One only had to glance out the window to understand why the 18th floor of Mart Plaza hotel was the perfect venue for the Chicago addition of the Facades+ Conferences. With views of 333 W. Wacker, the Willis Tower, and a handful of new towers under construction, the history of the modern facade was on display. The conversation in the symposium would be equally as rich with local and international speakers. The morning’s keynote address from Chris Wilkinson of London-based WilkinsonEyre, explored the latest in novel skin technologies from the fantastic flowing domes of Singapore’s Gardens by the Bay project, to the ship like Mary Rose Museum in Portsmouth, UK. The diverse range of projects presented by Wilkinson were shown along with insights into the process that lead their award winning solutions. In the case of the Mary Rose Museum, the recovered Mary Rose Ship is at the center of the design literally and ideologically. In particular, special care was taken to provide the precise environmental conditions needed to preserve the 420-year-old vessel. In his afternoon keynote address, Chicago’s John Ronan of John Ronan Architects discussed the political and social impact facades can have on a neighborhood. In the case of two of the public projects presented, brightly colored panel facades at once announce the project as a neighborhood institution, while providing a physical safety barrier in areas of the city where gun violence is too often a part of a high schooler’s life. Using a similar system of metal paneling for decidedly different reasons, Ronan described the iconic nature and tranquil interior provided in his Poetry Foundation building in downtown Chicago. Ronan closed with a detailed look at the high-tech skin of the forthcoming Ed Kaplan Family Institute for Innovation and Tech Entrepreneurship at the Mies van der Rohe–designed Illinois Institute of Technology campus. The project’s inflated ETFE foil cushion skin regulates interior climate by controlling a moveable interior membrane with a variable air pressure system. Other presentations included a discussion between 2015 AIA Chicago Gold Medal winner Carol Ross Barney, architecture critic Lee Bey, and Chicago Public Building Commission Executive Director Felicia Davis, on building in the public realm for the public good. Maged Guirguis of SOM and James Rose of the Institute for Smart Structures presented AMIE, the Additive Manufacturing/Integrated Energy project, a 3D printed house and vehicle pairing reimagining energy use. The day also included presentations from over 20 other experts in facade design, manufacturing, engineering, and the Methods + Materials gallery. Day two of the symposium included workshops and presentations from leaders in the global facade dialog, including representatives from Buro Happold, SOM, and Autodesk. The workshops provided for a hands-on, one-on-one, chance to discuss and explore the latest in facade technologies and design practices. Enrique Norten of TEN Arquitectos and Eric Owen Moss will give keynote addresses at the next Facades+ event on January 28th–29th in Los Angeles.
Posts tagged with "Wilkinson Eyre Architects":
Designing for a specific space can be a challenge, but try designing a chair predestined to become a contemporary statement in the newly-refurbished Weston Library, part of the Bodleian Libraries at Oxford, which has commissioned only its third new chair in 400 years. Earlier this year, three partnerships—Amanda Levete and Herman Miller, Barber Osgerby and Isokon Plus, and Matthew Hilton and SCP Ltd—were shortlisted to compete for the prestigious prize, which has officially been awarded to Edward Barber and Jay Osgerby with Isokon, for their low, round-backed design. Barber Osgerby's contemporary interpretation of the competition brief resulted in a surprisingly slender, three-legged oak design that unites craft heritage and sculptural form to inventively meet reader requirements. The victorious prototype represents a scholarly design approach, with early inspiration drawn from awareness of the library's history and culture. The chair will be produced for installation in the newly-renovated Weston Library over the next year. Bodleian’s estates manager Toby Kirtley told The Guardian that the institution “wanted something that would be iconic and representative of the library. It should be contemporary in style, but not out of place in a heritage setting—innovative and original, without being too experimental and risky.” Barber Osgerby seems to have hit the mark, as Bodley's Interim Librarian Richard Ovenden said, "the winning chair is characterized by a strong identity, creative approach, comfort and suitability for intense study and research." The commission was last granted in 1936 to Giles Gilbert Scott, who designed two heavy, leather-clad bucket seats to furnish the New Bodleian Library building, which is currently undergoing an approximately $105 million renovation by Wilkinson Eyre Architects, and it is set to open in October 2014. Judges included Librarian Sarah Thomas, Director of the V&A Professor Martin Roth, and industrial designer of Kenneth Grange, among others.
Several large-scale, eco-friendly projects at the intersection of landscape, architecture, and urbanism were honored at this year’s World Architecture Festival (WAF) in Singapore. Building of the Year was awarded to London-based Wilkinson Eyre’s Gardens by the Bay (above), designed in collaboration with landscape architects Grant Associates in 2003 for a competition to develop a reclaimed 250-acre site adjacent to a marina in downtown Singapore. Among the other top honorees were AECOM's Heart of Doha Masterplan, winning Future Project of the Year, and Atelier Dreiseitl's Kallang River Bishan Park, which took Landscape Project of the Year. Gardens by the Bay wraps luscious public gardens, Mediterranean flowers, event spaces, and a 100-foot high man-made waterfall under two steel-and-glass dome-like structures, the largest climate controlled greenhouses in the world. The whimsical scheme also includes eighteen 164-foot high “Supertree” structures holding thousands of exotic plant species and connected by a series of high-tech eco-bridges that collect and re-channel rainwater to cool themselves and the adjacent greenhouses. Gardens by the Bay was completed in 2012 and has been open to the public since June. WAF awarded Future Project of the Year to AECOM’s 77-acre Heart of Doha Masterplan in Qatar, designed as the gateway to Inner Doha and connecting the city with its waterfront as well as existing and proposed airports. Referred to by the architects as “the grid and the lattice,” AECOM superimposed an orthogonal grid onto Doha’s traditional Qatari street pattern to create a new urban structure that respects the Arab/Islamic vernacular, captures north-westerly breezes, and accommodates vehicular traffic. The Landscape of the Year award went to landscape architects Atelier Dreiseitl for their Kallang River Bishan Park in Singapore, a project that transforms an existing, underused park and river into an ecological public space. View all of this year's winners at the World Architecture Festival website. Click on a thumbnail below to launch a slideshow.
The Chicago-based Council on Tall Buildings and Urban Habitat (CTBUH) sought out a deep understanding of sustainability and contextualization in selecting the Best Tall Building of 2011. This year's worldwide winner, while hardly as tall as last year's winning Burj Khalifa, went to the KfW Westarkade tower in Frankfurt Germany. The 184-foot-tall tower is projected to use half as much energy as a typical European office building and only a third the energy of a standard U.S. building. The 10th-annual awards ceremony took place November 3 at a distinctly horizontal building in Chicago, Mies van der Rohe's Crown Hall. Designed by Sauerbruch Hutton, the KfW Westarkade stood above its contenders by its contextual approach to knitting together Frankfurt's urban fabric. With a colorful sawtooth glass skin, the tower curves around an irregular site. “Whereas many buildings use color as a way to mask an otherwise unremarkable building, here it contributes an additional rich layer to what is already a remarkable building,” said Peter Murray, one member of the jury. The tower was also awarded the Best Tall Building in Europe. Frank Gehry's curvilinear Eight Spruce Street in New York—the tallest residential building in North America—was named the Best Tall Building in the Americas for its iconic undulating skin that offers each unit a bay window overlooking Lower Manhattan. The jury appreciated the building's unique form as well as the investment it represents in a previously overlooked part of Manhattan. “As we design for a sustainable future, we desperately need a new definition of beauty that goes beyond skin deep,” said awards chair Rick Cook of Cook+Fox Architects in a statement. “Already being touted as one of the most energy-efficient office buildings in the world, KfW Westarkade stands out as a shining example of a truly environmentally-responsible project. The building has been carefully integrated into its context, forming relationships with its neighboring buildings, streets and parkland, while simultaneously standing out through the playful use of color. Whereas many buildings use color as a way to mask an otherwise unremarkable building, here it contributes an additional rich layer to what is already a remarkable building. Germany already has a strong reputation for achieving natural ventilation in tall office buildings, and Westarkade can now be added most positively to that list.” The Best Tall Building in Asia & Australia was awarded to the China's Guangzhou International Finance Center, designed by Wilkinson Eyre Architects. At 1,444 feet tall, the tower is easily the tallest of this year's winners and incorporates a tapering design and the world's largest diagrid system to help reduce the bulk of the tower and provide for an aerodynamic form. At night, the diagonal bracing is expressed with lights. Dubai's 1,070-foot Index tower by Foster+Partners was named Best Tall Building in the Middle East & Africa. The Index's use of shaded pools at its base to create micro-climates at the buildings entrances stood out. “The Index presents a new environmental icon for the Middle East, showcasing important passive strategies of orientation, core placement and shading,” said juror Werner Sobek. In addition to the four top tall buildings, Adrian Smith, principal at Adrian Smith + Gordon Gill Architecture, and Dr. Akira Wada, an expert in seismic design, were both awarded lifetime achievement awards for their contributions to tall architecture.