The artist Aileen Quintana is creating an homage to internet cultural relics and the dying American mall in an installation for this year’s III Points Music, Art & Technology Festival in Miami. The “Vaporwave” genre has been called “the internet’s collective nostalgia”: a grouping of the various IRL ("in real life") ephemera that defined the activities supplanted digitally by the World Wide Web, like shopping, waiting in line, and listening to muzak in elevators. (Note: Vaporwave is very different from vaporware.) Art and music produced within the Vaporwave genre dabble in a mix of surrealism, kitsch, and nostalgia. Quintana’s “Vaporwave Mall” takes inspiration from the genre directly and will feature a bazaar of clichés from consumer-oriented, recreational capitalism to outfit a collection of fashion storefronts and art installations at the festival. Preliminary images of the installation show brightly-painted mannequins and the wire rack scaffolding used to display merchandise in mall outlets. The creativity festival, which Quintana cofounded in 2013, will take place in Miami's artsy Wynwood neighborhood between October 8th and October 10th, 2016 and will feature Quintana’s “mall” as a key installation. The artist told the Miami New Times this week, “Conceptually, it’s like couture club kids. I have the opportunity to associate the fashion component to the audio component and create this hybrid where the art is vivid and the creativity is more because it’s influenced by music.”
Posts tagged with "wynwood arts district":
New York-based design studio DFA has opened up a new retail arcade on 50 Northwest 24th Street in Wynwood, Miami. Housing nine retail outlets, the building—which is formally known as "Wynwood Arcade"—features a vibrant mural set against an angular Cor-Ten steel facade. DFA's Founding Partner Laith Sayigh spoke to The Architect's Newspaper about the arcade's design. "We were very conscious of what Wynwood had been and what it still was," said Sayigh as he explained how DFA were acutely aware of how Wynwood was made part of Miami's Design District. "We never saw it turning into a trendified neighborhood," he continued, adding how the area had maintained its sense of "grittiness" as well as being an affordable place for local artists. As for the design, Sayigh recalled elements of his childhood to drive landscaping decisions in the project. As a result, indigenous Floridian Coccoloba uvifera's (sea grape) have been included to act as social connectors, a feature that reminded Sayigh of his youth when such trees where well-used gathering spaces. The trees aid the creation of what Sayigh describes as a "formal oasis"—an open, shaded area with white surroundings in the center of the arcade. This feel is replicated on the rooftop where further greenery can be found along with reasonable views—for a low-rise building—across the area.
These spaces, however, are much more reserved compared to the arcade's facade. With both angled chunks seemingly sliced from the building, the facade comprises Cor-Ten steel with a colorful mural spanning the length of the elevation. Sayigh mentioned how he and his studio had a "fascination" with the idea of creating a "canyon experience" for the retail frontage. The interior and rooftop layout reflect this approach with clear diagonals running through the building either as openings or changes in level. To amplify this, Sayigh added that the material choice of Cor-Ten steel symbolized these supposed "cuts through the building's flesh" creating the impression of "bleeding" while also pursuing the sense of grittiness native to the vicinity. The mural, which offers a colorful contrast to the weathering steel, currently features an array psychedelic symbols and tones. The design came from an artist local to the area and is due to be changed every two years. Speaking of future plans, Sayigh added how DFA were looking into installing an outdoor screen on the roofdeck to encourage more visitors not just at daytimes with the offer of outdoor movies being shown.
One of the early highlights of Miami Art and Design Week is the spectacular Larry Bell sculpture 6X6 An Improvisation at White Cube Gallery’s pop up space in the Wynwood Art District. Last night, Bell was interviewed by uber questioner Hans Ulrich Obrist in the gallery next to the piece. Bell talked about his years learning to manufacture and laminate his art pieces on East 9th Street in New York City after Pace Gallery sold out his show before he even arrived at the gallery. He also described his early years as a painter (he started out studying graphic design) influenced by Willem De Kooning, which eventually had him make spaces of wood and glasses rather than paint them. Bell described the nearly unlimited spatial and geometric possibilities of his glass cubes. When Obrist, who always wants to be prepared for his interviews, asked Bell to consider his installations as collages, referencing Vladimir Tatlin and others. Bell did not seem to want think about his work as Obrist farmed it and blurted out, “Hans and I only met for a few minutes before this talk,” and "I don’t know what to say about the work!"
A straight-forward, standard-issue park just won't do for the uber-trendy, graffiti-covered streets of Miami's Wynwood Arts District. Instead of merely carving up green space within the artsy district, Tony Cho, a local real estate broker and developer, launched an international design competition to turn a parking lot into a public space worthy of its distinguished neighborhood. The Miami Herald reported that 238 submissions from 23 countries were received for Cho's competition, and, lo and behold, the only entry from Miami came out on top. After all entries were reviewed, the blind jury selected a proposal by local artist Jim Drain, and Roberto Rovira and Nick Gelpi, both professors of architecture at Florida International University. The Miami-based team beat out the competition with "Wynwood Greenhouse," a plan that is obviously a lot more than a standard-issue greenhouse. Underneath a familiar glass canopy, which is actually made of aluminum, the designers have created a multi-functional park with native grasses, flowers, green walls, a paved pathway, and moveable seating. At the center of the scheme is an old oak tree that is currently on the site and will appear to break through the aluminum structure that will rise around it. When complete, the 14,000-square-foot, privately-run public space will be able to accommodate farmers markets, fashions shows, and art installations. And at night, the "greenhouse" will glow with LEDs. If Cho can raise $1 million for the park, as he expects he can, it should open next year.