Brooklyn-based illustrator Paul Tuller was inspired to create a new poster-portrait series, Architecture As Crown, by his architect boyfriend. This series features illustrations of famous architect's wearing their most famous works on their heads. Beginning as a parody of Andy Warhol's God Save the Queen, the project includes such figures as Peter Eisenman wearing House I as a crown. Purchase your own posters here.
Posts tagged with "Zaha Hadid":
The Los Angeles Philharmonic has a thing for star architects. As part of a trilogy of Mozart operas directed by Gustavo Dudamel (himself a global celebrity), in 2012 Frank Gehry designed the set for Don Giovanni, in 2013 Jean Nouvel designed one for The Marriage of Figaro, and this month Zaha Hadid Architects has designed the backdrop for Così fan tutee, the trilogy's finale. The firm's curving white design, evocative of a skateboarding bowl (or a Corian sink?), is meant to represent a large sand dune on the Italian coast. It was called "shape-shifting" by the LA Times. Its steep inclines have presented challenges to performers, but they seem to be adapting in rehearsals. Shows begin on Friday. Costumes were created by British designer Hussein Chalayan, who, like Hadid, is known for edgy, tech-heavy designs. And the director, Christopher Alden, is also known for taking risks. It seems like a combination that should stir things up, and perhaps produce a template for still-rare collaborations across disciplines.
While much of the work introduced at Milan this year played it safe—distinctly conservative colors, forms familiar from the 1950s, cautious use of materials—some architects' designs took, shall we say, a bolder stance. But: Was it a better one? You, ever-opinionated reader, shall and no doubt will be the judge of that. Among the boldest of the bold designs this year were four pieces presented by Zaha Hadid. Most photos we've seen of the aluminum Manta Ray seating underscore its unfortunate semblance, not to the graceful sea creature, but to a giant human posterior. At AN, we're taking the high road, featuring this more abstracted view of the piece. But it may not be enough to erase the obvious imagery. Here, Hadid has designed a fireplace, which appears to have melted into a puddle of black marble. Ironically cold design, for an interiors element that generates heat. Thumbs up on this one. A rectangular top is a disciplined extension of the vaguely tripod-ish base. Great stone fabrication, and we wouldn't even mind bumping our knees on the legs of this terrific table. A welcome departure from the blobby, yes? But the mid-point of the unit seems to be a bit dysfunctional for shelving, lacking any level horizontal surfaces, but hey, it's all about the cantilever. Looking back on Salone 2014, it's interesting that one can fairly easily discern which pieces were architect-generated versus those that were created by industrial designers. The latter are trained (and paid) to produce commercially viable furniture collections, while the former are free to indulge in the making of domestic monuments.
LEGO Architecture has released a new box set—and from the looks of it, this isn't your grandmother’s architectural plaything. The new LEGO set is not the usual plastic-brick model of Rockefeller Center or the Empire State Building. No, this new set is cutting-edge. It goes where no other LEGO box set has gone before: it's a replica of an icon so iconic that it doesn’t even exist yet. It’s a limited-edition replica of the Bjarke Ingels–designed LEGO Museum in the company’s birthplace of Billund, Denmark. Spotted by John Hill at A Daily Dose of Architecture and selling on eBay for well over $100, the set also features what appears to be a shaggy-haired Bjarke Ingels figurine, which would place him in the company of Yoda, the Lone Ranger, and the Teenage Mutant Ninja Turtles as icons that have also been shrunk to LEGO-sized proportions. Hill described the set as "LEGO imitating architecture imitating LEGO," a reference to BIG's clear inspiration for the LEGO House. A video-rendering of the project (above) might even double as an assembly guide for the LEGO Architecture Series set. The real LEGO House will be a blocky, 82,000-square-foot exhibition space designed to celebrate the toy’s history. BIG's real-life museum isn't projected to open until 2016, so if you buy the set now, you'll probably beat Bjarke to the finish line.
It’s a battle of the starchitects in Mexico City—and the Brits are leading the pack. Out of the seven finalists short-listed to design an expansion for the capital city's airport, Benito Juarez International, four hail from the UK: Zaha Hadid, Norman Foster, Richard Rogers, and Pascall+Watson. They are joined in the final round by Teodoro González de León with Taller de Arquitectura X, SOM, and Gensler. All of these teams are being led by Mexican practices, and construction could begin later this year. The multi-billion dollar expansion should accommodate 40 million annual passengers at over 70 new gates. The airport's current cheese-grater-like facade in Terminal 2 was completed by Serrano Arquitectos in 2008. The envelope's many circular windows are used to maximize natural daylight within the terminal year round. [Via Architects' Journal]
Zaha Hadid has designed another seemingly-structurally-impossible parametric building form that is set to touch down in Macau in 2017. The building, which could be equally at home in Miami or Dubai, is a large block that has been punctured by three curvaceous openings. The entire mass is encased in an exposed exoskeleton that twists and turns along the structure's contours. The project was undertaken at the behest of Melco Crown Entertainment, casino magnates who have contributed the City of Dreams resort to the gambling-soaked Chinese island. The developers commissioned Hadid to create the fifth hotel located on the property, which will top out at 40 stories and house 780 rooms in over 1.6 million square feet of space. Other expected amenities include luxury retail, specialty restaurants, spa facilities, a roof-top pool, and a number of gaming areas. The external latticework varies in patterning as it crawls up the structure's facade. It is densest at its middle, where it navigates the irregularities of the design's central void, and becomes more elongated at each of the building's poles. The interior is more angular, awash in crystalline glass outcroppings subdivided by triangular grids. These walls collide with the curved base of the structure's opening to create a 130-foot central atrium that welcomes arriving visitors to the hotel. Construction for the newest member of the City of Dreams is already underway.
A Christmas tree ornament designed by Zaha Hadid currently on display in London restaurant aqua shard will be auctioned off for charity at the end of the year. The object hangs amongst 19 other ornaments designed by the "celebrity friends" of Matthew Williamson, a British fashion designer responsible for curating the tree. The proceeds generated by the subsequent sale of the items will go towards British charity Kids Company. The object replicates the futuristic aesthetic of Hadid's buildings on a micro-scale. According to the listing, it was "manufactured using rapid prototyping technology and materials" which would presumably make it unique amongst the assortment of more recognizable Christmas forms also included in the auction. This is not the first time Hadid has contributed a design to a fundraising effort of this type. Last month a Hadid-designed doll house garnered $22,000 for UK organization KIDS. No word yet on whether Hadid will design a separate ornament for a charitable cause responding to the slave labor and potential loss of life that may occur over the course of the construction of her stadium project for the 2022 World Cup in Qatar. Bids for the ornament will be accepted on ebay until December 31st. At the time of writing only the price of British photographer Rankin's Louboutinesque design tops that of the Hadid creation.
Form/Unformed: Design from 1960 to the Present The Dallas Museum of Art 1717 North Harwood Street Dallas, TX Extended through December 2014 The Dallas Museum of Art is celebrating the work of prolific designers and architects from the 1960s to the present with its first comprehensive design exhibition. Some of the featured designers include Robert Venturi, Frank Gehry, Aldo Rossi, Zaha Hadid, and Donald Judd. Drawn entirely from the Museum’s own collection, the exhibition reveals the evolution of forms and ideologies that have shaped international design over the last half century. “Several of the works on view are recent acquisitions that reflect the continuing expansion of the Museum’s decorative arts and design program to include historic American and European work, as well as contemporary objects of international significance,” said Bonnie Pitman, The Eugene McDermott Director of the Dallas Museum of Art. From modern jewelry like The Golden Fleece, to iconic furniture, the exhibition spotlights the extraordinary work of some of the best designers of our time.
In the same futuristic spirit of its design, One Thousand Museum, the proposed Zaha Hadid-designed condominium building in Miami, Florida, has recently been rendered in hologram form. As anticipation builds about what will be the Pritzker Prize–winning architect’s first residential building in the United States, Zaha Hadid Architects continued the hype with a Miami party and holographic unveiling of the 705-foot condo tower. According to the South Florida Business Journal, the new digital rendering underscores Hadid’s commitment to curvilinear forms, especially prevalent in this sculptural tower that will soon join the Magic City skyline. Curving exoskeletal ribs over a glazed glass facade define areas of private terraces and balconies, simultaneously creating a space age schematic on the exterior of One Thousand Museum. The facade also gives volume; windows sculpt themselves into three-dimension, a crystalline pattern under the curving web. The condo is designed with luxurious amenities for its residents, including a rooftop spa and wellness center on the wide podium base. Situated in the center of the Miami skyline in Bicentennial Park, a downtown area to be renamed “Museum Park” after the December 4th opening of Herzog & de Meuron’s Perez Art Museum Miami, the tower’s double height glass crown will offer spectacular panoramic views of Museum Park, Biscayne Bay, and the Atlantic Ocean. At the recent Miami gathering, hosted by local celebrity architects Gregg Covin and Louis Birdman in the Covin-designed residential building next door to the One Thousand Museum site, architects from Hadid’s firm were present for questions and mingling with privately invited guests, said the Business Journal. Project director Chris Lepine, lead architect Stephan Wurster, and lead designer Michael Powers represented the company and presented the 3D rendering.
In 2007, Zaha Hadid Architects won a competition to design an Innovation Tower for Hong Kong Polytechnic University. Six years later, students and faculty are beginning to settle into the glacial, 130,000 square foot, 250 foot tall design-education center as it nears completion. The space-age, striated structure will be a “creative multidisciplinary environment,” that, according to the architects, “dissolves the classic typography of a tower and podium to create a seamlessly fluid new structure,” meaning that the Pearl of the Orient will soon welcome a curving, difficult-to-decipher, new educational building. Set to fully open next spring, the tower will be Hadid’s first permanent structure in Hong Kong. “I am delighted to be working in Hong Kong again," said Hadid in a press statement back n 2007." The city has such diversity in its landscapes and history; this is reflected in an urbanism of layering and porosity. Our own explorations and research into an architecture of seamless fluidity follows this paradigm so evident in Hong Kong. One of our seminal projects was designed for the city exactly 25 years ago," referring to her influential Peak Leisure Club proposal of 1983,"and the Innovation Tower design is a realization of this continued research.”
Zaha Hadid Architects has unveiled its design for a 40,000-seat soccer stadium to rise in the Arabian kingdom of Qatar. The project is slated to be complete in time for the 2022 FIFA World Cup, and is only one of several such facilities that the oil-rich nation plans to build—in addition to miles of roads, a seaport, airport, and a rail system—in a $140 billion spending spree to lay down the infrastructure necessary to support the event and the international crowds it attracts. Hadid's office has stated that the design of the stadium is derived from the dhow, a type of fishing vessel that is common among the peoples of the Arabian Peninsula. Several commentators have pointed out, however, that the renderings more closely resemble the mounds, folds, and cavities of a certain very private part of the female anatomy. Since the World Cup is played during the summertime, one of the chief challenges of the design will be keeping the interior environment cool enough for comfortable spectating. Ambient temperatures in Qatar can reach as high as 120 degrees fahrenheit. According to Hadid's office, which is working on the project with AECOM, the shape of the roof—which will be a composite structure of steel and engineered timber—has been specifically designed to encourage passive cooling. This combined with mechanical air conditioning systems will keep the interior temperature at around 85 degrees fahrenheit. Hadid's feminine formed stadium falls among an illustrious company of other buildings that have attempted to counterbalance the predominantly male derived motifs of architecture. (Didn't someone once point out the phallic nature of the skyscraper?) Oddly enough, as with Hadid and her dhow diversionary tactics, few designers actually advertise that their lady like buildings are inspired by this impulse, and most commentators commend them for other reasons. The clearly feminine crown of A. Epstein & Sons' 1983 Smurfit-Stone Building in Chicago was also allegedly designed to reference sail boats, these in Lake Michigan, rather than a vagina. And Philip Johnson's award-winning 1975 Penzoil Place in Houston was lauded for helping architects to break away from the rectangular modernist box, rather than applauded for looking like a girl lying on her back with her knees in the air. While the profession of architecture roils with calls for more recognition of women's roles in great buildings, can't it also come a little cleaner about when it uses the feminine form as inspiration?
Twenty of the world’s biggest architects were asked to design on quite a small scale last month. Cathedral Group commissioned architect-designed dollhouses for a charity auction to benefit KIDS, a United Kingdom-based organization supporting disabled children. A Dolls' House sold the interesting toys a few days ago at Bonhams in London and Zaha Hadid’s 30-inch-by-30-inch, puzzle-like home, This Must Be the Place, received the night’s highest bid: $22,500. Hadid’s design is based on a previous commission from the German Design Council, her 2007 Ideal House Colonge Pavilion. Each of the charity dollhouses was required to explore an innovation that could improve the life of a disabled child. Drawing from her Cologne Pavilion’s inquiry into the concept of an “ideal house,” Hadid’s toy dwelling is a puzzle of six interlocking wood or Perspex forms, representing rooms of the home. The pieces can be disassembled and rearranged in multitudinous possibilities, rotated to fit in grooves on a surrounding wood platform. In this way, the dolls’ home can be expanded or closed in an instant; a single action can bring the rooms together or create free space for movement. A dollhouse design by Lifschutz Davidson Sandilands was the second highest bid of the night, collecting nearly $18,000. Overall, the charity auction raised over $145,000 for KIDS.