If a whole flock of ghostly animals starts appearing in downtown New York this fall, don't panic. It’ll just mean that the public picked Chris Shelley’s design “…of special concern” as a winner in the Buildings and Cultural Affairs Departments' urbancanvas competition, which solicited ideas for decorating the construction fences, sidewalk sheds, scaffolding and cocoons that act as eyesores on seemingly every New York City street. From today through October 1, you can vote for your favorite of the eight finalist designs, whittled down by a professional jury from a starting pool of over 700 entries, with the most popular four selected to appear around the city later this fall. The range of design strategies is broad, with Jen Magathan’s trompe-l'oeuil sky in “My Urban Sky" making buildings disappear, and Mauricio Lopez and Jesse T. Ross’s kaleidoscopic "Color Mesh" making them jump out from the streetscape. Shelley’s design adds an unusual interactive component, pairing the silhouettes of five local endangered species with a bar-code panel on the corner of the screen. When a visitor scans the bar code with her iPhone, it will take her to a website with the full endangered species list. After voting closes, property owners, contractors and businesses will be allowed to select a design from the four winners and print it on any temporary protective structures installed on City-owned property. (They also have the option of printing their construction screens with an image of the project being built, but where’s the fun in that?)
Posts tagged with "UrbanCanvas":
Construction may not be expected to pick up until next year, but the city is already prepping for it with the UrbanCanvas program, for which registration closes Monday. The Department of Buildings and Department of Cultural Affairs are seeking out designers and artists to create new scaffolding, fencing, and other otherwise unsightly construction protections, of which there are nearly 1 million linear feet. If that's not enough, ArtBridge, a Chelsea non-profit, is pursuing a similar program, albeit just with the overhead scaffolding—which are also due for a redesign—though ArtBridge submissions are due tomorrow, so get cracking. And should you be not a designer but a building, or more accurately empty lot, owner looking an alternative way to dress up your site, consider Woods Bagot's Icebergs. As the firm describes them:
The design uses a modular and reusable steel frame, wrapped in translucent polycarbonate panels at grade and topped by infl ated pillows of super-lightweight ETFE (ethylene tetrafluoroethylene). One-tenth the weight of a conventional taxpayer building and able to be erected and dismantled in days, Icebergs deliver speed to market, reduce labor costs, and minimize future development hurdles. Icebergs achieve these economies by optimizing two of earth’s most affordable materials: air and light. The translucent roof is made of self-cleaning polymer sheets, one percent the weight of glass, and air-filled to form rigid “pillows”. These pillows are supported by “air beams”—used in airplane emergency slides and lightweight tents—to create the iconic pyramid forms that shed rain and snow.The Icebergs could transform hundreds of vacant sites here and around the world into events spaces. It's a great idea. Until the buildings comes back. Which can't come soon enough.