All posts in East
Thomas Phifer and Partners’s Glenstone Museum rises from the landscape with subtle monumental tectonics
- All things architecture, urbanism, and design
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- Seeing your byline attached to articles in print and online
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Apply to Affected Area
Yale and Architecture Office explore the building codes of a Swiss-themed Wisconsin town
AN has reached out to Related, the developer of Hudson Yards, for comment.
3/ As trite as it is, the job of the designer is to not only create a structure that's functional and (hopefully) beautiful, it's also to anticipate and proactively address issues that may arise when people start using the thing— Audrey Wachs (@gridwachs) February 3, 2020
The Ruins of Babel
The shadow of history looms large at Peter Freeman
Ruins of cities and of fortresses Lay scattered all about, with precious stores, Plots ill-contrived, broken alliances, Feuds and vendettas and abortive wars…The booklet exemplifies the multilayered experiences made possible by Tan’s presentation. Whether one reads the entire text or none of it, the images on display resonate with each other and our own experience with historical and personal ruins. As one's eye moves about the real and imagined vestiges of Tan’s historical facts and fictions, we are reminded that our knowledge of history is shaped by the texts and ruins it leaves for us, and our grasp of the past is based on the fickle lens of memory. Analog film enthusiasts will enjoy Ruins (2020), a room-sized dual projection of one high definition video and one 16 mm film, both of which project a similar, but not identical, 4-minute film on a continuous loop. Each feed is a silent amalgamation of static shots that variously frame the dilapidated arches, freestanding columns, and crumbling surfaces of the Grand-Hornu, an abandoned mining complex in Belgium—a company town (cité ouvrière)—built between 1810 and 1830. Projected onto opposite walls, the films demonstrate their inherent fragility; the HD digital video provides a cool, crisp contrast to the soft yellow images of the celluloid, subtly evoking the longevity of each medium. Where analog film can last for at least (as far as we know) 100 years, the digital film will, without being transferred to a newer memory chip, decay into an unplayable video file after less than a decade. However, Ruins simultaneously highlights an important caveat to this comparison: The 16 mm film runs through the projector on a continuous loop, the act of playing the print decaying it to the point of being unusable after a matter of days, when a new print must then be made from the master copy. The holistic conception of the exhibition, and the many avenues through which one may enter and exit the concepts in play, is characteristic for Tan, yet the austerity of her images here provides subtle emphasis on the theme of shadow and light. A set of photogravures—a type of mechanical print traditionally made from a photographic negative—are the first thing visitors observe upon entering the gallery, their high contrast, black-and-white images display screenshots from Archive’s virtual stacks. If, as Walter Benjamin (one of the many historical luminaries with whom Tan is in direct conversation) suggests, history decays into images, then Tan’s cinematic musings on the material future of architectures lays bare, with her usual deftness, the delicacy of both structure and image in the face of our eternal, ever-evolving, unavoidably-mediated future. Archive / Ruins runs through February 15.
Spin It Right Round
Mack Scogin Merrill Elam Architects completes renovation of a rotating home
Passive, but not “Passive”
Wayne Turett's Greenport Passive House blends North Fork-chic with modern technology
The Greenport Passive House is an energy-efficient project in the harbor town of Greenport, New York, on the North Fork of Long Island. Architect Wayne Turett designed the residence as his own home. Drawing inspiration from the local barn vernacular, the carbon-neutral project was made to show how designers can address the climate crisis without sacrificing contemporary expectations of comfort and style.
Turett considered three key elements in the design of the Passive House: “First, the building envelope, which had to be completely sealed so that there was no leakage of air; then the insulation, to ensure that heat would not escape or cold air enter; and finally, the added elements like roof overhangs that protect the house from receiving too much sunlight in the summer,” he said. As a result of these decisions, the Greenport Passive House consumes nearly 90 percent less heating energy than existing homes and 75 percent less energy than average new construction. The home also benefits from triple-glazed windows and energy-recovery ventilation, which brings in and takes out air.
The home’s exterior is shiplap gray cedar and cement with an aluminum roof. The insulation works in combination with a proprietary sheathing taped to form the air barrier, allowing for an airtight building envelope. The all-electric home is heated and cooled with a duct mini-split system aided by an ERV. Inside, a neutral color scheme and light wood materials along with white walls and upholstery create a bright, airy aesthetic. A combined kitchen, dining, living room, and porch were intentionally programmed on the second level with views to the water. Below, bedrooms and bathrooms are accessed via an outdoor shower to smooth the transition from the site’s sandy shores. As an integrated project, the home fuses Turett’s modern aesthetic with a performative building envelope.
Architect: Turett Collaborative Location: Greenport, New York Contractor: The Turett Collaborative Plumbing: Duravit, Hansgrohe Axor Exterior siding: Fabricated by Vector East Flooring: Heart Pine with Woca White Pigment Oil Hardware: Kenwa, Ranpo, Kwikset HVAC: Mitsubishi Roofing: Atas Aluminum Standing Seam Windows: Bildau & Bussmann by Eco Supply