Posts tagged with "Venice":

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OMA unveils their refurbishment of the Fondaco dei Tedeschi in Venice

International practice OMA has completed a refurbishment of the Fondaco dei Tedeschi in Venice. Originally constructed in 1228, rebuilt in 1508 after a fire, then given a concrete structure in the 1930s, the Italian Renaissance-styled building is an emblem of Venetian Republic. Having served many purposes throughout its lifetime—used by German trade merchants, then as a customs house for Napoleon and a post office for Mussolini—the Fondaco dei Tedeschi was granted "Monument" status in 1987. In 2008, the building was purchased by Italian fashion brand Benetton, who commissioned Rem Koolhaas to transform the space with its primary use being for retail. However, conservationists from Italia Nostra objected dubbing the Palazzo's proposal as a "megastore." In 2012, during the midst of the debacle, Benetton's spokesman Federico Sartor said: "A city with just museums will die. There is lots of culture in Venice but you cannot find a sandwich." Four years later, Benetton and OMA's plans have been scaled back to incorporate an artistic element, thus maintaining Venice's cultural pedigree. Opening the courtyard piazza and rooftop to pedestrians facilitates views down into the building and, more impressively, over Venice along the city's canals.
The most drastic intervention comes in the form of the structure's circulation. Timber-clad escalators rise up through the volumes, punctuating the space with their dark red coloration, seemingly an amplified reference to the pink hues found in the worn bricks of the interior. In order to encourage circulation to the building, new entrances from the Campo San Bartolomeo and the Rialto have been created, while the existing entrances into the courtyard have been retained for the locals. OMA created a new rooftop through the renovation of the existing 19th Century pavilion at the top and the addition of a large wooden terrace, which now offers spectacular views over the city. Both the rooftop and the central courtyard below will remain open to the public. "The transformation of the Fondaco is based on a finite number of local interventions and vertical distribution devices that support the new program structure a sequence of public spaces and paths, from the central courtyard to a new roof terrace overlooking the Canal Grande," said OMA. "Each intervention is conceived as a brutal excavation through the existing mass, liberating new perspectives and unveiling the real substance of the building to its visitors," they continued. "With an almost forensic attitude, each new component serves as a way to show the stratification of materials and construction techniques." As for the retail space itself, Jamie Fobert Architects from London will lead the design. The renovated building is due to open in October this year.
 
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Here's every participant working on the Venice Biennale 2016

This year's Venice Architecture Biennale, titled Reporting from the Front, has unveiled its full list of participants. The 15th instalment of the Biennale, directed and curated by the man of the moment, Alejandro Aravena, will occupy venues along the Arsenale and the Central Pavilion in the Giardini. There will be work on display from 62 national pavilions, featuring five newcomers: Kazakhstan, Nigeria, Philippines, Seychelles, and Yemen. From this pool of nations, 50 architects will be taking to the Venetian stage for the first time. This year's event will also witness an infusion of youth never seen before with 33 of the featured architects being under 40—a first for the Biennale. “There are several battles that need to be won and several frontiers that need to be expanded in order to improve the quality of the built environment and consequently people’s quality of life," said Aravena. "This is what we would like people to come and see at the 15th International Architecture Exhibition: success stories worth to be told and exemplary cases worth to be shared where architecture did, is and will make a difference in those battles and frontiers.” Together, they will contribute work that addresses concurrent issues such as: segregation, inequalities, peripheries, access to sanitation, natural disasters, housing shortage, migration,  informality, crime, traffic, waste, pollution, and the participation of communities. “It is not easy to achieve such a level of expansion and synthesis; they are battles that need to be fought," Aravena continued. "The always menacing scarcity of means, the ruthless constraints, the lack of time and urgencies of all kinds are a constant threat that explain why we so often fall short in delivering quality. The forces that shape the built environment are not necessarily amicable either: the greed and impatience of capital or the single mindedness and conservatism of the bureaucracy tend to produce banal, mediocre and dull built environments. These are the frontlines from which we would like different practitioners to report, sharing success stories and exemplary cases where architecture did, is and will make a difference.”

Here's the full list of participants:

Albania “I Have Left You the Mountain” Commissioners: Albanian Ministry of Culture. Curators: Simon Battisti, Leah Whitman-Salkin, Åbäke. Exhibitors: Etel Adnan, Pier Vittorio Aureli, Mourid Barghouti, Claire Fontaine, Yona Friedman, Anri Sala, Michael Taussig, Yanis Varoufakis, Ornela Vorpsi. Site: Arsenale

Argentina experimentAR - Poéticas desde la frontera Commissioners: Federico Gonzalez Perini. Curator: Atilio Pentimalli. Site: Arsenale, Sale d’Armi

Armenia Independent Landscape Commissioners: Ministry of Culture, (Vartan Karapetian).Curator: Sarhat Petrosyan. Site: Chiesa di Santa Croce degli Armeni, Calle dei Armeni, San Marco 965

Australia The Pool – Architecture, Culture and Identity in Australia Commissioners: Janet Holmes a Court AC. Curators: Amelia Holliday and Isabelle Toland (Aileen Sage Architects) with Michelle Tabet. Exhibitors: Conversations with Olympians Shane Gould and Ian Thorpe (Anna Funder and Christos Tsiolkas; musician Paul Kelly; environmentalist Tim Flannery; fashion designers Romance Was Born; and art curator Hetti Perkins). Site: Giardini

Austria Places for people Commissioners/Curator: Elk Elke Delugan-Meissl with Liquid Frontiers. Exhibitors: Caramel architects, EOOS, the next ENTERprise architects. Site: Giardini

Bahrain Commissioners: Sh. Mai Al Khalifa. Curators: Anne Holtrop e Noura Al Sayeh. Site: Arsenale

Belgium BRAVOURE Commissioners: Christoph Grafe, Director Flanders Architecture Institute. Curator: bravoure architecten de vylder vinck taillieu - doorzon interieur architecten - filip dujardin. Site: Giardini

Brazil Commissioners: Luis Terepins, Bienal de São Paulo Foundation.Curator: Washington Fajardo. Site: Giardini

Canada “EXTRACTION” Commissioners: Catherine Crowston, Art Gallery of Alberta. Curator: Pierre Bélanger, OPSYS. Exhibitors: OPSYS / RVTR. Site: Giardini

Chile Against the tide Commissioners: Cristóbal Molina (National Council of Culture and the Arts of Chile). Curators: Juan Román, José Luis Uribe. Exhibitors: Felipe Aranda, Ximena Cáceres, Claudio Castillo, Ximena Céspedes, Gabriel Garrido, Carolina Guerra, Juan Francisco Inostroza, Yasna Monsalve, Felipe Muñoz, Daniel Prieto, Javier Rodríguez, Jonnattan Silva, Carolina Solís, Tanya Vera, Cesar Verdugo. Site: Arsenale

China Daily Design, Daily Tao-Back to the ignored front Commissioners: China Arts & Entertainment Group (CAEG).Curator: Jingyu Liang. Exhibitors: Approach Architecture Studio, Drawing Architecture Studio (Han Li, Yan Hu), in+of architecture (Lu Wang), People’s Architecture Office (Zhe He, James Shen, Feng Zang), Run Atelier (Hao Wang, Man Ye), Qun Song, View Unlimited Lanscape Architecture Studio CUCD (Xie Xiaoying, Yan Tong, Haitao Huang, Qu Zhi), Wuyong (Ma Ke), Jingxiang Zhu (Unitinno+CUHK), Jing Zuo. Site: Arsenale

Czech Republic & Slovakia Care for Architecture: Exemplum of the Slovak National Gallery or Asking Arche of Architecture to Dance Commissioners: Monika Mitášová, Monika Palcová. Curators/Exhibitors: Benjamín Brádnanský, Petr Hájek, Vít Halada, Ján Studený, Marián Zervan (Academy of Fine Arts and Design in Bratislava and University in Trnava). Site: Giardini

Côte d'Ivoire Live differently Commissioners: N’Guessan N’Dri Barthelemy. Curator: SOSSAH Francis. Exhibitors: Ministère de la construction et de l’urbanisme, Ministère de l’habitat et du logement social, Ministère de la culture et de la francophonie, Ordre des architectes, Ecole d’architecture d'Abidjan. Site: Palazzo Bembo e Palazzo Mora

Croatia “We Need It-We do it” Commissioners: Zlatko Hasanbegovic, PhD, Minister of culture; Ministry of Culture. Curator: Dinko Peracic. Exhibitors:Dinko Peracic, Slaven Tolj, Miranda Veljacic, Emina Višnic. Site: Arsenale

Denmark Commissioners: Kent Martinussen, CEO, Danish Architecture Centre. Curators: Boris Brorman Jensen and Kristoffer Lindhardt Weiss. Exhibitors: 3XN; AART architects; Adept; AI; Anders Abraham & Christina Capetillo; Anders Peder Larsen; Andersen & Sigurdsson Architects; Arcgency; Arkitektfirmaet Merete Lind Mikkelsen; Arkitema Architects; BCVA Architecture; BIG; BO FROST architects; CEBRA; CF. Møller Architects;Christensen & Co architects; COBE; COLORCLOUDSTUDIO;DISSING+WEITLING architecture; Dorte Mandrup Architects; EFFEKT; ELKIÆR + EBBESKOV; Erik Brandt Dam architects; Erik Møller Architects; Force4; Frans Drewniak & Philip Rahm; Frederiksund Municipality; Friis & Moltke Architects Gottlieb Paludan Architects; Herzog de Meuron; JAJA architects; Jakob Knudsen; Jan Gehl; Jane Havshøj Architects; Jes Vagnby; JJW Architects; Johan Mottelson; Jonathan Meldgaard Houser; Junya Ishigami; Karlsson Arkitekter; KHR Arkitekter; Kim Loudrup; KRADS; Kristine Jensens Tegnestue; Lenschow & Pihlmann; LETH & GORI; LUMO Architects; Lundgaard & Tranberg Architects; Mathilde Petri Architects; Middelfart Municipality and Middelfart Wastewater Utility; Mikkelsen Architects; Møller & Grønborg; Nicolai Bo Andersen; NORD Architects Copenhagen; ONV Architects; POLYFORM; Powerhouse Company Copenhagen; Roskilde Municipality;  RUBOW Arkitekter; schmidt hammer lassen architects; SLA Architects; SLETH Architects; SNE architects; Spektrum Arkitekter; Svendborg Architects; THIRD NATURE; Toposfære IVS; TRANSFORM; Tyra Lea Amdisen Dokkedahl; URBAN AGENCY; Vandkunsten Architects; Vilhelm Lauritzen Architects; WE Architecture; Wienberg Architects and Frier Architecture; Schønherr; Henning Larsen Architects. Site: Giardini

Egypt ReframingBack/ImperativeConfrontations Commissioners: Ahmad Hilal. Curator: Ministero della Cultura. Exhibitors: Eslam Zenbaey, Luca Borlenghi, Gabriele Secchi, Mostafa Salim. Site: Giardini

Estonia, Latvia & Lithuania The Baltic Pavilion Commissioners Estonia: Raul Järg Commissioner Lettonia: Janis Dripe ( Ministry of Culture of the Republic of Latvia) Commissioners Lithuania: Ona Lozuraité, Jonas Žukauskas. Curators: Karlis Berzinš, Jurga Daubaraite, Petras Išora, Ona Lozuraityte, Niklavs Paegle, Dagnija Smilga, Johan Tali, Laila Zarina, Jonas Žukauskas. Exhibitors: Architekturos Fondas, Eesti Arhitektuurikeskus. Site: Palasport G.B. Gianquinto, Castello, Calle S. Biagio

Finland From Border to Home - Housing Solutions for Asylum Seekers Commissioners: Juulia Kauste Museum of Finnish Architecture. Curator: Marco Steinberg. Exhibitors: a team; Lindberg & Erdman; Society Lab with the participation of alt Architects; D.A.T. PANGEA + QUATORZE; Helsinki Kasbah Combine; Satoshi OHTAKI. Site: Giardini

France Nouvelles du Front, Nouvelles Richesses Commissioners: Institut Français, ministère de la culture et de la communication - direction générale des patrimoines.Curator: Frédéric Bonnet - OBRAS e AJAP 14 (PNG, Boidot & Robin, Studio 1984, Studiolada, Boris Bouchet, Claas architectes, R Architecture, NeM / Niney et Marca architectes). Site: Giardini

Germany Making Heimat. Germany, Arrival Country Commissioners: Peter Cachola Schmal, Deutsches Architekturmuseum (DAM). Curator: Oliver Elser, Deutsches Architekturmuseum (DAM). Exhibitors: Something Fantastic. Site: Giardini

Great Britain Home Economics Commissioners: Vicky Richardson. Curators: Shumi Bose, Jack Self, Finn Williams. Exhibitors: ÅYR, Pier Vittorio Aureli e Martino Tattara (Dogma) con Maria S. Giudicci (Black Square), Julia King, Jenna Sutela Hesselbrand. Site: Giardini

Greece “Challenging architecture on site of crisis” Commissioners: General Secretary of Spatial Planning and Urban Environment, Ms Eirini Klampatsea. Curators: SADAS-PEA (the Greek Architects Association).Exhibitor: SADAS-PEA (the Greek Architects Association). Site: Giardini

Hungary æctivators. Locally active architecture Commissioners: Júlia Fabényi. Curators: Gábor Fábián, Dénes Fajcsák. Exhibitor: Arkt. Site: Giardini

Iran Commissioners: Ministry of Road and Urban Development Hamed Mazaherian. Exhibitors: Saba Engineering Events Association. Site: Arsenale

Ireland Losing Myself Commissioners: Niall MacLaughlin. Curator: Yeoryia Manolopoulou. Exhibitor: Níall McLaughlin (Níall McLaughlin Architects). Site: Arsenale

Israel "A is for Architecture, B is for Biology" Commissioners: Arad Turgeman. Curators/Exhibitors: Ido Bachelet, Bnaya Bauer, Arielle Blonder, Yael Eylat Van-Essenn, Noy Lazarovich. Site: Giardini

Italy TAKING CARE – Progettare per il bene comune Commissioners: Federica Galloni, Direttore Generale Arte e Architettura Contemporanee e Periferie Urbane, Ministero dei Beni e delle Attività Culturali e del Turismo. Curators: Simone Sfriso, team Curatorsale Massimo Lepore, Simone Sfriso, Raul Pantaleo TAMassociati. Site: Tese delle Vergini all’Arsenale

Japan beyond - SHARING Commissioners: The Japan Foundation. Curator: Yoshiyuki Yamana. Exhibitors: mnm (Mio Tsuneyama); ondesign (Osamu Nishida); Erika Nakagawa; Naruse Inokuma Architects (Jun Inokuma, Yuri Narus; Naka Architects’ Studio (Toshiharu Naka, Yuri Uno); Nousaku Architects (Fuminori Nousaku, Junpei Nousaku); miCo. (Mizuki Imamura, Isao Shinohara); Levi Architecture (Jun Nakagawa); Shingo Masuda+Katsuhisa Otsubo Architects (Shingo Masuda, Katsuhisa Otsubo); Koji Aoki Architects(Koji Aoki); 403architecture [dajiba] (Takuma Tsuji, Takeshi Hashimoto, Toru Yada); BUS (Satoru Ito, Kosuke Bando, Issei Suma); dot architects (Toshikatsu Ienari, Takeshi Shakushiro, Wataru Doi). Site: Giardini

Kazakhstan (New) Commissioners: Minister Muhamediuly Arystanbek.

Korea The FAR Game: Constraints Sparking Creativity Commissioners: Arts Council Korea. Curators/Exhibitors: Sung Hong KIM, Eungee CINN, Keehyun AHN, Seungbum KIM, Isak CHUNG, Daeun JEONG. Site: Giardini

Kuwait Between East and West, A Gulf Commissioners: NCCAL. Curators: Hamed Bukhamseen e Ali Karimi. Site: Arsenale

Luxembourg Tracing Transitions Commissioners: LUCA Luxembourg Center for Architecture, Andrea Rumpf. Curators/Exhibitors: Claude Ballini, Serge Ecker, Daniel Grünkranz, Panajota Panotopoulou. Site: Ca’ de Duca, Corte del Duca Sforza, San Marco 3052

Macedonia 
No Man’s land Commissioners: Ivanka Apostolova. Curator: Stojan Pavleski. Exhibitors: Stojan Paveski, Ivan Simeonov, Gjorgji Radovanovic e Ljupcho Tasevski.

Mexico Dispiegamenti e Assemblaggi  (Despliegues y ensambles) Commissioners: María Margarita Segarra Lagunes.Curator: Pablo Landa Ruiloba.Exhibitors:David Mora Torres, Valeria Prieto, Mariano Arias-Diez, Alejandro Suárez Pareyón, César Augusto Guerrero Rodríguez, Mariana Ordoñez Grajales, Jorge Andrade Narváez, Paloma Vera, João Boto Matos Caeiro, Javier Toscano Guerrero, Isadora Hastings, Melba Denisse García, Álvaro Lara Cruz, Juan Carlos de la Garza Madero, Juan José Santibañez, Luz Yazmin Viramontes, Juan Alfonso Garduño, Jesús Roberto Nuñez, Rodolfo Samperio, Alfredo Hidalgo Rasmussen, Daniel Filloy Ring, Juan M. Casillas Pintor, José Carlos Lavalle Alonzo, Alexa Mabel Pacheco, Carlos Hagerman, Jesús Álvarez, Lara Becerra, Betsaid M. Moreno Corona, Jorge A. Rivera, Aarón Gutiérrez, Raúl Cárdenas Osuna. Site: Arsenale, Sale d’Armi

Montenegro Project Solana Ulcinj Commissioners: Dijana Vucinic Ministry of Sustainable Development and Tourism. Curators: Bart Lootsma, Katharina Weinberger. Exhibitors: ecoLogicStudio, London; LOLA, Rotterdam; LAAC, Innsbruck. Site: Palazzo Malipiero, San Marco 3079

Nigeria  (New) ‘Diminished Capacity’ Commissioners: Nkanta George Ufot (Ministry of Information and Culture). Curator: Camilla Boemio. Exhibitor: Ola-Dele Kuku.

New Zealand “Future Islands” Commissioners: Tony Van Raat. Curator: Charles Walker. Exhibitors: Kathy Waghorn, Jessica Barter, Stephen Brookbanks, Maggie Carroll, Bruce Ferguson, Minka Ip, Jonathan Rennie, Rewi Thompson. Site: Palazzo Bollani, Castello 3647

The Netherlands BLUE: Architecture of Peacekeeping Missions Commissioners: Het Nieuwe Instituut. Curator: Malkit Shoshan. Site: Giardini

Finland, Norway & Sweden In Therapy - Nordic Countries Face to Face Commissioners: ArkDes, The Swedish Centre for Architecture and Design (Sweden). Adjunct Commissioners: The Finnish Museum of Architecture (Finland) and Nasjonalmuseet (Norway). Curators: David Basulto, James Taylor-Foster. Site: Giardini

Perù "OUR AMAZON FRONTLINE" Commissioners: José Orrego. Curators: Sandra Barclay e Jean Pierre Crousse. Exhibitors: Ministero dell’Istruzione Peruviano, “Progetto Plan Selva” Capo Progetto Elizabeth Añaños e con Claudia Flores, Sebastian Cilloniz, Jose Luis Villanueva, Miguel Chavez, Gino Fernandez, Alvaro Echevarria, Alfonso Orbegoso, Luis Miguel Hadzich, Carlos Tamayo. Site: Arsenale, Sale d’Armi

Phillipines (New) Muhon: Traces of an Adolescent City Commissioners: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon. Curator: Juan Paolo de la Cruz, Sudarshan Khadka Jr., Leandro Locsin (LVLP Partners). Site: European Cultural Center - Palazzo Mora, Strada Nuova 3659

Poland “Fair Building” Commissioners: Hanna Wróblewska. Curator: Dominika Janicka, in cooperation with Martyna Janicka and Michal Gdak. Site: Giardini

Portugal NEIGHBOURHOOD: Where Alvaro meets Aldo Commissioners: Carlos Moura-Carvalho. Curator: Nuno Grande e Roberto Cremascoli. Exhibitor: Álvaro Siza Vieira. Site: Campo di Marte, Giudecca (tra Calle Mason e Calle Michelangelo Buonarroti – vaporetto: Zitelle)

Romania SELFIE AUTOMATON Commissioners: Attila Kim. Curator: Tiberiu Bucsa. Exhibitors: Tiberiu Bucsa, Orsolya Gal, Stathis Markopoulos, Adrian Arama, Oana Matei, Andrei Durloi. Site: Giardini e Nuova Galleria dell'Istituto Romeno di Venezia Palazzo Correr, Campo Santa Fosca, Cannaregio 2214

Russia V.D.N.H. Commissioners: Semen Mikhailovsky. Curator: Sergey Kuznetsov. Site: Giardini

Serbia HEROIC: Free Shipping Commissioners: Ivan Raskovic. Comitato Scientifico: Ljiljana Miletic Abramovic, Igor Maric, Aleksandar Bobic, Milan Ðuric, Vladimir Milenkovic, Vesna Cagic Miloševic, Maja Ciric. Exhibitors: Stefan Vasic, Ana Šulkic e Igor Sjeverac. Site: Giardini

Seychelles (New) Commissioners: Benjamin Rose. Curator: Andres Ramirez.

Singapore At The ‘Home Front’ Commissioners: Jeffrey Ho, Executive Director of DesignSingapore Council. Curator: Wong Yunn Chii, Department of Architecture, School of Design and Environment, National University of Singapore. Site: Arsenale, Sale d’Armi

Slovenia Home@Arsenale Commissioners: Matevž Celik, Museum of Architecture and Design, MAO. Curators: Aljoša Dekleva e Tina Gregoric (dekleva gregoric architects). Site: Arsenale

Spain UNFINISHED Commissioners: Iñaqui Carnicero + Carlos Quintans. Curator: Carnicero + Quintans. Exhibitors: Contemporary Spanish Architecture. Site: Giardini

Switzerland "Incidental Space” Commissioners: Sandi Paucic e Marianne Burki, Swiss Arts Council Pro Helvetia. Curator: Sandra Oehy. Exhibitor: Christian Kerez. Site: Giardini

Thailand Class of 6.3 Commissioners: The Office of Contemporary Art and Culture, Ministry of Culture. Curator: Teeranuj Wongwaisayawan. Exhibitors: Pitupong Chaowakul, Chatpong Chuenrudeemol, Jeravej Hongsakul, Kanika R’Kul, Jun Sekino Chutayaves Sinthuphan, Suriya Umpansiriratana, Twitee Vajrabhaya, Varudh Varavarn. Site: Arsenale

Turkey Darzanà: Two Arsenals, One Vessel Commissioners: Istanbul Foundation for Culture and Arts (IKSV). Curators: Feride Çiçekoglu, Mehmet Kütükçüoglu, Ertug Uçar. Exhibitors: Hüner Aldemir, Caner Bilgin, Hande Cigerli, Gökçen Erkiliç, Nazli Tümerdem, Yigit Yalgin. Site: Arsenale, Sale d’Armi

United Arab Emirates Transformations: The Emirati National House Commissioners: Salama bint Hamdan Al Nahyan Foundation. Curator: Yasser Elsheshtawy. Site: Arsenale, Sale d’Armi

United States of America The Architectural Imagination Commissioners: Monica Ponce de Leon. Curators: Cynthia Davidson and Monica Ponce de Leon. Exhibitors: Marcelo López-Dinardi and V. Mitch McEwen, A(n) Office, Detroit, Michigan Kelly Bair and Kristy Balliet, BairBalliet, Chicago, Illinois, and Columbus, Ohio, Greg Lynn, Greg Lynn FORM, Los Angeles, California Mack Scogin and Merrill Elam, Mack Scogin Merrill Elam Architects, Atlanta, GeorgiaMarshall Brown, MARSHALL BROWN PROJECTS, Chicago, Illinois Hilary Sample and Michael Meredith, MOS Architects, New York, New York Florencia Pita and Jackilin Hah Bloom, Pita & Bloom, Los Angeles, California Albert Pope and Jesús Vassallo, Present Future, Houston, Texas Preston Scott Cohen, Preston Scott Cohen Inc., Cambridge, Massachusetts Stan Allen, SAA/Stan Allen Architect, New York, New York Thom Moran, Ellie Abrons, Adam Fure, and Meredith Miller, T+E+A+M, Ann Arbor, Michigan Andrew Zago and Laura Bouwman, Zago Architecture, Los Angeles, California. Site: Giardini

Yemen  (New) Beautiful Yemen Commissioners: Mr. Ayed Ali Al-Shawafy, Undersecretary for Cultural relations, Ministry of Culture, Yemen. Site: Arsenale

ull list of participants (via www.labiennale.org) 1. 51N4E (Brussels, Belgium) Freek Persyn; Johan Anrys 2. ADNBA (Bucharest, Romania) Andrei Serbescu; Adrian-Ioan Untaru 3. Aires Mateus (Lisbon, Portugal) Francisco Aires Mateus; Manuel Aires Mateus 4. Al Borde (Quito, Ecuador) David Barragán; Pascual Gangotena; Marialuisa Borja; Esteban Benavides 5. Alexander Brodsky (Moscow, Russia) 6. Alonso de Santos Estudio (Madrid, Spain) Francisco Alonso de Santos 7. Amateur Architecture Studio (Hangzhou, China) Wang Shu; Lu Wenyu 8. Anupama Kundoo Architects (Auroville, India) Anupama Kundoo 9. Architecture and Vision (Bomarzo - Viterbo, Italy) Arturo Vittori 10. Arno Brandlhuber + Christopher Roth (Berlin, Germany) Arno Brandlhuber; Christopher Roth 11. Assemble (London, Great Britain) 12. Atelier Bow-Wow (Tokyo, Japan) Yoshiharu Tsukamoto; Momoyo Kaijima; Yoichi Tamai 13. Atelier Peter Zumthor & Partner (Haldenstein, Switzerland) Peter Zumthor 14. Barozzi / Veiga (Barcelona, Spain) Alberto Veiga; Fabrizio Barozzi 15. Batlle i Roig Arquitectes (Barcelona, Spain) Enric Batlle; Joan Roig 16. BeL Sozietät für Architektur (Köln, Germany) Anne-Julchen Bernhardt; Jörg Leeser 17. Bernaskoni (Moscow, Russia) Boris Bernaskoni 18. Block Research Group, ETH Zurich (Zurich, Switzerland) Philippe Block; Tom Van Mele WITH Ochsendorf, DeJong & Block (Cambridge, Massachusetts, USA) John Ochsendorf; Matthew DeJong; Philippe Block AND WITH Escobedo Construction (Buda, Texas, USA) David Escobedo 19. C+S Architects (Treviso, Italy) Carlo Cappai; Maria Alessandra Segantini 20. Cadaval & Solà-Morales (Barcelona, Spain) Eduardo Cadaval; Clara Solà-Morales 21. Cecilia Puga (Santiago, Chile) 22. Christ & Gantenbein (Basil, Switzerland) Emanuel Christ; Christoph Gantenbein WITH Stefano Graziani 23. Christian Kerez Zürich (Zurich, Switzerland) Christian Kerez 24. David Chipperfield Architects (Berlin, Germany) David Chipperfield 25. designworkshop: sa (Durban, South Africa) Andrew Makin 26. El equipo Mazzanti - Giancarlo Mazzanti, Carlos Medellín, María Mazzanti (Bogotá, Colombia) Giancarlo Mazzanti 27. Ensamble Studio (Madrid, Spain) Antón García-Abril; Débora Mesa Molina 28. EPEA Internationale Umweltforschung (Hamburg, Germany) Michael Braungart 29. Estudi d'Arquitectura Toni Gironès (Barcelona, Spain) Toni Gironès 30. Estudio del Paisaje Teresa Moller & Asociados (Santiago, Chile) Teresa Moller 31. Film First (New York, USA) Gary Hustwit 32. Forensic Architecture (London, Great Britain) Eyal Weizman 33. G124 (Gruppo di lavoro del Senatore Renzo Piano) (Rome, Italy) Renzo Piano 34. Gabinete de Arquitectura (Asuncion, Paraguay) Solano Benítez; Gloria Cabral; Solanito Benítez 35. Grafton Architects (Dublin, Ireland) Yvonne Farrell; Shelley McNamara 36. Grupo EPM - Departamento de intervenciones urbanas sostenibles (Medellín, Colombia) Horacio Valencia 37. GrupoTalca (Talca, Chile) Martín del Solar; Rodrigo Sheward 38. Herzog & de Meuron (Basil, Switzerland) Jacques Herzog; Pierre de Meuron WITH Agav Films (Paris, France) Amos Gitai 39. Hollmén Reuter Sandman Architects (Helsinki, Finland) Saija Hollmén; Jenni Reuter; Helena Sandman 40. Hugon Kowalski + Marcin Szczelina (Poznan, Poland) Hugon Kowalski; Marcin Szczelina; Klaudia Dopierala; Maria Dondajewska 41. Inês Lobo, Arquitectos (Lisbon, Portugal) Inês Lobo 42. Jiakun Architects (Chengdu, China) Liu Jiakun 43. João Luís Carrilho da Graça (Lisbon, Portugal) 44. José María Sánchez García (Madrid, Spain) 45. Kashef Chowdhury / Urbana (Dhaka, Bangladesh) Kashef Mahboob Chowdhury 46. Kazuyo Sejima + Ryue Nishizawa / SANAA (Tokyo, Japan) Kazuyo Sejima; Ryue Nishizawa 47. Kengo Kuma and Associates (Tokyo, Japan) Kengo Kuma 48. Kéré Architecture (Berlin, Germany) Francis Kéré 49. LAN (Paris, France) Umberto Napolitano; Benoît Jallon 50. Luyanda Mpahlwa DesignSpaceAfrica (South Africa) Luyanda Mpahlwa 51. M. Giuseppina Grasso Cannizzo (Vittoria – Ragusa, Italy) 52. Manuel Herz Architects (Basil, Switzerland) Manuel Herz 53. Marte.Marte Architects (Weiler, Austria) Bernhard Marte; Stefan Marte 54. Matharoo Associates (Ahmedabad, India) Gurjit Singh Matharoo 55. menos é mais (Porto, Portugal) Francisco Viera de Campos; Cristina Guedes 56. NLÉ (Amsterdam, The Netherlands) Kunlé Adeyemi 57. Norman Foster Foundation (Madrid, Spain) Norman Foster WITH Redline-EPFL (Lausanne, Switzerland) Jonathan Ledgard WITH Ochsendorf, DeJong & Block (Cambridge, Massachusetts, USA) John Ochsendorf ; Matthew DeJong; Philippe Block WITH Block Research Group, ETH Zurich (Zurich, Switzerland) Philippe Block; Tom Van Mele 58. OMA - Office for Metropolitan Architecture (Rotterdam, The Netherlands) Rem Koolhaas 59. ORG Permanent Modernity (Brussels, Belgium) Alexander D'Hooghe, Luk Peeters, Natalie Seys 60. Paulo David (Funchal, Portugal) 61. Pezo von Ellrichshausen (Concepcion, Chile) Mauricio Pezo; Sofía von Ellrichshausen 62. Rahul Mehrotra and Felipe Vera (Cambridge, Washington, USA) Rahul Mehrotra; Felipe Vera 63. Raphael Zuber (Chur, Switzerland) 64. Recetas Urbanas (Siviglia, Spain) Santiago Cirugeda 65. Renato Rizzi (Venice, Italy) 66. Robust Architecture Workshop (Colombo, Sri Lanka) Milinda Pathiraja 67. Rock Garden (Chandigarh, India) Anuj Saini 68. Rogers Stirk Harbour + Partners (London, Great Britain) Richard Rogers; Graham Stirk; Ivan Harbour 69. Rural Studio, Auburn University (Newbern, Alabama, USA) Andrew Freear; Rusty Smith 70. Rural Urban Framework, The University of Hong Kong (Hong Kong) Joshua Bolchover; John Lin 71. SAAS (Porto, Portugal) Samuel Gonçalves 72. School of Architecture, University of Waterloo (Cambridge, Ontario, Canada) Robert Jan van Pelt; Anne Bordeleau; Sascha Hastings; Donald McKay 73. Simon Velez (Bogotá, Colombia) 74. Souto Moura - Arquitectos, S.A. (Porto, Portugal) Eduardo Souto de Moura 75. SPBR Arquitetos (São Paulo, Brazil) Angelo Bucci 76. Studio Anna Heringer (Laufen, Germany) Anna Heringer WITH Lehm Ton Erde Baukunst (Schlins, Austria) Martin Rauch WITH Architekturmuseum der TUM (Monaco, Germany) Andres Lepik 77. Studio Jaeeun-Choi (Tokyo, Japan) Shigeru Ban Architects (Tokyo, Japan) Jaeeun-Choi; Shigeru Ban 78. Studio Mumbai Architects (Mumbai, India) Bijoy Jain 79. Studio Snozzi (Locarno, Switzerland) Luigi Snozzi 80. Studio TAMassociati (Venice, Italy) Massimo Lepore; Raul Pantaleo; Simone Sfriso 81. Tadao Ando Architect & Associates (Osaka, Japan) Tadao Ando 82. Tatiana Bilbao Estudio (Mexico City, Mexico) Tatiana Bilbao WITH Rozana Montiel Estudio de Arquitectura (Mexico City, Mexico) Rozana Montiel WITH Dellekamp Arquitectos (Mexico City, Mexico) Derek Dellekamp WITH Alejandro Hernández (Mexico City, Mexico) 83. Transsolar (Stuttgart, Germany) Matthias Schuler WITH Anja Thierfelder Freie Architektin (Stuttgart, Germany) Anja Thierfelder 84. TYIN tegnestue (Trondheim, Norway) Yashar Hanstad; Andreas Grønvedt Gjertsen 85. VAVStudio (Iran) Arash Aliabadi; Afshin Farzin; Saman Shamsbeki; Sakhi Shirmohammadi; Amin Tadjsoleiman 86. Vo Trong Nghia Architects (Hanoi, Vietnam) Vo Trong Nghia 87. Werner Sobek (Stuttgart, Germany) 88. ZAO / Standardarchitecture (Beijing, China) Zhang Ke
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Breaking: Alejandro Aravena Named Director of 2016 Venice Biennale of Architecture

Its final. Alejandro Aravena has been named Director of the 2016 Venice Architecture Biennale. The Chilean architect will have just 10 months to prepare the exhibition, which opens May 28. He follows David Chipperfield and Rem Koolhaas in directing the exhibition. Aravena is from Santiago, Chile, where he directs the firm ELEMENTAL S.A., a multi-disciplinary design office that works on projects in a range of scale. He is possibly best known for his Siamese Towers, and was named by Herzog + de Meuron as one of the Ordos 100. He has taught at the Harvard Graduate School of Design. According to director Paolo Baratta,“After the important experimental Biennale developed by Rem Koolhaas, dedicated entirely to the curator’s research, it is our belief that we must follow up with a Biennale that convenes the architects, and is dedicated to the exploration of the new frontier that demonstrate the vitality of architecture, a frontier that spans across various parts of the world and shows architecture engaged in providing specific responses to specific demands. This Biennale intends to react once again to the gap between architecture and civil society, which in recent decades has transformed architecture into spectacle on the one hand, yet made it dispensable on the other. Among architects of the new generation, Alejandro Aravena is, in our opinion, the one who can best describe this reality and highlight its vitality. He continued, “The 15th International Architecture Exhibition will be about focusing and learning from architectures that through intelligence, intuition or both of them at the same time, are able to escape the status quo. We would like to present cases that, despite the difficulties, instead of resignation or bitterness, propose and do something. We would like to show that in the permanent debate about the quality of the built environment, there is not only need but also room for action”. Aravena said of the appointment, “There are several battles that need to be won and several frontiers that need to be expanded in order to improve the quality of the built environment and consequently people’s quality of life. This is what we would like people to come and see at the 15th International Architecture Exhibition: success stories worth to be told and exemplary cases worth to be shared where architecture did, is and will make a difference in those battles and frontiers”.  
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Rem Koolhaas’ Biennale: Or how the Tempest Swept Venice

peter-lang-biennale-02 [Editor's Note: The Venice Architecture Biennale is still on through November 23 and it's still proving to be controversial. Professor Peter Lang shares his thoughts on Rem Koolhaas' event here.] A Tale about the Magician Koolhaas who plays Prospero, lives on an island in the Venetian Laguna, and brings a Tempest to the Venice Biennale. Miranda: O wonder! How many goodly creatures are there here! How beauteous mankind is! O brave new world, That has such people in't. —William Shakespeare, The Tempest, Act V, Scene I, ll. 203–206[5] (Aldous Huxley quoted this line from the Tempest for the title of his dystopian novel Brave New World published in 1931) In choosing to take a different perspective on the 14th edition of the Architecture Biennale in Venice directed by Rem Koolhaas, I decided to skip the standard blow-by-blow critique, and instead confront what I believe is the greatest enigma behind this controversial event. Up till now, the majority of critics taking a look at this year’s exhibition find fault with Koolhaas’ method, not so much with his madness. But the key to the exhibition is not in its studied aloofness, but in its insubordination—Koolhaas is determined to shake up the Biennale institution by any means possible. In all likelihood it didn’t start out this way. Koolhaas went about his business to remake the Biennale as did any major curator in the past, but Koolhaas is ambitious, and he set the stakes very high. To remake the Biennale, Koolhaas would need to dismantle the entire institution in order to rid it of its nearly century old infrastructure, complete with archaic “nationalist” pavilions, an array of inflexible labyrinthine spaces and gigantean maritime buildings, and a legacy of incredibly dated architectural categories. Koolhaas must at some point hit a frustrating impasse, compelling him to look for alternative best practices. It might have been around then that he hit upon the Tempest. The Tempest has an incredible allure for the kind of intellectual figure who won’t be compromised. The Shakespearean play itself lives on and on: it morphs continuously through time into an incredibly wondrous amalgam of human drama and personal transcendence. The Tempest is a malleable condition, and can double as a playbook for utopian practices, a manual for post-colonial discourse, or a stage for feverish fantasies. Prospero, the ex-Duke of Milan was a man of great vision and curiosity. While his methods may not be commonly practiced today, he would be of great inspiration to someone like Koolhaas who also faced insurmountable odds. Prospero ruled by sorcery, commanded over an army of slaves, spirits, half humans and fairies. His supernatural powers were based on his immense intellect, drawn from his great library in Milan of which a portion accompanied him in his escape from the city. His strongest affections are reserved for his daughter, Miranda. But the most important cue Koolhaas probably takes from Prospero is dramaturgical, that all spectacle is one big illusion, and that the scenes and characters are but figments of one’s imagination. Prospero evokes the “stuff dreams are made on.” He reveals the insubstantial world of the theatrical craft, masking fiction from truth. Continue reading the rest of Peter Lang's essay here.
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Protest in Venice: Megaphones in hand, The Architect's Lobby explores "Getting By"

01-protestsinvenice While most of the attendees at the recently opened Venice Biennale were thinking about the basic Elements of Architecture a younger generation of architects were concerned about something even more basic: how to earn a living. In a series of Arsenale round table talks called Stay Radical created by New York–based Superscript, young Italian architects talked about the difficulties of earning even the most basic living wage in their country devastated by recession and a historic system of wage depression. Meanwhile the New York group, The Architect's Lobby took matters into their own hand and with megaphones held a protest just outside entrance to the Venetian Giardini (above). san-precarious-archpaper Led by architects Yolande Daniels and Manuel Shvartzberg, surrounded by Carabinieri, the Italian paramilitary police, the young architects shouted the demands and manifesto of the Lobby:
We are precarious workers; these are our demands: 1. Enforce labor laws that prohibit unpaid internships, unpaid overtime; refuse unpaid competitions. 2. Reject fees based on percentage of construction or hourly fees and instead calculate value based on the money we save our clients or gain them. 3. Stop peddling a product - buildings - and focus on the unique value architects help realize through spatial services. 4. Enforce wage transparency across the discipline. 5. Establish a union for architects, designers, academics and interns in architecture and design. 6. Demystify the architect as solo creative genius; no honors for architects who don't acknowledge their staff. 7. Licensure upon completion of degree. 8. Change professional architecture organizations to advocate for the living conditions of architects. 9. Support research about professional labor rights in architecture. 10. Implement democratic alternatives to the free market system of development.
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La Moglie di Lot in Venice Remembers Superstudio's Radical Ideas

05-venice4 The Florentine architecture group Superstudio enjoyed the penultimate moment on the world architecture stage at the 1972 MoMA exhibition, The New Domestic Landscape. However, by the end of that decade with worldwide radical politics on the wane and postmodernism on the rise, the Florentines found their radicale arguments and practice marginalized and they began to move away from architecture towards other sorts of design initiatives. But before the group left the international stage, they created one last potent architectural statement: La Moglie di Lot and displayed it at the 1978 Venice Biennale of Art. 03-venice4 The piece consisted of an iron frame with a table on which were placed four basic architectural forms constructed of salt, like a round Coliseum (see below). The frame has a taller high-rise like armature that help up plastic tubes that dripped water down on the forms. Each mass slowly disappeared or eroded into nothingness like Superstudio's careers and hopes for radical change in culture and the architecture profession. The frame from Moglie disappeared after 1978 but now a gallerist from Genoa has reconstructed a new frame (in fact, he built three of them for sale), and it is on display the 2014 Venice Biennale in the Moditalia Arsenale. 04-venice4 02-venice4 01-venice4
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Walking through the "Elements of Architecture" exhibit at the 2014 Venice Biennale

The 2014 Venice Architecture Biennale is a bit like walking into a giant research project. If the exhibition The Elements of Architecture is not necessary thrilling to the spirit it is at least full of ideas on the basics of construction. It is possible to walk through a dozen times and come away with new information and concepts. Here is a quick look at several of the ideas in this intellectual project masquerading as an exhibition.
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On View> Radical Pedagogies: ACTION-REACTION-INTERACTION at the 2014 Venice Biennale

AN just had a quick Arsenale walkthrough of Radical Pedagogies: ACTION-REACTION-INTERACTION by creator and Princeton professor Beatriz Colomina. The Arsenale has been given over in this biennale to Monditalia, a single-theme exhibition with exhibits, events, and theatrical productions engaging Italian architecture with politics, economics, religion, technology, and industry. In this installation the other festivals of la Biennale di Venezia—film, dance, theatre, and music—will be mobilized through the architecture event to contribute to a comprehensive portrait of the host country. In Radical-Pedagogies, Colomina's team (that includes Britt Eversole, Ignacio G. Galán, Evangelos Kotsioris, Anna-Maria Meister, Federica Vannucchi, Amunátegui Valdés Architects, and Smog.tv) has created a wondrous wall display of the effects of the radical years in Italy and as their influence spread around the world to architecture schools and movements on every content. The display is a wall of information that, rather than make definitive claims to all inclusiveness, uses an open-source strategy to feature what's known so far about the these multiple international movements and that asks others to add their own information to the wall. The wall includes original journals, fantastic period images of major protagonists from Giancarlo de Carlo, Manfredo Tafuri, and many others. The display makes use of augmented reality that allows users with mobile devices to scan the display which then creates an interactive display of films, videos, images, and other displays. Its is a not-to-be-missed part of Monditalia in the biennale.
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On View> Here Are Some Great Events Happening at the 2014 Venice Architecture Biennale

The 2014 Venice Architecture Biennale has published a list of events around Venice during the opening three days of the biennale. Below is a list of collateral events not to be missed if you're in Venice. Thursday, 6/5/2014 10am-7pm Venice Biennale - Opening Preview - Rem Koolhaas - Fundamentals Location: Giardini and The Arsenale 10am-7pm OfficeUS: Storefront for Art & Architecture Location: U.S. Pavilion, Giardini 4:30-7pm Hans Ulrich Obrist's Marathon Location: Swiss Pavilion 6:30pm Liz Diller's Culture Shed talk Location: Swiss Pavilion Friday, 6/6/2014 10am-7pm Venice Biennale - Opening Preview - Rem Koolhaas - Fundamentals Location: Giardini and The Arsenale 10am-7pm OfficeUS: Storefront for Art & Architecture Location: U.S. Pavilion, Giardini 10:00am Zaryadye Exhibition Press Preview Location: Santa Maria della Pieta 11:00am Zaryadye Panel Discussion - Charles is speaking! 'Polis 21" Public Space and The Urban Commons Location: Santa Maria della Pieta 1:00pm Zaryadye Exhibition Preview Location: Santa Maria della Pieta 7pm-12am Charles' Birthday Party! Location: The Peggy Guggenheim Collection 12am BIG Biennale Rooftop Party (Bjarke Ingels Group) Location: Calle del Cafetier 287 30124, Venice Saturday, June 7th The Biennale opens to the public. You may purchase tickets and find useful information to the Biennale here. Other sites to check out: Palazzo Grassi - A beautiful Doug Wheeler awaits you. Also wander through this exquisite Palazzo dodging through video rooms and emerging the other side, viewing slightly self conscious contemporary art and an Irving Penn exhibit at the top. Punta della Dogana - The Tadao Ando converted space greets you with more of the of the moment Pinault Lite fare - worth a wander through this architecturally contrasted space. Sebastiao Salgado, Casa dei tre Oci Prada Fondazione; Preview 4th June, Ca Corner della Regina, Calle Corner, 2215 - a sound exhibit.
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2014 Venice Biennale kicks off with a major off-site presence

AN is already in Venice preparing an edited list of the best of the 2014 Venice Architecture Biennale. The biennale in years past was confined to the spectacular Arsenale and the pavilion-filled giardini (some of the pavilions were designed by Carlo Scarpa), but one of the big changes in the past two biennials is the number of off-site events, pavilions, and installations that now participate in the architecture fair. For the first time the official biennale has published a listing of the considerable number of ancillary events around Venice. But arriving here we discovered that there are many more events taking place than are officially listed on the biennale website. For example, in the Serra dei Giardini and in the Cini-Venier Naval Institute, the Swedish art and architecture residency program, Botkyrka Konsthall, opens the Fittja Pavilion. The pavilion artists are presenting work inspired by the philosopher and farmer Masanobu Fukuoka in their thinking about how a new arts institution can be built through the element of chance and unexpected encounters. This garden installation includes New Yorker Lind Roy. The organizers are reevaluating the architecture and city planning of the 1960s and 1970s Sweden, a fascinating exercise (one we should be doing in New York) that shows why the biennale is still the most energizing and intellectually-challenging event on the architecture calendar. If you cannot make to to Venice, follow the biennale right here on the AN website.
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Calatrava Must Pay: Spanish Architect Loses Latest Legal Saga

Santiago Calatrava has been ordered by a Spanish court to pay $4 million for problems plaguing a municipal building he designed in Oviedo in Northwest Spain. While the final fee is lower than an initial ruling, such legal problems have become something of an unfortunate calling card for the Spanish architect. The Palacio de Congresos de Oviedo was completed in 2011 and features the soaring forms and white ribs that tend to populate Calatrava's work. The suit stems from issues involving the construction of the building as well as the project's final budget, which exceeded original estimates. Calatrava's fairly loose interpretation of budgetary restrictions has come under fire throughout the architect's prolific career. He is also in the midst of a legal battle regarding an opera house in Valencia whose final cost of $455.6 million—four times greater than its original budget—was not enough to ensure structural stability for more than a decade. Part of Valencia's City of Arts and Sciences that the architect had a major role in designing, the concert hall is the biggest fish in a sea of problems besetting the complex. Practicality has also not always been a strong suit for the architect. Bridges in Venice and Bilbao have both developed reputations for the extreme slipperiness among other issues. An airport he designed for the latter city was found lacking in a sheltered arrivals hall, a problem that Calatrava himself was forced to remedy. And the list continues. Assuming all goes according to plan, by 2015 New Yorkers will be able to witness what may be the zenith of the troubled beauty that has come to define Calatrava's works. The World Trade Center Transporation Hub represents his avian aesthetic at its most striking. However, the project's completion date is six years behind schedule, while its initial budget of $2 billion has since swelled to $4 billion.