Operating out of a 1907 red brick schoolhouse on a leafy residential street in the northwest Seattle neighborhood of Ballard, the Nordic Heritage Museum has plans to move into a major new Mithun-designed home about a mile south, close to the waterfront and the Ballard Locks. The design team for the new museum is headed by architecture firm Mithun. The architecture, landscape, and interior design team also includes Finnish architect Juhani Pallasmaa, and museum exhibition designers, Ralph Appelbaum Associates, from New York. The project has been in development since 2003. The museum's current lease with the Seattle School District will end in the spring of 2017. While the museum, founded in 1980, hopes to extend the lease, the Seattle School District is reclaiming the space as a new school to better serve growing young families in Ballard. The museum bought property at 2655 NW Market Street in several phases. Currently on the site is the old Fenpro building, a warehouse that once produced glass for skyscrapers and currently serves as studio space for a variety of artists and businesses working in metal, glass, and other trades. These businesses are in the process of vacating, before the Fenpro building is demolished. This past December, local public radio station, KUOW, covered the controversy over the move. Design is still underway for the over three-story, roughly 58,000-square-foot museum. There is a planned ground-floor café, and an expected major feature is Fjord Hall, a large central atrium that would connect permanent and special exhibits with upper story bridges evoking the notion of crossing a river. The Nordic Heritage Museum declined to discuss architecture or interior updates or give Mithun permission to comment on the design, citing the timing was not right as the project is still under development. The $44.6 million capital campaign is almost complete, with $5 million left to go, said Jan Woldseth Colbrese, Deputy Director of External Affairs at the museum. The Nordic museum expects to break ground this spring, with construction starting this summer, and an opening at the end of 2017 or early 2018.
Posts tagged with "Washington D.C.":
The World War I Centennial Commission in Washington D.C. has announced Chicago–based designer Joe Weishaar and New York–based sculptor Sabin Howard as the winners of the World War I Memorial Competition. The two stage competition solicited proposals to design a national WWI memorial for the Pershing Park, which currently contains a memorial to WWI General John J. Pershing. The park was designated a National WWI memorial by the federal government in late 2014, but the park was not been redeveloped to reflect this new designation. Joe Weishaar & Sabin Howard’s design entitled "The Weight of Sacrifice", was picked from five shortlisted finalists after an open competition in 2015. The winning design is comprised of a 137’ long gradually slopping wall which surrounds a grass lawn and singular sculpture. The wall, constructed of darkened bronze is animated with reliefs depicting the various roles of soldiers throughout the war. The cubic space encapsulated by the wall is also equal to that of the number of U.S. Soldiers lost in the war – one cubic foot for each of the 116,516 lost. At the heart of the project is an intent to keep the site as a public park space. The project narrative reads, “The allegorical idea that public space and public freedom are hard won through the great sacrifices of countless individuals in the pursuit of liberty provides the original design concept for this project.” The four other shortlisted offices included proposals ranging from contemporary rectilinear concepts to a neo-classical design reminiscent of a triumphal arch design. Each of the designs was guided by 10 design goals set forth by the World War I Centennial Commission. These included guidelines addressing enclosure, access, contextual considerations, and sustainability. The negotiation of what to do with the current park amenities and memorial was left up to the participants to address. The winning design proposes to keep the current General Pershing monument as it stands. Though the park has already been designated as the National WWI Memorial, the park itself has also recently been named as being eligible for listing in the National Register of Historic Places by the National Park Service. If the park achieves this designation, there would be a foreseeable conflict of redevelopment as the project attempts to move forward. The parks current configuration was designed by landscape architects M. Paul Friedberg and Oehme van Sweden.
Until July 2016, Plexus A1, an art installation comprising of nearly 60 miles of handwoven threads by Mexican artist Gabriel Dawe, will be exhibited in the Smithsonian American Art Museum's newly renovated Renwick Gallery. Dawe's installation consists of 15 hues to mimic the full spectrum of visible light. Curator-in-Charge at the Renwick, Nicholas R. Bell, said, “I was immediately drawn to [Dawe’s] work, the ethereality of it, and the illusion that the material—cotton thread—is anything but that. In the long history of our relationship with textiles, how many creators have successfully changed the way we think about the very nature of the material?" Gabriel Dawe spanned the sewing thread from Renwick's 19-foot-tall ceilings and worked layer by layer, gradating hues to resemble visible light. Dawe completed the installation in ten days. Dawe said, "Once I have an idea of what I want to do in a space, it’s just a matter of attaching hooks and stringing them on site, one thread at a time. I use a tool I’ve developed that works as a giant needle that takes the thread up and down. In a space like the Renwick, which is rather big, I also rely on a lift and helpers to be able to reach over such a big span of space.” The Renwick Gallery opened last fall, after two years of renovations. Dawe is one of nine artists displaying works in the exhibition, WONDER, as the gallery gradually bring in the permanent collection. For more information on the WONDER exhibition visit the Smithsonian American Art Museum's webpage here.
For those in attendance, the State of the Union can be exhausting. Standing up, sitting down, standing up and clapping politely for hours saps the energy of even the most ardent politicians. If viewers at home see senators sneaking out of the House during tonight's speech, don't worry: those elected officials are probably headed for the Senate's "Candy Desk." The history of the desk is short and sweet: In 1965, Senator George Murphy (R-CA) began stocking Desk 80 with candy for his fellow legislators. According to Architect of the Capitol, "In every Congress since that time, a candy desk [sic] has been located in the back row on the Republican side of the aisle and adjacent to the chamber's most heavily used entrance." The Candy Desk raises some vital questions: are there treats in the replica desk in the Kennedy Institute's replica Senate Chamber? Are they edible? https://www.youtube.com/watch?v=Z1Xery2gOVc During the 114th Congress, Senator Pat Toomey (R-PA) is assigned to Desk 80. In a January 2015 press release (and the video above) Sen. Toomey mused on the responsibilities of the Candy Desk steward:
"The Candy Desk duty is Mounds of responsibility. I campaigned for this assignment on the platform of life, liberty, and the pursuit of Peeps and hope Pennsylvania's treats will sweeten the bitter partisan atmosphere. I plan to stock the Candy Desk with Pennsylvania's finest chocolate and deliciousness to ensure a surplus of sweets. We are home to the best confectioners in the world. Hershey's, of course, is headquartered in Central Pennsylvania. Mars makes Three Musketeers in Elizabethtown. Just Born creates Peeps in Bethlehem. And we are proud of our smaller candy makers too including Asher's in Kulpsville, Wilbur Chocolate in Lititz, Josh Early Chocolates in the Lehigh Valley, and many, many more."AN reached out to the senator's Washington, D.C. office to find out what candy Sen. Toomy prefers. Bill Jaffee, Toomey's press assistant, stated that the desk is currently stocked with "Kit Kats, Hershey’s almond bars, Peanut Chews, Pennsylvania Dutch chocolate caramels, Milky Way, and Mike n' Ike." In a great show of bipartisan goodwill, Democrats may partake in the snacks, too.
Following in the stead of Snarkitecture and Bjarke Ingels, New York's James Corner Field Operations will create the National Building Museum's summer 2016 installation. The landscape architecture firm is best known for its outdoor projects such as the High Line, Santa Monica’s Tongva Park and Ken Genser Square, Race Street Pier in Philadelphia, and Seattle’s Central Waterfront. Field Operations will likely bring a fresh perspective inside the building's four-story Grand Hall. The National Building Museum opened in 1985 in the Pension Bureau building, originally built in 1887 and designed by Montgomery C. Meigs, the U.S. Army quartermaster general during the Civil War. Notably, the Italian Renaissance–style building features 75-foot-tall Corinthian columns in the Grand Hall and a 28-panel frieze by American sculptor Caspar Buberl. A design will be revealed in the spring and the exhibition will run in tandem with the museum's summer block party series. “We are very excited about this opportunity to once again transform the Great Hall for summer spectacle and pleasure,” said James Corner, founder of James Corner Field Operations, in a press release. “It will be a great challenge to surpass the genius of previous installations, but also an opportunity to explore something new and unexpected.” Snarkitecture opted for a giant, monochromatic ball pit (Click to see AN's report on this installation) in 2015 and the year before, Bjarke Ingels took advantage of the hall's height to craft a giant maze (Read more about the maze here). Stay tuned to learn what Field Operations creates for the space. To learn more about Field Operations and its projects, check out the Miami Underline and Great Falls State Park.
The 14th annual Greenbuild International Conference and Expo took place November 18–20 in Washington, D.C. This year’s expo featured the latest and greatest products and materials in sustainable design. Check out these cutting-edge green building products from the show. SageGlass Electrochromic Glass SageGlass Control interior sunlight and glare without affecting scenic views with SageGlass Electrochromic Glass. Equipped with electronic tinting and clearing capabilities, this dynamic glass is suitable for windows, skylights, and curtain walls. The glass also helps reduce energy consumption and building cooling loads. Deep Dive Kirei Kirei teamed up with Maine Heritage Timber to create Deep Dive, a collection of reclaimed timber that can be used for wallcoverings, ceilings, and millwork. Deep Dive is available in two specifications: Heritage Plank and Shadow Wood. The ½-inch-thick Heritage Plank comes in three widths, lengths that range from 1 to 4 inches, and both prefinished and unfinished options. Featuring a mix of thicknesses, Shadow Wood is available in three widths and lengths. TGI-Spacer M Technoform This durable and lightweight window spacer works hard to reduce unwanted drafts and condensation on the interior surface of window glass. TGI–Spacer M comes in a wide variety of size configurations and six neutral colorways—Black, Light Grey, Dark Grey, White, Champagne, and Bronze. Custom sizes and colors are also available. Topspin Draper Inc. Topspin is a retractable interior and exterior shading system comprised of a series of fabric panels and spring rollers. This system can be installed on horizontal, vertical, and sloped glazing, and it’s capable of withstanding wind speeds up to 38 mph. Topspin is available in widths up to 10 feet and lengths up to 40 feet. SkyScape Pregrown Modular System Firestone This 15-inch-by-20-inch vegetative roof system features a foundation comprised of 100 percent recycled high-density polypropylene and a durable honeycomb structure that allows plants to share moisture and nutrients. Each module weighs 50 lbs., features an interlock below grade on all four sides to withstand high winds, and manages stormwater through unitized moisture retention reservoirs. Autodesk Insight 360 Autodesk With the Autodesk Insight 360 software program, architects can easily access building energy and environmental performance data, such as whole building energy, heating, cooling, daylighting, and solar radiation simulations. The interactive software allows architects to create 3-D models with Revit and FormIt 360 Pro, giving them an inside look at real-time performance outcomes.
On Sunday, November 22, twenty four teams from architecture and design firms in Washington, D.C. built sculptures out of canned food inside the National Building Museum. The theme this year is transportation and sculptures included the Scooby Doo Mystery Machine, a full-size smart car, a Mayflower bean soup ship, CAN-nook Chopper to the Rescue, a Lunar module, and more. Canstruction is a national food drive for the Capital Area Food Bank. Last year, Canstruction teams donated 56,000 pounds of food and $18,000—the equivalent of 42,000 meals. More than 275 tons of food has been donated through CanstructionDC since the event began in 1998. The sculptures will be on display until Monday, November 30, and visitors can vote for their favorite to win the “People’s Choice Award” by donating a can of food in the “ballot box” next to each sculpture. For those who can’t make it to D.C. (or who want to see more) Work Zone Cam created a time-lapse video for the event. To get completely up to speed on National Building events, check out The Beach by Snarkitecture from this past summer and The Maze by BIG, both in the National Building’s great hall. https://www.youtube.com/watch?v=JrixcmmsP3s To learn about Canstruction in your area, check out this website.
Kreysler & Associates' Joshua Zabel knows more than a thing or two about collaborating with architects to produce complex facades. "On the design side, increasingly complex projects call for earlier and earlier involvement from us for material and fabrication input," said Zabel. "With increasing frequency we're being called on by architects to contribute during SD and DD phases." Zabel will share the fabricator's perspective on teamwork in high performance envelope design and construction later this week at Facades+AM Seattle. His co-presenters on "Digital Collaborations: Applications, Realities and Opportunities in the Delivery of Complex Facades" include Jeffrey Vaglio (Enclos), David Sandinsky (NBBJ) and Marne Zahner (Magnusson Klemencic Associates). Digital design tools play a critical role in enabling an ongoing dialogue between designers and fabricators, said Zabel. "There's obviously a lot to be said for the ability to pass a 3D model back and forth or share drawings on a screen in real time with someone thousands of miles away," he explained. "It seems easy to forget it wasn't anywhere near as fluid, say, 15 years ago." More specifically, said Zabel, "It's interesting to me when we're able to communicate with architects at the level of programming the toolpath strategy for making molds with our CNC machine. Everything about that notion is enhanced by the collaborative use of technology." Zabel compares contemporary developments in design and fabrication technology to the introduction of another collaborative tool: the telephone. "CAD and digital fabrication processes are such useful tools for construction and collaboration, I imagine one day, like the telephone, we won't marvel at how useful it is, we'll just take it for granted," he said. At the same time, there remains room for improvement. Construction documentation standards, for instance, often necessitate creating traditional 2D models that are "simply impractical" in particularly complex cases such as SFMOMA rainscreen or Bing Concert Hall, said Zabel. The ease of communication "can also lead to overload and an environment where it can be difficult to find a foothold or pinpoint the important thing to focus on where everybody has access to all of the information all the time." Join Zabel and other movers and shakers in the facades world December 4 at Facades+AM Seattle. Register today on the symposium website.
Digital techniques including parametrization play an increasingly important role in the work of many architects, engineers, and builders, especially those involved in the design and fabrication of high performance facades. "Parametrization is a critical path for facade design," observed Perkins+Will energy strategist Sangeetha Divakar. "A choice set of digital tools are being used to achieve this, especially when design options are optimized in response to several end goal parameters." Divakar will share lessons learned from her work in Seattle and elsewhere next week at Facades+AM Seattle. Her co-presenters on "Combined Modeling Efforts for the Optimized Facade: Models, Methods, Materials" include Morrison Hershfield principal Stéphane Hoffman and Richard Green, of Front, Inc. As someone particularly attuned to environmental performance, said Divakar, "What excites me the most in facade systems optimization now is that the line demarcating design parametrization and energy analysis parametrization is fast disappearing." But while the worlds of aesthetics and energy analysis are more integrated than ever, gaps remain elsewhere. In particular, Divakar pinpointed a need for "a direct integration of facade parametrization with engineering parametrization." Hear more about cutting-edge digital design tools including parametrization from Divakar, Hoffman, and Green on December 4 at Facades+AM Seattle. The symposium, a half-day version of the popular Facades+ conference series, features three sessions on hot topics in facade design and construction, with a special focus on designing and building for the Pacific Northwest. Learn more and register today at the Facades+AM website.
You can do a lot in fifteen minutes: cook some surf-and-turf, blast through paperwork, star in a mediocre crime drama, or travel 40 miles between major East Coast cities. Well, not yet. Given the excruciatingly slow pace of infrastructure modernization in the U.S., there will be a wait on that last one, probably for decades. Yet, the U.S. is taking small steps towards twenty-first century transportation. Last week, the U.S. Transportation Department granted $27.8 million in Federal Railroad Administration funds to the Maryland Department of Transportation and the Maryland Economic Development Corporation to conduct feasibility studies for a maglev train line that will run between DC and Baltimore. https://www.flickr.com/photos/geoffwhalan/16578045553/in/photolist-6ZNtXq-bkjuSb-byeyp6-qdzcUH-u8F6rc-9DN21-byeq9i-bkjwuj-7sUSTT-4TEqye-qZoBxP-78WXSR-7ya8wK-rfWPnB-7sYQD7-7sYQLS-ziKfWR-6pTxyU-4SpKK-21THR5-4jpRM-Ab3VT-aans1n-aansdz As the above video illustrates, Maglev trains move very, very fast, reaching speeds up to 375 miles per hour. If built, the DC-Baltimore maglev train would be a 40 mile demonstration project to determine how to best bring maglev trains to the United States. Overall, the track will cost an estimated $10 billion to build. Japanese transportation companies and the Japanese government are keen on spreading their products and expertise to the United States, a potentially lucrative market. This spring, Governor Larry Hogan and Maryland Transportation Secretary Pete K. Rahn rode on the Yamanashi Maglev Test Track. The Japanese government has committed $5 billion to the project, and the train operator, the Central Japan Railway Company, will not levy licensing fees for the technology. Stateside, The Northeast Maglev, a private investment group, will also contribute to the project. For those who can't delay gratification, ferroequinologists the world over love to share their love for ultrafast trains.
For Seattle's AEC professionals, the city's thriving high-tech industry is both a blessing and a challenge. "The architecture scene in Seattle is red hot and exciting," said Mic Patterson, vice president of Strategic Development for Enclos. "The migration of tech and related companies into the area is driving a new wave of architectural expression in which the building skin is playing a role." Next month, Patterson co-chairs Facades+AM Seattle, a half-day version of the acclaimed Facades+ conference series, with Perkins+Will senior project designer Carsten Stinn. But while the influx of capital and design-minded entrepreneurs presents an unparalleled opportunity for architectural experimentation, Seattle-area architects, engineers, fabricators, and builders, may have some catching up to do when it comes to the technical side of the building envelope. "There is a long history of great architecture in Seattle, yet the advanced facade systems are relatively new to the area, and there are many in the local design and construction scene unfamiliar with the technology," observed Patterson. "In fact, the pace of development of facade technology has accelerated to the point that keeping up takes a deliberate effort, even by the experts, or they won't be experts for long." "Our Facades+AM event will throw some of this up for a quick but deep dialogue that will provide equal parts information and inspiration," promised Patterson. The morning's agenda is divided into three case study-based presentations punctuated by networking breaks. Jeffrey Vaglio (Enclos) and Joshua Zabel (Kreysler & Associates) will follow Patterson and Stinn's opening remarks with "Digital Collaborations: Applications, Realities, and Opportunities in the Delivery of Complex Facades." The second presentation, by energy strategist consultant Sangeetha Divakar and Morrison Hershfield's Stéphane Hoffman, is "Combined Modeling Efforts for the Optimized Facade: Models, Methods, Materials." The final offering, from Devin Kleiner (Perkins+Will) and Peter Alspach (Arup), is "Aspirations vs. Reality: Analysis of Built Projects." Additional speakers are being added to the program. To learn more or join the Seattle dialogue, visit the Facades+AM Seattle website today.
As the United States capital,Washington, D.C. is a de facto magnet for smart people who want to make an impact on government. The city doesn't often make headlines for its contemporary architecture, though occasionally, a sharp new project breaks into the parade of undistinguished office buildings. One of those is a newly unveiled 11-story structure by Brooklyn-based REX at 2050 M Street, between Washington and Dupont Circles. While the client is Tishman Speyer, CBS will be the 400,000-square-foot building's primary tenant. The project's executive architect is Houston's Kendall/Heaton. The building responds to D.C.'s strict zoning codes and its prevailing office building typologies: the Neoclassical, Beaux Arts, or Brutalist box, and the smooth, soulless glass box. Zoning requires buildings to have similar height and mass, but do not regulate, or encourage, aesthetic harmony. As a result, statement buildings with similar width and height, but widely divergent styles, compete for attention. To reconcile this peculiarity, REX's building combines the mass of a stately Neoclassical building with a transparent, fluted glass facade. According to REX, the facade is comprised of "nine hundred identical, insulated-glass panels—11.5 feet tall by 5 feet wide—are subtly curved to a 9.5 foot radius through a heat roller tempering process." The floor-to-ceiling "mullion-less" windows allow sightlines that extend through the interior. The result is an exterior that catches light at regular but unexpected angles and throws pleasantly distorted images of its neighbors back at the viewer. To offset the rigidity of glass, the lobby is clad in decidedly non-vegan cowhide, and is large enough to accommodate a site-specific sculpture by an as-yet-unnamed artist. When it is complete in 2019, 2050 M Street hopes to achieve LEED Gold certification. See the gallery below for more images of the project. 2015 was a successful year for REX. In September, principal Joshua Prince-Ramus won the Marcus Prize. The biannual honor (and cash prize) is given to an architect "on a trajectory of greatness." As part of his Marcus Prize acceptance, Prince-Ramus will teach a graduate studio on adaptive reuse at University of Wisconsin–Milwaukee School of Architecture this Spring.