dollar stadium project had been in the works for over a year. This February, HOK released its first renderings of the new stadium, which will be constructed inside the Fairgrounds, home of the Tennessee State Fair. Selecting the central site was a contentious process throughout 2017 when a lawsuit was filed citing the city had violated its charter by proposing the project on public grounds. 2026 World Cup preview: Which U.S. cities will host? As Qatar preps for the 2022 World Cup, the United States is on deck to host the 2026 games alongside Canada and Mexico. That’s exciting news for a country whose national team rarely makes it into the World Cup lineup—the joint bid automatically ensures us a spot. But what’s not yet official are the 10 cities that will host events. We know that 60 of the 80 planned matches will be played in the U.S., including those from the quarterfinals onwards, but currently, 17 cities are still in the running. Which top towns, along with their state-of-the-art stadiums (which are an integral part of the individual bid), will make the cut? We’ve listed all the contenders here from Atlanta’s new Mercedes Benz Stadium by HOK (host of the 2019 Super Bowl) to the classic Rose Bowl in Los Angeles. Naturally-ventilated Louis Armstrong Stadium debuts at US Open Ahead of this September’s US Open, the USTA Billie Jean King National Tennis Center finished a five-year, $600 million renovation project of its campus in Flushing, Queens, New York. The massive update included the buildout of the new Louis Armstrong Stadium, the world’s first naturally ventilated tennis arena with a retractable roof. Designed by Detroit-based firm Rossetti, the 14,000-seat stadium replaces the former Louis Armstrong Stadium, which was demolished after the 2016 championship. The new structure features the same stacked seating style as its predecessor but serves up extra sustainability with the exterior overlapping terracotta louvers that act as horizontal window blinds. New home of the Texas Rangers has a climate-controlling, retractable roof HKS has designed a new 41,000-seat baseball stadium for the Texas Rangers in Arlington, Texas, set to replace the old Globe Life Park in 2020. The aptly named Globe Life Field will be a glass- and brick-clad structure featuring new climate-controlling infrastructure and a retractable roof. HKS’s design for the 1.7 million-square-foot ballpark was inspired by the vernacular style of Texas farmhouse porches. BIG unveils designs for new Oakland A’s stadium featuring a rooftop park Late this November, Bjarke Ingels Group (BIG) and the Oakland Athletics unveiled plans for a new baseball park and mixed-use campus in Oakland, California. Complete with a literally diamond-shaped stadium, the project is being pitched as a double-play for the city. It will feature an open and accessible landscape situated within Oakland’s underutilized Howard Terminal and will also include housing, recreational spots, and a business hub. Gensler and James Corner Field Operations will work alongside BIG to build out the mega-green space by 2021.
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BIG unveils designs for new Oakland A’s stadium featuring a rooftop park

Bjarke Ingels Group (BIG) and the Oakland Athletics have unveiled designs for a transformative scheme that would bring a new baseball park, housing, recreational areas, and a business campus to the city. As one might expect, the project is being pitched as a double-play.  First, the project team aims to create a new professional baseball park on Howard Terminal. The scheme would include an unspecified number of new housing units organized into a collection of wedge-shaped towers surrounding the ballpark. The new district would offer generous pedestrian-oriented areas, including bay-facing wharves and a terraced rooftop park. The San Francisco Chronicle reported that the design of the new ballpark emulates turn-of-the-century baseball diamond designs, including the one found at Shibe Park in Philadelphia, where the A’s once played.  Gensler has signed on as executive architect for the project while James Corner Field Operations will be providing landscape architecture designs for the scheme. Dave Kaval, A’s president and a major force behind the project, told The Chronicle,  “Instead of a ballpark that sits like a fortress, this will be open and accessible to the community at all times.” Under the proposed plan, the A’s current stadium, the Oakland-Alameda County Coliseum, would receive a buzz cut as it is converted into a sunken amphitheater situated at the heart of a new municipal park. The proposed park would include the adaptive reuse of the Oracle Arena, which is currently used by the Golden State Warriors basketball team but will become vacant when they move to San Francisco for the Manica Architecture and Gensler–designed Chase Arena next year. The proposed park will be ringed with new uses, including mixed-use housing, a tech campus, a business park, a “science and technology university,” and other job creation- and community-focused areas. 

Oakland Mayor Libby Schaaf referred to the plan as “the right project, in the right neighborhood, and at the right price to our taxpayers” in a statement.

The A’s are currently attempting to work out a deal for use of the Coliseum, including purchasing the complex outright for $135 million. A project timeline has not been finalized, but Kaval has indicated a desire to have the park open for the 2021 season.

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BIG completes a curvaceous school for WeWork

Bjarke Ingels Group (BIG) has finished work on their first elementary school for coworking giant WeWork, continuing the company’s journey into education (and eventually neighborhood planning). WeGrow, what BIG describes as a “10,000-square-foot learning universe," resides inside of WeWork’s Manhattan headquarters in Chelsea and serves three- to nine-year-old children. What started out with a test class of only seven students has expanded into a full-fledged school, and WeGrow is already taking applications for the 2019 academic year. From the newly-released final images of the space, it appears that BIG pulled back from the more industrial look proposed in the renderings revealed last November. The completed WeGrow space is full of soft, biomorphic forms with rounded edges, and clad in soft materials, usually felt. Instead of miming traditional classrooms, BIG has broken the school’s programming up into what it’s termed a “learning landscape.” That includes four open classrooms, workshop and community spaces, an art studio, music room, and several play areas across a mostly-open floor plate. “Children realize they have agency when design is less prescriptive and more intuitive,” wrote Bjarke Ingels in a statement. “We don't have to tell kids how to use the space and every interpretation of how they use the space is good.” To that end, much of the space has been designed to accommodate the whims and needs of young children. Most of the partitions are made from three tiers of shelving, each adjusted to the arm height of the three age groups of students. Those low-lying shelves have the added benefit of letting in natural light and allowing teachers to keep track of all of their students across the floor. Various activity spaces across the school encourage students to explore and play in different environments that evoke the outdoors. Felt clouds mounted on the ceiling are lit by special bulbs from Ketra that change color and intensity based on the time of day and the blob-like plywood enclosures provide students with elevated vantage points and private nooks. Each of the school’s “learning stations” features furniture scaled to fit both adults and children, and a teacher-parent-student lobby incorporates seating meant to accommodate all ages. That includes an enormous felt “brain puzzle” seating system that can be taken apart and rearranged as needed, or just for fun. According to WeWork’s CEO Adam Neumann, the ultimate goal is to have a WeGrow integrated in every WeWork. That would certainly tie into the company’s ambitious goal of offering services at every stage of a customer’s life.
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BIG completes affordable housing complex in Copenhagen

Bjarke Ingels Group (BIG) has recently completed work an affordable housing project in the firm's hometown of Copenhagen, Denmark. The project is known by the name of its neighborhood, Dortheavej, a largely industrial area in the northwestern part of the city with buildings from the early 20th century. The 66-unit complex was designed for the nonprofit Lejerbo, a local organization that is trying to get high-profile architects to design affordable housing. The design used modular construction to create a repetitive facade where every-other unit punches out to create small balconies for the unit above. The checkerboard facade is clad in glass and loose wood slats to create an organic, almost rustic, look and feel. The stacked housing modules create a gently-bending wall that frames a plaza to one side of the building. Punches through the building on the ground level allow passage through the relatively narrow profile. The units range in size from 645 to 1237 square feet. "The prefabricated elements are stacked in a way that allows every second module an extra meter of room height, making the kitchen-living areas unusually spacious," Bjarke Ingels said in a statement. The 73,000-square-foot building had a price tag of approximately $9.8 million.
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Bjarke Ingels Group designs a new home for Noma

Bjarke Ingels Group (BIG) has designed a new home for one of the most critically acclaimed restaurants in the world: noma. The Danish eatery moved into their new digs earlier this year, leaving their old home in the Strandgade neighborhood of Copenhagen, Denmark, to the city's Christiania area. Christiania is Copenhagen's "hippie town," a former military base that was colonized by squatters in the 1970s, became a sort of lawless city-in-a-city where drugs were available at street stalls, and is now a mix of informal settlements and super-lux restaurants. The new noma is in a refurbished warehouse that was once used by the Royal Danish Navy and has been re-styled with a Scandi-chic interior for sampling avant-garde takes on Nordic cuisine. The restaurant is split across a variety of little buildings, each assigned a specific purpose (arrival, wine selection, etc.) and all arranged around the kitchen. The arrangement is meant to turn a visit to the restaurant into a culinary experience, one where you can visit the garden that grew the herbs on your plate and you can poke around the science experiments that might show up on the menu next year. The restaurant's garden, test kitchen, and bakery are all on-site along with fermentation labs, fish tanks, terrarium, and an ant farm. Outback Steakhouse this is not. Lest it all become too highfalutin, the interiors are lined with humble, local materials like exposed wood and salvaged brick. A greenhouse is light and unassuming, bordering even on utilitarian, and the overall aesthetic hews more closely to the streamlined humanism of Alvar Aalto than the flash and "hedonism" that other BIG projects are known for. The new location opened in Feburary, 2018, and is now available for reservations.
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BIG’s undulating homage to Habitat 67 wins approval in Toronto

Only a few days after BIG’s snaking Serpentine Pavilion was fully installed in Toronto, King Street West, the stacked housing development sited directly behind the pavilion, received official approval and is set to begin sales shortly. The full-block King Street West, developed by BIG’s frequent Canadian collaborators Westbank (also the owner of the aforementioned pavilion), was reportedly inspired in both form and spirit by Moshe Safdie’s experimental Habitat 67 in Montreal. Similar to the adjacent pavilion, the 750,000-square-foot project will rise in stepped, stacked boxes and invoke a pixelated effect—an effect that extends even to the cladding, thanks to the glass bricks that will be used for the facade. Each concrete cube has been extruded and set back to terrace space and open up lighting for residents, as well as give each unit its own unique identity. Much like Habitat 67 or BIG’s own “self-contained neighborhood," the 8 House in Copenhagen, the aim was to lend each unit the feeling of being its own standalone home. "With King Street West, we wanted to find an alternative to the tower and podium you see a lot of in Toronto and revisit some of Safdie's revolutionary ideas,” said Bjarke Ingels in a press release, “but rather than a utopian experiment on an island, have it nested into the heart of the city. It would be strange if one of the most diverse cities in the world had the most homogenous architecture." King Street West will incorporate the site’s existing century-old brick buildings and convert them into a mix of office and retail space. The peaks-and-valleys approach BIG took to the development’s massing extends to the underside, as the building rises like the entrance to a cavern at the bottom, opening up to what BIG has described as a “maze-like” courtyard within. The “mountainous” portions of the project will frame the interior landscaping at ground-level, which comes courtesy of the Toronto-based landscape architects Public Work. The project had been under consideration by the Toronto city government for the last two-and-a-half years, as the King West neighborhood is the meeting point of Toronto’s downtown skyscrapers and shorter brick buildings. Several converted factories and warehouses sit on the same block as King Street West, and the development was approved only after BIG was able to scale its “village” down to a contextual size. No estimated completion date for King Street West has been announced yet.
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The ORB, Bjarke Ingels’s floating silver sphere, rises at Burning Man

Fans of large metallic spheres rejoice: The ORB rises. Despite not meeting their crowdfunding goal, Bjarke Ingels and Jakob Lange of Bjarke Ingels Group have successfully created their installation at this year's Burning Man festival in Black Rock City, Nevada. The pair launched an Indiegogo campaign earlier this summer with a goal of raising $50,000 for the project. At the time of writing this article, the pair had raised $34,251 pledged from 127 backers.

#Burningman artists impress. #burningman2018

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AN spotted the ball in Burning Man's official Youtube live stream of the event. The stream peers around the site of the event, known as the Playa to festival-goers, who are also known as Burners. Jakob Lange posted a construction image of The ORB last week to his Instagram account, but neither architect has released official imagery of the project. Burning Man is a temporary event in the Nevada desert where thousands of participants camp, build temporary structures, and engage in various activities of a psychedelic nature. In recent years Burning Man has become synonymous with Silicon Valley and the way in which counter-cultural experiences can be commodified as expensive entertainment. Basic tickets to the week-long festival cost upwards of $300. According to the architects, The ORB will be "a new planet to sci-fi fans, a wayfinder for travelers or just a huge disco ball to those who love a good party!" Although it appears to float above the ground, the 83-foot sphere is held up by a 105-foot steel mast. Renderings and prototype studies showed a mirrored metallic surface to the object, although in the live stream it appears to be either duller or covered in desert dust. The structure will be up during the festival this week, when it will be presumably be dismantled or destroyed along with the rest of the festival's structures.
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BIG, Gensler, and JCFO to design new Oakland Athletics baseball stadium

According to the San Francisco Chronicle, Bjarke Ingels Group (BIG) has been hired to lead design for a new ballpark for the Oakland Athletics baseball team. The decision comes after months of speculation over the team’s future in Oakland as the Oakland Raiders professional football team moves forward with a deal to abandon the Oakland-Alameda County Coliseum—currently shared with the A’s—in order to build a new $1.8 billion stadium in Las Vegas, Nevada, designed by Manica Architecture. A handful of plans have been proposed over the last 18 months for the baseball team’s future home, including purchasing the Coliseum site outright from the City of Oakland for $135 million. But the team is keeping its options open: Aside from the Coliseum bid, the team is currently pursuing plans for a brand new ballpark in the Port of Oakland’s Howard Terminal. https://twitter.com/davekaval/status/1019773158843281409?s=21 The plan for the Howard Terminal site is reportedly favored by Oakland mayor Libby Schaaf, as it would allow the city to buyout Alameda County’s stake in the jointly-owned Coliseum site. The arrangement would give the city control over a centrally-located public amenity that is already connected to mass transit while passing on the costs of redeveloping Howard Terminal to private coffers. Despite Schaaf’s intentions to purchase the park, however, the mayor recently announced that the city does not have the money to make the purchase itself and is unwilling to commit public funding for the plan. In the past, the A’s were also considering a potential partnership with the Peralta Community College District nearby for a new standalone ballpark, though that fell through earlier this year due to community opposition. Previously, it was thought that HOK was on board to design a new A’s stadium, but the latest announcement seems to have scuttled those ideas. Now, it’ll be BIG, Gensler, and James Corner Field Operations working together to craft the new ballpark and the surrounding areas. “We are honored and excited to team with the Oakland A’s to help imagine their future home where sports culture and local community culture unite as one," Bjarke Ingels told The Architect's Newspaper. "We envision a stadium district that will be active and inviting 365 days a year for athletes, fans, and Oaklanders alike.” Announcing the new design team, A’s president Dave Kaval told the Chronicle, “We wanted a team that could look at the ballpark with a fresh perspective…and this is really a game changer.” https://twitter.com/oakstadiumwatch/status/1019785475555450880?s=21 The announcement was somewhat expected, especially for anyone who has been keeping close tabs on relevant social media channels. Earlier this summer, amid a trip to the Bay Area to check in on construction for the forthcoming Googleplex headquarters, BIG’s founder, Bjarke Ingels, took in an A’s game with Kaval. A flurry of Twitter selfies and Instagram stories from the pair hinted at a potential partnership. BIG is no stranger to working in the Bay Area. As mentioned above, the office based in New York City and Copenhagen is currently working with Heatherwick Studios on a new tent-inspired headquarters for Google. The firm also recently unveiled a scheme to reurbanize sections of Islais Creek with Sherwood and ONE. A planned 242-unit mixed-income housing complex in San Francisco’s South of Market neighborhood designed by BIG is under construction, as well.  Designs for the BIG-led proposal have not been released, though Kaval has stated that the new stadium will be privately financed and will open in time for the 2021–2022 season.
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Bjarke Ingels designs stilted Miami Produce Center complex

Bjarke Ingels Group is teaming up with Miami Beach developer Robert Wennett to design a mega mixed-use project dubbed the Miami Produce Center for that city's Allapattah neighborhood. The Real Deal reported that Wennett’s Miami Produce Center LLC aims to construct an eight-building development outfitted with residential units, offices, retail, a hotel, a school, and a parking garage, according to a Special Area Plan recently filed to the City of Miami. Property records show the plan for the new buildings covers an 8.54-acre block at 12th Avenue and 21st Street—all of which was bought for a grand total of $16 million back in 2016. Initial renderings for the Miami Produce Center reveal Wennett’s futuristic and tropical vision for the multi-leveled urbanscape. BIG’s design centers around stacked, rectangular structures, all varying in height and set atop thin stilts. The interconnected buildings, with their exposed floor plates, tilted walls, and angular views, are laid out like horizontal Jenga—some reaching as high as 19 stories. Rooftop plantings and greenery soften the stark design while a landscaped plaza, sunlit parking garage, and grass-covered pavilions shade shoppers and visitors within the complex. In recent years, Wennett has purchased old buildings and warehouses in the largely industrial area, which is situated northwest of downtown Miami and west of the airport. His most well-known project, 1111 Lincoln Road, is an award-winning mixed-use garage designed by Herzog & de Meuron in South Beach.
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BIG’s Serpentine Pavilion lands in Toronto for the fall

The Bjarke Ingels Group’s (BIG) 2016 summer Serpentine Pavilion, an unzipped exploration of the flat wall, has made an intercontinental leap to Toronto and is set to open in September. During the day visitors will be able to explore an architectural exhibition titled Unzipped, curated by BIG, inside of the “unzipped wall," and at night talks and events will be hosted by developer and owner Westbank. The curvilinear pavilion will be reconstructed to its original size: 88.5 feet long, 39 feet wide, and 49 feet tall. BIG’s design for the structure began with a two-dimensional wall, and then “pulled it apart” from the base to form the vaulted event space. Rather than the traditional brick, BIG stacked extruded fiberglass frames to allow sunlight inside, a material-structure-daylighting confluence also seen in Frida Escobedo’s 2018 Serpentine Pavilion. The soaring interior evokes the awesomeness of sacred interiors, but here, visitors are encouraged to get comfortable and climb on the outside of the installation. The unzipped wall is currently being installed at the intersection of King and Brant Streets, directly in front of BIG and Westbank’s mixed-use King Street West development. The stepped building will resemble the pavilion, as the development also uses cascading, angled units to maximize sunlight exposure. The installation will remain at its current location until November of this year, but Toronto is only the first stop in the pavilion’s multi-city tour across Canada. The structure will ultimately land on the West Coast in front of Westbank’s Shaw Tower on the Vancouver waterfront. Serpentine Pavilions are sold after the summer season ends and leave London's Hyde Park for homes all over the world. Last year’s pavilion, a swooping saucer that loomed over triangularly-patterned walls from Diébédo Francis Kéré, was purchased by Ilham Gallery in Kuala Lumpur and will likely end up in the Malaysian capital city. Smiljan Radic’s fiberglass pebble from 2014 landed on the Hauser & Wirth art campus, located on Durslade Farm in Bruton, England, and SelgasCano’s plastic polygonal color show from 2015 is slated for a second life in Los Angeles. And what about Zaha Hadid’s original tent from the show’s first year in 2000? The multi-gabled pavilion eventually became a public gathering place (and frequent wedding venue) at Flambards Theme Park in Helston, Cornwall.