Iván Navarro’s Mute Parade exhibition opened this week at New York’s Paul Kasmin Gallery. The show features two large works that employ light, sound, and language to engage ideas of migration, propaganda, and power.

The first gallery features Navarro’s Impenetrable Rooma labyrinth of six 6-by-6-foot structures outfitted with mirrors and undulating, green neon lights whose interior spaces seem to recede into infinity. The adjacent gallery features two drums, each of them 6 feet in diameter, that incorporate neon LEDs, mirrors, as well a pyramid of six more drums on the rear wall. The interior of each artwork is outfitted with messages that play on the intersection of political and instrumental themes. 

Iván Navarro was born in 1972 in Santiago, Chile, during the dictatorship of General Augusto Pinochet. He is known internationally for the politically charged messages of his sculptures and represented Chile at the 53rd Venice Biennale. The exhibition, running through late December, will be his second solo show at Paul Kasmin Gallery.  

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