"Workshop was able to re-envision two completely separate buildings to provide one cohesive language." - Thorsten Kiefer, Director of Design and Development at HFZ Capital GroupJust north of Manhattan’s Gramercy Park Historic District, two independent buildings have been united with a facade re-cladding strategy that seeks to develop a contextual relationship between two different eras. Developer HFZ Capital tapped Workshop/APD as both the design architect and architect of record for the project, which has been one of their largest to date. 88 & 90 Lexington builds on the success of their recently completed Printing House project in the West Village. The luxury housing project involves 88 Lexington, a highly detailed pre-war limestone building, and 90 Lexington, an international style 1960’s era office building with narrow ribbon windows and thermally insufficient concrete infill panels. Both buildings were originally offices for Blue Cross Blue Shield, but have since been converted to rental units. Complexities of the project include the very large floor plates, an admittedly hideous existing international style facade, and existing rent-subsidized tenants, some of which occupied their units throughout the conversion process. While 88 Lexington is not landmarked, the project team worked carefully and respectfully on the facade, with minimally visible interventions. Replacement windows were installed throughout the building, and a new cut in the roof allowed for extra penthouse amenities. The majority of facade work occurred on 90 Lexington, which was stripped down to the concrete framework of the structure before receiving an entirely new facade. Due to Lexington’s southbound orientation, the corner building is more prominently visible, foregrounding the pre-war 88 Lexington facade. Matt Berman, Principal at Workshop/APD, told AN that their design concept was to reinforce a contextual relationship between the two buildings: "for us, it was how do you interpret this language in a modern way, so that these buildings read as ‘sister’ buildings from different time periods." To achieve this, Workshop/APD developed over 30 iterations reworking the existing facade at 90 Lexington, before scrapping a minimalist approach for something entirely transformative: a new facade attached to existing slab edge with a specialized clip detail. Thorsten Kiefer, Director of Design and Development at HFZ Capital Group, told AN that the decision to replace 90 Lexington’s facade was a significant turning point in the project: "At the very beginning it was a very big decision for us to say we were going to remove this facade, and spend extra money to get as much light into the units as possible." Clad in a nearly identical limestone material found on 88 Lexington’s facade, the new facade prioritizes a highly contextual compositional and detailing agenda. This is most apparent in the placement and trimwork on the new facade. Workshop/APD aligned new two-story rectangular openings with adjacent historic openings. Framed by a crisp metal “donut” trim, the new openings provide some continuity to ornate trimwork of pre-war building next door. Another challenge with replacing the facade was that the entire construction process had to be performed with people living in the building. Berman admits, “it would have been infinitely easier to build a new building.” Temporary exterior walls were inserted into the framework of the building while the facade was dismantled and rebuilt. Beyond the facade, Workshop/APD’s most difficult challenge was to reconcile new residential units within the large office-scaled floor plates. Berman says units didn’t cleanly stack, resulting in a Tetris-like design, and adding complexity to plumbing riser and mechanical runs through the building. Both Kiefer and Berman say the resulting quality of the layout in both buildings was one of the successes of the project. Workshop/APD was able to produce creative layout solutions that tap into an existing elevator core deep in the building, while providing generous room sizes and bonus spaces.
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As New York City's +Pool—the world’s first floating swimming pool—gets closer to the water, it was high-time for another river-based project to make itself known. The latest comes in the form of City Beach NYC, a beach-topped barge that would float in the Hudson River. The idea for the vessel comes from Blayne Ross, and it was designed and engineered by Matt Berman, and Andrew Kotchen from workshop/apd, and Nathaniel Stanton of Craft Engineering. While the project is described as a beach, it doesn’t actually offer New Yorkers the chance to swim—that is, unless they dive off the barge and into the Hudson, which is not advised. This barge, though, has more than beach chairs and umbrellas. Its sandy topper lifts up 16-feet on either side to create space for a food court, two local restaurants, changing rooms, a guest services desk, and a “kids history & marine science lab.” There is also a double-height restaurant that is “the perfect place to enjoy a leisurely lunch or dinner.” The team will be launching a Kickstarter for its project on June 19 and is aiming for a 2016 opening, the same year +Pool aims to be in the water. The race is on. [h/t Curbed]