Posts tagged with "Washington D.C.":
Brooklyn-based architecture firm REX, led by Marcus Prize winner Joshua Prince-Ramus, has announced plans for a new 450,000 square foot "premium" office complex for real estate company Tishman Speyer.
The building—which AN first reported on last year—will be located on 2050 M Street in Washington D.C. and aims to "set the new standard of trophy office buildings" in the district's "golden triangle," a renowned business hub.
The project will feel light given its surrounding buildings—which range from Beaux Arts, Neoclassicism to Art Deco and Brutalism—feature heavy masonry exteriors. 2050 M Street's distinction will be further accentuated by its lack of ornamentation.
In this respect, REX's office building could be considered a contemporary take on Mies van der Rohe's high modernist style. While 2050 M Street avoids Mies's trademark use of steel structure, the principles of openness, proportionality, and legibility (in renderings, at least, the floors remain clearly visible) remain. As REX described in a press release, the project employs "hyper-transparent, floor-to-ceiling glass" that hide the view of "impending mullions."To achieve this, the glass will use "subtly-reflective pyrolytic" coating on the exterior. A relatively new advancement in glass technology, the process involves applying the coating while the glass is in a semi-molten state, allowing the chemical composition to form a bond and become part of the glass surface. The coating provides enhanced durability against scratches and other forms of degradation. In addition, a low-e coating will be applied within the glass’s insulating cavity to improve thermal performance by reducing solar heat gains. Both coatings will be applied to the curving panels that repeat 900 times along the building's facade to create a shimmering, kaleidoscopic effect, thus hiding the mullions. The panels' curvature also has a structural purpose: the "curve’s inherent rigidity in compression" means "only the top and bottom edges of the panels are supported from the floor slabs." Meanwhile, the "‘mullion-less’ vertical edges are flush-glazed for a minimalist aesthetic that improves sight lines, while gaining useable floor area." The lobby will also house site-specific art that has not yet been commissioned. The project has not broke ground but REX, in press release, stated that completion is due for 2019.
OMA unveils ideas for transforming RFK stadium property to an urban playground for the nation’s Capital
Re-Ball! winner Hou de Souse reuses 650,000 plastic balls for interactive installation in abandoned D.C. trolley station
The aim is to provide more space to relax, but it also sees a change in the park's role, becoming a place for historical education too. Costs are estimated at $38 million by the commission who has currently raised $6 million in their bid to bring about change. Change however, may not come so easily. On the other side, those who fight for the parks protection are attempting to place the park on the National Register of Historic Places. If successful, any changes, regardless of money raised, would be significantly curtailed. It's not hard to see both sides of the argument. On one hand, to maintain the current style and layout of the park pays respect to the WWI General John Pershing memorial of which it was designed to do. On that note, any change would disrupt the relationship between the park and the memorial. Conversely, the space's decline surely implies that it is unsuccessful, so much so that none bother to maintain it. For this to be fixed, more need to be welcomed in and more space is needed to facilitate this. Joe Weishaar argues that the dropped water feature is a “blind spot” and is hence ignored. Sculptor Sabin Howard envisions an “uplifting story of transformation, showing how noble the human race can be.” While the campaign for change gathers steam, the fight for protection does have some weight in the form of Charles Birnbaum, president and CEO of The Cultural Landscape Foundation (TCLF) and Darwina Neal, former president of ASLA among others. Here, Birnbaum argues for “making some changes, but keeping the signature and character-defining features intact.” From a withdrawn perspective, one cries out for collaboration between the two parties. Jared Green of The Dirt points out: "Whatever the outcome, one long-term question is: can this park be well-maintained moving forward? If not, we may be back to where we are now 30 years in the future."