Three graduate design students at the University of Pennsylvania—Daniel Lau, Joseph Rosenberg, and Lindsay Rule—have claimed the top spot in AECOM’s sixth annual Urban SOS competition. Their project, called The THIRD Reserve, is an urban landscape concept that would, in theory, allow Singapore's food production system to become self-sufficient. The team takes home $7,500 in prize money and has access to up to $25,000 to support the project. Encouraging cross-disciplinary thought to deal with contemporary urban issues, the Urban SOS program aims to provide design education and strives to help communities in need. Co-organized by AECOM, Van Alen Institute, and the Rockefeller Foundation's 100 Resilient Cities (100RC), this year’s “All Systems Go” brief asked students to develop site-specific ideas to solve urban food/water systems in one of the 100 Resilient Cities locations. With juries in twenty offices worldwide, AECOM chose three finalist teams, later ordered by a final jury comprising design leaders from AECOM, Van Alen Institute, 100 RC, and AN's own West Coast Editor Mimi Zeiger. “Making cities more resilient to change is core to what we do at AECOM," Michael S. Burke, AECOM chairman and CEO, said in a statement. “We believe that tomorrow’s cities will require holistic, integrated thinking—like that advanced by UrbanSOS participants in this competition—to prepare for the challenges ahead and to prioritize for the long-term what projects they pursue, develop and fund." In second place, Bennett Lambert and Elizabeth Reed Yarina from MIT took home $5,000 for their scheme, WATERPOWER, in Quito, Ecuador. Third prize went to Michel Liang from Berkeley City College, Pin Udomcharoenchaikit from University of the Aegean, and Sunantana Nuanla-or and Jacky Wah from Louisiana State University. Their proposal for CANAL SOS in Bangkok, earned $2,500. “This year’s entries were particularly strong and deep, coming from universities around the world,” Bill Hanway, competition chair from AECOM, said in a statement. “We commend all of the finalists and all of the entrants for their efforts and innovative thoughts on improving urban communities and their commitment to practice cross-disciplinary design.”
Posts tagged with "Van Alen Institute":
After a ten-month competition in which four teams proposed schemes in Northeastern national parks: Paterson Great Falls National Historical Park (Paterson, NJ); Sagamore Hill (Oyster Bay, NY); Steamtown National Historic Site (Scranton, PA); and Weir Farm (Wilton, CT), the Van Alen Institute has finally announced the winner. Each submission, as outlined by the competition, had to focus on attracting new audiences and engaging younger generations with natural landscapes and historical contexts. With funding from the National Parks Service, the teams were able to realize their ideas. The victors, "Team Paterson" who submitted their proposal for Paterson Great Falls National Historical Park, presented a plan that connected immigrant communities and their restaurants to Great Falls. The project, called "Great Falls, Great Food, Great Stories," used food as a vehicle to bridge the history and environment of Great Falls with modern day life in Paterson. The project finishes with a tour from park staff, eventually leaving the park and entering local restaurants for a communal meal. Such was the success of the competition that the Van Alen Institute was able to draw "Six Great Ideas for Connecting Parks to New Audiences" using each project. The institute claims that "these ideas can be used by NPS for similar sites across the country as well as municipalities, advocates, and others who are invested in the future of parks, historic sites, managed landscapes, and many other types of landscapes." "We're thrilled with the wide range of proposals for visitor experience strategies that the four teams developed," said Shaun Eyring, Northeast Region Chief of Cultural Resources, National Park Service. "This competition has helped the National Park Service assemble a toolkit of design and programming solutions that can highlight the rich resources all of our parks have to offer in a way that attracts a much broader, more varied audience." "Van Alen Institute competitions explore unconventional ways that people can engage with their environments," said David van der Leer, executive director of Van Alen Institute. "National Parks Now pushed both designers and park staff to break from their traditional understanding of parks and reimagine what types of experiences a park could provide for the visitor of the future."
Hot Tub Design Machine: New York’s Van Alen Institute launches its annual auction of out-of-the-box architectural experiences
If you have ever longed to explore nature with your favorite architect or discuss the built environment in your bikini, now you'll have the chance. Well, for a few bucks, but in the good name of architecture. The Van Alen Institute has launched its online auction of Art + Design Experiences to coincide with its Spring Party, going down this Wednesday in Lower Manhattan. The auction list boasts exclusive and out-of-the-box experiences with top critics, famed architects, and professionals in the arts and design fields. Some of the more compelling items, or activities, to bid on, include: —A Fire Island hot tub roundtable with architect Charles Renfro at his mid-century modern beach house. —Testing the smoke ring generator at Copenhagen’s new waste-to-energy power plant with Bjarke Ingels. —A helicopter ride on Norman Foster's personal helicopter through London’s skyline, including the architect’s own icons. —A bird watching expedition in an iconic urban park with Jeanne Gang. —Joining Sotheby’s chairman Lisa Dennison for her daily salon blowout ritual as she offers tips on building a blue-chip art collection, followed by a personalized tour of MoMA's permanent holdings. Visit the auction site to check out and bid on the offerings. Bidding closes on Wednesday, May 20. Get your digital paddles ready.
Van Alen and National Park Service select finalists to re-imagine visitor experience at national parks
The Van Alen Institute and the National Park Service (NPS) have announced four finalists in their competition to modernize visitor experience at four national parks. While the National Parks Now competition aims to "[design] the 21st Century National Park experience,” it’s about more than launching an app or two and boosting WiFi signals. Each interdisciplinary team—which is comprised of young architects, landscape architects, graphic designers, urban planners, branding experts, engagement specialists and educators—was handed a $15,000 stipend to develop strategies to connect national parks with a new generation of visitors. This includes launching hands-on workshops, self-guided tours, interactive installations, engagement campaigns, and developing tools to give the parks a larger, and more diverse, audience. The strategies would be implemented at one of four New York City-area parks: Sagamore Hill National Historic Site in Oyster Bay, New York, the estate of President Theodore Roosevelt; Steamtown National Historic Site in Scranton, Pennsylvania, a monument to the steam locomotive; Paterson Great Falls National Historic Park in Paterson, New Jersey, a birthplace of American textile manufacturing; and Weir Farm National Historic Site in Ridgefield, Connecticut, the summer estate of artist Julian Alden Weir. Next spring, one team will be crowned the winner and be given an additional $10,000 to implement one of its strategies over the summer. That prototype will serve as a model for the NPS as it celebrates its centennial in 2016. “As we look back at the 100-year legacy of the National Park Service, it’s also a perfect time to look creatively at the visitor experience at several select park units and consider new ways to share park stories and respond to audience needs," Gay Vietzke, the deputy regional director of the NPS Northeast region, said in a statement. “National Parks Now is a truly innovative—and necessary—effort to ensure national parks are relevant in the 21st century.” More on each team, and their individual proposals, courtesy of the Van Alen Institute. Sagamore Hill:
According to the Van Alen Institute: Team Wayward / Projects is led by Putri Trisulo with Prem Krishnamurthy, Katie Okamoto, Alfons Hooikaas, Ben DuVall, Heather Ring, Amy Seek, Thomas Kendall, and Jarred Henderson. Their project, OKParks!, will create a symbiotic partnership model capitalizing on the existing audiences and curatorial resources of prominent cultural institutions to reinterpret histories and reinvigorate Sagamore Hill.Steamtown:
According to the Van Alen Institute: Led by Abigail Smith-Hanby of FORGE with Ashley Ludwig, Andrew Dawson, Max Lozach, and CJ Gardella. Team FORGE proposes to weave together stories and information in order to root Steamtown within the larger American cultural landscape.Paterson Great Falls:
According to the Van Alen Institute: Led by Manuel Miranda of the Yale School of Art with Frances Medina, Mariana Mogilevich, Valeria Mogilevich, June Williamson, and Willy Wong. The team will explore retrofitting the park to engage the city, retelling the site’s history to engage contemporary audiences, and representing the site to new publics.Weir Farm:
According to the Van Alen Institute: Led by Aaron Forrest of the Rhode Island School of Design and Principal of Ultramoderne with Yasmin Vobis, Suzanne Mathew, Noah Klersfeld, Dungjai Pungauthaikan, and Jessica Forrest. The team will look at introducing site-specific, contemporary artistic practices to Weir Farm in order to develop new perspectives on the site and the region’s history and ecology.
To commemorate its 120th anniversary, the Van Alen Institute is opening a new street-level space in New York City next Tuesday. The space, designed by Collective–LOK and located at 30 West 22nd Street, functions as a programming hub, event space, and gallery. Collective–LOK is a collaboration between Jon Lott (PARA-Project), William O’Brien Jr. (WOJR), and Michael Kubo (over,under). The team's proposal, called "Screen Play," won the Institute's 2013 Ground/Work competition, which received over 120 design submissions. "Titled Screen Play...is a highly flexible space utilizing a subtle interplay of surfaces and screens to allow for the diverse range of uses demanded by the activities of the Institute, from multimedia exhibitions and lectures to workshops and private meetings," Van Alen said in a statement. "Each changing function of the bowtie-shaped floor plan will be partitioned by silver accordion walls and a series of four semi-transparent curtains that descend from discreet tracks embedded within the perforated metal mesh ceiling." The opening of this street-facing space comes as the non-profit works to broaden its audience in New York City and build its online presence. The Institute has recently adopted a new visual identity designed by Bruce Mau Design and is set to launch a new website by Helios Design Labs and Laurel Schwulst. The new space kicks off with Elsewhere: Escape and the Urban Landscape, a multi-year initiative that will explore "escape in the urban environment." A public celebration for the opening will be held on December 12 at 10:00p.m.
The summer is officially over, folks. The beaches are closed, the sun is switching to its seasonal, part-time schedule, and your coworkers are drinking Pumpkin Spice Lattes again. There is no ignoring an inevitable truth: winter is coming and there is nothing you can do about it. Well, if you live up north that is. You could move to Florida, but beyond that, there is nothing you can do about it. For those of us stuck in New York City this holiday season, it's not all bad news. We will soon be able to feast our frostbitten eyes on a new public art installation in front of the Flatiron Building. Today, the Flatiron Partnership and Van Alen Institute announced that New York Light, an installation by architect and designer INABA, has won their first-ever Flatiron Plaza Holiday Design Competition. INABA’s angled structure, which is made of mirrored panels and steel tubes, will frame the Flatiron Building on the south and open up to the Empire State Building to the north. At night, New York Light, it will be illuminated by LEDs. “The Flatiron Plaza is one of the few places where it’s possible to truly experience the magnificence of Manhattan’s urban plan. And it’s a unique spot in the heart of the city where the sky and skyline can be seen from street level,” said Jeffrey Inaba, the founder of INABA, in a statement. “The installation is meant to be a place to take in these qualities, as well as to appreciate all of the street activity day and night through its many reflective panels.” New York Light will open before Thanksgiving and run for one month. Tillotson Design Associates, Ben Gal Fierro, and Buro Happold collaborated with INABA on the project.
Earlier this month, the Van Alen Institute announced Future Ground, an international design competition that is hoping to attract fresh strategies for reusing the many vacant lots that dot New Orleans. The competition is seeking submissions from landscape designers, architects, planners, public policy wonks, and pretty much anybody in the business of shaping urban environments and is supported by the New Orleans Redevelopment Authority (NORA), which owns more than 2,000 vacant lots. There are somewhere around 30,000 empty lots and abandoned structures throughout New Orleans today, most of them left by Hurricane Katrina, which devastated the city in 2005. As the 10-year anniversary of the storm approaches, Future Ground is looking to create design and policy strategies capable of adapting to changes in density, demand, climate, and landscape in New Orleans over the next half-century in an effort to turn these abandoned landscapes into lasting resources. NORA is currently working with New Orleans–based landscape architecture firm Spackman Mossop Michaels to develop land use strategies to reduce maintenance on many of its vacant lots. The firm's principals, Elizabeth Mossop and Wes Michaels—along with Richard Campanella of Tulane University, Renia Ehrenfeucht and Marla Nelson of the University of New Orleans, and Allison Plyer of The Data Center—are serving on the competition's Futures Team. "Some of this land might not be developed for a long time. It's important that the teams we select are not just looking at solutions for now, but for 10, 20, 50 years from now," said Jerome Chou, director of competitions, Van Alen Institute. "They need to be flexible, accommodate future needs, changes in the climate, and shifting development pressures. That's what the Futures Team is going to help us do. They will be working on potential scenarios of how the city might change over the next half century. It's obviously not set in stone, but thinking through those scenarios can help us tell residents, government officials, and philanthropists 'here's what's possible.'" Winning teams will be selected from an international open RFQ process. Applications are due by September 29, 2014, and will be evaluated by a jury of local design and policy leaders, as well as representatives of other cities with land reuse problems of their own, including Dan Kinkead of Detroit Future City, and Terry Schwartz of the Cleveland Urban Design Collaborative. Each winning team will be given a $15,000 stipend and will be asked to work closely in a six-month collaborative process with local stakeholders and national leaders. The goal is to bring small, incremental improvements to individual neighborhoods as well as the city as a whole; to develop policy that bolsters beneficial design strategies; and to make these strategies good enough to be sustained into the next generation. The Van Alen Institute will help out the selected teams to make up for the modest figure of the stipend by promoting their work nationally and internationally and developing networks.
There's a game of musical chairs and commissioners happening in New York City politics right now. With former Board of Standards and Appeals (BSA) chair Meenakshi Srinivasan now heading the Landmarks Preservation Commission (LPC), Mayor de Blasio has nominated Margery Perlmutter to fill the vacant role. Perlmutter—who would go to the BSA from the LPC where she is a commissioner—is a registered architect and a lawyer who focuses on land-use issues. The mayor also announced two new picks for LPC commissioners including Adi Shamir Baron, the former executive director of the Van Alen Institute, and John Gustafsson, chairman of the Board of the Historic House Trust of New York City.
This week in Venice, the New York–based Van Alen Institute convened a group of leaders at 13 top architecture firms to brainstorm ideas that will guide the non-profit institution with an increased international perspective. The group will meet twice a year "to identify and investigate issues facing cities internationally, and to guide the impact of the Institute’s public programming, research, and design competitions," according to a press release from Van Alen. The goal is to find topics that the institute can explore more deeply in its ongoing efforts such as Elsewhere: Escape and the Urban Landscape exploring our relationship with urban life. "We are excited to elevate our work to an increasingly global perspective with the rigorous thinking and participation of the International Council," David van der Leer, executive director of Van Alen, said in a statement. "I’m honored to begin with such a stellar list of participants, and I look forward to watching this community strengthen as a meaningful international network over the coming years." The list of firms participating this year includes: Chris Bosse, Tobias Wallisser, and Alexander Rieck of LAVA; Andrew Bromberg of Aedas; Carl Bäckstrand and Monica Von Schmalensee of White Architecture; Jay Berman of Pei Cobb Freed & Partners; Craig Dykers and Elaine Molinar of Snøhetta; Jonas Edblad and Gert Wingårdh of Wingårdhs; Christophe Egret and David West of Studio Egret West; Johanna Hurme and Sasa Radulovic of 5468796 Architecture; Tom Kundig and Alan Maskin of Olson Kundig Architects; Brent Linden of Allied Works Architecture; and Kim Herforth Nielsen of 3XN. The council is chaired by Kai-Uwe Bergmann of BIG. "The International Council is a great platform to generate conversation around key urban questions with a truly global perspective, and I’m glad to see Van Alen bringing together expertise at this scale," said Bergmann in a statement. "I’m pleased to have the opportunity to push it forward as Council Chair."
Brooklyn-based Young Projects have been announced as the winner of the annual competition to design a Valentine's Day themed installation in Times Square. Times Square Arts, the wing of the Times Square Alliance responsible for public art programs, worked with the Van Alen Institute to select this year's design, which will go on display in early February. In the proposed scheme, dubbed Match-Maker, visitors position themselves at one of the twelve distinct viewing points corresponding to their own zodiac sign. By peering into the pink periscopes that create the heart-shaped structure the viewer is visually connected to the four most ideal mates amongst their fellow participants as dictated by astrological correspondence. Fittingly for a holiday that often produces drastically different emotional reactions, the installation's form is elusive and shifting. At times it reads as a fully-formed heart while from other vantage points it appears to be a jumbled mass. Young Projects join Situ Studio (2013); BIG (Bjarke Ingels Group) (2012); Freecell (2011); Moorhead & Moorhead (2010); and Gage / Clemenceau Architects (2009) as firms to have won the competition. The heart will remain installed through mid-March.
The Van Alen Institute, a non-profit organization devoted to public realm improvements in New York City, has announced Collective-LOK as the winner of its Ground/Work competition. The winning team—a collaboration between Jon Lott (PARA-Project), William O’Brien Jr. (WOJR), and Michael Kubo (over,under)—was selected from a pool of over 100 applicants, and beat out two other finalists: Of Possible Architectures and EFGH. The competition called on designers to re-imagine the ground floor level to accommodate new offices, bookselling platform, galleries, and event and programming space. Collective-LOK’s proposal uses a variety of screens to keep the space flexible and open: “To accommodate this range of possibilities within a limited square footage, we propose a Screen Play; a mechanism to order these spatial, curatorial, and temporal scenarios through a subtle interplay of surfaces that creates a complex and ambiguous presence in the city.” Next year marks the 120th anniversary of the institute, which has a long history of research, competitions, and programming, and will now gear up to refocus its efforts on consulting and implementing public realm programs.
New York City's Van Alen Institute (VAI) is turning 120 next year, and to celebrate, the institute is taking its message of inspired architecture and urbanism to the street. The storefront space on West 22nd Street has been home to the institute's popular LOT-EK–designed bookstore and event space, organized around a stack of bleachers made from reclaimed wooden doors painted highlighter yellow. VAI's new director, David van der Leer, is tackling the redesign and expansion of the sidewalk space to maximize the organization's public visibility as it evolves its mission into the 21st century. Three finalists—Collective-LOK, EFGH Architectural Design Studio, and Of Possible Architectures (OPA)—were selected from over 120 respondents to VAI's "Ground/Work" competition earlier this year, and now their schemes have been revealed. EFGH Architectural Design Studio Hayley Eber, Frank Gesualdi, Spencer Lapp, Pat Ruggiero, and Ani Ivanova. Project statement from the Van Alen:
A microcosm of the space of the city, the new Van Alen Institute is imagined as a container for dynamic life. As an institution committed to the expansion of the definition of “public architecture” and the processes that shape the public realm, the VAI needs a home that embodies that ambition. Recognizing the dramatic proportions of the existing site as an opportunity, the proposed new Ground/ Work space turns a long skinny ground floor volume into a virtue: it maximizes the street level space, creating a single room - a large “grand hall” - that strives to reach the scale of the street, and extend the life of 22nd Street into the heart of the Institute. Through the easy manipulation of three mobile components in the space, The Media Wedge, The Bleacher and the Hinge Table, the VAI can be radically transformed by a few employees in a short amount of time. When one asks “What is the new space of the Van Alen Institute; A Workspace, Exhibition space, Lecture Hall, Book/ Media Outlet, Public Forum, Conference space, Performance Space or Party space?” The only suitable answer is All of the Above.View more information on the proposal at the Van Alen website. Collective-LOK Jon Lott, William O’Brien Jr., and Michael Kubo Project statement from the Van Alen:
The new institutional home of the Van Alen has to be many things at once. The brief requires curatorial flexibility for a breadth of public programming including exhibitions, lectures, reading groups, and book launches; a comfortable and efficient office environment for different scales and modes of work ranging from formal to casual; a framework that can grow to include the second floor and basement as the institution expands in the future; and a mobile street seat that will bring the Van Alen’s mission into the urban realm. To accommodate this range of scenarios within a limited square footage, we propose a Screen Play: a mechanism to order these spatial, curatorial, and temporal scenarios through a subtle interplay of surfaces that creates a complex and ambiguous presence in the city. The project proposes five strategies of screen play to enable and give shape to the broadest possible range of uses.View more information on the proposal at the Van Alen website. Of Possible Architectures Vincent Appel, Ethan Lay-Sleeper, Jaime Magaliff, Paul Miller, Heather Murtagh, Franklin Romero Jr., and Emily Ruopp, in collaboration with Jay Atherton. Project statement from the Van Alen:
The VAI has developed a legacy of architectural projects through competitions and commissions. The Van Alen Stairs, inspired by the TKTS Steps, capture this legacy most succinctly. The Stairs achieve an architecture of relational tectonics. We have identified relational tectonics as the dimension of architecture which intentionally provokes relationships between people, their behavior, and their environment...For the next iteration of the Van Alen Institute, we propose a translation of the Van Alen Stair into the Van Alen Table. The dimensions of the Table are precisely calibrated to the VAI's space. The Table allows for the full gradient of programs to easily expand and contract along, around, and in between its 70' length. This table presents those using it — whether reading, lounging, working, etc. — in a way that is both comfortable, natural, and uncanny. The experience is just off-center from typical expectations.View more information on the proposal at the Van Alen website. The public is invited to weigh in on their favorite designs through September 10, which will be evaluated by a jury later this month. The competition jury includes Stephen Cassell (Architecture Research Office), Winka Dubbeldam (Archi-tectonics), Mark Gardner (Jaklitsch/Gardner Architects), Mark Robbins (International Center of Photography), Ada Tolla (LOT-EK), Marc Tsurumaki (LTL Architects), David van der Leer (Van Alen Institute), and Marc Kushner (Hollwich Kushner). The winning design team will be announced in late September and construction is expected to begin by the end of the year.