All posts in Media
Looking for a Fight
White supremacists are haunting traditionalist architecture Twitter accounts
Post-modernism is being preserved and lauded around the world, and modern and traditional designs are not stylistically at war anymore. Ultimately, it may be the conflict that these accounts are nostalgic for, not the architecture.
p sure this is a garage https://t.co/jPKMJrMfnz— mcmansion hell (@mcmansionhell) August 16, 2018
Tearin' Up His Heart
Lance Bass loses bid to buy original Brady Bunch home
Super excited to announce they accepted my offer on the #BradyBunch house last night!!! This is going to be a fun project!— Lance Bass (@LanceBass) August 3, 2018
With a heavy heart I post this... 😢 pic.twitter.com/sG8bBP142P— Lance Bass (@LanceBass) August 5, 2018
This morning the LA Times reported that Discovery Inc. Chief Executive David Zaslav broke the news on an earnings report conference call that the company had bought the house and was planning a project involving it with HGTV, one of their subsidiaries. Details about the project have yet to emerge. According to the Times, the show was shot on a studio lot, not in the Studio City, California, house. Only the exterior was actually used. In what may come as a disappointment, the interiors never resembled those depicted on the show, but, according to photos on the realtor Douglas Elliman's site, they have been maintained in period style. The sellers apparently wanted to find a buyer who would maintain and preserve the iconic house in lieu of developing the 12,500-square-foot lot. According to CNN, the sale price has not been announced, but the starting price is listed by Douglas Elliman as $1.885 million.
HGTV??! Aw man. I’d be pretty upset if it were anyone else, but how can you be mad at HGTV?? My television is stuck on that channel. Kudos HGTV, I know you will do the right thing with the house. That was always my biggest worry. I can smile again. 😁— Lance Bass (@LanceBass) August 7, 2018
Diversifying Design Reporting
New Architecture Writers program raises underrepresented voices
The Future (of Design) is Female
Making Madame Architect: How Julia Gamolina is documenting the dames of design
Madame Architect was born out of Gamolina’s desire to find female mentors within the male-dominated profession. After graduating from Cornell University with an undergraduate degree in architecture, she dove into design with stints at Studio V and A+I, but soon found herself attracted to the art of crafting narratives around projects. “As a designer, I felt I wasn’t using all parts of my brain,” she said. “I wanted to research, develop a concept, create imagery, talk, and write about these projects—all things I love and that coexist within the profession—but I was only doing the drafting part. I found myself wanting to get out and talk to people more than refine the same drawings for months on end.” When Gamolina started at her first job she was one of the few women in her office, so she set out to find other women who could help her navigate her new career. At Studio V she also helped select students for the firm’s internship program, interviewing the potential candidates and mentoring those that were chosen. This lit a spark in her, pushing her to explore her interest in the more human-centric, one-on-one aspect of firm life. When she finally moved away from designing and started working alongside A+I’s newly appointed director of communications, Aurelia Rauch, she found her footing and the woman-to-woman guidance she was personally looking for. “Once I realized my job could actually be to write and conceptualize the story of a project, I thought to myself, ‘What have I been doing this whole time?’” she said. Currently in a new role as a business development coordinator with FX Collaborative, Gamolina seeks out projects and partnerships that match the firm’s mission. Her favorite part of the job is meeting with and learning from all the different stakeholders involved in a project. This curiosity for people is what drives her with Madame Architect. Nicole Dosso, director of SOM’s technical department, interviewed Gamolina herself for the site. Dosso imagines Madame Architect as having a huge impact on the next generation of not only females in the field, but helping push forward the women’s movement and beyond. “I see these interviews getting a lot of traction already,” Dosso said. “There is power in repetition, with Julia putting them out month after month. She could potentially make a career out of this or put the stories in a book. In time, she could reach out to people in different countries. I could see this extending outside the field of architecture too. The greater volume and quantity, the more it could do.” Gamolina is currently looking for contributing writers for the site. She’s just brought on two new writers, but with a backlog of 50 women to highlight on her list, she’s hoping to publish new pieces more frequently in order to get them up by the end of the year.
Today’s radiant #MadameArchitect: Elease Samms, @lc4508. Link in bio!Elease Samms is a Louisiana native but grew up in Central Florida. She was one of the first graduates from Orlando's @supportourscholars program, from which she headed to @cornellaap‘s Architecture Program on a full scholarship. Elease is now a Project Designer at @ktharchitectsinc. Her primary interests in the field of Healthcare Architecture stem from growing up as a daughter of an Orlando Health, Pediatric Level 2 Registered Nurse, and from a desire to work primarily with local communities. In her conversation with Julia Gamolina, Elease speaks about filling gaps, giving back, and increasing representation, encouraging anyone interested in architecture to know that the field is always open to them. #madamearchitect #architexx #womeninarchitecture #shedesigns #wia #shebuilds #architect #architecture #femalearchitect #interview #career #inspiration #series #florida #supportourscholars
Bone-inspired buildings, MVRDV’s grass carpet rooms, and other updates from the architects of Instagram
Out in Norway, Snøhetta has designed a new building for the Faculty of Fine Art, Music and Design (UiB) at Bergen with a glimmering metal cassette facade that changes with the light. It's all flash, in a good way.
While Snøhetta's newest project sparkles from the outside, Foster + Partners is looking deep within the body for architectural inspiration. The firm has partnered with a PhD candidate at the Royal Veterinary College, London, to "study the relationship between structure and function in bone biology and architectural design at various scales." To achieve this, Foster + Partners developed a Grasshopper plugin that helps designers create 3D space frames within almost any shape.
The facade at @kmdbergen is clad with 900 seawater-durable crude aluminum elements of varying sizes. The metal cassettes shift according to the weather conditions on the west coast and reinforces the metallic effect of the aluminum. Swipe to see how it plays with the light! #kmdbergen #bergen #norway #architecture #facade #art #school @statsbygg @rambollnorge @unibergen 📷: Trond Isaksen/Statsbygg & @tomaszmajewski.no
Despite all the talk that digital technologies have killed architectural drawing, there are still many designers who love to render spaces by hand (with a computer assist). KoozA/rch just featured Challenging The Threshold Between Image and Space, a eerily calming pastel computer collage by architect Sven Jansse, founder of Rotterdam's Image & Space, in collaboration with Alexandra Sonnemans.
In meatspace, there's nothing better than plonking yourself down onto a thick carpet. For a lecture hall at Taipei's Jut Foundation for Arts and Architecture, MVRDV teamed up with Argentine rug maker Alexandra Kehayoglou to create a verdant greenscape that covers the stepped floors, creeps up the walls, and conceals an exit door.
Challenging The Threshold Between Image and Space by Sven Jansse in collaboration with Alexandra Sonnemans#art #artitecture #architecture #koozarch To what extent do you agree with the medium is the message – how does the use of collage reinforce the concept behind fragments? Probably the most fundamental concept behind the current work done by Image & Space, is that each visualisation should be able to generate its own value, independently of what they (appear to) represent. They are designed to tell their own story, establish a new truth and present it to the audience to evaluate. The medium is thus even more than the message; the visualisations become the project. They are no longer bound by the physical or economical limits of what they have to make understandable or try to sell, and by presenting the images without their expected context of drawings or a presentation, the spectator gains the freedom to interpret them in a very personal way. In order to stimulate people’s imagination, it’s important that one visualisation never shows the whole building, because it’s up to the audience to connect the different ‘fragments’. In this way, each visitor will ‘build’ a different building, and curate their own spatial experience.