Turns out the biggest construction site in Europe has got some moves. And all it takes to turn 42 cranes into a nimble-bodied dance troupe is some light choreography, a techno beat, and a fair amount of neon lighting. The dance, or the Krenasee event as it is officially known, took place in Austria last month at the site of a planned 20,000-square-foot suburb called Urban Lakeside Vienna. FilmSpektakel caught the action in all of its glory and put together this impressive time-lapse video. [Via Gizmodo.]
Posts tagged with "Vienna":
Austria comes to Los Angeles with a lecture series dubbed “Viennese Week in LA.” The talks will take place at SCI-Arc as part of the Wolf D. Prix/COOP HIMMELB(L)AU design studio. Prix himself is the headliner, with a lecture on Raimund Abraham happening on March 5 at 7:00p.m. In “Visions in Exile or: Before we were so rudely interrupted,” Prix will talk about his mentor and friend’s influence on the early works of COOP HIMMELB(L)AU. He will also probe the digitization of architecture practice, asking how architects like Abraham would have designed using the tools available today. On Monday, March 3 at 7:00p.m., architect Gregor Eichinger will talk on “Remembering the Future.” Eichinger co-founded Eichinger oder Knechtl in Vienna in 1985 after studying architecture at the Technical University in Vienna. He has been design principal and CEO of Eichinger Offices, also in Vienna, since 2005. Eichinger has taught at a number of international schools of architecture, including SCI-Arc, the Academy of Fine Arts Vienna, the ETH Zurich, and, most recently, the Academy of Applied Arts in Munich, Germany. Also tonight at 7:00p.m., multimedia artist Peter Kogler will present “Light and Flat.” Educated at the HTL Bau + Kunst in Innsburck and the Academy of Fine Arts in Vienna, Kogler has taught in France, Austria, and Germany. His work has been exhibited around the globe. Friday, March 7 at 7:00p.m., structural engineer Klaus Bollinger will speak on “Open Systems and Structural Design.” Bollinger received both his undergraduate degree and his PhD in Germany before establishing Bollinger + Grohmann, now with offices in Frankfurt am Main, Berlin, Vienna, Paris, Oslo, and Melbourne. The firm provides structural design services on both architectural and civil engineering projects, often collaborating with internationally-renowned architects. Bollinger, who has taught in Vienna and Frankfurt, is a member of the European Academy of the Sciences and Arts. For more information, see the SCI-Arc website. Lectures are free and are broadcast live here.
The exhibit, The Vienna Model: Housing for the 21st Century City, currently on view at the Austrian Cultural Forum, is meant to provoke a discussion with housing advocates in this country. The Forum will host weekly tours of the exhibit by a variety of housing experts from various academic and professional fields. This Wednesday, the tour will be led by Srdjan Weiss, a Serbian-born architect and theorist based in New York City, with broad knowledge of the subject of housing in this country and Eastern Europe. The tour will be based on Weiss' parallel living experience and expertise in housing design from former socialist countries of Eastern Europe and Yugoslavia. Viennese contemporary examples presented at the exhibit in the Austrian Cultural Forum in New York will also be viewed from the lens of large immigrant population—coming precisely from former socialist systems. The socialist culture of communal living with good architectural design seem to have all but disappeared in post-socialist systems neighboring Austria, but they have remained in Vienna as a model that can be learned from. The Austrian Cultural Forum is at 11 East 52nd Street.
Last week at the Phaidon Bookstore in Soho, White Box held a benefit for their new sustainable art garden by organizing a panel discussion called "Sustainable Work Lab: new projects in art, architecture and urban design." Ali Hossaini moderated the discussion between landscape designer Frances Levine, architect David Turnbull, and urban designer Maria Aiolova. Hossaini yielded to Turnbull's freewheeling conversation about Socratic love, i.e. the coupling of poverty and invention. Inspired by his fresh-off-the-plane-from-Kenya presentation, the crowd indulged in the philosophical debate. Turnbull balked at biennials and instead encouraged artists "to make artifacts that are useful and have that magical quality that keep them from being thrown away." "Sustainability should be the bare minimum," concurred Aiolova. She should know. Her firm, Terreform1, held a sustainability love fest all summer long, which culminated in winning the Victor J. Papanek Social Design Award on August 17. Aiolova said that impetus for entering the Design for the Real World competition came after she and partner Mitchell Joachim were approached by Ron Labaco of the Museum of Art and Design (MAD). Though Aiolova was unaware of any financial aspect of the award, she seemed more interested in the conference to be held at the University of Applied Arts in Vienna in the fall, where Paola Antonelli will be the keynote speaker and the winning work will be exhibited. The exhibition will come to New York at MAD in the spring 2012, sponsored in part by the Austrian Culture Forum New York. There, the group will discuss "Urbaneering Brooklyn" at a symposium on social design. The model takes a look at downtown Brooklyn one hundred years in the future, a place where all necessities—food, water, and energy—are provided from within the area's boundaries. "We are projecting what the technologies are going to be to achieve the state of self reliance." For her presentation at Phaidon, Aiolova revisited the more practical aspects of some smaller scale projects, like the group's Fab Tree Hab designs, which combine a natural scaffolding made of vines with fully grown trees that are grafted to act as a support structure and columns. Aiolova acknowledged that the design may not be everyone's cup of tea, but for the client who wants to live off the grid, literally at one with nature, the Fab Tree Hab might hold the answer. What about the time it takes to grow the house? "It takes three to nine years for a good bottle of scotch," she said. Back at the studio, Terreform had just completed ONE Lab: Biodesign, a summertime boot-camp where architects, scientists, and artists met to explore design with living matter: