Posts tagged with "Waechter Architecture":

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Waechter Architecture’s Society Hotel Bingen frames the Pacific Northwest

Nestled within the Washington State side of the Columbia River Gorge since 1908, the Bingen Schoolhouse has had many lives. It is now home to half of the Society Hotel’s second outpost thanks to a renovation helmed by Portland, Oregon–based Waechter Architecture, which also designed additions that house guest rooms, a spa, and more. With a residential neighborhood immediately surrounding the plot and industrial facilities farther beyond, the subtle negotiations between privacy and exposure were a major challenge for the architects. “With the site constraints and opportunities as well as with the specifics of the program desires and requirements, we developed the idea of the edited panorama,” said founder and principal Ben Waechter. The designers took a sculptural approach, carving programmatic areas out of refined, faceted masses, all of which are clad in board-and-batten cedar inspired by the simple material palette of the schoolhouse. Twenty individual cabins radiate across the field, tethered together by a roof that joins them into a hexagonal ring. The roof cantilevers into the central courtyard, providing a covered walkway around the perimeter of the campus while framing views of the surrounding gorge. This organization buffers the hotel from the community while producing intimate outdoor pockets for each unit that look over the countryside. “There was an idea of creating a strong threshold in passing through the ring—not simply passing through a wall plane but passing through this thickness,” Waechter added. Read the full article on our interiors and design website, aninteriormag.com.
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Clarity is key for popular Portland-based firm Waechter Architecture

Every year the Architectural League of New York recognizes eight dynamic young firms as Emerging Voices that have the potential to become leaders in the field. Historic winners like Morphosis (1983) and Toshiko Mori (1992) have become today’s lions, and practices like Johnston Marklee (2007) and Tatiana Bilbao (2010) have jumped to new heights after recent wins. This year’s crop was selected in a two-stage portfolio competition where a jury of architects selected the winners. The deciding jury included several previous winners like Dominic Leong (2017), Fernanda Canales (2018), and Marlon Blackwell (1998), giving the process a familial feel. Laureates for 2019 come from across North America and almost all are partnerships or collaboratives—capital letters feature prominently, too.  Waechter Architecture will lecture at the Scholastic Auditorium at 130 Mercer Street, New York, New York, at 7:00 p.m. on March 14, as part of the Emerging Voices lecture series. For Ben Waechter, practicing architecture is an investigation into creating spaces with clarity. As founder of the Portland, Oregon–based firm, Waechter Architecture, he tries to design buildings that feature clear, visual identities that resonate with the people who experience them. The way the firm tackles this goal is through an informal, ongoing study Waechter calls “The Clarity Project.” He encourages his team to analyze their projects, and those of others, at every stage, from schematic design to post-construction. In doing this, they aim to discover the best ways to create a distinct internal logic for an individual design and reveal the underlying relationships that make it successful. “To us, a strong sense of clarity tends to be in places that simply feel the best to be in,” he said. According to Waechter, that’s one of the main themes that must be teased out when reviewing a project. Another theme is composition. The firm’s Tower House, built in 2014, presents a tubular facade with large-scale cutouts that organize the interior. It is situated on a steep site previously deemed “unbuildable,” so Waechter’s team envisioned the four-story home as a stacked structure. “We spend a lot of time making sure our projects are distilled down to a composition that’s whole and complete by itself,” he said. “If you take one point away or add something, it doesn’t work anymore.” Equally important is creating clarity of figure-ground. Waechter determines the programming within a building from the beginning. “We like to think of our plans as being carved out of a building mass and then using poches as secondary support spaces.” This strict editing process, as well as the firm’s clear commitment to minimalism, is inspired by Swiss architecture and Waechter’s own architectural journey. As a former employee of Renzo Piano, he takes the refined details seriously. “There’s a constructional logic to Renzo Piano’s buildings,” he said. “One similar thread between our work is that we also try to include a few details done really well in order to create a stronger identity.” In some cases, Waechter distinguishes his architecture by simply framing views of the surrounding locale. For a recently completed project at Furioso Vineyards in Dundee, Oregon, the firm designed a glass-enclosed tasting room on a raised platform. The height allows guests to feel as if they’re hovering above the vineyard while simultaneously connecting them with the wine-making process. If one thing is clear, it’s that clients are attracted to Waechter Architecture’s meticulous attention to detail and old-school analytical practices. Though its award-winning portfolio largely showcases expertise in single-family home design, with the vineyard project and their upcoming Society Hotel in Bingen, Washington, they’re branching out to into new territory.
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Announcing the Architectural League's 2019 Emerging Voices

Every year the Architectural League of New York recognizes eight dynamic young firms as Emerging Voices that have the potential to become leaders in the field. Historic winners like Morphosis (1983) and Toshiko Mori (1992) have become today's lions, and practices like Johnston Marklee (2007) and Tatiana Bilbao (2010) have jumped to new heights after recent wins. This year's crop was selected in a two-stage portfolio competition where a jury of architects selected the winners. The deciding jury included several previous winners like Dominic Leong (2017), Fernanda Canales (2018), and Marlon Blackwell (1998), giving the process a familial feel. Laureates for 2019 come from across North America and almost all are partnerships or collaboratives—capital letters feature prominently, too. The League will hold a lecture series from this year’s winners every Thursday in March at the Scholastic Auditorium at 130 Mercer Street, New York, New York. We profiled this year's winners, snippets of which are included below. Click on the images for the full profiles. And now, the winners are: Ignacio Urquiza, Bernardo Quinzaños, Centro de Colaboración Arquitectónica Bernardo Quinzaños, Ignacio Urquiza, and Mexico City–based Centro de Colaboración Arquitectónica (CCA) have over a decade of experience working toward their goal of using architecture as a “tool for change.” ... Urquiza explained, “We’ve always had a particular interest in architecture that is precise, yet at the same time has the flexibility of being able to give itself to each space.” He added, “Ambiguity is what gives architecture the freedom to be owned by its users.” UUfie Despite being just ten years old, UUfie has snagged commissions in high-profile locations around the world that any practice would envy. Few firms of a comparable size have worked in three continents, and UUfie’s founders are aware of the benefits of having worked around the world; they credit their global experience with bringing “more cultural awareness and diversity in thinking” to their practice. ... “In Canada, there is a growth in supporting Canadian talent and potential for establishing a vibrant design scene that is broadening its perspective. In Japan, this scene is highly established and appears to lean now toward a retrospective view,” [cofounder Irene] Gardpoit said. “Canada is a culturally diverse country in comparison to Japan. This diversity brings on its challenges, but it is also unique in that it does not necessarily have its own established identity. It allows us to experiment.”

Waechter Architecture

For Ben Waechter, practicing architecture is an investigation into creating spaces with clarity. ... “To us, a strong sense of clarity tends to be in places that simply feel the best to be in,” [Waechter] said. According to Waechter, that’s one of the main themes that must be teased out when reviewing a project.

MODU

Phu Hoang and Rachely Rotem…blur the boundaries of their practice, working in multiple modes simultaneously. Their conceptual work, built work, research, teaching, and urban initiatives inform one another and allow the firm to continually develop, test, and refine their ideas. Through discourse and design at scales both large and small, MODU’s indoor cities and outdoor rooms ultimately ask one question: How can we live better?

SCHAUM/SHIEH

For SCHAUM/SHIEH, the city is not a mere backdrop for designing buildings. Instead, it is a source of productive potential and a platform for theoretical and built experimentation that has informed the firm’s relationship to design from its founding in 2010.

Colloqate

Colloqate Design, a multidisciplinary, New Orleans–based “nonprofit design justice practice” founded in 2017 by Bryan Lee Jr.—Sue Mobley came on in 2018—with the goal of “building power through the design of public, civic, and cultural spaces,” is setting a different path relative to other design offices. … “We want to be the most radical design firm out there,” Lee said, “and we need to build buildings to do that.”

FreelandBuck

FreelandBuck builds drawings. Not in the traditional sense of constructing what’s represented by a drawing set, but in the sense that its architecture directly evokes carefully constructed perspectives and painstakingly hand-drawn renderings. “We think about drawing at the scale of architectural space,” says partner Brennan Buck, “as an end product, not a means to build.”

Davies Toews

Partners Trattie Davies and Jonathan Toews are no strangers to working around tight spatial and financial limitations. Whether it’s a linear park that rises between a descending set of switchback staircases in Hudson, New York; a perspective-defying, split-level park and art gallery in Memphis, Tennessee; or a three-story townhouse in Brooklyn, their projects are united by the common thread of extreme site-specificity. “Our strategy has been: Do first, analyze second,” said Davies.