Search results for "hollywood"

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Emerson Morphs in Hollywood
When Boston's Emerson College chose to open a satellite "campus" for students studying and interning in LA (it's really just one building), the school would have been hard pressed to find a more suitable architect than Thom Mayne. After all, Morphosis has had a string of academic successes of late, including the new 41 Cooper Square in New York and the Cahill Center for Astronomy at Caltech. Indeed, some of the firm's earliest successes were two high schools in Southern California. Now, Curbed alerts us to this latest project, complete with the above rendering. The details are kind of sketchy, though we do know there will be 224 residences in that La Defense-like box with classrooms in the inner blob, which is, like, so Thom Mayne.
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Madame Tussauds Hollywood
Because it only occupies half the allowable space, the new Madame Tussaud's has plenty of roof for an ample public plaza.
Dori Thies

RoTo Architects and the John Ash Group have broken new ground in Hollywood. The courtyard building they have just completed on a corner site adjoining the Chinese Theater may be the first piece of architecture on Hollywood Boulevard to look forward as well as back. RoTo principal Michael Rotondi grew up in LA and remembers coming here as a kid to catch a movie and hang out with friends. He wanted to recreate the feeling of sociability and spectacle he enjoyed then by designing a building that was contemporary in expression but deeply rooted in tradition and place.

Happily, the owners of the site shared his vision. Larry Worchell and Steve Ullman have long had a stake in Hollywood and wanted to do the right thing. They asked RoTo to give them a signature building that would occupy only half the maximum allowable volume. In contrast to the overwhelming bulk and blank street facades of the Hollywood and Highland mall to the east, the new building is modestly scaled, and its two three-story wings frame a sizeable plaza. This public space picks up on the tradition of the Chinese and Egyptian theaters, set back behind forecourts that would serve as gathering places before a show or to accommodate a crowd for a gala premiere.

The owners stayed the course for ten years as the first anchor tenant (the now bankrupt Frederick’s of Hollywood) dropped out, and Madame Tussauds took the principal space. One can debate whether waxworks are a classier attraction than sexy lingerie, but the eponymous madame established herself in London 220 years ago, and celebrity replicas have enduring appeal, particularly in a surreal place like Hollywood. Movie stars shopped and dined on Hollywood Boulevard during its brief heyday; today’s tourists must make do with look-alikes.

The architects had to negotiate a jungle of regulations—from the gauge of handrails to street openings—while maintaining the integrity of their design. Hollywood Heritage (a bunch of nostalgia buffs who seek to preserve the past and favor historical pastiches) tried to derail the project, as they had with Hodgetts + Fung’s recreation of the decrepit Hollywood Bowl. Miraculously, most essentials of the design remained unchanged, though a pedestrian arcade linking front and back was sacrificed to provide more enclosed space.

Frederick’s had wanted to put its wares on view. Tussauds preferred solid walls to achieve a controlled environment, though visitors enter through roll-up glass doors, and a lofty retail space to the east is fully glazed. The solid walls are clad in gray-brown zinc scales with projecting fins to create a play of shadows, and a folded screen of perforated metal spans the height difference between the two wings, tying the composition together. The main wing is tapered in plan, and clad in bowed walls of dark brick on the Orange Avenue frontage. Rotondi’s invention and Ash’s expertise in preservation fused to create a subtly modeled structure that is neutral yet has presence.

“This building is about movement,” said Rotondi, and he has provided visitors with exciting new vistas. A staircase runs up the east side and the rear wall to an overlook, and a catwalk links a rooftop party space in back to a terrace looking over the boulevard. From both these vantage points, the historic skyline of Hollywood snaps into focus, from the fanciful copper piers of the Chinese Theater to the art deco tower of the old Security Pacific Bank, the pylon atop El Capitan, and the richly modeled facade of the Hollywood Roosevelt directly across the street. From this public aerie the tawdry reality of the sidewalk and the lurid signage of Tussauds disappear and the legend of Hollywood is renewed.

A version of this article appeared in AN 06_08.19.2009_CA.

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Unveiled: West Hollywood Library
The design evokes Corbu's Villa Savoye, presenting a pleasant face to West Hollywood Park.
Courtesy MDA Johnson Favaro

Architect: MDA Johnson Favaro
Location: West Hollywood Park on San Vicente Boulevard
Construction: 2012

In June, the City of West Hollywood broke ground on a new library designed by MDA Johnson Favaro. The start follows a year-long hiatus that went into effect when construction costs rose sharply during the building boom. The city commissioned both a new building and masterplan for the adjacent West Hollywood Park, a project on the boards since 2004.

Scheduled to open in 2012, the $50 million, three-story construction will include 43,000 square feet of floor area, 32,000 square feet of which are slated for library use. The remainder of the building will house a large event space, a sidewalk cafe, and a public meeting room for community gatherings and lectures.

The masterplan will attempt to remedy the park’s lack of green space. Plans from the 1950s and ‘60s made room for only one acre of park on the 8-acre site. The new plan will create 5.5 acres of green space, condensing and clustering new facilities at the south end of the park. Later phases of the masterplan will bring a recreational facility with a pool and a gym. As each new building is completed, an old one will be taken down.

To highlight the new library’s significance as one of West Hollywood’s few civic buildings, the designers chose to invoke the Villa Savoye. The design’s square volume and white, smooth facade of cured limestone plaster may evoke Le Corbusier’s masterpiece, but undulations in the lustrous surface will imbue it with lightness and movement, making it tranquil rather than monolithic. “It’s as if it were floating over the park,” said principal Jim Favaro.

A version of this article appeared in AN 06_08.19.2009_CA.

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Unveiled: West Hollywood Library
The design evokes Corbu's Villa Savoye, presenting a pleasant face to West Hollywood Park.
Courtesy MDA Johnson Favaro

Architect: MDA Johnson Favaro
Location: West Hollywood Park on San Vicente Boulevard
Construction: 2012

In June, the City of West Hollywood broke ground on a new library designed by MDA Johnson Favaro. The start follows a year-long hiatus that went into effect when construction costs rose sharply during the building boom. The city commissioned both a new building and masterplan for the adjacent West Hollywood Park, a project on the boards since 2004.

Scheduled to open in 2012, the $50 million, three-story construction will include 43,000 square feet of floor area, 32,000 square feet of which are slated for library use. The remainder of the building will house a large event space, a sidewalk cafe, and a public meeting room for community gatherings and lectures.

The masterplan will attempt to remedy the park’s lack of green space. Plans from the 1950s and ‘60s made room for only one acre of park on the 8-acre site. The new plan will create 5.5 acres of green space, condensing and clustering new facilities at the south end of the park. Later phases of the masterplan will bring a recreational facility with a pool and a gym. As each new building is completed, an old one will be taken down.

To highlight the new library’s significance as one of West Hollywood’s few civic buildings, the designers chose to invoke the Villa Savoye. The design’s square volume and white, smooth facade of cured limestone plaster may evoke Le Corbusier’s masterpiece, but undulations in the lustrous surface will imbue it with lightness and movement, making it tranquil rather than monolithic. “It’s as if it were floating over the park,” said principal Jim Favaro.

A version of this article appeared in AN 06_08.19.2009_CA.

Frankie Goes to Hollywood

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MOCA Move

MOCA shutters architecture galleries amid arts losses around Los Angeles
Los Angeles–area arts spaces are having a rough go of it lately. Just this week, two long-standing art and architecture galleries announced either immediate or planned closures. The Downtown Los Angeles–based Museum of Contemporary Art announced Wednesday that it would be shutting down its architecture and design galleries at the Cesar Pelli–designed Pacific Design Center (PDC) in West Hollywood. Though MOCA has occupied the space for over 20 years, MOCA board chairperson Maria Seferian gave few details in a press release announcing the move, saying simply that “the programming agreement between the two organizations has reached the end of its term.” Seferian added, “We are grateful for our partnership with the PDC ... and now look forward to consolidating and growing our exhibition activities, including presentations on architecture and design, at MOCA’s two Downtown Los Angeles locations.” The museum maintains its flagship, Arata Isozaki–designed location in Downtown Los Angeles’s Bunker Hill district and a Frank Gehry–designed outpost in Little Tokyo. MOCA recently came under the direction of Klaus Biesenbach, the former director of MOMA PS1 in New York City. Over the years, MOCA has exhibited the work of many artists and designers at the PDC, including Takashi Murakami, Catherine Opie, Rodarte, Jean Prouve, and Rick Owens, among others. The current exhibition on view, One Day at a Time: Kahlil Joseph’s Fly Paper, will close out the space on February 24. The news came just one day after Los Angeles Downtown News reported that the local artist–friendly Main Museum had abruptly closed down. According to the report, the museum’s top staff, including museum director Allison Agsten, left their posts in late 2018. The museum is temporarily located in a storefront in L.A.’s Old Bank District as plans for an artful expansion by Tom Wiscombe Architecture (TWA) were supposedly underway. A reason for the museum’s closure has not been stated. The Pasadena Museum of California Art (PMCA) also closed its doors last year following financial troubles and a long and expensive list of necessary building repairs. PMCA opened in 2002 as a non-collecting museum focused exclusively on California art and design from the 1800s to the present. The closures run somewhat counter to the actions of other local arts organizations like the Los Angeles County Museum of Art (LACMA) and the Art and Los Angeles Philharmonic. In advance of a planned closure of its main William Pereira and Pfeiffer Associates–designed flagship, the museum announced its intention to open several satellite locations across the city, including a pair of art spaces in South Los Angeles. The L.A. Philharmonic, on the other hand, is pushing forward with its own expansion to Inglewood, where Gehry Partners is designing a new headquarters for an associated youth orchestra.
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Fans of Pomo

Venturi, Scott Brown’s Sainsbury Wing wins the 2019 AIA Twenty-five Year Award
After awarding no building the prestigious Twenty-five Year Award in 2018, a first since the prize’s founding in 1971, the AIA has changed its tune for 2019. The 2019 award has been bestowed upon the Venturi, Scott Brown and Associates (VSBA)–designed Sainsbury Wing addition to London’s National Gallery. The Twenty-five Year Award was created to honor buildings that have “set a precedent for the last 25-35 years and continues to set standards of excellence for its architectural design and significance.” Additionally, buildings must be in good shape and still represent the original design intent. The Sainsbury Wing, a 120,000-square-foot addition to the 1838 National Gallery, was completed in 1991 and originally drew a mixture of scorn from both traditionalists and modernists who felt the scheme was trying to have the best of both worlds. As Adam Nathaniel Furman noted in an essay on the building’s convoluted history, VSBA used Postmodernism as a way to thread the needle between opposing demands. Clad in a large, unifying facade but containing a delicately-balanced and intimate set of galleries within, the Sainsbury Wing feels both new and old at once. In 2018 the addition was awarded Grade I preservation listing status, the highest level of recognition in the UK. The decision to recognize the Sainsbury Wing this year is likely in deference to the late Robert Venturi; the building falls well within the 1983-through-1993 range that the jury was considering last year. This isn’t the first time the AIA has recognized the Sainsbury Wing though, as it was awarded a National Award in 1992. The 2019 jury included Jeanne Chen, AIA, Chair, Moore Ruble Yudell Architects & Planners (Santa Monica, California): Rania Alomar, AIA, RA-DA (West Hollywood, California): Alicia Berg, AICP, University of Chicago (Chicago): Raymond M. Bowman, Assoc. AIA (Pittsburgh): Katherine K. Chia, FAIA, Desai Chia Architecture PC (New York City): Shannon R. Christensen, AIA, CTA Architects Engineers (Billings, Montana): Eugene C. Dunwody Jr., AIA, Dunwody/ Beeland Architects (Macon, Georgia): Henry Moss, AIA, Bruner/Cott & Associates, Inc. (Cambridge, Massachusetts): and David Rosa-Rivera, Savannah College of Art and Design (Bayamón, Puerto Rico).
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Can't-ilevering

Morphosis unveils a claw-like hotel to replace a legendary L.A. nightclub
The Viper Room, the legendary Los Angeles nightclub cofounded by Johnny Depp (and where River Phoenix overdosed) is set to get an architecturally ambitious replacement courtesy of Morphosis Architects. After developer Silver Creek Development Co. picked up the parcel in West Hollywood for $80 million in July of this year, it was announced that a 15-story hotel would go up on the site. Last week the public was given its first look at the replacement, which features a vise-like volume “clamping” down on a more traditional, loggia-adorned tower. The proposal also sports glassy ground-level retail bordered by V-shaped concrete columns. The 200-foot-tall hotel will feature 115 hotel rooms, 31 condo units, 10 affordable units, a gym, a spa, restaurants, a pool, and a new home for the Viper Room. It’s somewhat hard to see in the rendering, but the developer wants to include an 820-square-foot digital billboard on the Sunset Boulevard–facing facade. The project’s initial reveal came at a community meeting on December 11, where Silver Creek sought to solicit community feedback and refine the design. The hotel will move next to the West Hollywood Planning Commission’s Design Review Subcommittee, and then the Planning Commission proper. No construction timeline has been given as of yet.
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Big Names, Small Stuff

Woodbury launches Small Scale Architecture Store in time for the holidays
If you have some holiday shopping left to do, you're in luck. The Woodbury University School of Architecture in Los Angeles has launched a Small Scale Architecture Store just in time for the holidays. Located at the university's WUHO Gallery in Hollywood, the store features products and furniture pieces created by thought-provoking designers including Bureau Spectacular, DOT DOT DOT, Jenny Wu, New Affiliates, Ryan Tyler Martinez, ver|texx, and Yeh Studio. The store aims to "celebrate and sell the work of designers who push the boundaries of architecture and object, function and assembly, material and product, to produce indispensable objects to wear, utilize, adorn, carry, occupy, enlighten, and beautify" according to a press release. Included in the products that are up for sale are city-themed plates from NotNeutral, the product arm of RCH Studios, a faceted pendant light from DOT DOT DOT, fiberglass chairs from LA Forum and Modernica, and a Helicoid planter by Paul Anvar, among many others. Proceeds from the sales of the work will fund Woodbury University School of Architecture student scholarships. The store will run until December 23. See the WUHO Gallery website for more information.
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The Gift of Architecture

Last minute holiday shopping? Here’s what to get an architect
Trying to find a gift for a person who loves to build? We’ve asked our editors, our architect friends, and our friends who love architecture what was on their wish lists this year. From a cowboy-style hard hat to an architecture mixtape, there’s something for every architect on the 2019 AN gift guide. Happy shopping!  

Play

Glass House Snow Globe The Glass House Design Store $75 The Glass House is arguably the most visited (if not the most well-known) of all of Philip Johnson’s works. Architects and architecture enthusiasts alike can behold the modern icon frozen in time inside of a snow globe like no other.   Architect’s Cubes MoMA Design Store $58 Designed to inspire forms and exploration of materials, architects John Bennet and Gustavo Bonevardi conceived a set of eight cubes. Each made of a different material—maple wood, bakelite, cork, granite, EVA, silicone, acrylic, and aluminum—the Architect’s Cubes are made for play. Frank Lloyd Wright Paper Models: 14 Kirigami Buildings to Cut and Fold by Marc Hagan-Guirey $23 Build paper models of the most notable Frank Lloyd Wright buildings with this cut-and-fold kit. Using the art of kirigami (the cousin of origami), paper artist Marc Hagan-Guirey devised some of Wright’s most admired architecture, including Falling Water, the Guggenheim, and the National Life Insurance Building. LEGO Architecture Imperial Hotel $160 Built in 1915, Frank Lloyd Wright’s Imperial Hotel in Tokyo was a fusion of Japanese and Western architecture. While it was demolished in 1968, the lobby and reflecting pool were moved to the Japanese architecture museum Meiji-Mura. You can create your own small-scale replica of the lost landmark with this set of LEGO building blocks.

Books and Stationery

The LEGO Architect By Tom Alphin $15 You know the saying, “learn by doing?” The LEGO Architect does exactly that. Flipping through the pages you first learn about the history of architecture and then find inspiration to build your own with images of LEGO models of iconic buildings. In the last section, the author instructs readers how to become LEGO architects with a set of instructions and parts from the LEGO Architecture Studio. Happy building! Architecture Christmas Cards $18 Chicago’s Marina City sporting a Santa hat; the Farnsworth House decked out like the yard of your neighbor who decorates for Christmas the day after Halloween; Seattle’s Space Needle adorned with a fir pine. These and other buildings we all know and love have been turned into Christmas cards by a former AN editor, John Stoughton. Available in packs of ten. An Architect’s Pencil Set: The Colors of Michael Graves $25 It’s no secret: One of the things Michael Graves is known for is his love (and mastery) of colors (mainly bright colors). Designed by his firm, this 24 colored-pencil set comes with an essay on color and the architect's design process. Rem Koolhaas. Elements of Architecture $125 Love to build? Rem Koolhaas worked with Harvard Graduate School of Design on “a primordial toolkit” that helps readers to understand how the seemingly constant fundamentals of architecture are actually always in flux and evolving. The guidebook chronicles the fundamentals of buildings and design techniques, detailing every single typology, from windows to walls to toilets. Hollywood Modern: Houses of the Stars by Alan Hess and Michael Stern $55 Are celebrities your guilty pleasure? This book documents 24 "modern" homes designed by architects for stars in Southern California. Featuring glossy, full-page photos, Hollywood Modern: House of the Stars gives you an inside look at houses like Quincy Jones's Gary Cooper House and Richard Neutra's Von Sternberg House.

To Wear

M1005 Matsuda $425 It all started with Le Corbusier and his fabulous round glasses. The black circular frames that we have all come to love have become part and parcel with architecture (having spectacular spectacles has become a common trope in the industry as a whole). Japanese optical maker Matsuda offers a frame that looks particularly Corbu-inspired. M1005 is hand finished with acetate and available in five colors. Architect Tools Tie $45 Long before AutoCAD, architects' tools were as important as scissors to a barber. This tie features a motif made up of drafting tools. While rulers and tape measures remain essential, so does the occasional smart tie. Cowboy-style Hard Hat $65 Get your hard hat on, cowboy! This is not your typical construction cap, it’s a new take that comes in the guise of a cowboy hat with all the safety benefits of a traditional hard hat. Yeehaw!

For the Home

Sunset & Night Chairs By LA Forum and Modernica Mies van der Rohe once said: “A chair is a very difficult object. A skyscraper is almost easier.” These fiberglass chairs by Los Angeles Forum for Architecture and Urban Design and fiberglass furniture purveyor Modernica are no exception. Even better, the proceeds from their sale will fund scholarships at Woodbury School of Architecture. You can find them at Small Scale Architecture Store in at the university's WUHO Gallery in Hollywood through December 23. Twist Again Odile Decq for Alessi $105 Finally, you can bring home an object designed by our favorite gothic architect (and seminal thinker), Odile Decq. Known as “the fruit holder that dances around the fruit,” the bowl reflects the common visual motifs that are associated with her works, only on a smaller scale. It is made from a piece of sheet metal that was cut and folded to create a whimsical, vortex-like shape that seemingly has an inner life force of its own. The Architect’s Mixtape: Practicing Spaces $10 Drop those funky beats! Practicing Spaces is a compilation of musical works by lesser-known musicians who all have one thing in common: they’re architects! From Michael Meredith of MOS Architects to Florian Idenburg of SO – IL, these funky beats are available in the format of a mixtape, that is, a cassette tape. Read more about the collective work and where to buy your own copy here.
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Paradise Lost

California fires claim over 7,000 structures and displace over 270,000 residents
A pair of particularly destructive wildfires that burned through the weekend in California have claimed over 7,000 structures and caused a wave of displacement across the state. The San Francisco Chronicle reported that the so-called Camp Fire grew to more than 105,000 acres over the weekend as it swept through Butte County in Northern California, devastating the town of Paradise. The fire quickly became the deadliest and largest wildfire in California history over the weekend, a record that has been broken every year for the last three years in a row. The blaze has so far claimed 6,713 structures, including 6,453 homes and 260 commercial buildings. It is expected that close to 15,000 other structures are threatened by the fire, which is currently 20 percent contained. So far, 31 people have died and over 100 are reported missing. Reports from the frontlines of the blaze indicate that much of the town has been destroyed, with journalists on the scene fielding calls to check in on particular properties and posting block-by-block surveys of the devastation on social media. It is expected that between 90 and 95 percent of the city was destroyed, leaving its 27,000 residents to seek shelter across the housing-strapped region.

In the Santa Monica mountains that ring Los Angeles, the 85,550-acre Woolsey Fire has forced the temporary displacement of over 250,000 people as the cities of Thousand Oaks and Malibu and surrounding mountain communities were evacuated in advance of the fast-moving blaze.

Curbed reported that the fires have threatened several historic Hollywood filming locations and other notable structures located in the scenic mountains, including a replica of the set from the television series M*A*S*H and the recently-restored historic Sepulveda Adobe complex. Distressingly, the fire also reportedly consumed the Santa Susana Field Laboratory, a former Rocketdyne laboratory from 1949 that housed experimental nuclear reactors as well as radioactive waste.

Many architecturally-significant structures are also at risk, including important works by Frank Gehry, Wallace Neff, John Lautner, as well as several of the Case Study homes, Curbed reported.

Several of the wealthy areas hit by the fire have seen heavy losses, as well, including the destruction of several celebrity-owned mansions in Calabasas and Malibu. The homes of pop stars Miley Cyrus, Robin Thicke, and Neil Young and others were destroyed by the inferno, E! Online reported.

The Los Angeles Times reported that the Woolsey Fire is 15 percent contained.

Regarding California’s increasingly destructive and lengthening fire season, Governor Jerry Brown told The LA Times, “This is not the new normal; this is the new abnormal.” Brown added, “And this new abnormal will continue certainly in the next 10 to 15 to 20 years. Unfortunately, the best science is telling us that dryness, warmth, drought, all those things, they’re going to intensify. We have a real challenge here threatening our whole way of life, so we’ve got to pull together.”

The fires touched off a series of antagonistic—and “ill-informed”—tweets from President Donald Trump, who erroneously blamed the fires on “gross mismanagement” of the state’s forests. Fire officials instead point to the increasing effects of climate change, as well as growing so-called “wildland-urban interface” zones where human occupation and the state’s natural landscapes come into contact, as key causes for the latest series of conflagrations.

Because the state’s populated urban areas have gradually slowed development and downsized population capacity over the decades, much of the state’s explosive population growth has largely occurred in increasingly-far-flung and precarious areas, where drought-ridden brush is easily combustible and sprawling communities are perfect targets for wind-swept flames.

Crews in the state are working to battle the flames as winds, temperatures, and humidity levels work against their favor. AN will bring more coverage of California’s fires as information becomes available.

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Best of the West

AIA | LA design awards highlight Southern California’s best design
The American Institute of Architects Los Angeles chapter (AIA|LA) has announced its annual design awards winners for 2018, highlighting the work of many of the region's most creative and thoughtful architecture practices. Awarded across three categories—Design, Next LA, and Committee on the Environment (COTE) LA—the organization's award program is designed to recognize achievements in overall design, highlight the work by emerging designers, and bring attention to hallmark sustainability-focused projects. Within each category, awards are ranked into "honor," "merit," and "citation" rankings.

Design Awards

This year's design category awards acknowledge a wide array of project types, from an undulating transit station in Seattle by Brooks + Scarpa to a Modernist-inspired winery by Bestor Architecture. The highlighted projects feature simple geometries that come outfitted with performative architectural elements like screen walls and shading devices that not only lend formal interest to each project but also manipulate light in essential and evocative ways. A full list of the design winners is below:
HONOR AWARDS
Animo South Los Angeles
Los Angeles, CA
Parallax Gap
Washington, DC
Camelot Kids Child Development Center
Los Angeles, CA
KeltnerCo Architecture + Design
Mariposa1038
Los Angeles, CA
Lorcan O'Herlihy Architects (LOHA)
Fenlon House
Los Angeles, CA
Martin Fenlon Architecture
Mayumi
Culver City, CA
ShubinDonaldson
MERIT AWARD
Ashes & Diamonds
Napa, CA
Stoneview Nature Center
Culver City, CA
Ehrlich Yanai Rhee Chaney Architects
UCSB San Joaquin Student Housing
Santa Barbara, CA
Lorcan O'Herlihy Architects
Studio Dental II
San Francisco, CA
Montalba Architects, Inc.
 
CITATION AWARDS
Angle Lake Station
Seattle/SeaTac, WA
Brooks + Scarpa
Shirley Ryan AbilityLab
Chicago, Illinois
HDR | Gensler with Clive Wilkinson Architects
Advanced Stem & Design Institutes
Los Angeles, CA
 
G-Cubed
Los Angeles, CA
Skidmore, Owings & Merrill LLP
2018 AIA|LA Design awards jury:
Steve Dumez, FAIA – Principal and Director of Design, Eskew+Dumez+Ripple
Elaine Molinar, AIA, LEED AP – Partner and Managing Director – The Americas, Snøhetta
Brett Steele, AA DIPL, HON FRIBA, FRSA – Dean, UCLA School of the Arts and Architecture
 

Next LA Awards

AIA|LA's Next LA Awards highlight unbuilt or in-the-works projects that push the envelope in terms of design or programmatic configuration. Synthesis Design + Architecture's Nansha Scholar's Tower in Guangzhou, China, for example, is formally inspired by smooth river rock cultural artifacts known as Gongshi and features a pair of pass-through elevated terraces that cycle air through the mid-rise tower's core. R&A Architecture and Design's Sunset Tower, on the other hand, proposes to use extended, undulating floor plates to create variable balcony and terrace spaces for a speculative development in West Hollywood. A full list of the Next LA winners:
HONOR
Boyle Tower
Los Angeles, CA
MUTUO
MERIT
Apertures
Mexico City, Mexico
Belzberg Architects
The New Center of Science & Technology in Suzhou
Shishan Park, Suzhou, China
Kevin Daly Architects
Pioneertown House
Pioneertown, CA
PARA-Project
Camp Lakota
Frazier Park, CA
Perkins+Will
Mercado El Alto
Puebla, Mexico
Rios Clementi Hale Studios
CITATION
MLK1101 Supportive Housing
Los Angeles, CA
Lorcan O'Herlihy Architects
Sunset Tower
West Hollywood, CA
R&A Architecture + Design
Nansha Scholar's Tower
Guangzhou, China
Synthesis Design + Architecture & SCUT Architectural Design & Research Institute
2018 AIA|LA Next LA awards jury: 
David Benjamin – Founding Principal, The Living, and Assistant Professor at Columbia GSAPP
Mario Cipresso, AIA – Associate Principal, Hawkins/Brown
Elizabeth Timme – Co-Founder, LA-Más

COTE LA Awards

The Committee on the Environment (COTE) LA awards focus on performance and sustainability. Gensler's CSUN Sustainability Center at the California State University, Northridge, campus in the San Fernando Valley utilizes recycled materials and furniture, makes efficient use of passive lighting, and features solar-powered electricity and hot water. The Arizona State University Biodesign Institute C complex by ZGF Architects, an Honor award winner, delivers energy savings of over 44 percent when compared to existing campus laboratories. The full list of COTE LA winners:
HONOR
Arizona State University Biodesign Institute C Tempe, AZ
ZGF Architects
CSUN Sustainability Center
Northridge, CA
Gensler
 
MERIT
Otis College of Art and Design Campus Expansion Los Angeles, CA Ehrlich | Fisher   UCSB BioEngineering Santa Barbara, CA Moore Ruble Yudell Architects & Planners   West Hollywood Automated Parking Garage West Hollywood, CA LPA, Inc.   CITATION Robert Redford Conservancy for Southern California Sustainability, Pitzer College Claremont, CA Carrier Johnson + Culture  
2018 AIA|LA COTE LA awards jury: 
William Leddy, FAIA – Founding Principal, Leddy Maytum Stacy Architects
Douglas E. Noble, FAIA – Director, Master of Building Science USC School of Architecture
Anne Schopf, FAIA – Partner, Mahlum Architects