Zaha Hadid, with Arup and Mello Affonso Engineering, is executing her first project in South America. Casa Atlantica is a luxury residential building in Copacabana Beach, Rio de Janeiro. According to ARUP, Casa Atlantica was originally planned as a luxury hotel but changed to a residential building in order to meet the region's urban standards. The client, Brazilian entrepreneur Omar Peres, gave Hadid complete design liberty. She was, however, governed by strict requirements on height and proximity to neighbors. Zaha Hadid Architects' explained their response to these constraints: "Working within site restrictions governing the height and distance from adjacent buildings, Casa Atlantica's design establishes a fluid order defined by its structure which morphs and expands at each level to create balconies, while also dividing each floor into separate residential units." Casa Atlanta will be 18,000 feet-squared, have 12 floors, feature a rooftop swimming pool, and reach approximately 130 feet in height. Construction is set to begin in March. For further information, visit Zaha Hadid Architects' project page here.
Posts tagged with "Zaha Hadid Architects":
At last, design for the Tokyo 2020 Olympic Stadium has finally been decided with Kengo Kuma's winning commission. The Japanese firm fought off a plan by Toyo Ito to claim the prize. Zaha Hadid, however, was less than complimentary of the decision. The 80,000 capacity stadium will cost $1.2 billion, almost half the cost of Hadid's proposal and will crucially be constructed by Taisei Corp, a major firm in Japan. That's not to say that decision isn't still mired in controversy. Nicknamed the "hamburger," several architects, according to the Financial Times, claim it bears “remarkable similarities” to a an earlier design that was scrapped in July. Utilizing a wood and steel roof, Kuma's design creates a green space within the city of Tokyo with the facade’s horizontal lines seemingly referencing the 1,300-year-old Gojunoto wooden pagoda at Horyuji Temple. Meanwhile the environment is completed via the implementation of Jingu Shrine trees and other foliage found within the vicinity of the stadium. Prime Minister Shinzo Abe spoke of the design, saying "I think this is a wonderful plan that meets criteria such as basic principles, construction period and cost," when he announced the winning practice. Hadid, though, has other ideas. “Sadly the Japanese authorities, with the support of some of those from our own profession in Japan, have colluded to close the doors on the project to the world,” Zaha Hadid Architect's said in statement. "This shocking treatment of an international design and engineering team ... was not about design or budget." "In fact much of our two years of detailed design work and the cost savings we recommended have been validated by the remarkable similarities of our original detailed stadium layout and our seating bowl configuration with those of the design announced today," she continued. Completion is set to be around November 2019, though there are doubts that it will be ready in time for the Rugby World Cup that Japan is hosting that year. This was initially a requirement that was demanded by the Japan Sports Council and one that Hadid says her firm would have been able to meet. “Work would already be under way building the stadium if the original design team had simply been able to develop this original design, avoiding the increased costs of an 18-month delay and risk that it may not be ready in time for the 2020 Games.” Meanwhile, president of Tokyo 2020, Yoshiro Mori, has said, “The stadium incorporates the views of experts in the construction field and we are looking forward very much to using the new stadium as the centrepiece of the Tokyo 2020 Games.”
Sleek renderings show what it’s like to live in Zaha Hadid’s luxurious 520 West 28th Street in New York
Renowned architect Zaha Hadid has unveiled interior renderings of her futuristic, 11-story residential development located at 520 West 28th Street in New York's Chelsea neighborhood, which, believe it or not, is her first residential building in the Big Apple. The curvaceous tower stands 135 feet tall and features two- to five-bedroom floor plans that range from a price tag of $4.95 million to $50 million. The tower will be outfitted with a 2,500-square-foot sculpture deck, art from Friends of the High Line, an automated underground parking lot with a robot-operated storage facility, a double-height lobby, an entertainment lounge, and a 12-seat IMAX screening room. The development will also include a 75-foot pool, a gym, and a luxury spa suite equipped with a spa pool, cold plunge pool, waterfall shower, sauna, steam room, chaise lounges, and massage beds. The unit’s bathrooms will be comprised of electrochromic glass with a frosting feature, and the kitchens will include high-end appliances by Gaggenau. The new complex is slated to open in late 2016 or early 2017. Based on the complex's website, it looks like developers are looking to "casually" add Hadid's name to the building title. Perhaps, following the lead of New York By Gehry? Let us know your thoughts in the comments below.
The RIBA Gold Medal joins an ever-growing list of accomplishments for Baghdad-born, London-based Zaha Hadid. Hadid has been racking up the landmark achievements for women in architecture, most notably becoming the first female winner of the Pritzker Architecture Prize in 2004. She also twice won the UK's Stirling Prize, for the MAXXI art museum in Rome and for the Brixton-based Evelyn Grace Academy. Her achievements in the UK are widely recognized as in 2012 she was made a Dame Commander of the British Empire for achievements in architecture.Hadid started her practice in 1979 in London under the name Zaha Hadid Architects. Speaking of the award, RIBA president Jane Duncan said: ''Zaha Hadid is a formidable and globally influential force in architecture." ''Highly experimental, rigorous and exacting, her work from buildings to furniture, footwear and cars is quite rightly revered and desired by brands and people all around the world," Duncan said in a statement. "I am delighted Zaha will be awarded the Royal Gold Medal in 2016 and can't wait to see what she and her practice will do next.'' After being personally approved by the Queen for the esteemed prize, Dame Hadid spoke to BBC Radio 4 speaking about the reduction of sexism in the industry. ''There are more women architects practicing and doing great projects... I think the stigma has lifted,'' she said. ''I think there are areas where as a woman you cannot sort of be there ... But I think it is a lot better.''
Despite months of refusing to admit the case, Zaha Hadid has finally conceded that her bid for the 2020 Tokyo Olympic Stadium is dead in the water. After Japanese Prime Minister Shinzo Abe said the country was scrapping Hadid's plans in June earlier this year, the British-Iraqi architect has only now come out and said that the plans are indeed finished and that the project will go no further. Since day one the project was steeped in controversy amid the backlash from critics denouncing the stadium for displacing residents of public housing while also burning a deep hole in Japanese pocketbooks. Hadid's proposal would have cost a hefty $2 billion. Another reason the project failed was due to the fact that Hadid's company was also unsuccessful in finding a construction company. The Tokyo 2020 authority has made sure this issue will not rise again as conditions now stipulate that a construction firm must be in place for projects submitted in the new competition for the design. In a statement, a spokesman on behalf of Zaha Hadid Architects (ZHA) said: “It is disappointing that the two years of work and investment in the existing design for a new national stadium for Japan cannot be further developed to meet the new brief through the new design competition.” In 2012, Hadid's design topped 45 other submissions to claim the prize. She most recently released a 20 minute video pitch arguing its financial viability. https://youtu.be/KWQGwz3vdb4 [h/t The Guardian.]
BREAKING> Days after announcing its approval, Japanese government decides to drop Zaha Hadid’s Tokyo Stadium
Just days after giving the go-ahead on Zaha Hadid’s hotly contested designs for the Tokyo Stadium, the Japanese government has retracted its stance. With spiraling costs at the heart of contentions, Japanese Prime Minister Shinzo Abe said the project would now “start over from zero.” Abe has instructed the sports and Olympics ministers to select a new stadium design immediately, but the Prime Minister insisted that no further decision would be greenlighted without “listening to the voices of the people and the athletes.” At the time the government announced its approval, the budget had bloated to $2 billion, with the overly large, "bike helmet" design being publicly slammed by eminent architects including Toyo Ito and Fumihiko Maki. Public backlash and political battles ensued over who would foot the bill. However, Zaha Hadid Architects maintains it was “not the case that the recently reported cost increases are due to the design, which uses standard materials and techniques well within the capability of Japanese contractors and meets the budget set by the Japan Sports Council.” Instead, the “real challenge” was “agreeing on an acceptable construction cost against the backdrop of steep annual increases in construction costs in Tokyo and a fixed deadline.” Abe made the decision to drop Hadid’s designs after a meeting with the chair of the Tokyo 2020 organizing committee, Yoshiro Mori. Slated as the centerpiece of the 2020 Olympics, the already much-delayed stadium won’t be completed in time for the 2019 Rugby World Cup, as was originally planned. Sports minister Hakubun Shimomura said that a new design will be selected within the next six months.
Tokyo government approves Zaha Hadid’s designs for the 2020 Tokyo Olympics Stadium while controversy continues
Despite courting backlash for being imposingly large and costly, Zaha Hadid’s designs for the 2020 Tokyo Olympics Stadium have been green-lighted by the Tokyo government. Officials maintain that further modifications at this stage of proceedings would only incur further expenses from construction delays. In July last year, Hadid acquiesced to criticism against her original stadium, announcing new designs with economizing modifications promising to be more “efficient, user-focused, adaptable and sustainable.” A spokesman for Zaha Hadid Architects told Dezeen that the structure would sport “a lightweight, tensile fabric” to “reduce the weight and materials of the roof to give it greater flexibility as an indoor and outdoor venue.” However, Hadid’s firm declined to disclose whether the size of the venue would also be scaled back. The two massive arches forming the backbone of the roof, which critics have billed an unneeded frill, will prevail. To slash construction costs from the initial $3 billion, officials have proposed delaying building a retracting roof until after the Olympics and making 15,000 of the stadium’s 80,000 seats temporary. “We want to see more existing venues, we want to see the use of more contemporary grandstands,” said John Coates, Vice President of the International OIympics Committee. “It may be that there are new venues and existing venues at the moment that are dedicated for just one sport, where with good programming you could do two.” Nevertheless, the price tag continues to hover at $2 billion due in part to the fact that use of Hadid’s designs requires the demolition of the existing 1964 stadium designed by architect Mitsuo Katayama. Pritzker laureates such as Toyo Ito and Fumihiko Maki have been among Hadid’s most vocal critics, themselves one of eleven finalists in the 2008 competition. In an interview with Dezeen at the groundbreaking for her 1000 Museum Tower in Miami last year, the Iraqi-British architect posited: “They don’t want a foreigner to build in Tokyo for a national stadium.” However, soaring construction costs have been reported across the board, with the committee reviewing designs for ten Olympic products after bids for one facility came in at 15 times the estimated cost. Although Hadid’s stadium has received the go-ahead, city and central government continue to hotly debate how to split the $2 billion bill.
Architects and designers from 47 countries are competing to win prizes in the 2015 World Architecture Festival Awards following the announcement of the shortlist today. Nearly 400 designs in 31 categories have been chosen ranging from small family homes to huge commercial developments, landscape projects and interiors. Major world architects taking part include Foster Partners, Zaha Hadid Architects, Rafael Vinoly Architects and the designer of the controversial Garden Bridge in London, Heatherwick Studio. As usual there are also small practices unknown outside their own countries, who will be presenting their shortlisted work, along with big names, at the annual World Architecture Festival (WAF) in Singapore this November. This is the eight year of the WAF awards, which cover completed buildings, future projects, landscape designs, and interior architecture and design. WAF programme director Paul Finch commented: ‘ We are delighted that our entry numbers were up this year, and the quality of submissions is as high as ever. ‘What is fascinating about these awards is the opportunity they provide to compare how different architects and designers tackle the same sort of problems in completely different parts of the world.’ For more information www.worldarchitecturefestival.com
In mid-May, AN wrote about Zaha Hadid's first project in Mexico—a sprawling, 981-unit housing complex in Monterrey. The Esfera City Center development appears as a series of interconnected, almost pixelated, mid-rise residential buildings that are centered around a communal green space. And now it has a slick video rendering that sheds new light on the project's design. https://www.youtube.com/watch?v=hxReDJpqMMQ As with pretty much every Zaha Hadid project, the unveiling of Esfera City Center came with plenty of eye candy in the form of glossy renderings. But if those pictures left you wanting more, you're in luck! Hadid's team has also released a fly-through of the project that gives a closer look at the complex's apartments, gym, pool, and open space. Take a look at the video above for an in-depth look at Hadid's latest, inside and out. [h/t Dezeen]
Zaha Hadid, the starchitect behind this sand-dune inspired headquarters in the United Arab Emirates, a high-design billboard in London, a parametric casino in China, and these uncomfortable-looking high heels, has introduced a new line of lighting fixtures for the Italian lighting company SLAMP. It's being called "Aria Transparent" and the fixtures take the form of icicles, or as Hadid's people put it—a dematerialized volume "where illumination and lightness blend, defining natural design, becoming almost aquatic." Yes, it is very Hadidian. The chandeliers, which come in small, medium, and large, have 50 transparent, droopy surfaces positioned on an axis to each uniquely catch the LED glow. In the video below, which be forewarned has some funky sound issues, Patrik Schumacher, a partner and director at Zaha Hadid Architects, explains that the line is intended to have a "beautifully filigreed, lacy sensibility." So the pieces definitely take Hadid's signature swoopy shape, but they have a much, ahem, lighter materiality than most of her built work around the world. Take a look at the video to learn a bit more. https://vimeo.com/129005669
Zaha Hadid Architects (ZHA) has unveiled the design for its first building in Mexico, a 981 unit, mid-rise housing project in Monterrey. The original brief called for 12 towers, but ZHA proposed the alternative plan that includes a large open green space surrounded by three buildings in a rectangle. The scheme is one of Hadid’s more nuanced, as individual units are expressed as such in a pixelated, morphing grid. Each unit is styled in the firm’s signature curved massing. Usually, their buildings main function is to look like a late '90s/early 2000s basketball sneaker, namely the Adidas Crazy 97, the Jordan XV, or the Reebok Preachers. However, the so-called Esfera City Center attempts to engage with its urban surroundings, namely the two adjacent neighborhoods that are very different in character. The project is designed with ample open space to create a safe environment where both residents and passers-by feel welcome. The interconnected public zones include a café, gym, reading room, and amphitheater. The project will be built in three phases and the first is scheduled for completion in 2018.
What happens when you enlist four architects and a designer to create a shoe? That's the task handed to Zaha Hadid, Ben van Berkel, and others. The result is an ethereal-looking sculpture wrought by selective laser sintering that vaguely recalls the giant dusters at a carwash. Given free reign to “reinvent” the high-heeled shoe for Milan Design Week 2015, household-name architects Zaha Hadid, Ben Van Berkel, Fernando Romero, Michael Young, and Ross Lovegrove teamed up with United Nude, an expert in technologically advanced women’s footwear. The resulting edgy shoe is rendered in hard nylon combined with a soft rubber material—a technique which United Nude, through a longtime collaboration with 3D Systems, discovered as a solution for combining diverse printed parts to create functional footwear. United Nude’s other footwear forays with 3D Systems include creating an interactive touchscreen console that enables users to 3D print their own shoe designs, and conceiving the 3D printed Coral Shoes, designed exclusively for Vogue Fashion Dubai Experience at Level Shoe District by Rem D. Koolhaas and his team at United Nude. Inspired by sea corals, the shoe consists of a 3D-printed wedge with holes through its sides, a small 3D-printed buckle and textile ribbons for strapping the shoe on. Re-inventing Shoes is on show at Teatro Arsenale via C. Correnti 11 within the 5Vie Art + Design Quarter during Milan Design Week 2015.